David C. Nichols

In this romantic comedy of mistaken identity, Oscar Novak (Matthew Perry) and Peter Steinberg (Oliver Platt) are a pair of struggling but talented Chicago architects given the chance of a lifetime: Charles Newman (Dylan McDermott), an extremely wealthy business tycoon, is considering hiring them to design a multi-million dollar cultural center. However, Oscar and Peter aren't the only ones who've been asked to contribute ideas for the project; Decker and Strauss (John C. McGinley and Bob Balaban), two highly successful designers that Oscar and Peter used to work for, have also been approached by Newman, who thinks that a competition between the two teams would be good fun and good press. Oscar is determined to show his dedication to the job, so when Newman asks him to start keeping tabs on his girlfriend Amy (Neve Campbell), he's happy to oblige. Oscar proves a sad excuse for a private eye, and finds himself falling in love with the woman that he's supposed to trail. To complicate matters, Charles gave Oscar the assignment because he was sure that Oscar is gay, and he hasn't been shy about telling people; soon Amy is convinced, along with most of Chicago. And while Oscar doesn't want to upset Newman, he also doesn't want to start living a lie, especially one that would keep him away from the woman he loves. So when Oscar is named Chicago's Gay Professional of the Year, what's a (straight) guy to do? Three to Tango features such familiar TV faces as Matthew Perry from Friends, Neve Campbell from Party of Five, and Dylan McDermott from The Practice. ~ Mark Deming, All Movie Guide

A teacher belatedly discovers just how important his job really is in this emotional drama. Glenn Holland (Richard Dreyfuss) is a man with a deep love of music and a desire to write at least one piece of lasting significance. However, playing piano in cocktail lounges while he works on his own compositions doesn't pay the bills, so in 1965 he reluctantly accepts a job as a high school music teacher. Over the next 30 years, Holland is able to teach a great deal about both music and life to thousands of kids who pass through the various classes he leads and school bands he directs; however, he finds it easier to reach his students than his son Cole (played, as he grows older, by Nicholas John Renner, Joseph Anderson, and Anthony Natale), who is deaf, which drives a wedge between Glenn and his wife Iris (Glenne Headly). Richard Dreyfuss earned an Academy Award nomination as Best Actor for Mr. Holland's Opus; the cast also includes Olympia Dukakis, William H. Macy, and Jay Thomas. ~ Mark Deming, All Movie Guide

Airheads is a variation on Dog Day Afternoon, as well as a comic look at the trials and tribulations of both the music business and Generation X. A hapless rock trio consisting of Chazz (Brendan Fraser), Rex (Steve Buscemi), and Pip (Adam Sandler) hits a brick wall with their attempts to get their demo tape played by record label executives. Chazz, on the edge since being thrown out by his girlfriend (Amy Locane), decides it's time to take more serious action, and he leads his bandmates on a mission to invade the local "alternative" rock station, KPPX, and hold it hostage to get the band's tape played on the air. The station staffers don't realize that they're being held with a water gun, and when they finally agree to play the tape, it gets eaten up by a faulty machine. ~ Don Kaye, All Movie Guide

The owner of an aircraft salvage company (Viggo Mortensen) is reported killed in a crash. However, his wife (Andie MacDowell) knows better, and she decides to find him and his secret bank accounts. She travels around the world, and winding up in Cairo, she meets Liam Neeson, who helps her uncover her husband's smuggling scheme. ~ All Movie Guide

In a remote branch of the Brazilian Amazon, Americans Lewis (Tom Berenger) and Wolf (Tom Waits) are stranded when their plane runs out of gas. They are kept company by an evangelist missionary (John Lithgow) and his wife (Darryl Hannah). The preacher and his followers want to preach to the primitive Niaruna Indians, while others are interested in the Niaruna for more diabolical reasons-specifically, business concerns that would like to claim the Indians' land for development. The local police chief cuts a deal with the mercenaries Lewis and Wolf: if they will agree to bomb the Niarunas out of existence, they will be paid enough money to leave the country. Instead, Lewis, part Native American himself,aligns himself with the Niarunas. From this moment on, he and the tribe are doomed. A long-standing pet project of producer Saul Zaentz, At Play in the Fields of the Lord was adapted from the best-selling novel by Peter Matthiesen. ~ Hal Erickson, All Movie Guide

Horror maven Wes Craven attempted a slight change of pace from his usual slasher movie milieu with this chiller loosely based on a true story. Bill Pullman stars as Dennis Alan, a Harvard researcher sent to Haiti by a pharmaceutical company to investigate the zombie legend and any possible connection it might have to a rumored drug that could be used as a new breed of powerful anaesthetic. Once on the Caribbean isle, Alan is aided by a good voodoo priest or "houngan" (Paul Winfield) and his daughter (Cathy Tyson), who runs a local clinic. Alan's search also pits him against an evil houngan, Dargent Peytraud (Zakes Mokae). Peytraud also controls the Tonton Macoute (the Haitian secret police), who are involved with soon-to-be-deposed dictator "Baby Doc" Duvalier. The Serpent and the Rainbow was based on the book of the same name by Wade Davis, an ethnobotanist whose real-life hunt for the zombie drug was credited with cracking the medical mystery behind the myth. ~ Karl Williams, All Movie Guide

An unexpected late-1986 box-office hit, Hoosiers tells the true story of a group of underdogs who become champions. Set in the 1950s, Hoosiers is about a hard-luck, unemployed college basketball coach (Gene Hackman) who gets a chance to coach a small-town Indiana high-school basketball team. Facing resentment from the community and the team itself, Hackman manages to inspire his young athletes, leading them to the state championship with the help of the assistant coach (Dennis Hopper), who happens to be a recovering alcoholic. ~ Stephen Thomas Erlewine, All Movie Guide

Reckless is the word for rebellious teenaged Johnny Rourke (Aidan Quinn). With a drunken dad and a police-blotter rap sheet as long as his arm, Quinn pursues an "impossible" romance with Tracey Prescott (Daryl Hannah), a girl from a wealthy, highly respected family. Tracey is thrilled at the prospect of kicking over the traces with Johnny, and soon proves to be as big a hellraiser as he is....if not more so. Reckless was written by Chris Columbus, just before he hit pay dirt with Gremlins and The Goonies. ~ Hal Erickson, All Movie Guide

Los Angeles is the playing field for producer/ writer/ director Bobby Roth's Heartbreakers. Peter Coyote and Nick Mancusco play a couple of thirty-something holdovers from the 1960s. Coyote is an artist specializing in S&M poses, while Mancusco is heir apparent to a large garment-manufacturing firm. Curiously, it is the hedonistic Coyote who desires a lasting relationship with a woman, while the "conservative" Mancusco is dedicated to the proposition of one-night stands. Carol Laure and Carol Wayne are the ladies who strain Coyote and Mancuso's friendship--and in so doing, force both arrested adolescents to do some growing up. ~ Hal Erickson, All Movie Guide

In this surprisingly chaste and some would say bland movie, car clubs in East L.A. with their low-riding, decorated, custom vehicles provide the background for gang rivalry and a blossoming romance between Beto (Fernando Allende in his first English-speaking role) and the blonde newcomer to the neighborhood, Kim (Dawn Dunlap). ~ Eleanor Mannikka, All Movie Guide

Paul Schrader's directorial debut examines the trials of Detroit autoworkers living at the mercy of a heartless corporation and a corrupt union. Surviving from paycheck to paycheck, Checker Cab assembly linemen Zeke (Richard Pryor), Jerry (Harvey Keitel), and Smokey (Yaphet Kotto) scrape by and take pleasure in a few rounds of beer or bowling (and occasional illicit amusements). But when their money troubles pile up, Jerry and Smokey join Zeke in a desperate plan to steal cash from their local union office. Along with a piddling $600, they unexpectedly swipe evidence of union corruption. Deciding to use it for blackmail, the men discover instead how powerfully malevolent the union can be in a system that counts on petty divisiveness to keep the larger power structure intact. Inspired by stories of real-life disillusionment, Schrader and his brother/co-writer Leonard Schrader took on politically difficult issues of race and corporate labor, infusing the indictment of unions with a suggestion of post-Watergate paranoia about forces beyond the union that keep workers in their place. From the opening sequence of the assembly line to the final evocative freeze-frame, Schrader maintains an atmosphere of gritty realism, with the lead trio lending low-key dramatic force to a situation beyond their control. Too downbeat for a late '70s audience increasingly drawn to happier fare, Blue Collar flopped, yet it did earn Schrader critical accolades. Although he has reportedly since disowned the film, Blue Collar remains one of Schrader's best works, with Zeke and Jerry powered by the same sense of simmering frustration that would explode so effectively in Affliction two decades later. ~ Lucia Bozzola, All Movie Guide

Martin Scorsese combined the splashy atmosphere of the old studio musical with an unromanticized marriage story in his valentine to Hollywood and the Big Band era. On V-J Day 1945, newly minted civilian saxophonist Jimmy Doyle (Robert De Niro) meets USO singer Francine Evans (Liza Minnelli) at a dance, but she rebuffs every advance that he makes. A day and a hotel lobby meeting later, Jimmy finally wins Francine over after she uses her pop instincts to save his too-jazzy audition at a nightclub. When she goes on tour with Frankie Harte (Georgie Auld) and his Orchestra, Jimmy tracks her down, taking a job with the orchestra to be with her. Together on stage, they make beautiful music; off stage they marry, but the struggle between two artists begins to take its toll. Unable to understand that Francine's needs and talents are just as important as his, and unwilling to compromise his music for security, Jimmy abandons Francine after their baby is born. Separately, the two succeed even more, as Francine becomes a music and movie star, while Jimmy has a top hit and opens a jazz club. When they are reunited several years later, the pair must decide if their relationship is worth another try. ~ Lucia Bozzola, All Movie Guide