Errol Morris
Filmmaker Errol Morris (Gates of Heaven, The Thin Blue Line) takes an unflinching look at the Abu Ghraib prison scandal while meditating on the frightening side effects of the War on Terror in a thought-provoking documentary from Participant Productions (An Inconvenient Truth). ~ Jason Buchanan, All Movie Guide
Shine director Scott Hicks documents a year in the life of prolific composer Philip Glass in order to explore the work that goes into creating a symphony and offer a detailed overview of his subject's remarkable career. Glass may be a composer whose name is virtually synonymous with the minimalist music movement, but one shouldn't be so quick to pigeonhole the composer. A musician who is outwardly confident and at times unpredictable, Glass works tirelessly to create a composition entitled Symphony No. 8 for orchestra, as well as an opera entitled Waiting for the Barbarians. Additional conversations with Glass's family and friends highlight how the composer is able to retain his creative spirit while simultaneously remaining a devoted family man. ~ Jason Buchanan, All Movie Guide
- Starring:
- Philip Glass
In an era where fact, fiction, and legend have become increasingly difficult to distinguish, Debbie Melnyk and Rick Caine set out to explore the politically charged climate in America and find out just how documentary director Michael Moore has evolved from a simple filmmaker into an icon of left-leaning politics. ~ Jason Buchanan, All Movie Guide
Former Secretary of Defense Robert S. McNamara is the sole focus of documentarian Errol Morris's The Fog of War, a film that not only analyzes McNamara's controversial decisions during the first half of the Vietnam War, but also his childhood upbringing, his education at Berkley and Harvard, his involvement in World War II, and his later years as president of the World Bank. Culling footage from almost 20 hours of interviews with the Secretary, Morris details key moments from McNamara's career, including the 1945 bombing of Tokyo, the Cuban Missile Crisis, and President Kennedy's suggestions to the Secretary that the U.S. remove itself from Vietnam. Throughout the film, the 85-year-old McNamara expounds his philosophies on international conflict, and shows regret and pride in equal measure for, respectively, his mistakes and accomplishments. ~ Michael Hastings, All Movie Guide
Bring the world's most popular film festivals home with this interactive video magazine that travels far north for the Toronto International Film Festival before heading to Chile to attend the Santiago Short Film Fest - all the while speaking with some of the most compelling filmmakers and allowing home viewers to check out the shorts that are setting the world of film ablaze. In addition to conversations with such acclaimed filmmakers as Jim Jarmusch and Errol Morris, this release also offers interviews with actor/singer Harry Connick, Jr., director Kevin Jordan, the complete festival shorts Desserts, When the Day Breaks, The Robber, Dolphins, previews for Ghost Dog, Onegin, East is East, and more. ~ Jason Buchanan, All Movie Guide
Throughout his work, documentary filmmaker Errol Morris has sought out characters lost in their own eccentric worlds, and he has managed to convey their sense of wonder with their passion, be it a topiary gardener arguing the merits of hand shears in Fast, Cheap & Out of Control (1997) or astrophysicist Stephen Hawking discussing the origin of the universe in A Brief History of Time (1992). In his most provocative work since The Thin Blue Line (1988), Morris details what happens when this interior dreamscape collides with the hard facts of history. As a young man accompanying his father to work at a state prison, Fred A. Leuchter, a bespectacled mouse of a man, learned how inefficient and inhumane most executions were, and he set out to design and build a better electric chair. Soon he began getting offers from state institutions throughout the country to redesign their electric chairs, along with gas chambers, gallows, and lethal injection machines. He quickly became a renowned expert in capital punishment. When the notorious Nazi sympathizer Ernest Zündel was arrested in Canada, he needed an expert witness to corroborate his assertion that the Holocaust was a hoax; and Leuchter soon found himself chiseling chunks from the gas chamber walls in Auschwitz -- on his honeymoon. His illegal samples showed no significant residue of cyanide, so he concluded that the Holocaust did not happen. He soon became a celebrity of the neo-Nazi set: he testified on behalf of Zündel, gave lectures around the world, and published the Holocaust revisionist tract Leuchter Report. Much to his surprise, his death-machine business began to flounder, his marriage collapsed, and he found himself pursued by Jewish organizations and creditors. This film was screened at the 1999 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide
- Starring:
- Fred A. Leuchter, Jr.
Innovative documentary filmmaker Errol Morris often finds a startling surreal edge in the midst of reality, seeking unique subjects, and discovering humor and pathos in odd, off-the-beaten-path locales. After Morris attracted attention with his memorable look at pet owners and pet cemeteries in Gates of Heaven (1978), he traveled into a backwash of quirky humor by filming Floridians in Vernon, Florida (1981). His controversial The Thin Blue Line (1988) helped free the innocent Randall Adams from prison. Morris ventured into drama with The Dark Wind (1991), and he also made a biographical profile of Stephen Hawking, A Brief History of Time (1992). Now Morris returns with a film he described as "four versions of the myth of Sisyphus." Four eccentrics talk about their seemingly diverse lives, interests, and offbeat occupations: Lion tamer Dave Hoover, following paths trod by his hero Clyde Beatty, offers some curious theories about wild animal thought processes; topiary gardener George Mendo clips hedges to create giraffes, bears, and other creatures; mole-rat specialist Ray Mendez researches the insect-like behavior of these hairless, buck-toothed mammals; robotics scientist Rodney Brooks assembles autonomous robots. Morris finds thematic connections relating the four. While Hoover and Mendo provide footnotes on the fading American scene, Mendez and Brooks look to the future. Contrasting viewpoints are edited into an essay on existence and the human condition, incorporating Morris' reflection on his recently departed parents. Morris and cinematographer Bob Richardson employed a variety of film formats -- black-and-white, color, 35mm, Super-8, and 16mm. ~ Bhob Stewart, All Movie Guide
Noted documentary filmmaker Errol Morris made his dramatic feature debut with this story about murder and other dirty dealings on an American Indian reservation. Recent college graduate Jim Chee (Lou Diamond Phillips) has just taken a job with the Navajo Reservation Police in Arizona, where he helps keep the peace with his superior Joe Leaphorn (Fred Ward) on land earmarked for joint use by Navajo and Hopi tribes. Cowboy Dashee (Gary Farmer), a sheriff from the Hopi law enforcement group, discovers a decaying and unidentified body in the desert, an event he thinks may be linked to a recent robbery at the reservation's trading post. The shop's Hopi manager, Jake West (John Karlen), is convinced that Joe Musket, a Navajo drug dealer and ne'er-do-well, is responsible, and as Chee and Leaphorn investigate the murder, the robbery, and a mysterious plane crash, they find themselves drawn into a web of corruption, prejudice, and deceit. Dark Wind was based on a novel by noted crime author Tony Hillerman. ~ Mark Deming, All Movie Guide
- Starring:
- Lou Diamond Phillips, Fred Ward, (more)
A Brief History of Time is based on cosmologist Stephen Hawking's 1988 bestseller of the same name. This anecdotal film concerns itself as much with Hawking's day-to-day life as it does with his unorthodox theories about the universe. Only the most close-minded viewer will be bothered by the ALS-suffering Hawking's physical appearance and his inability to move and speak without assistance (as narrator of the film, he utilizes a voice synthesizer, which he capriciously refers to as "my American accent"). Director Errol Morris inventively adopts a semi-dramatized approach to his interviews with Hawking's friends and relatives: they all appear in fabricated sets, and are lovingly photographed and lit as if they were starring in a film. Though of necessity a "talking heads" effort, A Brief History of Time is also cunningly and subtly cinematic. ~ Hal Erickson, All Movie Guide
- Starring:
- Stephen Hawking
Not many filmmakers can claim to have freed a convicted murderer from jail, but Errol Morris accomplished that feat with his stunning documentary about Randall Dale Adams. Morris, whose brilliant previous features Vernon, Florida and Gates of Heaven had focused on less substantial subjects, learned of Adams' plight when the director was in Texas in preparation for a film about a psychiatrist who testified in murder trials. In November 1976, after his car broke down on a road outside Dallas, Adams had accepted a ride from a stranger, David Harris. Harris was driving a stolen car, and when Dallas police officer Robert Wood pulled the two men over to check on the vehicle, Harris shot and killed Wood. A jury believed that Adams was the killer, thanks to the perjured testimony of Harris and the misleading accounts of two witnesses. A story about Adams on 60 Minutes helped to bring public attention to the case, but it was Morris' film, which contained extensive interview material with both Adams and Harris as well as stylized reenactments of the crime, that clinched the case for Adams' innocence. He was set free on March 15, 1988. Although Morris' film made many critics' top ten lists, it was unaccountably not nominated for an Academy award, raising doubts about the credibility of the Motion Picture Academy's nominating process in this category. ~ Tom Wiener, All Movie Guide
French director Jackie Raynal recounts her own experiences in the Big Apple in Hotel New York. We first find Ms. Raynal busy editing gay-oriented films. Her real-husband husband Sid Geffen portrays a film exhibitor, who introduces Raynal to his gay son (played by Gary Indiana--we're not making this up) in hopes that the two will form a relationship. Instead, Raynal marries Geffen, at which point the film's photography symbolically switches from bright color to depressing black and white. The monochromatic portion of the 60-minute Hotel New York was originally a separate short subject. ~ Hal Erickson, All Movie Guide
- Starring:
- Sid Geffen, Gary Indiana, (more)
For his second documentary feature, Errol Morris originally set out to chronicle Vernon, FL, because it had the highest rate of a particular sort of insurance fraud -- dismemberment performed for profit -- than any other place in the country. Nothing of that original idea survives in the film itself. Instead, Morris seems perfectly content letting the camera roll in front of the other eccentrics he found there, using his trademark approach of simply letting his subjects do the talking themselves. Many of them exhibit unusually close relationships to animals, including a turtle keeper, a worm farmer, and most memorably, an extremely enthusiastic turkey hunter. Other highlights include a sermon offering a close reading on the significance of the word "therefore" and a couple with a jar of sand from White Sands, NM, that they insist, thanks to radiation, has begun to multiply. ~ Keith Phipps, All Movie Guide
Documentary filmmaker Errol Morris' debut immediately attracted acclaim for its straight-faced treatment of a subject practically begging for ridicule. When the Foothill Memorial Gardens pet cemetery, located north of San Francisco, closed (its land was sold for a housing project), the 450 animals interred there had to be moved to Bubbling Well Memorial Park in nearby Napa. Morris saw the transfer as an opportunity to explore the world of pet owners who are so devoted that they see nothing wrong with giving their animals a full dose of the last rites. His simple technique was to film his subjects, usually seated, talking about their loved ones, alternating with shots of the two cemeteries and the move. Critic Roger Ebert became an early champion of the film, and Morris' struggles to finish it resulted in a very amusing short film, Werner Herzog Eats His Shoe. The German filmmaker had bet Morris that he would never complete the film, and when he did, Herzog publicly boiled and consumed one of his shoes for the camera of director Les Blank. ~ Tom Wiener, All Movie Guide



















