Art Linson Movies

This gritty FX drama follows the lives of a chapter of the Sons of Anarchy, an international outlaw motorcycle club akin to the Hell's Angels. The members all ride impressively customized Harleys, but the club is defined by more than just their bikes - they're also arms dealers, illegally importing guns, which they sell to the local street gangs. With a system of authority based on family lines, the dangerous drama of rotating relationships within the club carries powerful baggage, and with the club's ongoing feud with the meth-dealing white supremacist group the Nords, life as a Son of Anarchy is anything but an easy ride. ~ Cammila Albertson, All Movie Guide

The story of the groundbreaking '70s female rock group the Runaways is recounted in this River Road Entertainment production focusing on the duo of guitarist/vocalist Joan Jett (portrayed by Twilight's Kristen Stewart) and lead vocalist/keyboardist Cherie Currie (Dakota Fanning) as they navigate a rocky road of touring and record label woes under the malevolent eye of abusive manager Kim Fowley (Michael Shannon) during their teen years. Acclaimed video artist Floria Sigismondi directs from her own script, with Scout Taylor-Compton co-starring as guitarist Lita Ford. ~ Jeremy Wheeler, All Movie Guide

Into the Wild is writer/director Sean Penn's adaptation of the popular book by Jon Krakauer, a nonfiction account of the post-collegiate wanderings of a young Virginia man, who divorces himself from his friends, family, and possessions in search of a greater spiritual knowledge and communion with nature. Upon his 1990 graduation from Emory University in Atlanta, Christopher McCandless (Emile Hirsch) walks away from a loving if dysfunctional family and sends his nearly 25,000-dollar life savings to Oxfam International. Instead of the normal life his parents planned for him, Chris rechristens himself "Alexander Supertramp" and heads west in his beaten-up automobile until it no longer runs, at which point he takes up hitchhiking. The goal on the horizon? Alaska. By hook or by crook -- but without his limited cash, which he symbolically sets aflame -- Chris/Alexander determines to make it to his personal promised land, with stops along the way to experience America and its people. These adventures include a kayak trip down dangerous rapids, a gig working in a grain mill, extended stays with a hippie couple and a kindly old widower -- and enough cold, hunger, and exhaustion to leave him emotionally defeated more than once. Meanwhile, his parents (William Hurt and Marcia Gay Harden) and sister (Jena Malone) haven't received so much as a postcard from him, and begin to fear the worst. Pearl Jam's Eddie Vedder composed the contemplative soundtrack. ~ Derek Armstrong, All Movie Guide

A shocking and tragic event causes the members of a quietly dysfunctional family to reexamine themselves and their lives in this drama. Ben and Sandy Travis (Jeff Daniels and Sigourney Weaver) are a couple whose troubled family begins to crumble when their eldest son, star college athlete Matt (Kip Pardue) commits suicide. Sandy's naturally cynical nature becomes all the more prickly, and while she tries to bond with her surviving teenaged son, Tim (Emile Hirsch), they seem closest when they discover a shared fondness for marijuana. Ben also tries to reach out to Tim, but the young man is never able to shake the feeling that he's never quite been the son his father wanted. Tim has a girlfriend, Steph (Suzanne Santo), but their relationship has been going through a rocky patch, and Tim finds himself questioning his feelings about women and men when his friendship with next-door neighbor Kyle (Ryan Donowho) evolves into something more intimate. Imaginary Heroes was written and directed by Dan Harris, best known for his work as a screenwriter on the blockbuster comic-book adaptation X-Men and projected remakes of Superman and Logan's Run. ~ Mark Deming, All Movie Guide

Esteemed writer/director David Mamet fashioned this homage to the elegant, character-driven "tough guy" genre pictures of Warner Bros. in the 1930s and '40s, even using vintage scores in the soundtrack. Gene Hackman stars as Joe Moore, an accomplished thief whose career is jeopardized after he's caught on security cameras during a job. Broke, Joe and his associates Bobby (Delroy Lindo) and Pinky (Ricky Jay) are blackmailed by their longtime fence Bergman (Danny DeVito) into jacking Swiss gold bars from an airplane. As they plot the complicated score, Joe and his crew become suspicious of the relationship between Joe's young wife Fran (Rebecca Pidgeon) and Bergman's nephew Jimmy Silk (Sam Rockwell), who has been planted on the crew to keep an eye on them for his uncle. Betrayals and backstabbings are the order of the day as Joe gets closer to the payday of a lifetime. In an effort to reinforce the solid storytelling of classic crime dramas, Mamet eschewed the use of computers or high-tech gadgetry in the complicated plot. Heist (2001) co-stars Patti LuPone. ~ Karl Williams, All Movie Guide

The intense world of air-traffic controllers is played for both drama and laughs in Pushing Tin. John Cusack plays Nick Falzone, the top air traffic controller at New York's Terminal Radar Approach Control (TRACON) Center, where he negotiates air traffic and landing patterns for the Kennedy, LaGuardia and Newark airports, America's most congested airspace. It's a tough, stressful job that's highly demanding and Nick is very good at it -- and he takes no small amount of pride in that. So Nick is less than enthusiastic when a new controller comes on board; Russell Bell (Billy Bob Thornton) transferred into TRACON from the Southwest, in search of a greater challenge. In direct contrast to the wired edginess of Nick's personality, Russell is a model of Zen cool who is so focused on planes it's said he once stood in the wake of a 747 just to know what it felt like. Soon work becomes a constant competition between Russell and Nick, and their competitiveness doesn't stop when work is over. However, the rivalry begins to take a different turn when Nick takes notice of Russell's beautiful but hard-drinking wife Mary (Angelina Jolie), while Nick's wife Connie (Cate Blanchett) finds herself more than a bit intrigued by Russell. Pushing Tin was written by Glen Charles and Les Charles, who previously received notice for their television work on such series as M*A*S*H, Cheers and Taxi, and directed by British filmmaker Mike Newell, who's last project, Donnie Brasco, also took him into a little seen side of New York City. ~ Mark Deming, All Movie Guide

Alfonso Cuaron (The Little Princess) directed this Mitch Glazer screenplay, a modernization of the 1860-61 classic by Charles Dickens. Some situations in the film are presented as memories -- the way the central figure, Finnegan Bell (Ethan Hawke) recalls events many years later. At a Florida fishing village, eight-year-old orphan Finn Bell (Jeremy James Kissner), talented at art, is left in the care of his sister and her husband, Joe (Chris Cooper). One day, Finn helps a chained, escaped convict who appears in the surf. On other days, he visits Paradiso Perduto, where he plays with young Estella (Raquel Beaudene), niece of the mansion's colorful, flamboyant, and extremely wealthy owner, Ms. Dinsmoor (Anne Bancroft), who parallels the novel's tragic Miss Havisham, a woman jilted at the altar and left emotionally scarred and mentally imbalanced. As Ms. Dinsmoor watches Finn draw a portrait of Estella, she plots to mold Estella into a hard woman capable of destroying men. In a flash forward to the '90s, Finn (Hawke) and Estella (Gwyneth Paltrow), now in their late teens, re-create the water-fountain kiss of their childhood, but Estella vanishes, breaking Finn's heart to such a degree that he doesn't draw or paint for seven years, choosing to eke out a marginal existence with his uncle Joe (after Finn's sister abandons the two). Then Manhattan art representative Jerry Ragno (Josh Mostel) turns up with a startling offer -- if Finn will return to painting and relocate in New York, Ragno will give him a one-man show. With an apparent assist from Ms. Dinsmoor, Finn makes the move and begins his new life with great expectations and a deadline of 10 weeks to complete the necessary paintings. When Finn next encounters Estella, she has a wealthy boyfriend, Walter (Hank Azaria). As Finn once again becomes entranced by Estella, he also begins to question exactly how his life is being manipulated. Francesco Clemente did the paintings and drawings seen in the film. Shown at the 1998 Sundance Film Festival. ~ Bhob Stewart, All Movie Guide

A successful career criminal considers getting out of the business after one last score, while an obsessive cop desperately tries to put him behind bars in this intelligent thriller written and directed by Michael Mann. Neil McCauley (Robert De Niro) is a thief who specializes in big, risky jobs, such as banks and armored cars. He's very good at what he does; he's bright, methodical, and has honed his skills as a thief at the expense of his personal life, vowing never to get involved in a relationship from which he couldn't walk away in 30 seconds. Vincent Hanna (Al Pacino) is an L.A.P.D. detective determined to catch McCauley, but while McCauley's personal code has forced him to do without a wife and children, Hanna's dedication has made a wreck of the home he's tried to have; he's been divorced twice, he's all but a stranger to his third wife, and he has no idea how to reach out to his troubled step-daughter. While McCauley has enough money to retire and is planning to move to New Zealand, he loves the thrill of robbery as much as the profit, and is blocking out plans for one more job; meanwhile, he's met a woman, Eady (Amy Brenneman), whom he's not so sure he can walk away from. The supporting cast includes Val Kilmer as Chris, one of McCauley's partners; Ashley Judd as his wife Charlene; Jon Voight as Nate; Hank Azaria as Alan Marciano; and Henry Rollins as Hugh, who is beaten up by Hanna. ~ Mark Deming, All Movie Guide

Director John Badham's remake of French action thriller La Femme Nikita moves the action to the U.S., where Maggie (Bridget Fonda) is a strung-out Washington, D.C. drug addict who kills a policeman in a pharmaceutical-induced haze. Sentenced to death, Maggie is rescued by a shady operative, Bob (Gabriel Byrne), who offers to save her life if she'll become a covert government assassin. Maggie agrees and trains for a life as a professional killer under a new name, Claudia. Her classes include weaponry, martial arts, explosives, and even social graces under the tutelage of Amanda (Anne Bancroft). Claudia is transformed into a classy sophisticate and is assigned to Venice, California, where she falls for J.P. (Dermot Mulroney), an attractive photographer who lives downstairs. Claudia's highly dangerous job soon interferes when she's ordered to carry out a series of clever assassinations, including a hit in a restaurant and a hotel bombing. When one particular killing goes horribly wrong, she gets some assistance from Victor the Cleaner (Harvey Keitel), a disposal artist who may have also been ordered to get rid of Claudia. ~ Karl Williams, All Movie Guide

Like the TV series that shared the same title, The Untouchables (1987) was an account of the battle between gangster Al Capone and lawman Eliot Ness, this time in the form of a feature film boasting big stars, a big budget, and a script from respected playwright David Mamet. Kevin Costner stars as Ness, a federal agent who has come to Chicago during the Prohibition Era, when corruption in the local police department is rampant. His mission is to put crime lord Capone (Robert De Niro) out of business, but Capone is so powerful and popular that Ness is not taken seriously by the law or the press. One night, discouraged, he meets a veteran patrolman, Jimmy Malone (Sean Connery), and discovers that the acerbic Irishman is the one honest man he's been seeking. Malone has soon helped Ness recruit a gunslinger rookie, George Stone (Andy Garcia), and, joined by nebbish accountant Oscar Wallace (Charles Martin Smith), the men doggedly pursue Capone and his illegal interests. At first a laughingstock, Ness soon has Capone outraged over his and Malone's sometimes law-bending tactics, and the vain mobster strikes back in vicious style. Ultimately, it is the most unexpected and minor of crimes, tax evasion, which proves Capone's undoing. All of the credits for The Untouchables boasted big names, including music from Ennio Morricone and costumes by Giorgio Armani. Director Brian De Palma continued his tradition of including a homage to past masters of the cinema with a taut stairway shoot-out reminiscent of a similar sequence in Sergei Eisenstein's Battleship Potemkin (1925). ~ Karl Williams, All Movie Guide

Amy Heckerling's adaptation of Cameron Crowe's Fast Times at Ridgemont High is often considered one of the finest films of a disreputable genre (the teen sex comedy), and kick-started the careers of many future stars. The center of this ensemble film is Jennifer Jason Leigh as Stacy Hamilton. She is a young, innocent high-school student who, as the film opens, is asking for advice from her friend, the sexually outspoken Linda Barrett (Phoebe Cates). Stacy takes a liking to nebbish Mark Ratner (Brian Backer), but he is too afraid to make a move even after Stacy all but throws herself at him. She eventually hooks up with Mark's more confident best friend, Mike Damone (Robert Romanus). When not concerning itself with these four characters, the film spends time with stoned surfer dude Jeff Spicoli (Sean Penn) and his ongoing feud with history teacher Mr. Hand (Ray Walston). The film includes brief appearances by such future stars as Nicolas Cage, Eric Stoltz, and Forest Whitaker. ~ Perry Seibert, All Movie Guide

Jonathan Demme's breakthrough movie featured the shaggy energy and affection for marginal American eccentrics that marked his earlier Citizens Band (1977) and such later films as Something Wild (1986) and Married to the Mob (1988). Melvin Dummar (Paul LeMat) is a barely-getting-by Nevada milkman. One day in the early 1970s, while driving down a lonely highway, Melvin picks up a shaggy, bearded bum (Jason Robards Jr.) and offers him a ride into town. Melvin gives the bum a quarter at the end of the ride, and that, so far as Melvin is concerned, is that. The story goes off on a new tangent, involving the on-and-off marriage between Dummar and his contest-happy wife Lynda (Mary Steenburgen). During one of the multitude of financial crises endured by the Dummars, Melvin discovers that the tramp he picked up was none other than billionaire Howard Hughes -- and when Hughes dies, Melvin inherits $150 million. The movie's wide acclaim included Oscars for Steenburgen and Goldman's script and New York Film Critics Awards in almost all major categories, including Best Picture and awards for Demme, Goldman, Steenburgen, and Robards. Demme would gain even greater attention in the 1990s as the director of The Silence of the Lambs (1991) and Philadelphia (1993). ~ Hal Erickson, All Movie Guide