Art Linson

This gritty FX drama follows the lives of a chapter of the Sons of Anarchy, an international outlaw motorcycle club akin to the Hell's Angels. The members all ride impressively customized Harleys, but the club is defined by more than just their bikes - they're also arms dealers, illegally importing guns, which they sell to the local street gangs. With a system of authority based on family lines, the dangerous drama of rotating relationships within the club carries powerful baggage, and with the club's ongoing feud with the meth-dealing white supremacist group the Nords, life as a Son of Anarchy is anything but an easy ride. ~ Cammila Albertson, All Movie Guide

Director Brian De Palma returns to the helm for the first time since 2002's Femme Fatale with this stylish screen adaptation of James Ellroy's novel detailing one of the most notorious unsolved murders in Hollywood history. Elizabeth Short (Mia Kirshner) was a struggling actress looking to make a name for herself in 1940s-era Tinseltown. Unfortunately for Elizabeth, it was her grim fate that would ultimately overshadow anything she would accomplish during her short and tragic career. When police discover Elizabeth's body cut clean in half and with all of her organs missing, ex-pugilist detectives Lee Blanchard (Aaron Eckhart) and Bucky Bleichert (Josh Hartnett) are the men charged with cracking the case and apprehending the killer. This isn't your average murder case, however, and as Blanchard's marriage to Kay (Scarlett Johansson) begins to suffer due to his obsession with the sensational crime, his partner Bleichert discovers a troubling link between the victim and the mysterious Madeleine Linscott (Hilary Swank), a prominent socialite and the daughter of one of the town's most connected key players. ~ Jason Buchanan, All Movie Guide

David Mamet writes and directs the political thriller Spartan. Respected Secret Service agent Robert Scott (Val Kilmer) is assigned to the kidnapping case of Laura Newton (Kristen Bell), the missing daughter of a high-ranking political figure. Scott is teamed up with rookie Curtis (Derek Luke). Aided by the FBI and the CIA, the team discovers a human trafficking operation that may lead to Laura's kidnappers. Meanwhile, political operative Stoddard (William H. Macy) refuses to cooperate with the rescue mission. Scott and Curtis are forced to quit the investigation when the media reports Laura's death. Believing her to be alive, Curtis is motivated to start up a dangerous unofficial investigation of his own. Spartan premiered at the Bangkok International Film Festival in 2004. ~ Andrea LeVasseur, All Movie Guide

Esteemed writer/director David Mamet fashioned this homage to the elegant, character-driven "tough guy" genre pictures of Warner Bros. in the 1930s and '40s, even using vintage scores in the soundtrack. Gene Hackman stars as Joe Moore, an accomplished thief whose career is jeopardized after he's caught on security cameras during a job. Broke, Joe and his associates Bobby (Delroy Lindo) and Pinky (Ricky Jay) are blackmailed by their longtime fence Bergman (Danny DeVito) into jacking Swiss gold bars from an airplane. As they plot the complicated score, Joe and his crew become suspicious of the relationship between Joe's young wife Fran (Rebecca Pidgeon) and Bergman's nephew Jimmy Silk (Sam Rockwell), who has been planted on the crew to keep an eye on them for his uncle. Betrayals and backstabbings are the order of the day as Joe gets closer to the payday of a lifetime. In an effort to reinforce the solid storytelling of classic crime dramas, Mamet eschewed the use of computers or high-tech gadgetry in the complicated plot. Heist (2001) co-stars Patti LuPone. ~ Karl Williams, All Movie Guide

In this darkly comic drama, Edward Norton stars as a depressed young man (named in the credits only as "Narrator") who has become a small cog in the world of big business. He doesn't like his work and gets no sense of reward from it, attempting instead to drown his sorrows by putting together the "perfect" apartment. He can't sleep and feels alienated from the world at large; he's become so desperate to relate to others that he's taken to visiting support groups for patients with terminal diseases so that he'll have people to talk to. One day on a business flight, he discovers Tyler Durden (Brad Pitt), a charming iconoclast who sells soap. Tyler doesn't put much stock in the materialistic world, and he believes that one can learn a great deal through pain, misfortune, and chaos. Tyler cheerfully challenges his new friend to a fight. Our Narrator finds that bare-knuckle brawling makes him feel more alive than he has in years, and soon the two become friends and roommates, meeting informally to fight once a week. As more men join in, the "fight club" becomes an underground sensation, even though it's a closely guarded secret among the participants. (First rule: Don't talk about fight club. Second rule: Don't talk about fight club.) But as our Narrator and Tyler bond through violence, a strange situation becomes more complicated when Tyler becomes involved with Marla (Helena Bonham Carter), whom our Narrator became infatuated with when they were both crashing the support-group circuit. Based on the novel by Chuck Palahniuk, Fight Club was directed by David Fincher, who previously directed Pitt in the thriller Seven. ~ Mark Deming, All Movie Guide

Alfonso Cuaron (The Little Princess) directed this Mitch Glazer screenplay, a modernization of the 1860-61 classic by Charles Dickens. Some situations in the film are presented as memories -- the way the central figure, Finnegan Bell (Ethan Hawke) recalls events many years later. At a Florida fishing village, eight-year-old orphan Finn Bell (Jeremy James Kissner), talented at art, is left in the care of his sister and her husband, Joe (Chris Cooper). One day, Finn helps a chained, escaped convict who appears in the surf. On other days, he visits Paradiso Perduto, where he plays with young Estella (Raquel Beaudene), niece of the mansion's colorful, flamboyant, and extremely wealthy owner, Ms. Dinsmoor (Anne Bancroft), who parallels the novel's tragic Miss Havisham, a woman jilted at the altar and left emotionally scarred and mentally imbalanced. As Ms. Dinsmoor watches Finn draw a portrait of Estella, she plots to mold Estella into a hard woman capable of destroying men. In a flash forward to the '90s, Finn (Hawke) and Estella (Gwyneth Paltrow), now in their late teens, re-create the water-fountain kiss of their childhood, but Estella vanishes, breaking Finn's heart to such a degree that he doesn't draw or paint for seven years, choosing to eke out a marginal existence with his uncle Joe (after Finn's sister abandons the two). Then Manhattan art representative Jerry Ragno (Josh Mostel) turns up with a startling offer -- if Finn will return to painting and relocate in New York, Ragno will give him a one-man show. With an apparent assist from Ms. Dinsmoor, Finn makes the move and begins his new life with great expectations and a deadline of 10 weeks to complete the necessary paintings. When Finn next encounters Estella, she has a wealthy boyfriend, Walter (Hank Azaria). As Finn once again becomes entranced by Estella, he also begins to question exactly how his life is being manipulated. Francesco Clemente did the paintings and drawings seen in the film. Shown at the 1998 Sundance Film Festival. ~ Bhob Stewart, All Movie Guide

A successful career criminal considers getting out of the business after one last score, while an obsessive cop desperately tries to put him behind bars in this intelligent thriller written and directed by Michael Mann. Neil McCauley (Robert De Niro) is a thief who specializes in big, risky jobs, such as banks and armored cars. He's very good at what he does; he's bright, methodical, and has honed his skills as a thief at the expense of his personal life, vowing never to get involved in a relationship from which he couldn't walk away in 30 seconds. Vincent Hanna (Al Pacino) is an L.A.P.D. detective determined to catch McCauley, but while McCauley's personal code has forced him to do without a wife and children, Hanna's dedication has made a wreck of the home he's tried to have; he's been divorced twice, he's all but a stranger to his third wife, and he has no idea how to reach out to his troubled step-daughter. While McCauley has enough money to retire and is planning to move to New Zealand, he loves the thrill of robbery as much as the profit, and is blocking out plans for one more job; meanwhile, he's met a woman, Eady (Amy Brenneman), whom he's not so sure he can walk away from. The supporting cast includes Val Kilmer as Chris, one of McCauley's partners; Ashley Judd as his wife Charlene; Jon Voight as Nate; Hank Azaria as Alan Marciano; and Henry Rollins as Hugh, who is beaten up by Hanna. ~ Mark Deming, All Movie Guide

A single mother and her difficult son find family life isn't necessarily all it's cracked up to be in this drama adapted from writer and professor Tobias Wolff's 1989 memoir of the same name. Nomadic, flaky Caroline (Ellen Barkin) just wants to settle down in one place, find a decent guy, and provide a better home for her handful of a son, Toby (Leonardo DiCaprio). When she moves to Seattle and meets the respectful, respectable Dwight Hansen (Robert DeNiro), she thinks she's got it made. Toby, however, feels differently after spending a few months with Dwight and his children and away from Caroline. The boy's stepfather-to-be seems to want to mold Toby into a better person, but to do so he emotionally, verbally, and physically abuses the kid. The marriage proceeds, and soon Caroline, too, recognizes Dwight's need to dominate everyone around him. She sticks with it, though, convinced it's the best thing for her son, and several years of dysfunction ensue. During this time, Tobias befriends another misfit, the possibly homosexual young Jonah (Arthur Gayle), while continuing to chafe under the yoke of his repressive stepfather. This Boy's Life provided the first lead role for future superstar DiCaprio. The film was written by Robert Getchell, who also penned such mother/son fare as Alice Doesn't Live Here Anymore and The Client. ~ Brian J. Dillard, All Movie Guide

Warren Beatty directed and starred in this big-budget action comedy featuring Chester Gould's square-jawed, two-dimensional comic strip detective. Ruthless gangster Big Boy Caprice (Al Pacino) touches off a gang war against underworld boss Lips Manlis (Paul Sorvino), with Big Boy and his minions rubbing out enough of Manlis's goons (along with Manlis himself) to take over his nightclub, and a healthy percentage of the city's criminal activities in the process. Caprice also gains proprietary rights to Manlis's girlfriend, nightclub chanteuse Breathless Mahoney (Madonna). Big Boy's next move to is unite the rest of the city's crooks under his command; this wave of corruption attracts the attention of lawman Dick Tracy, who is determined to smash Caprice's criminal network once and for all. As Tracy plots to put Big Boy behind bars where he belongs, Breathless uses her considerable charms in an attempt to sway Tracy from the path of righteousness; this causes no small amount of anxiety for Tracy's long-suffering female companion, Tess Trueheart (Glenne Headly), and the street-smart kid (Charlie Korsmo) they've been keeping an eye on. The various bad guys, heavily made up to resemble Gould's cartoon characters (though Beatty is not made up to resemble Tracy), include Dustin Hoffman, James Caan, R.G. Armstrong, and William Forsythe. ~ Mark Deming, All Movie Guide

In this comedy, escaped prisoners Ned (Robert DeNiro) and Jim (Sean Penn) take refuge in a monastery where they pose as priests to avoid capture. Intending to flee across the Canadian border, the two convicts run into all kinds of unexpected trouble in their new-found priesthood. ~ Iotis Erlewine, All Movie Guide

A darkly comic and surreal contemporization of Charles Dickens's A Christmas Carol, this effects-heavy Bill Murray holiday vehicle from 1988 sees the former SNL funnyman assuming the role of television executive Frank Cross, the meanest and most depraved man on earth. Cross will stoop to unheard of levels to increase his network's ratings -- even if it means mounting outrageous programs to retain an audience, such as "Robert Goulet's Cajun Christmas" and Lee Majors in "The Night the Reindeer Died," with an AK-47-toting Santa. Cross plots his foulest move, however, for the Christmas holiday, when he will force his office staff to mount a live production of A Christmas Carol on national television -- and thus work through Christmas Eve. Cross's life is turned upside down with visits from three ghosts: a craggy-faced cabbie known as The Ghost of Christmas Past (David Johansen); the sugar-plum fairy Ghost of Christmas Present (Carol Kane) (who gets her jollies by bonking Frank across the face with a toaster oven); and, eventually, the caped, headless Ghost of Christmas Future, who will send Frank sliding into a crematory oven -- just before he gives the sleazoid one last chance to redeem himself. Along the way, the spirits carry Frank to scenes from his past, present, and future (per Scrooge) and impart a glimpse of how he became so thoroughly rotten. The radiant Karen Allen co-stars as Frank's girlfriend, Claire Phillips, and the film packs in cameos from countless celebrities -- among them, Mary Lou Retton, John Houseman, Jamie Farr, and, in a truly grisly and tasteless bit, John Forsythe. Richard Donner directs, from a script credited to the late Michael O'Donoghue and Mitch Glazer. ~ Nathan Southern, All Movie Guide