Reginald Le Borg Movies

An inner-city point man is on the run from both the cops and the crooks in this streetwise blaxpolitation drama. T (Robert Hooks) is a combination pool shark, private detective, and all-purpose ghetto fixer who operates out of a billiards parlor in South Central Los Angeles. T has done well for himself -- he drives a fancy new car, wears expensive suits, and lives in an upscale apartment -- but he also looks out for folks on the block, and knows how to tell the good guys from the bad guys on either side of the law. T is approached by Chalky (Paul Winfield) and his partner, Pete (Ralph Waite), who run a floating dice game in the neighborhood. Chalky tells T they've been ripped off by a band of thieves several nights running, and they want him to find out who the masked stick-up men are. T is willing to do the job for the right price, but it turns out Chalky and Pete are trying to take down rival crime kingpin Big (Julius Harris), and when one of Big's underlings turns up dead, T is blamed for the crime by both Big and corrupt police captain Joe Marx (Bill Smithers). Trouble Man also stars Paula Kelly's as T's love interest, and features an original score by Marvin Gaye. ~ Mark Deming, All Movie Guide

A weird little low-budget item featuring Lon Chaney, Jr. and John Carradine as the DeSarde brothers, a pair of sorcerers with opposing powers. The evil brother (Chaney) sports devil's horns and torments the captive guests at the DeSarde mansion, while the invalid benevolent brother (Carradine) languishes in his sickbed. This lackluster production is hampered by a weak story overstuffed with metaphysical mumbo-jumbo and spiced up with belly-dancers and cut-price werewolves, and it keeps its dueling warlocks (who look decidedly bored with the entire ordeal) from sharing any scenes together. Apparently three separate directors contributed footage to this project; the resulting lack of cohesion is obvious. ~ Cavett Binion, All Movie Guide

Based on the story "The Horla" by Guy de Maupassant, this grim low-budget potboiler stars Vincent Price as Simon Cordier, a ruthless magistrate in 19th-century Paris who becomes possessed by the malevolent spirit (or "horla") of a condemned murderer whom Cordier was forced to kill in self-defense. Driven by the madman's ghost to continue his pattern of brutal crimes, Cordier comes to the realization that the only way he can purge the violent demon from his soul is to immolate himself in a blazing pyre. Though the riveting Price (whose very presence can enliven even the most dismal of horror duds) does an admirable job as the tormented Cordier, he is unable to bear the ponderous weight of this tedious production. Although a parallel between the callousness of Cordier's office and the insensate evil of his crimes would have provided an interesting subtext, the script forfeits this potential, relying instead on a pat, self-righteous finale with religious overtones. ~ Cavett Binion, All Movie Guide

Flight that Disappeared sugars its Vital Message with a sci-fi/fantasy coating. Three nuclear scientists prepare to deliver their report on the potentials of atomic weaponry to the President. En route to Washington, the scientists' plane disappears from view. They awaken to find themselves in the presence of benign aliens, possibly residents of the Afterworld. Before the scientists are permitted to leave, they have been persuaded that their nuclear report will need a healthy dose of anti-bomb rhetoric. ~ Hal Erickson, All Movie Guide

It's called The Dalton Girls because there aren't any Dalton Boys left. After all the members of the notorious Dalton outlaw gang have been killed or arrested, their sisters decide to pick up where the boys left off. Led by Holly Dalton (Merry Anders), who since killing a man in self-defense has been outside the law, the girls terrorize Colorado territory with their criminal raids. The other members of the gang are Rose, Columbine and Marigold Dalton, played by B-picture perennials Lisa Davis, Penny Edwards, Sue George. In true Hollywood Chauvinist fashion, the Dalton girls are trailed by a bunch of matrimony-minded men; refreshingly, however, the ladies remain true to their heritage to the last. ~ Hal Erickson, All Movie Guide

War Drums manages to be pro-Indian, pro-Mexican, pro-tolerance and pro-feminist without ever resorting to speechmaking or sacrificing its entertainment value. Former Tarzan Lex Barker stars as an Apache chief who is almost ostracized by his tribe when he marries Mexican girl Joan Taylor. Eventually, Barker is welcomed back, but Joan refuses to behave like a typical dutiful squaw. In deference to his wife's wishes, Barker trains Joan to become an Apache warrior! It is curious that the Political Correctness crowd has never paid homage to War Drums; perhaps it's because of the film's surfeit of decidedly non-PC violence and bloodshed. ~ Hal Erickson, All Movie Guide

This romantic adventure takes place in the jungles of Southern Mexico and centers upon an archaeologist and a photographer who have come to find a lost Toltec civilization. Their handsome guide takes them deeper and deeper into the jungle. As they progress, both the archaeologist and the guide become rivals for the photographer's affections. In the end, they are confronted by a great danger. To save his clients, the guide sacrifices his life. ~ Sandra Brennan, All Movie Guide

Within its own modest limits, The Great Jesse James Raid is a well-crafted western. Willard Parker plays Jesse James, who when the film opens is seen comfortably settled into respectable retirement. At the instigation of the unscrupulous Bob Ford (Jim Bannon), Jesse leaves hearth and home behind to commit one last robbery. Somewhere in the deep recesses of a mine is $300,000 in hidden loot, and Jesse aims to get his mitts on it. Featured in the cast of The Great Jesse James Raid are Barbara Payton and Tom Neal, whose turbulent real-life romance resulted in a great deal of negative publicity. The film is stolen by Wallace Ford as a Scripture-quoting dynamiter; perhaps it is true, as one historian observed, that Ford was in more movies than anyone else in the 1930s, 1940s and 1950s. ~ Hal Erickson, All Movie Guide

The direction of Reginald LeBorg and the cinematography of Stanley Cortez go a long way to dissipate the essential tawdriness of Models, Inc. Colleen Gray stars as seductive Rusty Farraday, who maneuvers model-agency owner John Stafford (John Howard) into marriage. Once the matrimonial knot has been tied, Rusty's no-good former boyfriend Lennie Stone (Howard Duff) reenters her life. Stone comes up with a plan to exploit Stafford's gorgeous models for the purposes of what journalist Walter Winchell used to call "feelthy peectures." The girls are forced to pose in the near-nude for the pleasure of the low-lifes who pay Stone for the privilege. Models Inc was hastily assembled by a firm called Mutual Pictures for the grind-house circuit; less than a year after its theatrical release, the film was making the TV Late Show rounds. ~ Hal Erickson, All Movie Guide

Joe Palooka in Triple Cross, like its predecessors, was based on Ham Fisher's comic strip Joe Palooka. This time around, soft-hearted boxer Joe Palooka (Joe Kirkwood Jr.), his wife Ann (Cathy Downs) and his manager Knobby Walsh (James Gleason) are kidnapped by a trio of goofy escaped convicts. One of the crooks decides to cash in on Joe's ring prowess by ordering the pugilist to throw a fight, thereby allowing the baddies to collect a huge sum at the betting booth. A surefire indication that this isn't supposed to be taken seriously is the scene wherein the head kidnapper (John Emery) disguises himself as Ann's spinster aunt. Joe Palooka in Triple Cross hit the screens at the same time that the earliest Palooka films were beginning to sprout up on television. Ring announcer Jimmy Wallington makes a last-reel appearance as himself. ~ Hal Erickson, All Movie Guide

Young David Bruce plays Young Daniel Boone in this above-average Monogram actioner. Taking time off from hunting and settling, Young Daniel attempts to rescue two white girls from their Indian captors. He also hopes to expose a French spy on behalf of the colonial British government. One of the kidnapped ladies is Rebecca (Kristine Miller), who later becomes Mrs. Daniel Boone. Playing fast and loose with the facts, Young Daniel Boone nonetheless serves its purpose: to thrill and entertain the audience. In addition, the film is lensed in the eye-pleasing Cinecolor process. ~ Hal Erickson, All Movie Guide

Hold That Baby! was the 14th entry in Monogram's money-spinning "Bowery Boys" series. Ever in search of spare change, the Bowery Boys, headed by Slip Mahoney (Leo Gorcey) go into the laundromat business. While unfolding some linen, Sach (Huntz Hall) comes across a seemingly abandoned baby. The infant turns out to be their heir to a huge fortune. Hoping to return the baby to its mother (Anabel Shaw), who has been wrongfully committed to a mental institution, Slip, Sach and the boys must contend with the child's avaricious aunts (Florence Auer and Ida Moore) and a bunch of gangsters. The best scene finds Slip posing as a Viennese psychiatrist; almost as good is a vignette involving Sach and a hospital supply room. ~ Hal Erickson, All Movie Guide

In this entry in the long running comedy-drama series, the boys get into the world of prizefighting. When one of Slip's pals is killed in the ring, he and the boys plot their revenge against the gangster responsible. They enlist the aid of the late fighter's boozy brother, who was also a fighter. They convince him into entering the ring one last time. He does so despite the gangster's efforts to stop the boys. The fighter wins and his brother's death is avenged. ~ Sandra Brennan, All Movie Guide