George Jessel Movies
His father was a playwright and stage producer. At age nine he began singing professionally; two years later he teamed up with Eddie Cantor in vaudeville. Over the next decade or so he established himself as a major entertainer and songwriter in nightclubs and on Broadway. Jessel appeared sporadically onscreen; his only moderately busy period as a film actor was 1926-30. In 1945 he began producing musical films for Fox. He was known for his charity work, traveling widely and giving lectures and performances to raise funds for various causes; for such activities, in 1969 he was awarded the Jean Hersholt Humanitarian Award, a special Oscar. Jessel often entertained U.S. troops overseas. For a time he was married to actress Norma Talmadge. He authored two volumes of memoirs, So Help Me (1943) and This Way, Miss (1955). ~ All Movie Guide- 1919
Fred Hartley (Ned Hay) is a hard-working family man; Mrs. Hartley (Ellen Cassidy) prefers to waste her time flitting around in society. She meets J. Douglas Kerr (Stuart Holmes), a very slick character, and he weasels his way into her affections. The U.S. enters World War I and Hartley feels it is his patriotic duty to enlist. While he is fighting in France, Kerr works on convincing Mrs. Hartley that he won't return and that she should marry him. To force matters, he sends a fake telegram informing her that Mr. Hartley has been killed. She buys into all this, but in the nick of time her husband returns. Kerr's plan is foiled, but he manages to escape retribution. Mrs. Hartley, meanwhile, revels in her husband's forgiveness. George Jessel and Evelyn Brent had small roles in this mediocre programmer. ~ Janiss Garza, All Movie Guide
- 1926
Broadway entertainer Georgie Jessel beat his "friendly rival" Al Jolson to the screen by one year in the wartime comedy drama Private Izzy Murphy. Of Jewish-Irish heritage, merchant Izzy (Jessel) falls in love with 100-percent Irish colleen Ellen Connaghan (Patsy Ruth Miller). To make her proud of him, he joins the Fighting 69th, the famed WWI Irish-American regiment. Performing valiantly on the battlefield, Murphy returns home a hero (and, amusingly, wearing fewer medals than the real-life Jessel would display in his talk-show appearances of the 1960s). Even so, Ellen's staunchly Catholic father (played by German actor Gustav von Seyfertitz) refuses to allow his daughter to marry a Jew. Izzy's buddies convince the old man that he could never find a better son-in-law than our hero, leading to an elaborate wedding finale. Private Izzy Murphy did well enough for Warner Bros. to offer George Jessel the lead in their pioneering talkie The Jazz Singer; but Jessel (who'd appeared in the last-named production on Broadway) turned down the offer, to his everlasting regret. ~ Hal Erickson, All Movie Guide
- Starring:
- Patsy Ruth Miller, Vera Gordon, (more)
- 1927
This sequel to the 1927 George Jessel vehicle Private Izzy Murphy finds Jessel reprising the role of Lower East Side entrepreneur Izzy Goldberg. That's right, "Goldberg" -- Izzy doesn't adopt the name of "Murphy" until he abandons the perfume business to pose as an underworld thug. It's all for the sake of heroine Marie (Audrey Ferris), the daughter of French perfume manufacturer Jules de Gondelaurier. Marie and her father have been kidnapped by Orchid Joe (John Miljan), a flower-loving lunatic who despises all perfume merchants. Any resemblance between Sailor Izzy Murphy and real life was purely coincidental. ~ Hal Erickson, All Movie Guide
- Starring:
- George Jessel, Warner Oland, (more)
- 1927
Having missed the opportunity to re-create his Broadway role in The Jazz Singer on film, Georgie Jessel attempted to launch a movie career in lesser vehicles. In Ginsberg the Great, Jessel plays an aspiring sideshow magician whose act is tinctured with ethnic humor. Given a crack at the Big Time, our hero ingratiates himself with a producer (Sam Hubert) by saving the latter's jewels from being stolen. But once a "carney," always a "carney" Featured in the cast is perennial Laurel & Hardy foil Stanley J. "Tiny" Sandford as a circus strongman, and Akka the Chimp as -- Akka the Chimp. ~ Hal Erickson, All Movie Guide
- 1928
His Lower-East-side accent unheard, George Jessel is still able to convincingly portray the Hebraic title character in George Washington Cohen. Hoping to live up to his presidential moniker, Cohen tries to live by the same creed which guided the Father of His Country. Unfortunately, his determination to never tell a lie gets him into plenty of trouble with his friends and family. Things get worse when he's called upon to act as a material witness in a divorce case involving his two best friends. Forced at last to tell a lie, George finds that he can't stop lying -- yet somehow this turns out to his advantage, winning him a hefty annual income and the love of heroine Florence Allen. ~ Hal Erickson, All Movie Guide
- Starring:
- George Jessel, Robert Edeson, (more)
- 1929
In this drama, with a story that closely parallels the 1927 feature The Jazz Singer, a Jewish son disregards his father's hope that he too will become a jeweler in favor of a show business career. His devoted mother supports him all the way as he goes to California where he is a hit at an amateur show. Unfortunately, when his mother becomes terrible ill, he must curtail his plans and return home to New York. There he finds his real break when he is selected to star in Broadway's newest show Lucky Boy. Songs include: "Lucky Boy," "My Mother's Eyes," "Old Man Sunshine," "My Real Sweetheart," "In My Bouquet of Memories," "My Blackbirds are Bluebirds Now," and "California Here I Come." ~ Sandra Brennan, All Movie Guide
- Starring:
- George Jessel, Rosa Rosanova, (more)
- 1929
Any movie that starts Jewish entertainer George Jessel as an Italian accordionist named Luigi can't be all bad. In love with the beautiful Margharita (Lila Lee), Luigi lands a job in the music store owned by the girl's uncle. Ultimately, however, our hero does the Pagliacci act when Margharita evinces a preference for handsome Pasquale (David Rollins). The film's best scene takes place in a nursery full of talented tots, a sequence that undoubtedly reminded Jessel of his days with Gus Edwards' "Schoolroom" act. Exercising his droit du seigneur, Georgie Jessel sings the title tune. ~ Hal Erickson, All Movie Guide
- Starring:
- George Jessel, Lila Lee, (more)
- 1930
Filmed in "Fox Grandeur," an early widescreen process, Happy Days was the immediate follow-up to Fox Studios' Movietone Follies of 1929. Most of the film takes place on the showboat of Mississippi entrepreneur Colonel Billy Batcher (Charles E. Evans). When the Colonel faces foreclosure after several failing seasons, soubrette Margie (Marjorie White) stages a fund-raising revue on the boat, enlisting the aid of all the big stars who got their start with Batcher. By an amazing coincidence, virtually all of the showboat alumni are under contract to Fox Studios! Janet Gaynor and Charles Farrell perform "We'll Build a Little World of Our Own," Victor McLaglen and Edmund Lowe kid their roughneck screen images in the novelty number "Vic and Eddie," Sharon Lynn and Ann Pennington offer the "hot" dance routine "Snake Hips," and "Whispering" Jack Smith offers a rendition of the title tune. Also on hand are Will Rogers, El Brendel, Walter Catlett (who also staged the musical numbers), Lew Brice (Fanny's brother), Dixie Lee (Mrs. Bing Crosby) and Georgie Jessel -- not to mention an uncredited 14-year-old chorus girl named Betty Grable. ~ Hal Erickson, All Movie Guide
- 1933
In this war comedy, the reluctant hero finds himself drafted and forced to fight the Germans whom he feels he has nothing against. He spends as much time as possible working in the kitchen and loving the commander's wife on the sly. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lee Tracy, Donald Cook, (more)
- 1937
In this musical comedy, an irresponsible young heir is betrothed to the singing daughter of a wealthy matron. Unfortunately, the willful young is not even slightly interested in her "fiance," preferring the attentions of another instead. Unfortunately, the other man has a big problem. Though he really loves the girl, he will lose his $3 million inheritance if he marries her before the age of 30. Complicating matters is the private detective assigned to keep him from getting to involved with women such as the heroine. ~ Sandra Brennan, All Movie Guide
- Starring:
- Joe Penner, Gene Raymond, (more)
- 1944
After a year's absence, entertainer Eddie Cantor returned to the screen in the self-produced Show Business. The plot is loosely based on Cantor's own rise to fame, from vaudeville to Broadway. Covering the years 1914 to 1929, the film reflects the changing tastes in entertainment, though Cantor (as in real life) steadfastly remains the same. Co-stars George Murphy and Joan Davis likewise borrow from their own showbiz experience in playing their characters, while Constance Moore, who was still in her playpen when Cantor was at the height of his Ziegfeld Follies fame, provides the standard love interest. Highlights include such Cantor standards as "Curse of an Aching Heart," "Whoopee," and "Dinah," the latter performed in blackface. The best ensemble number is a devastating satire of Grand Opera, with Joan Davis particularly amusing as a Wagnerian soprano. A few excerpts from Show Business were reused as "flashbacks" in the subsequent Cantor-Davis starrer If You Knew Susie (1948). ~ Hal Erickson, All Movie Guide
- Starring:
- Eddie Cantor, George Murphy, (more)
Four Jills in a Jeep is the (mostly) true story of a four-girl USO team, entertaining American troops overseas. Kay Francis, Martha Raye, Carole Landis and Mitzi Mayfair play "themselves," recreating their recent whirlwind tour of Europe and North Africa. This wisp of a plot takes a back seat to the musical numbers performed by the four stars, by Dick Haymes in his screen debut as a singing GI, and by guest stars Alice Faye, Betty Grable and Carmen Miranda. Phil Silvers, George Jessel, and Jimmy Dorsey and his orchestra also pop up to do their usual. Very much a time capsule of the War years, Four Jills in a Jeep was later adapted into a best-selling book, ostensibly written by costar Carole Landis. ~ Hal Erickson, All Movie Guide
- Starring:
- Kay Francis, Carole Landis, (more)
The Dolly Sisters is the heavily Hollywoodized biopic of Jennie and Rosie Dolly, Hungarian-born entertainers who took Broadway by storm in the early 1900s. Betty Grable plays Jennie and June Haver plays Rosie; their uncle is the inevitable "funny foreigner" S.Z. Sakall, who manages their career from childhood. Passing an important audition for Oscar Hammerstein, the Dolly girls become international stage headliners, but in so doing they find that their private life is strained. Jennie in particular is perplexed by the dilemma of devoting herself to a career while still finding time to romance handsome composer John Payne. The Dolly girls are separated permanently when Rosie is fatally injured in an auto accident, but Jennie finds lasting happiness with her composer. Despite the pre-World War I ambience of the film, both Grable and Haver show off a lot more skin than would have been permissible in earlier times. But Dolly Sisters producer George Jessel knew what he was doing, and the Technicolor film was a major hit in 1945. ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Grable, John Payne, (more)
- 1946
That new-fangled swing music is the focus of this musical comedy. The trouble begins when a music school dean boards a train to meet her husband the symphony conductor. En route she meets Harry James, the big band leader. She is deeply impressed by the swingin' beat of the new music. It becomes her newest passion. Unfortunately, back at her school, her superiors do not share her enthusiasm and she is fired. She remains determined to introduce the kids to the new sound. She and James team up to perform the music on campus. Songs include: "As If I Didn't Have Enough on My Mind," "I Didn't Mean a Word I Said," "Moonlight Propaganda," and "Do You Love Me?" ~ Sandra Brennan, All Movie Guide
- Starring:
- Maureen O'Hara, Dick Haymes, (more)
- 1947
Quick-draw legend Bat Masterson is summoned to Kansas to end a small-town feud between local farmers and criminal ranch owners in this western starring Randolph Scott. ~ Kristie Hassen, All Movie Guide
- Starring:
- Randolph Scott, Robert Ryan, (more)
- 1947
I Wonder Who's Kissing Her Now is the heavily laundered musical biopic of sentimental songwriter Joe E. Howard. As played by Mark Stevens (whose singing voice was dubbed by Buddy Clark), Howard is a humble 19th century organ salesman who rises to Broadway fame as the composer of maudlin ballads like "What's the Use of Dreaming" and jaunty ditties like "Hello My Baby". Along the way, he enjoys several romantic interludes, but it is fresh-faced American chorine Katie (top-billed June Haver) who lands Howard as her hubby. In real life, Joe E. Howard, who lived well into his eighties, was married several times; he was also a notorious "lifter" who regularly claimed credit for songs he never wrote (including this film's title tune!) But producer George Jessel chooses not to let the facts get in the way of a good story, maintaining a policy established by his earlier The Dolly Sisters and sustained through such subsequent musical life stories as Oh, You Beautiful Doll The I Don't Care Girl. Singer/dancer/director Gene Nelson makes his screen debut as Tommy Yale. ~ Hal Erickson, All Movie Guide
- Starring:
- Lenore Aubert, Truman Bradley, (more)
Nightmare Alley is the sordid tale of a conniving young man who, in the words of one of the film's supporting characters, ends up low because he aimed so high. Drifter Tyrone Power sweet-talks his way into a job as barker for a rundown carnival. He is fascinated by an illegal side-show attraction called "The Geek," a near-lunatic who bites the heads off live chickens and then is "paid off" with a cheap bottle of rotgut and a warm place to sleep it off. Otherwise, Power's attention is focussed on a beautiful if slightly stupid carnival performer (Coleen Gray) who works in an "electricity" act with an equally dense strongman (Mike Mazurki). Power also befriends an alcoholic mentalist (Ian Keith), who demonstrates how easy it is to fool an audience into thinking that his mind reading is genuine. When the mentalist dies after accidentally drinking wood alcohol, Power works his way into the confidence of the performer's widow (Joan Blondell), who teaches Power all the tricks and code words of the mind-reading racket. Power walks out on Blondell in favor of Cathy Downs, who marries him and becomes his partner in a classy nightclub mentalist act. But Power is dissatisfied with show business, and with the help of a beautiful but shifty psychiatrist (Helen Walker) he convinces several wealthy people that he can communicate with their dead loved ones...for a price. One elderly millionaire (Taylor Holmes) offers Power a fortune if he can conjure up the spirit of the millionaire's dead daughter. Power enlists his wife to impersonate the deceased girl, but at the crucial moment she has an attack of conscience and exposes the fraud. His career ruined, Power goes to the crooked psychiatrist for help, but she laughs in his face and calls the cops. He escapes the law by going on the bum, and before long is a drunken derelict. When he approaches a carnival for work, he is told that there is only one job open...as a "geek." When asked if he wants the job, the defeated Power replies "Mister, I was born for it." Based on a lurid bestseller by William Lindsay Gresham, Nightmare Alley was Tyrone Power's attempt to break away from romantic leads in favor of roles with more substance. The picture wasn't a success, but it proved that Power was more than just a pretty face. ~ Hal Erickson, All Movie Guide
- Starring:
- Tyrone Power, Joan Blondell, (more)
- 1948
Betty Grable and Dan Dailey play a couple of small-time vaudevillians, at least until Dailey gets a big Broadway break. Success swells his head to cataclysmic dimensions; he becomes an alcoholic, loses his stardom and winds up in the drunk ward. Grable divorces Dailey to marry rancher Richard Arlen, but Dailey's old pal Jack Oakie tries to rehabilitate the fallen star. Oakie's mission seems hopeless until Grable rejoins the act, and everything is patched up...at least professionally. If the plot of When My Baby Smiles at Me seems familiar, perhaps you've seen the previous two versions of the George Manker Watters/Arthur Hopkins play Burlesque: The Dance of Life (1929) and Swing High, Swing Low. ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Grable, Dan Dailey, (more)
- 1949
Set in the 1920s and 1930s, 20th Century-Fox's You're My Everything borrows elements from several true-life showbiz stories, include the rise to fame of Fox's own Shirley Temple. Vaudeville hoofer Timothy O'Connor (Dan Dailey) sweeps proper New England gal Hannah Adams (Anne Baxter) off her feet. Hannah joins O'Connor's act, eventually soaring to popularity as a silent-film star. When talkies come in, Hannah is finished, but her precocious daughter Jane (played by Shirley Temple sound-alike Shari Robinson) becomes America's sweetheart. Musical highlights include the title song, "The Good Ship Lollipop" (featuring Dan Dailey in politically incorrect blackface), and one new number, "I Want to be Teacher's Pet." Featured in the supporting cast are Alan Mowbray as a bombastic director and Buster Keaton in an unbilled guest shot. In his autobiography, Keaton recalled that he came onto the set, dropped a tray full of dishes, performed a pratfall, and collected $1000, without ever knowing what the film was about! ~ Hal Erickson, All Movie Guide
- Starring:
- Dan Dailey, Anne Baxter, (more)
- 1949
This musical comedy stars William Powell as Emery Slade, who was once a major film star but lately isn't getting much work. Arrogantly determined to climb back to the top, Slade convinces studio chief Melville Crossman (Adolphe Menjou) to give him the male lead in the film version of a Broadway musical. However, Crossman's offer comes with a catch: Emery has to persuade the show's female lead to appear in the movie. Slade heads to New York to seal the deal, but instead he discovers a gifted young unknown named Julie Clark (Betsy Drake) and decides she's perfect for the role. Crossman is not too enthusiastic about this news, and neither is publicist Bill Davis (Mark Stevens), who is given his pink slip along with Slade. However, Slade is determined to make a career for Julie in Hollywood, though it's not until later that he realizes why he feels so strongly about her. Movie buffs will get a kick out of Menjou's performance, closely modeled on 20th Century Fox boss Darryl F. Zanuck. ~ Mark Deming, All Movie Guide
- Starring:
- William Powell, Mark Stevens, (more)
- 1949
Another of 20th Century-Fox's Technicolor musical biopics, Oh You Beautiful Doll is allegedly the life story of popular composer Fred Fisher. As played by S. Z. "Cuddles" Sakall, Fisher is a serious musician who yearns to write opera rather than tin pan alley hits. Since the aged, portly Sakall couldn't be the romantic lead, he is third-billed in deference to June Haver as Fisher's daughter and Mark Stevens as a slick song plugger. Despite his shame at being popular, Fisher is gratified when his songs are given a classy symphonic arrangement at Aeolian Hall. Among the tunes heard in Oh, You Beautiful Doll are "Chicago," "Dardanella," "Peg o' My Heart" and the title song. ~ Hal Erickson, All Movie Guide
- Starring:
- June Haver, Mark Stevens, (more)
- 1951
Delilah and Jeff (Betty Grable and MacDonald Carey) are a successful show-business team, but less successful as husband and wife. Finding that her producer hubby is unfaithful, musical-comedy star Delilah walks out on him, heading for Miami, where she got her start. In the process, Delilah feigns amnesia, then inaugurates a romance with a Miami playboy (Rory Calhoun). His jealousy aroused, Jeff heads to Miami to reclaim his wife, but she leads him on quite a merry chase until she finally allows herself to get caught. One of several 20th Century-Fox musicals produced by comedian George Jessel, Meet Me After the Show is a standard-issue Betty Grable vehicle, highlighted by several sprightly musical numbers, including a captivating routine with Grable and an uncredited Jack Cole and Gwen Verdon. ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Grable, MacDonald Carey, (more)
- 1951
Jean Peters is at her feisty best in Anne of the Indies. Harboring a grudge against all men (and not without reason), Anne becomes "Captain Providence," one of the most notorious pirate leaders of the Spanish Main. Anne is pursued by French captain Pierre la Rochelle (Louis Jourdan), who intends to bring her to justice. To this end, La Rochelle makes romantic overtures to Anne, but she gloms onto his scheme and abducts the captain and his wife Molly (Debra Paget). After leaving her victims to die on a desert island, Anne relents and rescues them. She later fully redeems herself (at great personal cost) during a battle with her fiercest rival, Blackbeard (Thomas Gomez). Few actresses could have pulled off the contrarily-written title character in Anne of the Indies with as much determination and conviction as Jean Peters; surprisingly, the actress was reportedly never comfortable before the cameras, often insisting that she'd rather be a schoolteacher! ~ Hal Erickson, All Movie Guide
- Starring:
- Jean Peters, Louis Jourdan, (more)
- 1951
Golden Girl is the life story (sort of) of legendary 19th-century American entertainer Lotta Crabtree. The daughter of a luckless gambler (James Barton), young Lotta (Mitzi Gaynor) supports herself and her dad by singing and dancing in mining camps during the California Gold Rush of 1849. She carries on her activities into Indian territory, where she saves her scalp by winning over her Native American audiences. During the Civil War, Lotta falls in love with a dashing Confederate spy (Dale Robertson), with whom she is briefly reunited in San Francisco before his inevitable demise. The finale is one of those "smiling through the tears" contrivances that always worked so well in musical films. Golden Girl was produced for 20th Century-Fox by entertainer George Jessel. ~ Hal Erickson, All Movie Guide
- Starring:
- Mitzi Gaynor, Dale Robertson, (more)
- 1952
Mitzi Gaynor plays legendary vaudeville headliner Eva Tanguay, whose signature tune was the bouncy "I Don't Care". The film's actual producer George Jessel costars as "himself;" the gimmick is that Jessel wants to produce a biopic based on Tanguay, but can't get a handle on the story until he interviews all those who remember the lady. This throughline allows Gaynor to impersonate Tanguay without the added encumbrance of a plot. Well, there is a love story involving Tanguay and her vaudeville partner (David Wayne), and some welcome comic relief from "professional neurotic" Oscar Levant, but otherwise The I Don't Care Girl is more a revue than a movie. At the end, inveterate scene-stealer George Jessel shows up backstage during one of the flashback sequences, "Just to see how the story will turn out." ~ Hal Erickson, All Movie Guide
- Starring:
- Mitzi Gaynor, David Wayne, (more)
