Tobe Hooper

Horror veteran Tobe Hooper brings another one of Stephen King's haunted car tales with From a Buick 8, the story of a man whose tragic loss of his father during the line of duty leads him to a mysterious Buick that might be the doorway to another dimension. ~ Jeremy Wheeler, All Movie Guide

Bear witness to the birth of the most horrifying legend in the history of cinema as director Jonathan Liebesman explores the nightmarish origins of the psychotic Hewitt family in this sequel to director Marcus Nispel's 2003 hit The Texas Chainsaw Massacre. The year is 1969, and despite the fact that the Vietnam War is raging halfway across the globe, all is ominously quiet on the back roads of America. Eighteen-year-old Dean Hill (Taylor Handley) has just received his draft notice, and his older brother, Eric (Matthew Bomer), is determined to watch out for his younger sibling by ensuring that Dean enroll in the Marine Corps rather than risking his luck at the local induction center. Dean has other plans, though, and as soon as the pair and their girlfriends, Bailey (Diora Baird) and Chrissie (Jordana Brewster), return from their final fling in sunny Texas, he plans to confront his brother with the prospect of dodging the draft. When an unsettling encounter with malevolent bikers Holden (Lee Tergesen) and Alex (Cyia Batten) results in a serious car accident in which Chrissie is thrown from the vehicle, the arrival of Sheriff Hoyt (R. Lee Ermey) at first appears to be a moment of divine intervention. However, when Sheriff Hoyt murders thieving Alex in cold blood and then shepherds her friends into the back of his police cruiser as Chrissie watches from the brush, their momentary reprieve soon gives way to an unimaginable terror. As Hoyt transports her ailing friends to the Hewitt home, where a childlike man named Thomas is currently undergoing the transformation into cannibalistic madman Leatherface (Andrew Bryniarski), a desperate Chrissie attempts to enlist the aid of Holden in rescuing her friends from a fate worse than death. ~ Jason Buchanan, All Movie Guide

Texas Chainsaw Massacre director Tobe Hooper returns to his rightful place behind the camera to weave this gruesome tale concerning an abandoned small-town funeral home with a dark and deadly secret. Local legend has it that the Fowler Funeral Home in Santa Loraina, CA, is plagued with death of the most unnatural kind. Rumored to have been purchased to launch a ranching business by Zeb Fowler, the land was subsequently converted into a funeral home when the cattle all began dying of a mysterious and undiagnosed ailment. When Zeb and his wife gave birth to a hideously disfigured boy named Bobby soon thereafter, the story took a strange turn as the pair attempted to shelter their son by covering his face with a burial shroud. After young Bobby disappeared at the age of eight and his parents were found brutally murdered a decade later, rumors began to swirl around the community that Bobby may still be alive. Now single mother Leslie Doyle (Denise Crosby) has moved into the long-abandoned and hideously decrepit home with aspirations of restoring it and taking on the role of town mortician for the town of Santa Loraina, and, along with her children, Jonathon (Dan Byrd) and Jamie (Stephanie Patton), she is about to discover that some legends never die. ~ Jason Buchanan, All Movie Guide

One of the most infamous horror films of the 1970s is revisited in this remake produced by action-spectacle maven Michael Bay. In the summer of 1973, four teenagers -- Erin (Jessica Biel), Morgan (Jonathan Tucker), Kemper (Eric Balfour), and Andy (Mike Vogel) -- are driving through Texas on a road trip when they pick up a hitchhiker, Pepper (Erica Leerhsen), who is on her way to Mexico to score some dope. With Pepper adding to the party atmosphere, the other four decide to join her, but as they're passing through a small town in Travis County, they see a bloody and distraught girl (Lauren German) wandering by the side of the road, and after stopping to help her, they realize she's been involved in something horribly traumatic. As the kids try to help the girl piece together the story of what happened, they find themselves drawn into the web of a murderous family of subnormal cannibals. Inspired -- like the original Texas Chainsaw Massacre, Psycho, The Silence of the Lambs, and Deranged -- by the crimes of Wisconsin multiple murderer Ed Gein, this remake of The Texas Chainsaw Massacre also features narration by John Larroquette, who narrated the original film (it was his first screen credit), as well as supporting performances by R. Lee Ermey, Andrew Prine, and Andrew Bryniarski. ~ Mark Deming, All Movie Guide

Executive-produced by Steven Spielberg, the ten-episode, 20-hour miniseries Taken was one of the most ambitious projects undertaken by cable TV's Sci-Fi Network, ultimately costing 40 million dollars -- a price that proved well worth it, inasmuch as the series posted the network's highest-ever ratings. Covering a period from 1947 to the present, the story focused on three different families, each of whom was profoundly affected by extraterrestrial visitation. The Keys family was headed by WWII bomber pilot Russell Keys (Steve Burton), who spent virtually his entire adult life haunted by his "close encounter" with aliens. The Clarkes were originally represented by lonely Texas waitress Sally Clarke (Catherine Dent), who was impregnated by a charming stranger (Eric Close) who turned out to be an alien survivor of the Roswell crash. And the lives of the Crawfords were dictated by ruthless Army officer Owen Crawford (Joel Gretsch), who was determined to prove that the government had covered up the truth about Roswell by dedicating his life to tracking down all space aliens and their half-human descendants. The story was narrated by Allie Keys (Dakota Fanning), a "hybrid" child of the present day, whose story determined the outcome of the final episodes. Boasting impressive computer-generated special effects and eye-popping facial makeup, Taken was seen over a two-week period, beginning December 2, 2002, and ending on December 13. ~ Hal Erickson, All Movie Guide

People partying in a marshy lake area are attacked by a giant crocodile. ~ All Movie Guide

Horror virtuoso John Carpenter hosts this goofy horror anthology, originally produced for Showtime as a gory stepchild of HBO's Tales from the Crypt series. Playing an emaciated, eye-rolling "coroner," John introduces the audience to a triptych of creepy vignettes in the EC horror-comics mode while paddling about in the guts of assorted cadavers and cracking jokes more gag-inducing than anything oozing on the slab. Two of the stories are directed by Carpenter himself: "The Gas Station" is a retread (pun intended) of Halloween-style scare tactics as a pretty gas-station attendant watches various oddballs pass by her window after hearing that an escaped killer is on the loose; "Hair" is a morbid, hilarious look at man's obsession with his own virility in which Stacy Keach turns to a bizarre hair-growth clinic (run by David Warner & Debbie Harry) which promises instant results, but at a horrific price. The third segment, directed by Tobe Hooper, involves a baseball player (Mark Hamill) who receives an eye transplant after a car accident and soon begins having optical flashbacks revealing (you guessed it) the identity and tendencies of the eye's former owner -- a serial killer. The second segment is by far the most entertaining, featuring a wonderfully neurotic performance by Keach, but the first and last chapters are too derivative to offer much for the discriminating horror buff, although the same fans will enjoy several cute cameos from other genre directors, including Wes Craven, Sam Raimi and Roger Corman. ~ Cavett Binion, All Movie Guide

Stephen King wrote his first original screenplay for this horror gore fest that features cameos by directors Clive Barker, Joe Dante, Tobe Hooper, John Landis, and King himself (playing a cemetery attendant). The story concerns a twilight people named "sleepwalkers" --creatures similar to vampires and werewolves whose faces turn animalistic whenever they are frightened or angry and who require the lifeforce of a virgin to survive. A single-parent sleepwalker family, consisting of Mary Brady (Alice Krige) and her son Charles (Brian Krause), have taken up residence in a small Indiana town. Charles has expressed a romantic interest in the attractive Tanya Robertson (Madchen Amick), a girl in his high school literature class. Mary wants Charles to lure Tanya home so that she can suck out her life force, but it appears that Charles has fallen in love with her --that is, until their first date, at a picnic at the cemetery. There Charles changes from a shy romantic suitor into a brutal and violent force, slapping Tanya around and attempting to rape her. But Tanya wards off his advances by plunging a corkscrew into his torso. Charles staggers back home to mother, where she nurses him back to health. Then Charles and his mother seek vengeance upon the Robertson family. ~ Paul Brenner, All Movie Guide

A made-for-TV effort from horror director Tobe Hooper (The Texas Chainsaw Massacre), this supernatural thriller is ostensibly based on the novella of the same name by Cornell Woolrich -- but the title is pretty much where the similarity ends. The plot involves a possessed Aztec ceremonial cloak (once used to line a sacred burial chamber) which poisons the soul of anyone who wears it. An improbable string of events sees the cloak turned into a little slip of a dress -- donned by several different women, but worn to evil perfection by Madchen Amick (Twin Peaks's Shelly). I'm Dangerous Tonight features colorful supporting performances from Anthony Perkins and R. Lee Ermey. ~ Cavett Binion, All Movie Guide

Sponsored by the publishers of Fangoria magazine, this documentary explores the world of horror-film conventions. Interviewed are such celebrities as make-up expert Tom Savini and directors Tobe Hooper and Wes Craven. ~ Brian Gusse, All Movie Guide

Invaders from Mars, horror-film director Tobe Hooper's remake of the classic 1950's science fiction film, directed by William Cameron Menzies, centers on a young boy named David (Hunter Carson) who tries to stop an invasion of his town as aliens take over the minds of his parents George (Timothy Bottoms) and Ellen (Laraine Newman), his teachers and the townspeople. With the help of the school nurse (Karen Black), the boy enlists the aid of the U.S. Army to help save the world. With makeup effects supplied by Stan Winston and visual effects by John Dykstra, Invaders From Mars is a wild sci-fi feast that hearkens back to the 1950's invasion films, made popular by the original film and others like Invasion of the Body Snatchers. ~ Linda Rasmussen, All Movie Guide

With Poltergeist, directed by Tobe Hopper, Steven Spielberg had his first great success as a producer. Released around the same time as Spielberg's E.T., the film presents the dark side of Spielberg's California suburban track homes. The film centers on the Freeling family, a typical middle class family living in the peaceful Cuesta Verde Estates. The father, Steve (Craig T. Nelson), has fallen asleep in front of the television, and the dog saunters around the house revealing the other family members -- Steve's wife Diane (JoBeth Williams), sixteen-year-old daughter Dana (Dominique Dunne), eight-year-old son Robbie (Oliver Robins), and five-year-old Carol Ann (Heather O'Rourke). Soon strange things begin to happen around the house; the pet canary dies, mysterious storms occur, and Carol Ann is summoned to the TV set, where a strange shaft of green light hits her and causes the room to shake ("They're he-e-ere!"). As curious events continue, Carol Ann is repeatedly drawn to the television, where she begins to talk to "the TV people." Soon Carol Ann is sucked into a closet, disappearing from this reality plane. Unable to find his daughter, Steve consults Dr. Lesh (Beatrice Straight), a para-psychologist from a nearby college. Lesh finds that paranormal phenomena is so strong in the Freelong household she is unable to deal with it and sends for clairvoyant and professional exorcist Tangina (Zelda Rubinstein) to examine the house in hopes of finding Carol Ann. Tangina makes a horrifying discovery: Carol Ann is alive and in the house, but is being held on another spectral plane. ~ Paul Brenner, All Movie Guide