David Hemmings Movies

Horseracing provides the framework of this British drama. The story begins as a former champion jockey Sam Lilley is barred from racing. Although he himself can no longer race, the jockey decides to live his dreams through Georgie Crain, who becomes his youthful protege. Sam teaches George all he knows, and also insists that he keep his morals high. But when Georgie's mother encounters financial disaster, the lad and his mentor decide they have no choice but to throw a race for a gang of criminals. Unfortunately, this leads to even more ethical problems. ~ Sandra Brennan, All Movie Guide

After an extensive talent search, producer-director Otto Preminger selected a 17-year-old unknown from Iowa, Jean Seberg, to play Joan of Arc, a role traditionally portrayed by actresses twice to three times Seberg's age. Seberg is cast opposite such venerable pros as Richard Todd (as Dunois), Anton Walbrook (the Bishop of Beauvais), John Gielgud (Earl of Warwick) and Felix Aylmer (The Inquisitor). Cast as the vacillating Dauphin is Richard Widmark. Graham Greene's screenplay refashions the original Shaw text in the form of a flashback. Seberg eventually became an accomplished actress by virtue of her appearances in such nouvelle vague films as Breathless, but it was too late to salvage Saint Joan, which was figuratively burned at the stake by critics and filmgoers alike. ~ Hal Erickson, All Movie Guide

An unfortunate sailor (Tony Wright) gets implicated in a murder he never committed in this confusing drama by David Eady. After a bookie is murdered, the sailor is caught in an ever-tightening vice that would trap him as the killer unless he can clear himself. Along the way to struggling free and tracking down the real culprits, several unsavory characters cross his path as well as a rather interesting woman (Shirley Eaton) who sets romantic sparks flying. Although director Eady and the cast have done their best with the story, it is too thin to survive even the short running time of 69 minutes. ~ Eleanor Mannikka, All Movie Guide

More of a corny propaganda film for a British social engineering policy program of the 1960s than a serious attempt to tackle an issue, this youth drama is notable chiefly because it features an early performance by David Hemmings, four years before he rose to prominence in Blow-Up (1966). Bert (Hemmings), Bill (David Andrews), and Johnnie (Ray Brooks) are a trio of juvenile delinquents in Bristol who lose their driver's licenses after a 100 mile-per-hour accident on their motorcycles. Bored without their speed machines and alienated in their economically-depressed factory town, they assemble a rock band with the aid and encouragement of Smith (Kenneth More), the choir director of a local church who offers his facilities for rehearsal space. The band becomes involved with a youth awards program devised as a community outreach vehicle by the Duke of Edinburgh and the British government, and despite some lingering moments of dissension, they begin to turn their lives around, encouraged all the while by a hopeful adult community. ~ Karl Williams, All Movie Guide

In this crime drama, a con-artist's mark finds himself in deep trouble after he gets drunk, goes to the apartment of an attractive grifter and discovers that her partner has been slain (something that shocked her too!). The real trouble begins when the fellow accidentally touches the murder weapon belonging to the leader of a Soho gang, and then allows the woman to con him into taking care of the corpse. His actions catch the watchful eyes of the cops; he is soon arrested. Things look bleak for the hapless fellow until his fiancee and friends rally together, catch the con-woman, call the cops and get him acquitted. In the end, the con-woman is killed. ~ Sandra Brennan, All Movie Guide

Dave Martin (David Hemmings) and his mates once again find themselves dealing with the tricky side of the music business in this sequel to the British pop musical Live It Up. Dave has become interested in writing, and has a lead on a job with a newspaper in the seaside community of Brighton. As luck would have it, his parents Herbert (Ivor Salter) and Margaret (Diana King) are also moving to Brighton, having inherited a guest house there that they've decided to take over as the family business. En route to Brighton, Dave meets Erica (Andrea Monet), a pretty girl from the United States who is going to Brighton to audition for a job as a dancer. She is lacking accommodations, so Dave offers to put her up at the family's new guest house, though Herbert and Margaret at first believe their son has less than honorable intentions. When Erica's audition falls through, she opts to stay on in Brighton, and she's soon joined by Dave's old pals Phil (John Pike) and Ricky (Stephen Marriot), who were his partners in the beat group the Smart Alecks. Publicity friendly impresario Hilton Bass (David Healy) arrives in town looking for "the Brighton Sound," which he's convinced will be the next big thing after the success of Merseybeat. Dave asks his pals to re-form the Smart Alecks to enter the talent competition Bass is staging, but he's disqualified when he learns the paper he's working for is helping to sponsor the contest. However, Dave thinks he may have struck upon a story when he uncovers evidence that suggests Bass has rigged the contest to favor a group he's already signed to a deal. Be My Guest features guest appearances from Jerry Lee Lewis and the Nashville Teens (the latter of whom also serve as Lewis' backing band), as well as lesser known beat groups the Nightshades, Kenny and the Wranglers, and the Zephyrs. Noted British rock producer Shel Talmy coordinated the film's musical score. ~ Mark Deming, All Movie Guide

Italian director Michelangelo Antonioni's first English-language production was also his only box office hit, widely considered one of the seminal films of the 1960s. Thomas (David Hemmings) is a nihilistic, wealthy fashion photographer in mod "Swinging London." Filled with ennui, bored with his "fab" but oddly-lifeless existence of casual sex and drug use, Thomas comes alive when he wanders through a park, stops to take pictures of a couple embracing, and upon developing the images, believes that he has photographed a murder. Pursued by Jane (Vanessa Redgrave), the woman who is in the photos, Thomas pretends to give her the pictures, but in reality, he passes off a different roll of film to her. Thomas returns to the park and discovers that there is, indeed, a dead body lying in the shrubbery: the gray-haired man who was embracing Jane. Has she murdered him, or does Thomas' photo reveal a man with a gun hiding nearby? Antonioni's thriller is a puzzling, existential, adroitly-assembled masterpiece. ~ Karl Williams, All Movie Guide

Joshua Logan directs this lavish version of the Alan Jay Lerner and Frederick Loewe Broadway success with Richard Harris, Vanessa Redgrave, and Franco Nero in the lead roles originally portrayed on Broadway by Richard Burton, Julie Andrews, and Robert Goulet. The musical, based on T.H. White's The Once and Future King, chronicles the legend of King Arthur (Richard Harris) and his tortured love affair with his queen Guenevere (Vanessa Redgrave). Arthur first encounters Guenevere, on the day of their wedding, in the enchanted forest surrounding Camelot. After the wedding, Arthur's bliss at his marriage to the lovely Guenevere prompts him to establish the Knights of the Round Table, a lofty order of chivalry in which all the member knights are bound by a desire the help the oppressed, keeping faith with trust and honor. Such is the fame of the Knights of the Round Table that a young French knight, Lancelot Du Lac (Franco Nero), seeks to join the order. Lancelot quickly becomes the most celebrated of all the knights, and Guenevere, aloof at first, falls in love with him. Although both have a deep love for Arthur, their passion knows no bounds, and they begin an illicit love affair behind Arthur's back. Arthur ignores the rumors circling around him, but when his illegitimate son, Mordred (David Hemmings) arrives at Camelot, he exposes Lancelot and Guenevere during a tryst. Lancelot escapes, but Guenevere is sentenced to be burned at the stake. Lancelot rescues her at the last minute, and Arthur prepares for battle, his dreams of an idealistic Camelot shattered. ~ Paul Brenner, All Movie Guide

A voluptuous outer space agent travels to another galaxy in search of a missing inventor in this science fiction send-up. Barbarella (Jane Fonda), an interstellar representative of the united Earth government in the 41st century, is dispatched to locate scientist Durand Durand, whose positronic ray, if not recovered, could signal the end of humanity. Outfitted in an array of stunning Star Trek/Bond girl outfits and cruising around in a plush, psychedelic spaceship, Barbarella travels to the Tau Seti system and promptly crash-lands. She then spends the rest of the film discovering the joys of interstellar sex with a keeper of feral children (Ugo Tognazzi), a blind, beatific angel (John Phillip Law), and an inept revolutionary named Dildano (David Hemmings). Slowly but surely, she also finds her way to Durand Durand by moving from one exotic, Wizard of Oz-style locale to another. Along the way, she meets the kindly Professor Ping (a surprisingly verbal Marcel Marceau), a Eurotrash dominatrix named the Great Tyrant (Rolling Stones gal pal Anita Pallenberg), and the Concierge (Milo O'Shea), a strangely familiar lackey of the Great Tyrant who tries to destroy Barbarella with his great big organ of love. Jean-Claude Forest, who created the character Barbarella in 1962 for V-Magazine, served as visual advisor on the adaptation. The film's missing scientist character famously inspired the band name of '80s pop stars Duran Duran (who altered the spelling slightly). Almost two decades later, the film also inspired electronic act Matmos, which was named after the aqueous personification of evil unleashed by the Concierge at the movie's climax. ~ Brian J. Dillard, All Movie Guide

In this somber drama set during WWII, John (David Hemmings), Cliff (Tony Beckley), and Tom (Tom Bell) are three British soldiers trapped in German territory while waiting for their commanding officer to rescue them. John detests war, Cliff revels in it with a perverse enthusiasm, and Tom is simply weary of the whole business. While trying to avoid capture, the three find a German officer, Helmut (Alan Dobie), and take him prisoner. While they consider executing him on the spot, Helmut pleads with the Britons that if they'll let him live, he'll guide them to his commanders. They agree, but while Helmut proves good to his word, they're too late -- to the shock of all four, they discover that the German general has been murdered, leaving the Englishmen and their captive to find their own way behind enemy lines. The Long Day's Dying won awards at the 1968 Cannes and San Sebastian International Film Festivals for its director, Peter Collinson. ~ Mark Deming, All Movie Guide

In this British farce, the British Home Secretary satisfies the men of London by sanctioning a government-run brothel. This comedy chronicles what happens when secretary John Bird appoints Sir Francis Leybourne to run the place. Bird then has his lovely girlfriend Babbette act as the Madame. Sir Leybourne owns an opium plantation in India and one day goes there to see it. Unfortunately, he gets killed in an uprising, leaving his prim niece Josephine Pacefoot in charge of the cathouse. A staunch believer in social reform, she is quite sure what to do with the disreputable business. Leybourne's son has plenty of ideas too and wants the fortune and the bordello for himself. The ensuing struggle creates plenty of trouble and many laughs. Though the film originally received a British "X" rating, the sex is pretty tame by modern standards. ~ Sandra Brennan, All Movie Guide

Based on a novel by Winston Graham, The Walking Stick stars Samantha Eggar as Deborah, a polio-stricken woman courted by charming artist Leigh Hartley (David Hemmings). She moves in with Leigh, who immediately suggests that she help him rob the antique store where she works. Her common sense clouded by love, Deborah agrees. She is laboring under the misapprehension that Leigh will use the stolen loot to open up their own antique shop. He of course has no such intention, having orchestrated the whole romance for his own greedy gain. Both Samantha Eggar and David Hemmings are too talented for the sluggish goings-on in The Walking Stick, but actors do have to eat once in a while. ~ Hal Erickson, All Movie Guide

Based on the novel The Love Machine, by Jacqueline Susann, this movie concerns the machinations, in the boardroom and in the bedroom, of a group of people--from the chairman of the board down--who are involved in network television. Through his own guile and the sponsorship of his mistress (Dyan Cannon), the wife of the chairman of the board, a lowly television newsman (John Phillip Law) becomes the head of the network in a very short time. He leaves behind very few friends on his climb to the top, however, and he will need some. ~ Clarke Fountain, All Movie Guide