Ruth Gordon

When a collection of alien rock stars descend to earth, a young teenage couple finds themselves caught up in an unusual adventure. The film was shelved for quite some time, hence the presence of octogenarian Ruth Gordon, who died in 1985. ~ Iotis Erlewine, All Movie Guide

Six sorority sisters are desperate for rent money, so, encouraged and trained by their den mother, they enter a mud-wrestling tournament in Las Vegas. ~ John Bush, All Movie Guide

Gary Coleman stars as the title character, the bratty son of wealthy parents, who is kidnapped by a pair of bumbling crooks. The experience winds up teaching the pampered boy the realities of childhood. ~ Jason Ankeny, All Movie Guide

Made for television and initially telecast February 9, 1980, Hardhat and Legs is a new-fashioned romance from the old-fashioned writing team of Garson Kanin and Ruth Gordon. The "hardhat" is pugnacious construction worker Kevin Dobson. The "legs" is Sharon Gless, a high-class NY divorcee who responds to Dobson's wolf-whistle in a most unusual way. Once they get to know one another, Kevin and Sharon help to straighten out each other's problems: his battle with bookies, her custody bout with her ex-husband. Though the film's characters are neatly divided into "good" and "bad", the Hardhat and Legs is set in a user-friendly New York, the like of which hasn't been seen much since the films of the 1930s and 1940s. ~ Hal Erickson, All Movie Guide

In this drama, David Rosen (Lee Strasberg) and his wife Becky (Ruth Gordon) have lived in the same Coney Island neighborhood for nearly all their married life. But the area is not what it used to be, and a gang leader named Strut (Kim Delgado) has decided to make Coney Island his new turf. Strut begins shaking down the merchants in the area, demanding payment for "protection" and using violence to deal with anyone who gets in his way. David refuses to give Strut protection money for the restaurant he owns, and as a result his diner is soon firebombed, while many of his neighbors are attacked and his synagogue is desecrated. When Becky dies, David decides that he can stand no more, and he plots his revenge against Strut and his underlings. Director Stephen F. Verona manages to combine a Death Wish-style revenge scenario with a mood piece that generates a very real nostalgia for what Coney Island once was -- and still is for many of the characters in this story. ~ Mark Deming, All Movie Guide

Clint Eastwood's first comedy feature proved to be one of his most profitable vehicles. Eastwood plays Philo Beddoe, a bare-knuckle boxer who travels from fight to fight in a beat-up truck, accompanied by his "pal" Clyde, a orangutan with a mean right hook, and his human buddy Orville (Geoffrey Lewis). During a stopover, Philo meets and falls in love with would-be country & western singer Lynn Halsey-Taylor (Sondra Locke). After a while, she wants to break off the relationship, but he doesn't -- a shaky plot peg upon which to hang several reels' worth of zany car chases and confrontations with such opponents as a gang of bikers and a battalion of hostile lawmen. Adding to the fun is Ruth Gordon as Eastwood's don't-mess-with-me octogenarian mother, and Beverly D'Angelo as an ace sharpshooter. The enormous box-office success of Every Which Way But Loose yielded an equally wacky -- and equally lucrative -- sequel, Any Which Way You Can. ~ Hal Erickson, All Movie Guide

This 1977 episode of Saturday Night Live is hosted by Ruth Gordon and features musical guest Chuck Berry. ~ Skyler Miller, All Movie Guide

The Prince of Central Park is 11-year-old Jay Jay (T. J. Hargrave). An orphan from Hell's Kitchen who has been shunted from one foster home to another, Jay Jay is conditioned to despise, or at the very least distrust, all adults and authority figures. Running off to Central Park, Jay Jay and his kid sister Laurie (Lisa Richard) set up housekeeping in an abandoned treehouse. There they remain, cut off from the adult world, until a third "outcast" joins them: Mrs. Miller (Ruth Gordon), a lonely widow with a boundless capacity for loving, giving, and caring. First telecast June 17, 1977, the made-for-TV Prince of Central Park was adapted by Jeb Rosebrook from a novel by Evan H. Rhodes. ~ Hal Erickson, All Movie Guide

Made for television, The Great Houdinis tells the life story of famed American illusionist/escape-artist Harry Houdini and his wife Bess. Studiously avoiding covering the same ground as the 1953 Houdini theatrical-film biopic, director Mel Shavelson's script for Great Houdinis spends a great deal of time on the conflict between Harry's Catholic wife Bess and his Jewish mother. The spiritualism angle so important to the Houdini story allows the 1976 film to recreate Houdini's meetings with "true believer" Sir Arthur Conan Doyle. Again departing from the 1953 Houdini, this later film does not end with Houdini's death from peritonitis in 1926; instead, we watch as the widowed Bess desperately tries to make contact with her husband in the "other world," all the while debunking phony mediums, just as her husband had done. Paul Michael Glaser and Sally Struthers star as the Houdinis, with Ruth Gordon as Harry's mother Mrs. Weiss, Peter Cushing as Conan Doyle, Jack Carter as Houdini's brother, Adrienne Barbeau as his mistress, Nina Foch as a medium, and Vivian Vance as the all-around best friend/severest critic, who narrates the film. The Great Houdinis first aired on October 8, 1976. ~ Hal Erickson, All Movie Guide

Injured in a hit-and-run accident, John (Randolph Mantooth) ends up in a Rampart hospital bed, where he proceeds to drive the staff crazy. Meanwhile, Roy is saddled with John's replacement Craig Bice (John R. Richardson in his first series appearance), an unsufferable perfectionist whose strict adherence to rules and regulations does more harm than good. This week's case load includes a possible heart attack victim and a raging fire. Series costar Randolph Mantooth pulled double duty as actor and director in this final episode of Emergency's fifth season. ~ Hal Erickson, All Movie Guide

This curious made-for-TV movie stars Alan Alda as a police detective in a small New England town. The community's elderly are dying at an unusual rate, prompting Alda to investigate. He deduces that the old folks are being murdered, but can't find a motive (there are no robberies involved, and none of the victims have any enemies to speak of). The hunt for the killer becomes personal when Alda's best friend, police chief Lloyd Nolan, falls victim to the unknown assailant. With the help of his funky girlfriend Louise Lasser, Alda assembles the clues and arrives at a startling conclusion. Isn't it Shocking? is enhanced by the presence of several veteran character actors, including Ruth Gordon as a disheveled cat fancier. ~ Hal Erickson, All Movie Guide

Director Carl Reiner, most closely associated with the homey values of situation comedies, shocked, surprised, and (in some cases) delighted his admirers with the jet-black comedy Where's Poppa?. George Segal plays Gordon Hocheiser, a New York attorney whose love life is constantly being sabotaged by his senile mother (Ruth Gordon), who constantly asks the question of the title. (She doesn't realize Poppa is dead). Every time Gordon has a prospective bride or lover lined up, Mrs. Hocheiser gums up the works with her insane behavior. The attorney at last finds a kindred spirit in the beautiful caregiver Louise Callan (Trish VanDevere), who has likewise been a victim of someone else's eccentricities (her first husband used the conjugal bed as his own personal toilet). When Mrs. Hocheiser chases Louise away like she has all the others, Gordon begins entertaining notions of killing his mother. In desperation, Gordon begs his brother Sidney (Ron Leibman) to take his mother off his hands, which leads to several comic vignettes in deliriously bad taste. The film's incest-themed original ending (trimmed from the video version but still included in cable prints) finds Gordon climbing into bed with Mrs. Hocheiser, only to be greeted with a "Here's Poppa." The celebrated "tush scene," wherein Mrs. Hocheiser bites Gordon on his bare backside while Louise looks on in horror, packed a real wallop back in the early '70s, as did a courtroom scene involving a disgruntled hippie (Rob Reiner) and a psychotic U.S. general who graphically describes his homicidal acts against the Vietnamese. Though Carl Reiner would continue to "push the envelope" in his later films (Steve Martin as a "poor black child"? George Burns as God?) he would never again attempt anything as risky as Where's Poppa?. ~ Hal Erickson, All Movie Guide