Keith Gordon

2005 
 
Pro baseball pitcher Hank Wiggen (Scott Foley) insists he is not a drug user, but the evidence indicates otherwise: His bones are brittle to the point of disintegration, and his kidneys have started to fail. Astonishingly, the clinic's lab test indicate that Wiggen is not currently on steroids, nor is he suffering from cancer as the symptoms might also suggest. House (Hugh Laurie) must figure out what's really wrong with Wiggen before the ballplayer's girlfriend Lola (Meredith Monroe) aborts her pregnancy in order to donate her kidneys. And in another development, Foreman (Omar Epps) is secretly dating a sexy drug representative (Salli Richardson-Whitfield), while Wilson (Robert Sean Leonard) is seeing one of House's former lovers. Somehow or other, this all winds up at a monster-truck rally! ~ Hal Erickson, All Movie Guide

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2003 
AddThe Singing Detectiveto QueueAddThe Singing Detectiveto top of Queue
From director Keith Gordon (Mother Night, A Midnight Clear) comes this American feature adaptation of the 1986 BBC miniseries, The Singing Detective. Robert Downey Jr. returns to the big-screen for the first time since 2000's Wonder Boys as Dan Dark, a novelist who is hospitalized with a severe case of psoriasis. As he lays in bed, Dark hallucinates that he is actually a World War II-era private dick embroiled in an oddball web of mystery, intrigue, and musical numbers. Written by the late Dennis Potter (Pennies From Heaven, Gorky Park) and co-starring Mel Gibson, Robin Wright Penn, Katie Holmes, and Adrien Brody, The Singing Detective premiered at the 2003 Sundance Film Festival. ~ Matthew Tobey, All Movie Guide

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Starring:
Robert Downey, Jr.Robin Wright Penn, (more)
2000 
AddWaking the Deadto QueueAddWaking the Deadto top of Queue
A man finds his melancholy turning to madness in this thriller. Young lawyer Fielding Pierce (Billy Crudup) has just thrown his hat in the ring for an upcoming congressional election. He has also been haunted by the memory of his girlfriend Sarah (Jennifer Connelly), who recently died in a car bombing -- and haunted not just figuratively but literally: he's seeing apparitions of Sarah everywhere, and he's starting to wonder if she's really there or if he's going mad. Waking the Dead is based on a novel by Scott Spencer, who also wrote Endless Love, and directed by actor-turned-filmmaker Keith Gordon. ~ Mark Deming, All Movie Guide

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Starring:
Billy CrudupJennifer Connelly, (more)
1996 
AddMother Nightto QueueAddMother Nightto top of Queue
Kurt Vonnegut Jr. once summarized the moral of his novel Mother Night like so: "We are what we pretend to be, so we must be careful about what we pretend to be." In Keith Gordon's film adaptation of Vonnegut's book, Nick Nolte stars as Howard W. Campbell Jr., an American playwright living in Germany shortly before the U.S. entered World War II. Campbell is essentially apolitical; if he sometimes hobnobs with Nazi leaders, it's only because they're VIPs in his time, place, and social circle, and he cares for little besides his writing and his beloved wife Helga (Sheryl Lee). One day, Campbell is approached by Frank Wirtenan (John Goodman), an American intelligence agent who offers Campbell an unusual assignment -- a position as a radio commentator beaming Nazi propaganda broadcasts to U.S. troops across Europe, which in fact feature coded information that will aid the American war effort. Campbell agrees, but succeeds all too well -- he makes such a convincing Nazi sympathizer that at the end of the war, he finds it impossible to convince people he wasn't really a Nazi, and even those inclined to believe him feel he aided Germany as much as the Allies. After 15 years as a recluse in New York City, a racist tabloid prints a story about Campbell, and in 1961 he discovers himself behind bars, awaiting trial as a war criminal. Besides Nick Nolte, who gives an outstanding performance, the supporting cast also includes Alan Arkin, Frankie Faison, and Kirsten Dunst; Kurt Vonnegut Jr. also makes a cameo appearance. ~ Mark Deming, All Movie Guide

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Starring:
Nick NolteSheryl Lee, (more)
1994 
PG 
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In the style of the screwball comedies of the 1930s and 1940s, I Love Trouble depicts the developing romance of two rival reporters who reluctantly fall for each other while competing for a major scoop. Old hand Peter Brackett (Nick Nolte) and aspiring newcomer Sabrina Peterson (Julia Roberts) first meet when they are both assigned to cover a mysterious train crash. The pair immediately develops a connection despite their professional rivalry, and they decide to work together. Sensing something fishy about the crash, they look deeper and are soon fighting to expose a wide-ranging conspiracy, while also struggling to outmaneuver and out-charm each other along the way. Co-creators Charles Shyer and Nancy Meyers, who previously found success harking back to 1940s comedy in Father of the Bride, borrow heavily from His Girl Friday, Bringing Up Baby, and other screwball classics. ~ Judd Blaise, All Movie Guide

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Starring:
Julia RobertsNick Nolte, (more)
1994 
 
The homicide department is besieged by demands that details of the three "white glove" murders be made public. Complicating matters is the possibility that prime suspect Mary Maude Wiggs (Lucinda Jenney), who suffers from multiple-personality disorder, may very well beat the rap. And in other developments, the relationship between Felton (Daniel Baldwin) and his wife continues to deteriorate, and silent partner Bayliss (Kyle Secor) becomes more vocal concerning the new bar being purchased by Munch (Richard Belzer) and Lewis (Clark Johnson). ~ Hal Erickson, All Movie Guide

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Starring:
Daniel BaldwinNed Beatty, (more)
1993 
 
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Just after the turn of the 21st century in L.A., Harry (Belushi) works for a television station that uses a revolutionary technology, virtual reality projected for at-home viewers with 3-D holographic programs. A sinister group known as the Fathers, headed by Senator Kreutzer (Loggia), has a scheme to use it for mind-control. ~ All Movie Guide

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1992 
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Based on a novel by William Wharton, A Midnight Clear is set in the Adriennes Forest in December of 1944. A group of American GIs, all of whom have been together a bit too long, cling to the vestiges of their peacetime interests to remain sane. None are brilliant soldiers, though Will Knot Ethan Hawke is the one who exhibits the strongest leadership qualities. Billeted at a chateau, the soldiers begin hearing strange noises emanating from a graveyard, the handiwork of a group of mischievous German soldiers. The two enemy camps draw closer to one another as Christmas approaches, due in great part to the influence of GI Vince "Mother" Wilkins Gary Sinise. A sudden, impulsive hostile act results in the wholesale -- and unnecessary -- slaughter of the German soldiers. Though the exteriors are convincingly mid-European, the film was actually lensed in Utah. ~ Hal Erickson, All Movie Guide

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Starring:
Peter BergKevin Dillon, (more)
1988 
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The independently produced Chocolate War marked actor Keith Gordon's directorial debut. Adapted from the popular novel by Robert Cormier (I Am the Cheese), it functions as a political allegory set in a curricular context, in the same vein as Rene Daalder's Massacre at Central High (1976). In War, Ilan Mitchell-Smith plays Jerry, a new enrollee at the exclusive Catholic prep school St. Trinity. He attempts to fit in by joining the football team, but immediately runs head-first into Brother Leon (John Glover), a ruthless academician striving for a promotion to headmaster, and The Vigils, a underground student gang that wields a massive amount of power within the school. The abusive Leon attempts to goad as many students as possible into selling chocolates for the school fundraiser, but Vigil leader Archie (Wally Ward) has Jerry publicly refuse to sell any for ten days, as one of the annual 'hazing' rituals that the Vigils dole out to freshman enrollees. Jerry agrees, which turns him into a rebel hero among his fellow students, but he then extends his refusal beyond the week-and-a-half limit imposed by Archie, which puts him head-to-head with both Leon and the Vigils. However, instead of turning into an underdog story at that point, The Chocolate War remains realistic and cynical.

~ Nathan Southern, All Movie Guide

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Starring:
John GloverIlan Mitchell-Smith, (more)
1986 
 
In this youthful film, to juvenile delinquents must spend a year in a military academy. They immediately begin driving their superior officers crazy. The film is also titled Combat Academy. ~ Sandra Brennan, All Movie Guide

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Starring:
Robert CulpKeith Gordon, (more)
1986 
 
AddBack to Schoolto QueueAddBack to Schoolto top of Queue
Self-made wealthy guy Rodney Dangerfield decides he needs a better education--and also to spend some time away from his cheating new wife. Dangerfield joins his son Keith Gordon at college. Dad hopes to gain his son's respect (isn't that always Dangerfield's motivation?), while son tries to fit in with his snobbish and brutish fellow students. English professor Sally Kellerman forms a strong bond with Dangerfield, encouraging both father and son to stick out their first year despite all odds. The finale involves some slapstick at the swimming pool diving board, and the obligatory commencement address delivered by Dangerfield, who proves that he can crack jokes without tugging at his tie. ~ Hal Erickson, All Movie Guide

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Starring:
Rodney DangerfieldSally Kellerman, (more)
1985 
Keith Gordon plays a oddball loner who builds a very special kind of TV set. He claims he can tune in to images of Heaven, and all evidence points to the veracity of his claim. Gordon's eccentric religiosity attracts the attention of wacko evangelist Bob Gunton, who'd like to snatch the TV for his own purposes. Director Mark Romanek went on to hone his unique style with a number of high-profile music videos. ~ Hal Erickson, All Movie Guide

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Starring:
Keith GordonAmanda Plummer, (more)
1985 
PG13 
With their father dead and their mother busy trying to land a steady beau, pretty teen Billy Jean Davy (Helen Slater) and her younger brother, Binx (Christian Slater), spend their time riding Binx's moped and dreaming of life in Vermont -- several climate zones away from the humid, omnipresent heat of their Texas town. One day, on their way from their trailer park home to a swimming hole, the Davy kids run afoul of rich boy Hubie Pyatt (Barry Tubb) and his cronies, who steal -- and later trash -- the scooter Binx bought with his father's paltry life insurance benefits. Demanding payment from Hubie and his merchant dad (Richard Bradford) for the damage that's been inflicted on both the bike and her brother's face, Billie Jean narrowly escapes being raped by the elder Pyatt. In the ensuing scuffle, Binx accidentally shoots Mr. Pyatt, sending himself, Billie Jean, and their friends, Ophelia (Martha Gehman) and Putter (Yeardley Smith), on the lam. When the "Billie Jean Gang" becomes a media sensation, Pyatt capitalizes on their notoriety by selling T-shirts and bric-a-brac, while policeman Ringwald (Peter Coyote), who feels guilty for having refused to help Billie Jean, tries to bring the kids in without anyone getting hurt. However, when the gang mock-kidnaps rich amateur filmmaker Lloyd (Keith Gordon), unaware that he's the district attorney's son, the situation spins out of control. Soon, Lloyd's videotape of the suddenly crop-topped, Joan of Arc-emulating, eminently telegenic Billie Jean elevates a local headline into a national sensation, and even Lloyd's attraction to Billie Jean can't protect her from the media lightning rod she's become. The Legend of Billie Jean marks the screen debut of Christian Slater, who is no relation to co-star Helen Slater. Actor Gordon, who made his debut as a screenwriter with Mark Romanek's Static the year Billie Jean came out, would go on to direct a number of critically acclaimed films. ~ Brian J. Dillard, All Movie Guide

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Starring:
Helen SlaterKeith Gordon, (more)
1984 
 
In this made-for-TV movie, a group of lonely, unattached people meet up in a local bar in search of love and friendship. ~ Iotis Erlewine, All Movie Guide

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Starring:
Shelley HackPaul Michael Glaser, (more)
1983 
 
A Greek-American businessman returns to his homeland with his teenage American-born son and finds that he has little in common with his family's simple life. ~ Steve Huey, All Movie Guide

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1983 
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Director John Carpenter returns to the suburban landscape he explored so chillingly in Halloween (1978) with this lean, stripped-down adaptation of the Stephen King best-seller about a haunted car with a devilishly bad attitude and the teen underdog who falls head-over-heels for her chrome-accented charms. Shortly after geeky, horn-rim-sporting Arnie Cunningham (Keith Gordon) narrowly escapes a beating at the hands of shop-class bully Buddy Repperton (William Ostrander) on the first day of his senior year, he soon falls prey to a far more duplicitous villain in the form of a rusted-out 1958 Plymouth Fury nicknamed "Christine" by its crusty owner George LeBay (Roberts Blossom) -- who sells wide-eyed Arnie the old hulk despite the protests of best friend Dennis (John Stockwell) and the admonition of his domineering parents. As Arnie sets to the task of restoring Christine, his hobby grows into an obsession -- and the real power that hums beneath her hood begins to emerge, seemingly granting newfound coolness and sex appeal to the once-nerdy outcast, while simultaneously drawing away his very soul. A vengeful spirit, Christine lashes out violently at those who dare to stand between her and Arnie -- starting with Repperton and his gang, who completely trash the car, but are soon hunted down one by one and pulverized beneath the whitewalls of the miraculously-restored Fury. When Arnie's pretty, popular girlfriend Leigh (Alexandra Paul) begins to suspect she may soon be on the receiving end of automotive vengeance, she calls on Dennis for help... but a frightening midnight ride in Christine convinces Dennis that Arnie's only hope lies in destroying the demonic vehicle. ~ Cavett Binion, All Movie Guide

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Starring:
Keith GordonJohn Stockwell, (more)
1982 
 
Feeling homesick, a Greek immigrant (Telly Savalas) and his son travel from their American home back to the Greek village where the father was born. As the man is reunited with his mother and brother, he discovers that the culture of his youth now seems strange and unnatural to him, causing a number of family conflicts. ~ Iotis Erlewine, All Movie Guide

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1981 
 
The May 4, 1970 tragedy at Kent State University is meticulously recreated this three-hour TV movie. Conceived in semidocumentary fashion, the film illustrates the slow, simmering buildup to the fatal confrontation between students and National Guard troops on the Kent Campus. The four students who fall victim to Guard gunfire are played by Jane Fleas, Talia Balsam, Keith Gordon and Jeff McCracken. Those who might complain that victims come off in a saintly fashion should be reminded that the young, inexperienced National Guard troops are likewise treated with respect and sympathy. Screenwriters Gerald Green and Richard Kramer trace the roots of the incident back to President Nixon's decision to selectively bomb strategic targets in Cambodia; their script is based on interviews and published accounts of the shooting. Filmed in Alabama rather than Ohio, Kent State was originally telecast February 8, 1981. ~ Hal Erickson, All Movie Guide

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1980 
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One of Brian De Palma's most divisive films, Dressed to Kill is a spine-chilling Alfred Hitchcock update for the late 1970s. Sexually frustrated wife and mother Kate Miller (Angie Dickinson) visits her New York psychiatrist, Dr. Elliott (Michael Caine), to complain about her unfulfilling erotic life. When she then goes to meet her husband at a museum, she meets an anonymous man whom she follows out to a cab. After an afternoon of satisfying sex, Kate discovers that the man has a venereal disease, but that information becomes a moot point when a razor-wielding blonde woman slashes Kate to ribbons in the elevator of the man's building. Blonde prostitute Liz (Nancy Allen), who caught a glimpse of the murderer, becomes both the prime suspect and the killer's next target. With the police less than willing to believe her story, Liz joins forces with Kate's son Peter (Keith Gordon) to get the psychopath themselves. Steamy material cut to get an R-rating was restored on the unrated laser disc version. ~ Lucia Bozzola, All Movie Guide

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Starring:
Michael CaineAngie Dickinson, (more)
1979 
PG 
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Brian De Palma directed this treatise concerning an egotistical film professor as a film-making project for his film-production master class at Sarah Lawrence College in New York. Kirk Douglas plays Doctor Tuttle, known as "The Maestro," who is the leader of a frenetic film-production cult entitled Star Therapy. The Maestro exhorts his disciples to "put your name above the title in real life." To prove his adage, he has his own life continuously filmed, with himself as the director and the star. The Maestro singles out one hapless student, Denis Byrd (Keith Gordon) for being totally ineffectual and "an extra in his own life." In response, Denis tries to put his name above the title by filming himself sleeping and eating and pursuing his older brother's girlfriend. ~ Paul Brenner, All Movie Guide

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Starring:
Kirk DouglasNancy Allen, (more)
1979 
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"It's showtime!" In this part film à clef, part musical phantasmagoria, director/choreographer Bob Fosse takes a Felliniesque look at the life of a driven entertainer. Joe Gideon (Roy Scheider, channeling Fosse) is the ultimate work (and pleasure)-aholic, as he knocks back a daily dose of amphetamines to juggle a new Broadway production while editing his new movie, not to mention ex-wife Audrey (Leland Palmer), steady girlfriend Kate (Ann Reinking), a young daughter, and various conquests. Joe cannot, however, avoid intimations of mortality from white-clad vision Angelique (Jessica Lange) that lead him to look back at his life as he heads for a near-inevitable coronary and his departure from this mortal coil with the appropriate razzle-dazzle. Taking his cue from Federico Fellini's 8 1/2 (1963), Fosse moves from realistic dance numbers to extravagant flights of cinematic fancy, as Joe meditates on his life, his women, and his death. Following a similarly dark revisionist vein as Martin Scorsese's New York, New York (1977), Fosse shows the stiff price that entertaining exacts on entertainers (among other things, he intercuts graphic footage of open-heart surgery with a song and dance), mercilessly reversing the feel-good mood of classical movie musicals. Critics praised Fosse's daring even as they damned his self-indulgence, while Scheider was lauded for giving the best performance of his career. Though not a disastrous failure, All That Jazz came nowhere near the popularity of 1978's Grease, as late '70s audiences increasingly turned away from "difficult" movies. For all its excesses, Fosse's fiercely personal approach turned All That Jazz into another striking work from one of the few directors able to make, and experiment with, movie musicals after the 1960s. ~ Lucia Bozzola, All Movie Guide

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Starring:
Roy ScheiderJessica Lange, (more)
1979 
 
Adapted from the once-notorious trilogy of novels by James T. Farrell, the three-part miniseres Studs Lonigan isn't quite as earthy and explicit as its source, but is lot more faithful to the original than the 1960 film version. Set in Chicago and covering the years from 1916 to 1931, this is the story of a brawling, braggadocio young Irish-American lad named Studs Lonigan (played as a child by Dan Shor, and as an adult by Harry Hamlin in his first major TV role). Despite his rough veneer, Studs is sensitive and concerned about his future, though he doesn't want to follow the values set forth by his tradition-bound parents (Charles Durning, Colleen Dewhurst). Hanging around with his childhood buddies, Studs gets into all sorts of scrapes and becomes involved with a number of women, notably the decent, demure Catherine (Diana Scarwid) and the lusty, libidinous Lucy (Lisa Pelikan). Though he grows in age and size, Studs has trouble maturing emotionally, surrounded by the pressures of a rough, prejudice-ridden neighborhood and the increasing hooliganism of his cronies. As the Depression crashes heavily upon the scene, Studs finds himself "trapped" in the very sort of middle-class quagmire that he'd always hoped to avoid. Earning an Emmy Award for art/set direction, the 6-hour Studs Lonigan originally aired March 7, 14 and 21, 1979, as part of NBC's Novels for Television anthology. ~ Hal Erickson, All Movie Guide

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1978 
PG 
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Despite being a less well-regarded virtual remake of the original film, Jaws 2 earned a tidy sum at the box office by combining its predecessor's winning formula with the popular teen horror craze, helping to spawn the era of blockbuster sequels. Roy Scheider returns as Sheriff Martin Brody, whose small resort town of Amity is poised to bounce back from the economic hardship it encountered after becoming widely known as the site of vicious shark attacks. But at the same time that Mayor Vaughn (Murray Hamilton) is welcoming a real estate developer to Amity, two divers disappear and a party of waterskiers is consumed by a shark. The incidents are explained away as accidents, but Brody knows better, tipping his bullets with cyanide and forbidding his sons Mike (Mark Gruner) and Sean (Marc Gilpin) to participate in a teen sailing regatta. Everyone foolishly chalks up Brody's fears to trauma-induced paranoia, and the regatta goes forward, with a hungry great white trailing the youthful contestants and hungrily picking them off one by one. Director Jeannot Szwarc would later helm another sequel, Supergirl (1984). ~ Karl Williams, All Movie Guide

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Starring:
Roy ScheiderLorraine Gary, (more)

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