John F. Goff

Veteran filmmaker Matt Cimber returned to the director’s chair for the first time in twenty-two years with this dark tale set during World War II. Miriam Schafer (Ariana Savalas) was fourteen years old when war broke out in her native Lithuania; while Miriam came from a Jewish family, her blonde hair and soft features made it easy for the young woman to disguise her ethnic identity, and when a pogrom sweeps through the nation, she’s taken in by a family who claims her as one of their own. However, Miriam soon found that part of the price of safety was sexual abuse at the hands of her new "father," and while the end of the war meant safety and freedom for most European Jews, Miriam enjoyed little respite. The Soviet Union soon took control of Lithuania, with Moscow’s anti-Semitic policies once again putting the nation’s Jews in jeopardy, and as she grew to adulthood Miriam was forced to hide her true identity from everyone she knew -- even her husband (imitri Diatchencko), who was an agent with the KGB. Inspired by a true story, Miriam marked the big screen debut of Ariana Savalas, the daughter of famed character actor Telly Savalas. ~ Mark Deming, All Movie Guide

Fashion photographer Andi turns to private eye Dave to help clear her of a murder she claims to have been framed for. Including scantily-dressed models and plots concerning drugs and blackmail, this thriller contains nudity, violence, profanity and sexual situations--though one could never guess from the title. ~ Kristie Hassen, All Movie Guide

A man who fails to make the grade as a Los Angeles cop goes on a killing spree as the dangerous "Sunset Killer," to show the dupes who wouldn't hire him. He uses all his cop smarts to try to elude all who dare try capture him. ~ All Movie Guide

Lance Henriksen stars as hit man Chris Caleek, hired by the mob to off the prosecution's key witness. However, Caleek is given the wrong address, and instead kidnaps the child of innocent Jack Collins (Jan-Michael Vincent). ~ Jason Ankeny, All Movie Guide

An archaeologist has come back home with a priceless gem in his possession. However, it was ill-gotten and his life is in extreme danger. After he's killed, his widow becomes the mark of several treasure-seekers. ~ John Bush, All Movie Guide

A cluster of unappealing college students (of the Friday the 13th variety) on a camping trip in the mountains of Utah find themselves stalked by a "berserker" -- a ferocious and legendary man-beast known to ancient Viking lore as a kind of cannibalistic shock-trooper who was kept in a cage, dressed in animal skins and brutalized until he became psychotic enough to strike fear into the heart of an enemy in battle. What exactly this devilish warrior is doing so far from the fjords is never really explained to anyone's satisfaction -- some kind of ancient Nordic curse is mumbled about, but that's it. Not much different than the standard slasher fare, even down to the masked killer who wears a huge bear-snout. ~ Cavett Binion, All Movie Guide

Amy (Olivia Hussey) is a widow who is held captive by her insane Aunt Margot (Piper Laurie) in this predictably routine mystery. After she believes her husband has died, Amy is comforted by a group of society women with lesbian tendencies and is drugged when she goes to live with her aunt who tries to convince her she is insane. Amy begins to have nightmarish hallucinations and believes she sees the decayed remains of her late husband. ~ Dan Pavlides, All Movie Guide

Three children, who fear being put into a foster home after the death of their parents, take flight into the wilderness with their uncle. ~ All Movie Guide

In this routine, violent, and often trite female version of Conan, Hundra (Laurene Landon) is an Amazon whose tribe is slaughtered one day while she is away hunting, now it is up to her to find a suitable mate and begin to create a new tribe of little Hundras. Hundra's search takes her to a walled city, but before she finds the ideal male (he is a doctor), she has a lot of head-bashing and sword brandishing to do. Energetic but not exactly fast-paced, this may be an interesting film for feminists, or it may not. ~ Eleanor Mannikka, All Movie Guide

Pia Zadora stars in an over-cooked melodramatic adaptation of the 1946 James M. Cain novel that is every bit as smutty and sleazy as Zadora's vampish character of Kady. The location of the novel has been switched from Appalachia to the barren lands of Arizona and Nevada in 1937. Stacy Keach plays Jess Tyler, a desert hermit who has spent years guarding an abandoned silver mine. Suddenly, Jesse is confronted by his very grown-up and sexy daughter, who, when she was a baby, had been taken away from him by his wife, Belle (Lois Nettleton). Kady, it so happens, hasn't come home for a family reunion -- she has just been dumped by a rich young man who is the father of her illegitimate child and whose family owns the very silver mine that Jess is guarding. Kady hopes to use her feminine wiles to seduce Jess and reopen the mine and extract the money from the earth that she feels is due her from the family. As if his seductive daughter walking around bare-breasted in front of him isn't enough, Jess must also deal with the sudden return of his older daughter, Janey (Ann Dane), who appears with Kady's son; Belle, who comes back to Jess dying of tuberculosis; and Moke Blue (James Franciscus), the man who stole Belle away from Jess years ago. Also squeezing his way into Jess's shack is Wash Gillespie (Edward Albert), the father of Kady's child, who now wants to marry her. Butterfly also features Orson Welles as Judge Rauch. ~ Paul Brenner, All Movie Guide

This tuneful drama features the rock group Love Machine as it tells the tale of a record promoter hired by a crooked producer to fulfill affirmative action quotas. It is the hard-working, independent-minded promoter who discovers and develops the Love Machine, an all female group. The trouble begins when the group's lead singer is kidnapped and the promoter learns that his employer's label is really a front for the mob. ~ Sandra Brennan, All Movie Guide

Sporting narration and a theme song by country legend Waylon Jennings and starring Tom Wopat and John Schneider as Luke Duke and Bo Duke, The Dukes of Hazzard was a hit throughout its six-year run in the late '70s and early '80s. Also featuring Catherine Bach as Daisy Duke, the show showcased the ongoing adventures of the Duke brothers as they attempted to avoid the crooked local law enforcement and the sleazy Boss Hogg. Originally airing on February 29, 1980, Dukes of Hazzard: Mason Dixon's Girls found the duke boys teaming up with a traveling private investigation team to bring down a dastardly group of drug smugglers. The episode was originally intended as a setup for a spin-off series featuring the continuing adventures of the three private-eyes, but the idea never came to fruition. ~ Matthew Tobey, All Movie Guide

Not exactly meant for intellectuals or feminists, this juvenile comedy-drama centers around the competition between a decaying, old-fashioned gas station and that of a sleek, modern version across the street. Neither Uncle Joe (Huntz Hall) nor his station are doing well. So niece June (Kirsten Baker) comes to the rescue, enlisting three buxom friends with names like April (Sandy Johnson) and January (Rikki Marin) who help fill out the rest of the calendar year, and occasionally fill up tanks when not disco dancing in the garage. Using the only weapons they have, the young women wear as little as possible to distract the competition, to attract customers, to distract the gangsters sent over to teach them a lesson, and to distract attention away from the script. ~ Eleanor Mannikka, All Movie Guide