George Gershwin Movies
Gershwin himself appears in The King of Jazz (1930) playing his world-renown Rhapsody in Blue (and, for some unfathomable reason, uncredited), and in archive footage in the television miniseries New York: A Documentary Film (1999). The ever popular and variously interpreted and orchestrated Rhapsody in Blue also occurs in Gus Arnheim and His Ambassadors (1928), Rhapsody in Blue (1945), the TV miniseries Jazz (2001), and an exquisite animated sequence in Fantasia 2000 (1999). The signature clarinet glissando has been used to open countless city scenes and to suggest contemporaneity.The composer's famed opera Porgy and Bess, a brilliant synthesis of Tin Pan Alley lyricism, Impressionist opera, harmonies, blues, and gospel influences, has received several productions: in a sketchy but very effective 1959 dramatization directed by Otto Preminger with an all-star cast including Sidney Poitier as Porgy, Dorothy Dandridge as Bess, Sammy Davis Jr. as Sportin' Life, and Pearl Bailey as Maria; Trevor Nunn's faithful and excellent 1993 television version with Willard White and Cynthia Hayman; a fascinating television documentary entitled Porgy and Bess: An American Voice (1998) which features many personalities and performers who have been involved in the history of the legendary piece; and the New York City Opera's 2002 television production of the complete work. Individual songs from the opera have appeared in The Wizard of Speed and Time (1988) ("It Ain't Necessarily So"), an electronic version of "Summertime" in Theremin: An Electronic Odyssey (1993), and in numerous television performances, and as fragments employed as momentary references and segues in many films.
Other concert works employed include quotes from the Concerto in F for piano and orchestra in You Were Meant for Me (1948), and parts of An American in Paris in Assignment: Rescue (aka The Story of Varian Fry and the Emergency Rescue Committee, 1997) and An American in Paris (1951).
Individual Gershwin songs have enhanced many productions: "But Not for Me" in the comedy Four Weddings and a Funeral (1994); "A Foggy Day" in The Notorious Landlady (1962); "That Certain Feeling" is the title tune for a 1956 film; "I've Got a Crush on You" in Three for the Show (1955); "Somebody Loves Me" is the title tune for a 1952 film; "Lady Be Good" and "Fascinating Rhythm" occur in Lady Be Good (1941); and "Strike up the Band" is the title tune of the 1940 film. Several songs are used throughout Love's Labour's Lost (2000), The Choirboys (1977), Broadway Rhythm (1944), So's Your Uncle (1943), The Goldwyn Follies (1938), The Flame Song (1934), the television tributes A Tribute to George and Ira Gershwin: A Memory of All That (1998), Ira Gershwin at 100: A Celebration at Carnegie Hall (1997), and the American Masters episode George Gershwin Remembered (1987).
Other significant films adopting the Gershwin sound are Woody Allen's Manhattan (1979), Billy Wilder's Kiss Me, Stupid! (1964), the Audrey Hepburn/Fred Astaire vehicle Funny Face (1957), the Seaton comedy with Betty Grable The Shocking Miss Pilgrim (1947), and the drama The Man I Love (1946) with Ida Lupino and Robert Alda. ~ "Blue" Gene Tyranny, All Movie Guide
- 2008
February 26, 2008 marked a historic date for music and global culture per se
- Starring:
- Lorin Maazel
- 2007
The performance release Kurt Masur: A Life in Music - The Anniversary Gala from Leipzig finds noted European conductor Masur leading the MDR Radio Choir and the Gewandhausorchester Leipzig symphony in renditions of works by Moniuszko, Dvorak, Dukas, Bizet and other composers. ~ Nathan Southern, All Movie Guide
- Starring:
- Kurt Masur, Harald Schmidt, (more)
- 2000
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This concert program features a live performance by Joseph Paratore and Anthony Paratore on two pianos. The concert consists of a variety of works by 20th century composers such as Igor Stravinsky's The Rite of Spring and George Gershwin's Rhapsody in Blue. ~ Cammila Albertson, All Movie Guide
- 1999
- G
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Initially released to IMAX theaters at the crescendo of millennial fever and 60 years after the original Fantasia, Fantasia 2000 was meant to revitalize Walt Disney's goal of a constantly evolving film, with new segments replacing old ones with each re-release. Only The Sorcerer's Apprentice remains, with seven new shorts. Angular, abstracted butterfly-like shapes fly through the air in Beethoven's Symphony No. 5; computer-animated whales take flight in Respighi's Pines of Rome; Al Hirschfeld's caricatures of New York life come alive in George Gershwin's Rhapsody in Blue; Hans Christian Andersen's The Steadfast Tin Soldier is retold with computer animation against Dmitri Shostakovich's Piano Concerto No. 2, Allegro, Opus 102; frantic flamingos try to stop their yo-yoing comrade in Camille Saint-Saëns' Carnival of the Animals, Finale; Donald and Daisy Duck play Noah and his wife trying to manage the ark to Sir Edward Elgar's Pomp and Circumstance; and the cycle of life, death, and rebirth are celebrated in Stravinsky's Firebird Suite. ~ Emru Townsend, All Movie Guide
- Starring:
- Steve Martin, Itzhak Perlman, (more)
- 1999
Crazy for You, Ken Ludwig's 1992 adaptation of George and Ira Gershwin's 1930 musical comedy Girl Crazy, had already won a Tony award when this PBS TV adaptation was taped at New Jersey's Paper Mill Playhouse. As if it matters, the plot concerns Bobby Child (Jim Walton), the son of a prominent East Coast banker. Though he'd rather be a song-and-dance man, Bobby is forced to enter the family business -- and his first assignment is to foreclose on the Gaiety Theater in Deadrock, AZ. But when he falls in love with Polly Baker (Stacey Logan), daughter of the Gaiety's owner (Larry Linville), Bobby dedicates himself to saving the theater. And how does any self-respecting musical comedy hero accomplish this task? By staging a fabulous show, naturally, with Bobby himself in the lead. Of course, the plot is a mere peg upon which to hang some of the Gershwins' best-loved songs, including "Embracable You," "Bidin' My Time," and the show-stopping "I Got Rhythm," belted out con brio by Stacey Logan. Crazy for You was first telecast on October 20, 1999. ~ Hal Erickson, All Movie Guide
Assembled by the same team responsible for "The Hallmark Hall of Fame", this TV adaptation of Neil Simon's hit play Jake's Woman stars Alan Alda, recreating his Broadway role as Simon-esque writer Jake. Mired in an unhappy marriage with current spouse Maggie (Anne Archer), Jake tries to cope with his wife's insistence on a trial separation by conjuring up images of the other women in his life: his late wife Julie (Mira Sorvino), his confused daughter Molly (Kimberly Williams), his neurotic sister Karen (Julie Kavner) and his analyst Edith (Joyce Van Patten). Putting his literary skills to good use, Jake carries on imaginary conversations with these ladies, hoping that they will help him sort out his problems. The trouble begins when the spectres of Jake's Women begin showing up without his bidding, insisting upon debating and arguing with the poor fellow even as he tries to pursue a new romance with his current flame Sheila (Lolita Davidovich). Neil Simon's Jake's Women (the official title) first aired March 3, 1996 on CBS. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Alda, Anne Archer, (more)
- 1990
This dance-oriented performance release actually features a compilation of solos by two Bolshoi Ballet vets: Mikhail Lavosky and the Kirov-trained Nina Timofeyeva. The solos in question were culled from productions of Adagio, Porgy and Bess, The Dying Swan and Pas de deux Classique. ~ Nathan Southern, All Movie Guide
Offbeat fashion student Betsy Hopper (Molly Ringwald) and her straight-laced investment-banker fiancé, Jake Lovell(Dylan Walsh), just want an intimate little wedding reception, but Betsy's father, Eddie (Alan Alda), a Long Island construction contractor, feels so threatened by Jake's rich WASP parents (Nicolas Coster and Bibi Besch) that he blows the ceremony up into a bank-breaking showpiece, sending his wife, Lola (Madeline Kahn), into a financial panic. Pressure from Betsy's extended family to include their joint Jewish and Italian-Catholic heritage in the ceremony doesn't do much to assuage the title character's worries, nor does the lovelorn bitterness of her older sister, Connie (Ally Sheedy), who's single, her parents assume, because she has the audacity to pursue the unfeminine profession of police officer. With all of his funds tied up into the money pit of a house he's building, Betsy's dad has to turn to his crooked brother-in-law, Oscar (Joe Pesci), for financial assistance, and soon a soft-spoken but menacing young mobster named Stevie Dee (Anthony LaPaglia) is supervising Eddie's construction project and casting his romantic aspirations toward the clueless Connie. Underworld hijinks and unconventional matrimonial practices ensue in this broad domestic comedy written and directed by star Alan Alda. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Alan Alda, Madeline Kahn, (more)
Where the original Gremlins was a horror film spiked with comedy, Gremlins 2: The New Batch is essentially a black comedy, with a couple of horrifying touches. As the film starts, the fantastical trinket shop in Chinatown, which sold the Mogwai in the first film, is demolished by a crazed multi-media businessman called Daniel Clamp (John Glover). The heroes from the first movie, Billy (Zach Galligan) and Kate (Phoebe Cates), happen to work for Clamp in his huge high-rise. They find the Mogwai within Clamp's building, but not before he has accidentally spawned legions of mischievous, lizard-like Gremlins. Soon, the Gremlins are wreaking havoc throughout the building. In the original film, their misdeeds were violent, but here they're also goofy and satirical. Director Joe Dante has filled the film with quick verbal and visual jokes, which, for many, makes Gremlins 2: The New Batch a satire and inversion of the typical horror film. ~ Stephen Thomas Erlewine, All Movie Guide
- Starring:
- Zach Galligan, Phoebe Cates, (more)
Harvey Fierstein's Pulitzer Prize-winning Broadway hit was adapted for the screen by Fierstein himself. The playwright also repeats his stage role of female impersonator Arnold Beckoff, aka nightclub entertainer "Virginia Hamm." The three-part plotline, whittled down to accommodate the film's 117-minute running time, concerns Arnold's seriocomic efforts to find a lasting relationship. We first meet Arnold in 1971, when his heart is broken by his bisexual lover (Brian Kerwin). Next we find Arnold in 1973, enjoying short-lived happiness with his true love (Matthew Broderick). The final act takes place in 1980: Arnold, still grieving over Broderick's sudden death and struggling to raise the young boy that the couple had adopted, has a long-anticipated showdown with his uncompromising mother, superbly played by Anne Bancroft. A witty film that is by turns touching and outrageous, Torch Song Trilogy works well despite its somewhat soft-pedaled approach to the material. ~ Hal Erickson, All Movie Guide
- Starring:
- Anne Bancroft, Matthew Broderick, (more)
Someone to Watch Over Me, a mystery thriller directed by Ridley Scott is the story of a police officer who falls in love with the woman he is hired to protect and the effect of this affair on his marriage and his life. Claire (Mimi Rogers) an extremely wealthy socialite is the sole witness to a mob murder and is in great danger. Mike (Tom Berenger), a happily married NYC police officer is assigned to protect her and takes up residence in her foyer while she waits to testify. A romance develops between the unlikely couple which threatens Mike's marriage to Ellie (Lorraine Bracco). All of this sounds more exciting than it is, and while the film fails to generate much suspense, the love story and Mike's dilemma are interesting. All the performances are excellent, particularly that of Bracco as the no-nonsense wife. The score is exceptional and the photography and set decoration are all fine. Someone to Watch Over Me is a fine police thriller and love story. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Tom Berenger, Mimi Rogers, (more)
Based on the play by Christopher Durang, Robert Altman's Beyond Therapy is a comedy set in New York City but filmed in Paris, where Altman was living at the time. Arrogant Bruce (Jeff Goldblum) grows bored with his live-in lover, Bob (Christopher Guest), so he looks for a change by placing an ad in the personals. He meets neurotic Prudence (Julie Hagerty) at a French restaurant and they prove to be a terrible match-up. Then Bruce goes to see his therapist, Charlotte (Glenda Jackson), who has a strange disorder herself. In the same building, Prudence goes to see her own bizarre therapist, Stuart (Tom Conti), who believes in sex with his patients. Charlotte and Stuart also have an arrangement where they meet for anonymous sexual trysts. Meanwhile, Bob's mother (Genevieve Page) is worried about her son's relationship with Bruce and she interferes with everything. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Julie Hagerty, Jeff Goldblum, (more)
A French music lover befriends a once-great American jazz artist and attempts to save him from self-destruction in this moody drama. Saxophonist Dexter Gordon portrays Dale Turner, a fictional musician inspired by a number of famed jazz figures, including Bud Powell and Lester Young. Largely forgotten in his home country, Turner has moved to Paris in search of a more appreciative audience. He finds it in the form of Francis Borler (Francois Cluzet), a bebop aficionado who befriends the expatriate player. Borler soon becomes familiar with Turner's darker side, including his struggles with alcoholism, drug addiction, and depression. Fearing for the musician's life, the fan becomes his caretaker, an arrangement that leads to a brief improvement in Turner's health and fortunes but places great emotional strain upon them both. Director Bertrand Tavernier pays great attention to the visual and aural details of the jazz world, with outstanding musical supervision provided by Herbie Hancock. 'Round Midnight's greatest asset, however, is Gordon's Academy Award-nominated performance, informed by his own life experiences. His naturally fascinating presence combines with the film's obvious love of the music and its milieu to provide what many have hailed as one of the more authentic and affectionate presentations of the jazz world on the silver screen. ~ Judd Blaise, All Movie Guide
- Starring:
- Dexter Gordon, François Cluzet, (more)
This standard, tongue-in-cheek, gangsters and good guys saga is carried on the star power and screen presence of Clint Eastwood as Lt. Speer, a taciturn, tough, play-it-by-the-book cop, and on Burt Reynolds as Mike Murphy, Speer's old friend in the force, now turned private eye but still a captivating rogue at heart. With a sub-text of playing their well-known screen personas off each other, Eastwood and Reynolds provide more than a surface interpretation of the characters that made them famous. After Murphy's partner is murdered, he focuses on pitting one mob boss against another in an attempt to have both mobsters kill each other. In the meantime, Lt. Speer -- who has never approved of Murphy's private detective business -- does not really know if Murphy is for or against the two top gangsters. Set in the era of speakeasies and Prohibition, an added layer of "film noir" can be discerned under the complex plot, verbal repartée, and episodes of toned-down violence (a kind of parody in themselves). Although this may not be the best film either star has made, it is still interesting to see them together on screen. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Clint Eastwood, Burt Reynolds, (more)
- 1983
This eight part series follows the roles music has played in the development of mankind's culture and societies. ~ All Movie Guide
On the heels of Annie Hall, the Oscar-winning romantic comedy that rocketed Woody Allen to the front ranks of American filmmakers, Manhattan continued Allen's romantic obsessions in a slightly darker, more pessimistic vein. Allen stars as Isaac Davis, a TV comedy writer sick of the pap he is forced to churn out and harboring dreams of being the great American novelist. His love life is in barbed-wire territory: he is tormented by his second ex-wife Jill (Meryl Streep), a lesbian who has written a tell-all book about their marriage, and he is dating teenager Tracy (Mariel Hemingway), to whom he refuses to commit, and keeps hinting that a breakup may be imminent. Isaac's disillusioned (and married) best friend Yale (Michael Murphy) has begun an affair with the cerebral writer Mary Wilke (Diane Keaton). While Isaac makes a last minute, sink-or-swim decision to quit his job and devote all of his time to book writing, and neurotically moans about what the lack of a full time job will do to him ("My parents won't have as good of a seat in the synagogue," he moans. "They'll be far away from God... away from the action") Yale is crippled by his lack of resolve, as indicated by his inability to leave his wife Emily (Anne Byrne). Meanwhile, Isaac and {%Mary) begin to fall for one another. Tracy then tells Isaac the basic truth that none of his hung-up friends and past lovers fully realizes: "You have to have a little more faith in people." Manhattan is both a seriocomic dissection of perpetually dissatisfied New Yorkers and an ode to the city itself, filmed in glorious black-and-white by ace cinematographer Gordon Willis, and set to a score of rhapsodic George Gershwin music. ~ Hal Erickson, All Movie Guide
- Starring:
- Woody Allen, Diane Keaton, (more)
- 1976
- PG
Singer and actress Liza Minnelli teamed up with her father, legendary director Vincente Minnelli, to make this evocative drama. Nina (Liza Minnelli) is a popular film star who, in the midst of a press conference, finds herself remembering her life before her big break, when she worked as a chambermaid at an Italian hotel which had seen better days. In the course of her duties, Nina meets Countessa Sanziani (Ingrid Bergman), an aging and eccentric woman who regales Nina with tales of her glamorous younger days. As the Countessa tells her more stories of her days of wealth and adventure, Nina imagines herself living out the same exciting stories, and soon the Countessa encourages her to find the courage to live out her own dreams. A Matter Of Time also featured another family team-up; Ingrid Bergman's daughter Isabella Rossellini has a small part as a nun attending to the ailing Countessa. ~ Mark Deming, All Movie Guide
- Starring:
- Liza Minnelli, Ingrid Bergman, (more)
Touted by 20th Century-Fox as a follow-up to their enormously successful The Sound of Music, Star! reteams that earlier film's leading lady Julie Andrews and director Robert Wise. Andrews plays legendary musical comedy star Gertrude Lawrence, while Daniel Massey appears as Lawrence's friend, co-worker and severest critic Noel Coward (Massey's real-life godfather). The film jumps back and forth in continuity at times, its transitions bridged by fabricated newsreel footage; essentially, however, William Fairchild's script traces Lawrence's progress from ambitious bit actress to the toast of London and Broadway. Her success is offset by a stormy private life, which is given some ballast when she falls in love with an American financier (Richard Crenna). The film is way too long for its own good, though the musical set pieces -- especially the Andrews-Massey duets -- are superb. Julie Andrews welcomed the chance of playing a character as far removed from her goody-two-shoes heroine in Sound of Music as possible; Gertrude Lawrence was temperamental, sarcastic, profane and at times self-destructive, and Andrews makes a meal of the role. Unfortunately, Andrews' fans, conditioned by the Fox publicity machine to expect a continuation of Sound of Music, rejected her outright in this "new" characterization. Star! was a huge box-office bomb, so much so that Fox desperately attempted a shortened re-release under a misleading new title, Those Were The Happy Times. They weren't: it remained a financial disaster, though it has developed a loyal cult following in recent years. ~ Hal Erickson, All Movie Guide
- Starring:
- Julie Andrews, Richard Crenna, (more)
The Catholic League of Decency gave Billy Wilder's Kiss Me, Stupid! a "condemned" rating. The Moral Majority charged the picture with debauchery and movie theaters across the nation discontinued its run. The bed-trick comedy had America's panties tied in a knot; one could not imagine a story so distasteful. Dean Martin is Dino, a Las Vegas crooner, alcoholic, and celebrity playboy. Dino requires women like oxygen -- a companionless night leaves him with a headache. Ray Walston is Orville, a provincial piano teacher, aspiring songwriter, and jealous husband. Orville violently obsesses over his wife Zelda's (Felicia Farr) fidelity -- any man she encounters becomes his sworn enemy. When a chance detour brings Dino to Orville's hometown of Climax, NV, it is the perfect opportunity for the piano teacher and his songwriting partner, Barney (Cliff Osmond), to pitch their tunes. Yet, Orville predictably fears the possible combination of Dino's libido with Zelda's childhood crush on the singer. Before the two can meet, Orville deceitfully bullies Zelda out of their house and Barney hires local roadhouse prostitute Polly the Pistol (Kim Novak) to pose as Orville's wife. Zelda turns to drink for solace, ending up at the exact bar where Polly plies her trade and, eventually, in the call girl's empty trailer. By the next morning, Orville is with Polly and Dino (looking for a prostitute) finds his way to Zelda -- and husband, wife, hooker, and Barney will all reap the benefits of infidelity. This tale may be tasteless, but Kiss Me, Stupid! is now a cable favorite. Its modern rating? PG. ~ Aubry Anne D'Arminio, All Movie Guide
- Starring:
- Dean Martin, Kim Novak, (more)
- 1963
In this collection of clips from The Judy Garland Show, which ran for 26 episodes on CBS television in 1963 and 1964, the legendary singer and actress performs a number of songs, several of them collaborations with up-and-comer Barbra Streisand, grand dame Ethel Merman, and Garland's own daughter, the then-teenaged Liza Minnelli. Garland's solos include several of her signature numbers, from "I'm Nobody's Baby," which she performed as a fresh-faced MGM star in 1940's Andy Hardy Meets Debutante, to "The Man That Got Away," written especially for 1954's comeback vehicle A Star Is Born. Garland and Streisand alternate friendly banter about hating each other's talent with solo renditions and two extended medleys. The most famous of these pairings is their show-stopping combination of the standards "Get Happy" and "Happy Days Are Here Again"; Garland had performed the former in 1950's Summer Stock, while Streisand recorded the latter the same year the program aired. In another segment, Merman appears in the middle of the audience and joins Streisand and Garland for a leather-lunged rendition of "There's No Business Like Show Business." The Merman and Streisand footage was taped on October 4, 1963, for episode nine of Garland's eponymous program. A sequence featuring three duets and lots of clowning with Minnelli was taped a few months earlier, on July 16, for episode three. Several years after her program was cancelled, Garland was set to play Helen Lawson, a character based on Merman, for the film version of Jacqueline Susann's Valley of the Dolls; she was replaced, however, by Susan Hayward. Streisand would go on to star in her own remake of A Star Is Born, while Minnelli would mine her mother's legacy in her own repertoire. ~ Brian J. Dillard, All Movie Guide
- 1962
This uneven farce by director Richard Quine has its hilarious and witty moments as American diplomat William Gridley (Jack Lemmon) inadvertently gets caught up in a jewel theft and mayhem. After William lands in London to take up his new position and get settled in his new digs, he becomes involved with his gorgeous landlady Carlye Hardwicke (Kim Novak). Carlye's husband is missing, and she is suspected of doing him in. But then he unexpectedly comes back home where an argument with Carlye over some jewels makes him as dead as everyone had assumed -- with her wielding the murder weapon. Carlye is eventually acquitted thanks to a witness who has designs on the jewels herself -- but the story is far from over. First there is an exciting helicopter ride and a wild chase to decide just who will end up with the loot. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Kim Novak, Jack Lemmon, (more)
- 1959
A stellar line-up of African-American actors and musical stars helped to bring DuBose Heyward and Ira Gershwin's classic operetta to this screen in this lavishly-produced adaptation. Porgy (Sidney Poitier) is a crippled man living in the shantytown of Catfish Row who has fallen in love with Bess (Dorothy Dandridge), a beautiful but troubled woman addicted to drugs. Bess is already being courted by several men, including Crown (Brock Peters), a muscular laborer, and Sportin' Life (Sammy Davis, Jr.), a sharp-suited hipster who deals narcotics. Crown gets in a fist fight with Robbins (Joel Fluellen) and ends up killing him; Crown goes on the lam, and Bess, needing companionship, takes up with Porgy. However, Crown soon returns, and Porgy kills him in a subsequent altercation, forcing him to hide from the police. Meanwhile, the fickle Bess follows Sportin' Life in search of the bright lights of New York City. Pearl Bailey, Diahann Carroll, Ivan Dixon, and Clarence Muse also highlight the cast; Robert McFerrin provided the singing voice of Porgy, and Adele Addison dubbed in Bess' musical numbers. ~ Mark Deming, All Movie Guide
- Starring:
- Sidney Poitier, Dorothy Dandridge, (more)
This filmed version of the 1927 George Gershwin Broadway musical Funny Face utilizes the play's original star, Fred Astaire, and several of the original tunes, then goes merrily off on its own. Astaire is cast as as fashion photographer Dick Avery (a character based on Richard Avedon, the film's "visual consultant"), who is sent out by his female boss Maggie Prescott (Kay Thompson) to find a "new face". It doesn't take Dick long to discover Jo (Audrey Hepburn, who does her own singing), an owlish Greenwich Village bookstore clerk. Acting as Pygmalion to Jo's Galatea, Dick whisks the wide-eyed girl off to Paris and transforms her into the fashion world's hottest model. Along the way, he falls in love with Jo, and works overtime to wean her away from such phony-baloney intellectuals as Professor Emile Flostre (Michel Auclair). The Gershwin tunes include the title song, "S'wonderful", "How Long Has This Been Going On" and "He Loves and She Loves"; among the newer numbers is Kay Thompson's energetic opener "Think Pink". For years available only in washed-out, flat prints, Funny Face was eventually restored to its full Technicolor and VistaVision glory. ~ Hal Erickson, All Movie Guide
- Starring:
- Audrey Hepburn, Fred Astaire, (more)
Gene Kelly does his patented Pal Joey bit as Jerry Mulligan, an opportunistic American painter living in Paris' "starving artists" colony. He is discovered by wealthy Milo Roberts (Nina Foch), who becomes Jerry's patroness in more ways than one. Meanwhile, Jerry plays hookey on this setup by romancing waif-like Lise Bouvier (Leslie Caron) -- who, unbeknownst to him, is the object of the affections of his close friend Henri (Georges Guetary), a popular nightclub performer. (The film was supposed to make Guetary into "the New Chevalier." It didn't.) The thinnish plot is held together by the superlative production numbers and by the recycling of several vintage George Gershwin tunes, including "I Got Rhythm," "'S Wonderful," and "Our Love Is Here to Stay." Highlights include Guetary's rendition of "Stairway to Paradise"; Oscar Levant's fantasy of conducting and performing Gershwin's "Concerto in F" (Levant also appears as every member of the orchestra); and the closing 17-minute "American in Paris" ballet, in which Kelly and Caron dance before lavish backgrounds based on the works of famed French artists. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Kelly, Leslie Caron, (more)
- 1947
In this musical set in late 19th-century Boston, a suffragette secretary finds that her political beliefs are standing in the way of her romantic bliss with her beloved boss. Back then the notion of women's rights was considered scandalous and her lover will not stand for such nonsense in his office. Mayhem and music ensue until he is eventually convinced. Some of the tunes were composed by the late George Gershwin to which lyricists Kay Swift and Ira Gershwin added new words. These songs include: "For You, for Me, for Evermore," "Aren't You Glad We Did?," "Stand up and Fight," and "Waltz Me No Waltzes." Other songs include: "Changing My Tune," "Back Bay Polka," "One, Two, Three," "But Not in Boston," "Sweet Packard," "Waltzing Is Better Sitting Down," and "Demon Rum." ~ Sandra Brennan, All Movie Guide
- Starring:
- Betty Grable, Dick Haymes, (more)
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