Ulrich Felsberg

Two brothers are caught on differing sides of the battle for Irish freedom in this politically minded historical drama from veteran British filmmaker Ken Loach. It's 1920, and Damien O'Donovan (Cillian Murphy) has recently graduated from medical school. Damien plans to leave the small village in Ireland where he was born to take a job in London, much to the annoyance of his brother Teddy (Padraic Delaney), who is an Irish loyalist and wants to see the British stripped of their rule of his land. While visiting Peggy (Mary Riordan), a longtime friend of the family, Damien and Teddy witness a visit by "Black and Tans," British soldiers who supposedly keep the peace in Ireland; the soldiers turn violent and murder Michaeil (Lawrence Barry), Peggy's grandson, when they discover he only speaks Gaelic. Damien is radicalized by the event, and with Teddy joins the local chapter of the Irish Republican Army, who use violence to drive British troops out of the country. While the IRA is a poor and ill-equipped fighting force, their willingness to give their lives for their cause is taken very seriously by the British, who step up their reprisals against the locals; the Black and Tans even begin directing their violence and torture against women and children, including Damien's girlfriend, Sinead (Orla Fitzgerald). In 1921, Britain attempts to end the violence in Ireland by creating the Irish Free State, a compromise government which will give the Irish greater autonomy while Great Britain still retains final political control of the nation. Teddy sees this as a victory and believes it's an important first step to a truly free Ireland, but Damien sees the IRA's goal as nothing short of complete independence, and the brothers and allies soon become rivals in a battle neither side can win. The Wind That Shakes the Barley received the Golden Palm award as Best Picture at the 2006 Cannes Film Festival. ~ Mark Deming, All Movie Guide

An expectant, ultra-modern mother living in 1913 Barcelona is thrust into a complex and labyrinthine mystery when her psychiatrist husband goes missing and she is forced to seek the help of her conservative brother-in-law in locating her missing spouse in director Joaquin Oristrell's Freudian period comedy. Alma is a modern woman of very modern means; her father Spain's foremost neurosurgeon and her husband, Leon, a devoted follower of controversial Austrian psychiatrist Sigmund Freud. After arriving home one summer afternoon to find her tearful husband mumbling incoherent words of woe, Alma's life is turned upside down when Leon suddenly disappears. With no one else to turn to than her lovelorn brother-in-law Salvador -- likewise a psychiatrist who secretly pines for Alma despite being married to her sister -- Alma's discovery of a strange manuscript on hysteria and female sexuality proves the launching point for a tireless quest to locate her missing husband and discover the true meaning behind his inexplicable disappearance. ~ Jason Buchanan, All Movie Guide

Part of The Blues documentary film series on PBS, Warming by the Devil's Fire is written and directed by Charles Burnett and narrated by Carl Lumbly. This installment explores the tension between the gospel and the blues through the semi-autobiographic tale of a young boy (played by Nathaniel Lee Jr.) who is kidnapped by his blues-loving Uncle Buddy (Tommy Hicks) right before he's about to be saved. Burnett investigates some of the blues women who defied the church by singing racy songs, like Lucille Bogan, Mamie Smith, Ma Rainey, and Bessie Smith. Includes archival performances by Sister Rosetta Tharpe and Reverend Gary Davis, blues performers who managed to work within the church's jurisdiction. Burnett also discusses his fascination with W.C. Handy and Blind Lemon Jefferson. Warming by the Devil's Fire was originally broadcast by PBS on October 1, 2003. ~ Andrea LeVasseur, All Movie Guide

A man scarred by tragedy finds that it refuses to leave him, even after he falls in love, in this drama. Paul (Oliver Mommsen) is a sensitive young man from a small town in Germany who was forced to witness the death of his best friend when they were both assigned to peace-keeping duties in Kosovo during a stretch in the Army. Trying to adjust to civilian life, Paul moves to Berlin, where he works for a surveillance firm and, in his spare time, plays the organ at a church. Paul gets to know his pretty but shy next-door neighbor Nele (Laura Tonke), and before long the two loners have fallen in love. Their life together is thrown into disarray when Paul is found to have contracted leukemia; preferring Nele's company to a stay in the hospital, he decides to abandon his treatment and instead joins her for a final vacation in Paris. Junimond was screened as part of the German Cinema series at the 2003 Berlin Film Festival. ~ Mark Deming, All Movie Guide

Seven internationally respected filmmakers offer different perspectives on time and fate -- some witty, some somber -- in this omnibus film, with the stories linked by performances from jazz great Hugh Masekela. Dogs Have No Hell by Aki Kaurismaki follows one man's unusual journey as he celebrates getting out of jail by travelling to Siberia in search of a wife. Victor Erice directed the impressionistic Lifeline, in which a family of Spanish farmers try to help an infant who has fallen ill. Werner Herzog visits the Uru Eus tribe of South America -- believed to have been the last unknown indigenous people on earth prior to their discover in 1981 -- and explores the often sad toll their discovery has taken upon them in Ten Thousand Years Older. Chloe Sevigny plays an film actress waiting out a ten-minute break in her trailer in Int. Trailer. Night, directed by Jim Jarmusch. Wim Wedners contributes Twelve Miles to Trona, in which a young man, dazed and ill, tries to drive himself to a doctor through a barren desert. Spike Lee looks into the Florida vote-counting scandal, and how Al Gore's assistants and supporters reacted to it, in the short documentary We Wuz Robbed. And in 100 Flowers Hidden Deep, directed by Chen Kaige, a delusional elderly man is convinced his furniture still stands in the vacant lot where his home used to be, and he persuades workers to help him move it away to safety. ~ Mark Deming, All Movie Guide

Fernanda (Ingrid de Souza) is a transgendered youth who was born and raised in a small town in Brazil; though born a male, Fernanda chooses to live life as a woman, and has pulled up stakes to move to Italy and obtain sexual reassignment surgery. Fernanda discovers that Milan is one of the world's centers for transvestite prostitutes, and despite the religious scruples she was born with, Fernanda is soon nudged into a career as a sex worker. Fernanda is befriended by Charlo (Biba Lerhue), an old friend from Brazil who is now hooked on drugs and sells her body to support her habit. Charlo introduces Fernanda to Karin (Lulu Pecorari), a transvestite madame who, sensing Fernanda is an innocent at heart, treats her with care and introduces her to some of her better clients. One night, Fernanda is hired by Gianni (Cesare Bocci), who doesn't realize at first that Fernanda is biologically male; while Gianni is upset at first, he also finds himself attracted to Fernanda, and in time begins to pursue a romantic relationship with her when she's not working. Charlo and Karin tell Fernanda that Gianni is merely a gay man in deep denial, but she has fallen in love with him, and in time Gianni offers to pay for her sex change operation -- and pledges to leave his wife for her. Gianni and Fernanda move in together, but soon both are developing cold feet; Fernanda becomes nervous with the onset of her surgery, and when Gianni's wife Lidia (Alessandra Acciai) confronts him and announces she's pregnant, he wonders if he may have made the wrong decision. Princesa received its North American premiere at the 2001 Sundance Film Festival. ~ Mark Deming, All Movie Guide

Leftist filmmaker Ken Loach directs this grim drama about the plight of seemingly invisible office cleaners in contemporary L.A. who often earn as little as $6 a day without benefits. The film opens as Maya (Pilar Padilla), a young Mexican lass, is reuniting with her older sister Rosa (Elpidia Carrilio) in L.A. after a harrowing cross-border journey. Rosa sets her sister up first with a job as a barmaid, which Maya soon quits after getting repeatedly groped -- and then as a janitor. When her boss demands one month's salary as "commission," Maya happens upon Sam Shapiro (Adrien Brody), a muckraking lawyer and union agitator. This film, which was screened in competition at the 2000 Cannes Film Festival, is remarkable for its prescience -- it was shown a month after a massive janitor's strike ground L.A.'s business community to a halt. ~ Jonathan Crow, All Movie Guide

This period drama is based on the real-life relationship of the great Irish novelist James Joyce and his longtime lover, Nora Barnacle. Aspiring writer James (Ewan McGregor) meets Nora (Susan Lynch) in Dublin in 1904. While she lacks James' interest in literature, she shares his frustrations about the limitations of life in Ireland, and she encourages him in both his work and in his desire to try his hand in Europe. Nora also shares James' potent sexual appetite, and James finds himself at once thrilled by her enthusiasm for lovemaking and troubled by suspicions that she may be unfaithful to him. When James decides to relocate to Trieste, Nora joins him, and they eventually have two children together, but their relationship is often stormy -- James angrily suspects that Nora is having affairs with his brother Stanislaus (Peter McDonald) and their close friend Roberto (Roberto Citran) as he struggles with his writing and battles censors over his masterwork, Ulysses. However, while they have troubles keeping their relationship together, they find that it's even harder for them to live apart from one another. Ewan McGregor served as both star and co-producer for Nora, which was backed in part by his production company, Natural Nylon Entertainment. ~ Mark Deming, All Movie Guide

Chinese-born, American-based director Ann Hu debuts with this epic historical drama about the introduction of motion pictures to China during the beginning of the 20th century. The film is based on a true story of Liu Jung (Xia Yu), a Peking photographer who struggles to start a film industry in China in spite of the strong anti-Western sentiment of the time. At the film's outset, Liu Jung is scolded by his autocratic boss Master Ren (Liu Peiqi) for his obsession with Western gizmos after he brings home a junked Victrola. During a photo session with China's most famous opera star, Lord Tan (Li Yusheng), Liu Jung runs into Raymond Wallace (Jared Harris), a mysterious Brit who is hell-bent on introducing movies (called "shadow magic") to the Emperor. As soon as Liu Jung sees his first frame, he is hooked on the medium and committed to Wallace's scheme. This film was screened at the 2000 Sundance Film Festival. ~ Jonathan Crow, All Movie Guide

A young boy struggles with his family during England's pre-war depression in this drama directed by Stephen Frears. Liam (Anthony Borrows) is a seven-year-old growing up in a working-class family in Liverpool during the early 1930s. Liam's dad (Ian Hart) and older brother Con (David Hart) both work at the nearby shipyards, and his sister Teresa (Megan Burn) works as a domestic for a wealthy Jewish family. Liam, who suffers from a speech defect, is not always happy at school, where his teacher (Anne Reid) and his priest (Russell Dixon) spend nearly as much time lecturing students about the wages of sin as they do covering the three R's. The family's troubles mount when the shipyard is shut down as England sinks into an economic downturn; angry and confused after losing his job, Dad becomes a member of a fascist organization that blames the nation's troubles on Jews and the Irish. Young Liam is forced to come to terms with his father's intolerance -- and the violence that it spawns. Liam also features a standout performance by Claire Hackett as Liam's Mam. ~ Mark Deming, All Movie Guide

Wim Wenders' documentary Buena Vista Social Club is about the adventures of Ry Cooder in Cuba. Cooder, best remembered by film fans for the wailing slide guitar theme of Wenders' Paris, Texas, went to Cuba in 1996 to meet with some legendary 'soneros' musicians of the '30s, '40s and '50s. The result was the album Buena Vista Social Club, recorded with such colorful characters as the 90-year-old singer/guitarist Compay Segundo, guitarist Eliades Ochoa, baritone Ibrahim Ferrer and Omara Portuondo, "the Cuban Edith Piaf." The album won a Grammy, and in this refreshing documentary, Wim Wenders shows these exceptional musicians in their hometown, following them into their usual hang-outs -- the cafes, clubs and even living rooms -- as well as to concerts in Amsterdam and New York's Carnegie Hall, capturing their incredible vitality. "In Cuba, music flows like a river," according to Ry Cooder, who adds "Music is like a treasure hunt; you dig and dig and sometimes find something." Pursuing this metaphor, Wenders wanted to make a film that would "just float on this river ... not interfering with it, just drifting along." The result is a film full of vitality and positive energy, which is also an absolute delight to musical ears. ~ Gönül Dönmez-Colin, All Movie Guide

Gerardo Herrero directed this Spanish-Argentine-German-French period fantasy drama set in turn-of-the century Buenos Aires. After widowed Roque (Jose Coronado) killed a man in Spain, he emigrated to Argentina with his young son Ramon (Francisco Corbalan). With his friend Hermann (Peter Lohmeyer), Roque works for a tobacco distributor. A ghost, Maidana (Federico Luppi), murdered by a "cutthroat and philosopher," reveals himself to only two people -- Roque and brothel-owner Teresa, aka Piera (Maribel Verdu) -- a situation which brings Roque and Piera together romantically. Shown in competition at the 1998 San Sebastian Film Festival. ~ Bhob Stewart, All Movie Guide