Edward Eliscu Movies
Edward Eliscu was a minor figure on the Broadway scene in the 1920s and 1930s, writing comedy sketches for such reviews as The Third Little Show (1931). Brought west by RKO, Eliscu wrote music and lyrics for a handful of RKO films: the best and most memorable of these was Flying Down to Rio (1933). He then moved to 20th Century-Fox, where among other assignments his was principal scenarist for the Jane Withers films. At Universal in the late 1930s, he worked on such assignments as Charlie McCarthy, Detective and Little Tough Guys in Society (both 1939). After contributing material to the 1940 Broadway revue Meet the People, Eliscu settled down at Columbia, where he wrote several "B" musicals and comedies and served as producer for the 1944 Ann Miller vehicle Hey, Rookie (1944). Edward Eliscu's last credit was United Artists' Three Husbands (1950). He was subsequently blacklisted for his political opinions; Eliscu did however, continue to work in theater and television. As a lyricist, his best known songs were "Without a Song" and "More Than You Know." Late in life, Eliscu was inducted into the Songwriters Hall of Fame. Between 1968 and 1973, he served as the president of the American Guild of Authors & Composers. ~ Hal Erickson, All Movie Guide- 1950
Alice in Wonderland is a misfire attempt to retell the Lewis Carroll story in the style of the famous John Tenniel illustrations. The film is an uncomfortable blend of live actors in ill-fitting costumes, ugly life-sized puppets, and ragged stop-motion animation. Carol Marsh, as Alice, is the only non-grotesque in the bunch, but that doesn't make her any more appealing. The brainchild of American puppeteer Louis Bunin, this project is relentlessly weird and unattractive, helped not at all by the poor dubbing in the English-language version. American audiences might never have been subjected to Alice in Wonderland had it not been distributed in the U.S. to cash in on the concurrently released (and far superior) Disney animated cartoon feature of the same name. ~ Hal Erickson, All Movie Guide
- Starring:
- Stephen Murray, Pamela Brown, (more)
Inspired by the 1949 hit A Letter to Three Wives, this takes the other side of the coin with a deceased playboy leaving letters to the husbands accusing their wives of having had affairs with him. Although the 1949 hit was done as a dramatic treatise on the reactions of the wives to the revelations, this movie is played strictly for laughs as the husbands stumble all over themselves trying to dig out the truth behind the allegations. ~ Tana Hobart, All Movie Guide
- Starring:
- Eve Arden, Ruth Warrick, (more)
- 1947
If Eagle-Lion's Out of the Blue looks more like a slick Warner Bros. product at times, it's because the film was peopled by former Warners personnel, both in front of and behind the cameras. George Brent and Carole Landis play the Earthleighs, tenants in a roomy Greenwich Village apartment. When Mr. Earthleigh isn't being nagged by his domineering bride, he's enmeshed in a feud with his neighbor, loose-living artist David (Turhan Bey). During his wife's absence, Earthleigh makes the mistake of inviting Olive (Ann Dvorak), a glamorous interior decorator who's somewhat the worse for drink, to his apartment. When Olive passes out on his floor, Earthleigh assumes that she's dead-and in the course of subsequent events, so does everyone else. Adding to the general zaniness is Deborah (Virginia Mayo), one of David's sexier models, who weaves in and out of the proceedings at the most inopportune moments, and a huge, cantankerous canine named Rabelais. Despite some formidable competition, the comedy honors in Out of the Blue are won hands-down by Ann Dvorak, in a truly offbeat performance. ~ Hal Erickson, All Movie Guide
- Starring:
- Turhan Bey, George Brent, (more)
- 1945
In this drama, a young building contractor falls for a pretty Mexican woman who convinces him not to evict the inhabitants of a California barrio so he can replace it with developments. ~ Sandra Brennan, All Movie Guide
- 1944
Musical star Ann Miller plays a Broadway leading lady coaxed into reteaming with Larry Parks, her former producer. Parks is now a lowly Army G.I., anxious to produce a show for the troops--with a 200 dollar budget! This being a wartime musical, Ann Miller succumbs to Patriotism and stars in Parks' threadbare production. This being a Hollywood film, the "inexpensive" revue cost several times as much as any real-life show of this nature. Hey Rookie proved a boon to the Columbia publicity department when Ann Miller set a tap-dance record of 550 taps per minute in her climactic musical number. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Miller, Larry Parks, (more)
- 1943
This backstage musical offers a peek at vaudeville behind-the-scenes. The story centers on a recently divorced woman who decides to use her generous alimony settlement to stage an old fashioned vaudeville show. Unfortunately her chief backer insists on being the star. Fortunately, at the last minute, a very talented person replaces the no-talent backer. Songs include: "I Always Knew," "Hasta Luego," "Lotus Bloom," "Something to Shout About," "Through Thick and Thin." The song "You'd Be So Nice to Come Home To," was nominated for an Academy Award. ~ Sandra Brennan, All Movie Guide
- Starring:
- Don Ameche, Janet Blair, (more)
- 1941
Previously filmed with Mabel Normand in 1920, the old Rose Melville stage property Sis Hopkins was trotted out in 1941 for Republic's newest star, raucous cornpone comedienne Judy Canova. Sporting pigtails and dressed like a potato sack, Sis Hopkins (Canova) shows up at the doorstep of her snooty rich relations in the Big City after her family farm burns down. Though she immediately ingratiates herself to her uncle, bathroom-appliance mogul Horace Hopkins (Charles Butterworth), Sis runs afoul of her bitchy, beautiful cousin Carol (played by a pre-stardom Susan Hayward). Determined to humiliate our heroine and send her packing, Carol arranges for Sis to partipate in a sorority-initiation striptease. Fortunately, Sis wins out in the finale, while Carol must endure such indignities as a well-aimed pan of water and a misplaced bathroom plunger. As a bonus, Sis wins the heart of college bandleader Jeff Farnsworth (Bob Crosby). Adding to the general merriment of Sis Hopkins is Jerry Colonna as a zany college professor. Judy Canova sings several of her patented country-western ditties, then surprises her fans with a "straight"operatic rendition from La Traviata. ~ Hal Erickson, All Movie Guide
- Starring:
- Judy Canova, Charles Butterworth, (more)
- 1939
Having proven their box-office value in such films as A Letter of Introduction, Goldwyn Follies and You Can't Cheat an Honest Man, ventriloquist Edgar Bergen and his wise-lipped dummy Charlie McCarthy were awarded with a starring vehicle of their own. While entertaining at the home of magazine publisher Court Aldrich (Samuel S. Hinds), Bergen and his "friends" Charlie McCarthy and Mortimer Snerd get mixed up in their host's murder. It seems that Aldrich was working hand in glove with gangster Tony Garcia (Harold Huber), who has kept himself busy knocking off the publisher's enemies. Could Garcia be the murderer this time as well, or was it someone else at the party? Inspector Dailey (Edgar Kennedy) wants to find out-but he doesn't want the unsolicited assistance of Charlie McCarthy, who insists upon playing Sherlock Holmes, replete with deerstalker and magnifying glass. Though essentially a "stunt" film, Charlie McCarthy, Detective pleases the crowd with an abundance of hilarious dialogue and a reasonably good mystery subplot. ~ Hal Erickson, All Movie Guide
- Starring:
- Edgar Bergen, Robert Cummings, (more)
- 1938
In this comedy, a milquetoast clerk is betrothed to the socialite whose aunt holds a big account with his company. When the agency owner hears that the generous aunt is preparing to close her account and give all the money to the happy couple, the boss decides to stop the wedding. To do so, he hires the seductive blonde wife of a vaudevillian friend to play a "practical joke" upon the hapless clerk. The joke almost succeeds when he comes very close to losing his beloved. Fortunately, the gal is loyal and totally trusting. The marriage takes place and all is well. ~ Sandra Brennan, All Movie Guide
- Starring:
- Charlie Ruggles, Richard Lane, (more)
- 1938
In this socially conscious drama a sextet of juvenile delinquents flee a crime screen in their seedy ghetto and wind up getting invited to a posh mansion by a wealthy criminal. Their attempts to accustom themselves to the opulent surroundings nearly results in the destruction of the manse. Eventually they boys decide that they must return to the city and pay for their crime. ~ Sandra Brennan, All Movie Guide
- Starring:
- Mischa Auer, Mary Boland, (more)
- 1936
In this children's movie, a feisty little orphan with high moral standards is literally imprisoned in a terrible orphanage. She is elated to discover that she is actually the daughter of a prominent lawyer who has been searching for her, but when she sees that another little girl needs a daddy more than she does, she exchanges papers with her and lets her go the good home. Fortunately, the truth is discovered and she too is reunited with her father. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jane Withers, Jane Darwell, (more)
- 1936
Blending equal amounts of comedy, romance and thrills, High Tension is a near-perfect 20th Century-Fox "B" effort. Brian Donlevy and Glenda Farrell co-stars as rough-and-ready Steve Reardon and equally feisty Edith McNeal. He's a deep-sea engineer for a telephone cable company; she's a magazine writer specializing in adventure stories. Though Steve is in love with Edith, he balks at the notion of marriage. But after rescuing his best pal Eddie (Norman Foster) during a particularly dangerous job in Hawaii, Steve realizes he needs some stability in his life, and finally pops the question to Edith. Allan Dwan directs this slam-bang actioner with his usual effortless expertise. ~ Hal Erickson, All Movie Guide
- Starring:
- Brian Donlevy, Glenda Farrell, (more)
- 1936
The cinematic saga of The Jones Family began modestly in 1936 with Every Saturday Night. Jed Prouty and Spring Byington star as Ma and Pa Jones, with June Lang, Kenneth Howell, George Ernest, June Carlson and William Mahan as the five Jones kids and Florence Roberts as feisty Granny Jones. In this entry, the scattershot storyline concerns Bonnie Jones' (June Lang) efforts to become a movie star, Jack Jones' (Kenneth Howell) attempts to buy a car, and Bobby Jones (William Mahan) sets up his own junior "loan office." When the film was first previewed, the family's name was Evers, but this was changed at the very last minute. Based on a story by Katherine Kavanaugh, Every Saturday Night was successful enough to spawn 16 additional "Jones Family" epics between 1936 and 1940, few of which have ever been shown on television. ~ Hal Erickson, All Movie Guide
- Starring:
- June Lang, Thomas Beck, (more)
- 1935
Eight year old Paddy O'Day (Jane Withers) arrives at Ellis Island after a long sea voyage from Ireland, to be with her mother. But her mother is nowhere to be found when the ship docks, and the authorities are notified that Mrs. O'Day has died, only a few days ago -- the little girl will have to be sent back. Paddy has only been told that her mother is ill, and manages to sneak out off the island. After encountering a group of street urchins who try to make trouble for her -- and proving that she's got what it takes to take care of herself -- she makes her way to the large mansion on Long Island where her mother works, and learns the truth. The home is owned by Roy Ford (Pinky Tomlin), a studious upper-class bird fancier who has been browbeaten into life as an eccentric collector of stuffed birds by his two overbearing aunts (Vera Lewis, Louise Carter) -- their intention is to notify the authorities if Paddy shows up. But the servants, led by kindly maid Jane Darwell and initially unwilling butler Russell Simpson, decide to hide the child in the house while the aunts are away. Paddy chances to meet Roy, who takes a liking to her and decides to try and help her as well -- and when Paddy's very pretty shipboard friend Tamara Petrovich (Rita Cansino) shows up, along with her restauranteur cousin Mischa (George Givot), he starts to really come out of his shell. Mischa and Tamara will hide the little girl, and Mischa -- with help from a beverage new to Roy, called vodka -- convinces the young millionaire that there is a future in investing in his establishment. Roy likes the loosening up effect that vodka has on him, and also likes even more being around Tamara, and he soon becomes a new man -- not only a partner in the business, but a performer in the stage show that Mischa works up for his now-expanded restaurant/night club, which includes Paddy along with Tamara. But Roy's aunts have returned home, and are as appalled by their nephew's new, joyful approach to life as they are by his apparent infatuation with an immigrant girl and her family. They hire an investigator (Clarence H. Wilson) to try to prove that Roy is mentally incompetent, and he soon discovers that the little Irish waif working in the act is in the United States illegally, a fact that, once reported to the authorities, will get not only get Paddy deported by Tamara as well. ~ Bruce Eder, All Movie Guide
- Starring:
- Jane Withers, Pinky Tomlin, (more)
- 1935
The Silk Hat Kid is Lew Ayres, a babyfaced gangland "torpedo." Circumstances force the Kid to hole up in a slum settlement house, where priest William Harrigan puts him to work as a boxing instructor. The Kid begins to reform, and falls in love with tenement girl Mae Clarke. When rival Paul Kelly shows up, the Kid has the urge to kill, but Father Harrigan orders the two men to settle their differences in the ring. The Silk Hat Kid is handicapped by the miscast Lew Ayres, but it serves as an interesting precursor to the Dead End Kids school of filmmaking which became popular towards the end of the '30s. ~ Hal Erickson, All Movie Guide
- Starring:
- Lew Ayres, Mae Clarke, (more)
- 1935
Bebe Daniels, all of 34, portrays an ageing movie star who refuses to admit she's too old for the ingenue role in an upcoming musical. Alice Faye is a hopeful chorus girl, while Ray Walker is a would-be director. All the young people get their deserved breaks when Daniels gets wise to herself and settles for a character role in the film--and also admits that the young girl (Rosina Lawrence) whom she's been passing off as her sister is really her daughter. Both Alice Faye and Bebe Daniels are given plenty of opportunities to sing and dance, which is as it should be. But Music is Magic falls short of perfection thanks to the doggedly unfunny comic relief of Frank Mitchell and Jack Durant, who may well be the worst team in motion picture history. ~ Hal Erickson, All Movie Guide
- Starring:
- Alice Faye, Ray Walker, (more)
- 1933
Two barbers from an Indian reservation (Bert Wheeler, Robert Woolsey) are sent as the delegates of the Adoop tribe to an international peace convention in Geneva. ~ John Bush, All Movie Guide
- Starring:
- Bert Wheeler, Robert Woolsey, (more)
- 1933
An earthy, fun-loving radio pitchwoman finds it difficult to live up to her squeaky-clean public persona as the "Purity Girl of the Air." This comedy chronicles the frantic efforts of her bosses to keep her on the straight and narrow when she goes out on the town. It's not easy because she is a shameless flirt. To put the kibosh on her constant coquettishness the publicity guys come up with the idea of having her choose a "professional sweetheart" from the many male admirers who frequently write her. They choose a naive Kentucky hayseed and much to everyone's surprise the Purity Girl falls in love with him. Unfortunately, after their radio wedding, the gal plans to ditch her radio gig and live the quiet life of a country housewife leaving the publicity men in a real quandary. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ginger Rogers, Norman Foster, (more)
The top-billed stars in the extravagant RKO musical Flying Down to Rio are Dolores Del Rio and Gene Raymond. Forget all that: this is the movie that first teamed Fred Astaire and Ginger Rogers. We're supposed to care about the romantic triangle between aviator/bandleader Raymond, Brazilian heiress Del Rio and her wealthy fiance Raul Roulien, but the moment Fred and Ginger dance to a minute's worth of "The Carioca", the film is theirs forever. Other musical highlights include Rogers' opening piece "Music Makes Me" and tenor Roulien's lush rendition of "Orchids in the Moonlight". Then there's the title number. The plot has it that Del Rio' uncle has been prohibited from having a floor show at his lavish hotel because of a Rio city ordinance. Astaire and Raymond save the day by staging the climactic "Flying Down to Rio" number thousands of feet in the air, with hundreds of chorus girls shimmying and swaying while strapped to the wings of a fleet of airplanes. It is one of the most outrageously brilliant numbers in movie musical history, and one that never fails to incite a big round of applause from the audience--even audiences of the 1990s. Together with King Kong, Flying Down to Rio saved the fledgling RKO Radio studios from bankruptcy in 1933. The film was a smash everywhere it played, encouraging the studio to concoct future teamings of those two stalwart supporting players Fred Astaire and Ginger Rogers. ~ Hal Erickson, All Movie Guide
- Starring:
- Dolores Del Rio, Gene Raymond, (more)
