Martin Donovan

The husband of a woman whose flesh has been so horribly charred that she is completely comatose but technically still alive is haunted by her violent apparition as he attempts to make the difficult decision whether or not to end her suffering in Wrong Turn director Rob Schmidt's contribution to season two of Showtime's Masters of Horror series. In medical terms, Abby may technically still be alive, though anyone unfortunate enough to have suffered such a grisly, fiery fate as she would most certainly wished they had died. Now, as Abby lies catatonic in her hospital bed, her guilt-ridden husband, Cliff (Martin Donovan), struggles to get the court order that will allow him to bring his wife's misery to a merciful end. Now, as Abby's condition begins to deteriorate, her vital signs continually flatline and doctors race to revive her each time. Though they are repeatedly successful in their efforts, each time Abby dies her apparition appears to lash out against those who appear to be taking advantage of her dire situation. Each time the specter appears, it is more powerful than before, and now, should Cliff attempt to turn off her life-support system, he too will become a target of his wife's supernatural wrath. ~ Jason Buchanan, All Movie Guide

Five people cross paths in New York City over the course of a day marked by violence in this independent drama from writer and director Jay Anania. Judy (Judy Kuhn) is a singer who is busy in a recording studio working on an album of British folk songs with jazz keyboardist John Medeski. Shira (Alyssa Sutherland) is a successful fashion model doing a photo shoot. Najia (Carmen Chaplin) is a journalist from Palestine who is in the United States working on a piece on treating victims of wartime violence, and she's arranged an interview with a well-respected doctor, Dr. Mary Wade (Olympia Dukakis). And Walter (Martin Donovan) is a quiet man who enjoys spending time in the park observing others. When a Palestinian suicide bomber sets off an explosive charge on a busy Manhattan street corner, all five characters are forced to deal with the physical and emotional wreckage of its aftermath. Day on Fire was screened as part of the "Visions" series, devoted to challenging works from new filmmakers, at the 2006 Toronto Film Festival. ~ Mark Deming, All Movie Guide

A mysterious stranger with a magic touch descends upon the small town of Antioch and the town is slowly divided by his seemingly supernatural presence in director Robby Henson's adaptation of Frank Peretti's best-selling novel. Despite the fact that he may have the power to heal, the charismatic stranger nevertheless radiates a strange aura of menace and malevolence. Some believe him to be the one true messiah, and others dismiss him as a false prophet sent to seduce the souls of the weak. When the events in the stranger's remote revival tent take a turn for the sinister, it's up to a fallen ex-minister to re-connect with his faith and reveal the suspicious stranger for what he really is. ~ Jason Buchanan, All Movie Guide

Thirty years after realizing that they had they had both found that rare once in a lifetime love, a man and a woman separated by fate decide to take a second shot at romance despite the fact that both had moved on with their lives a long time ago. As children growing up together in Grosse Pointe, Michigan, Mark and Sara were inseparable. As teens it just seemed that the two adolescents were just really close friends, but when Mark's family moves to New Orleans in the early 1970s the letters that he and Sarah exchange reveal that their true feelings for one another run far deeper. Though their love is vividly expressed in a pair of intensely heartfelt letters, any chance for romance is effectively destroyed when Mark's meddling mother Carole (Brooke Adams) intercepts the letters and hides them from her son. Mistakenly believing that each has rejected the other's love, Mark and Sara both manage to move on with their lives despite their initial devastation. Years later, Mark and Sara are both in their forties, living in different cities and locked in unhappy marriages - Mark to a career-driven psychiatrist named Laura (Jessica Hecht) and Sara to struggling alcoholic named Chris (Michael Arata). Mark feels like his life has become hollow, and spends the majority of his time confiding his true feelings in his older brother Earl (M.C. Gainey), an eccentric French Quarter artist. But one day, when Mark discovers the letters that had been hidden by his mother, he sees the opportunity for a new life of happiness and contacts Sara to tell her the truth. The moment the two make contact, it's as if they were both transported back to that special time when nothing else mattered aside from their growing feelings for one another. Neither Mark nor Sara are particularly happy with the way their lives have turned out, and excitedly make plans to rendezvous in New Orleans. Could it be that Mark and Sara were truly meant to be with one another, or did their one chance at a lifetime of happiness actually end with the hiding of those passionate correspondences so many moons ago? ~ Jason Buchanan, All Movie Guide

Inspired by the themes of Steven Soderbergh's Academy Award winning 2000 film of the same name, Traffic: The Miniseries focuses on a group of people involved in the highest levels of illegal trafficking; dealing with the sale and trade of chemicals, weapons, and even people. DEA agent Mike McKay (Elias Koteas) goes missing in Afghanistan while at home, his son treads dangerously close to addiction. Meanwhile, different storylines follow Fazal (Ritchie Coster), whose wife and child die during illegal transport to the US, and Ben (Balthazar Getty), whose father's shipping company is being used to transport illegal immigrants into the country. The seemingly unconnected lives of the characters eventually begin to converge, illustrating the interconnected nature of issues surrounding the war on illegal transport. ~ Cammila Albertson, All Movie Guide

Mary (Jena Malone) is entering her senior year at American Eagle Christian High School. She seems to be in an ideal social position as one of the "Christian Jewels," the most devout and popular clique of girls in the school, led by the aggressively cheerful Hilary Faye (Mandy Moore). But things take an unexpected turn when Mary's boyfriend, Dean (Chad Faust), tells her he may be gay. Mary hits her head and has a vision, in which Jesus tells her how to help "cure" Dean of his unnatural urges. Mary does everything in her power to sway Dean, but when his parents find out about his "problem," they send him away just before the school year starts, leaving Mary alone, confused, and, she soon finds out, pregnant. Mary's new situation causes her to question everything, including her friendship with the judgmental Hilary Faye and her faith. Her mother (Mary-Louise Parker) is too preoccupied with her flirtatious relationship with the school's married principal, Pastor Skip (Martin Donovan), to notice Mary's problem. Pastor Skip's dreamboat skateboarder son, Patrick (Patrick Fugit), has returned from missionary work and is attracted to Mary, but she already has too much to deal with. Just when she thinks her situation is hopeless, she finds a pair of unlikely allies in Hilary Faye's cynical wheelchair-bound brother, Roland (Macaulay Culkin), and wild, muscle car-driving provocateur Cassandra Edelstein (Eva Amurri), the school's only Jewish student. Saved! marks the feature debut of director Brian Dannelly, who co-wrote the script with Michael Urban. ~ Josh Ralske, All Movie Guide

Director Christopher Nolan follows up his breakthrough sophomore film Memento with this remake of a stylish Norwegian thriller. Al Pacino stars as Detective Will Dormer, a Los Angeles Police Department legend who temporarily escapes an internal affairs investigation that may ruin his career by traveling to Nightmute, AK, the remote site of a murder that has the local authorities flummoxed. Along with his partner, Hap Eckhart (Martin Donovan), and the small town's wide-eyed rookie investigator, Ellie Burr (Hilary Swank), the exhausted Dormer probes the brutal slaying of a teenage girl who was rumored to have a secret lover. A clever ruse quickly lures the killer into a police trap, but the suspect escapes and a tragic accident at the scene leaves Dormer at the mercy of the murderer, a pulp crime novelist named Walter Finch (Robin Williams). As Finch plays a dangerous game of extortion with Dormer, the detective's mental health deteriorates rapidly from guilt over his complicity in a crime and sleep deprivation compounded by the lack of darkness in the land of the midnight sun. Meanwhile, the bright and dogged Ellie continues putting the pieces of a complex puzzle together despite Dormer's skillful attempts to lead the investigation toward the right suspect, but away from his own malfeasance. Insomnia co-stars Paul Dooley, Nicky Katt, Maura Tierney, and Jonathan Jackson. ~ Karl Williams, All Movie Guide

A plumber looking for love hopes to find romance by impersonating a movie director in this offbeat independent comedy. David Kulovic (Martin Donovan) is a single guy who doesn't have much luck impressing the ladies, a dilemma he attributes to the poor opinion most people have of his trade, plumbing. One day, David is mistaken for a well-known film director, and discovers people, especially women, seem a great deal more friendly toward him when they think he works in the movies. David's case of mistaken identity gives him a brainstorm, and with the help of his pal R.J. (Kevin Carroll), he decides to pass himself off as a struggling independent filmmaker, hoping to meet aspiring actresses at his bogus casting calls. Of course, a filmmaker needs a script, and David swipes one from one of his neighbors, Toni Edelman (Mary-Louise Parker, who is trying to get her own foot in the door of the film business). As it happens, Toni's screenplay happens to be quite good, and soon David's nonexistent project is developing a very real buzz in indie film circles. Seeing this as her big chance at a career in Hollywood, Toni begins coaching David in how to act like a filmmaker in the hopes they can actually get David's phantom picture off the ground. Writer and director John C. Walsh based Pipe Dream in part on his own experiences as he was making his first feature film, Ed's Next Move. ~ Mark Deming, All Movie Guide

Executive produced by Oprah Winfrey, the made-for-TV Oprah Winfrey Presents: Amy & Isabelle was based on the bestselling 1999 novel by Elizabeth Strout. The scene is the mining town of Shirley Falls, ME; the year is 1971. Seeking escape from the iron rule of her domineering, social-climbing single mother, Isabelle (Elisabeth Shue), shy teenager Amy (Hanna R. Hall) falls under the seductive spell of her new math teacher, Mr. Robertson (Martin Donovan). Meanwhile, Isabelle, who may not be as straight-laced as she appears, develops a yearning for her married boss, Avery Clark (James Rebhorn), who barely acknowledges the woman's resistance. The tensions between Amy and Isabelle, already heightened by their separate romantic travails, is exacerbated when the two women find themselves working together in the same accounting office. While the rest of the town buzzes with vicious gossip concerning the two heroines, the story takes on a disturbing new tangent when the body of a young girl is found stuffed into the trunk of an abandoned car. Also known as Amy & Isabelle, this film was first aired by ABC on March 4, 2001. ~ Hal Erickson, All Movie Guide

The border between professional and personal relationships comes under fire in this independent drama. Michael (Martin Donovan) is a filmmaker whose last project featured a beautiful actress named Anna (Irène Jacob). While Michael is trying to work on his next screenplay, he can't get Anna out of his mind, and obsessively watches outtakes from her scenes. Deeply infatuated and desperate for a reason to speak to her, Michael calls Anna and asks is she can help with his script -- he's having some trouble with dialogue and it would help if he could have an actress read the lines with him. Anna agrees, but as she keeps returning to "assist" Michael with his project, he writes more and more of what he wants to hear her say, and his pretense of working on a film begins to melt away. A prizewinner at the Avignon Film Festival, The Pornographer (a love story) also features cameo appearances from Maggie Gyllenhaal and Laura Prepon. ~ Mark Deming, All Movie Guide

F. Scott Fitzgerald's masterpiece, often regarded as one of the greatest American novels of the 20th century, is brought to the screen in this made-for-TV feature, produced in collaboration with the A&E Cable Network in the United States, and Granada Entertainment in Great Britain. Nick Carraway (Paul Rudd) is a young bond salesman who rents a cottage near the mansion of the wealthy but reclusive Jay Gatsby (Toby Stephens). In time, Nick gets to know his neighbor, who has accumulated a vast fortune through vague, suspect means, but has carefully forged an outward image of refinement and charm. Years ago, before he left to fight in World War I, Gatsby was a poor man named Gatz and was in love with a beautiful woman from a wealthy family, Daisy (Mira Sorvino). When he returned, Gatz was determined to remake himself so that he might be seen fit to someday win her hand, even though Daisy had by this time married the socially prominent but boorish Tom Buchanan (Martin Donovan). Gatsby has yet to give up on his romantic dream and enlists Nick, who is distantly related to Daisy, in his plan. This production marked the fourth time that The Great Gatsby had been committed to film -- the best known version being Jack Clayton's 1974 adaptation, featuring Robert Redford as Gatsby and Mia Farrow as Daisy. ~ Mark Deming, All Movie Guide