Tom DiCillo

Writer/director Tom DiCillo's satire Delirious (2006) eviscerates Hollywood celebrity and celebrity types with a relentlessly dissecting gaze and take-no-prisoners humor. DiCillo mainstay Steve Buscemi stars as Les Galantine, a sleazy and merciless tabloid photographer from the Big Apple, whose most noteworthy accomplishments are an image of Goldie Hawn eating lunch and one of Elvis Costello sans any headwear. Les is hoping desperately for his ticket in -- which he perceives as a prize shot of pop sensation K'Harma Leeds (Alison Lohman) as she's departing from a local club. He finds that ticket -- sort-of -- in the form of Toby (Michael Pitt), a homeless young man with serious acting aspirations, who has a very brief exchange with K'Harma under his belt. Toby uses that exchange to finagle his way to an assistantship under Galantine, and the two team up for a stakeout, managing to swing 700 dollars for a photo of a celebrity who is recovering from penis surgery. While DiCillo cuts between the adventures of the two men and the vapid lifestyle of the untalented hack K'Harma, Toby begins his meteoric rise to the top of the Hollywood trash heap by attending a Soap Stars Against STD Convention, where he not only meets and impresses a big-shot casting director (Gina Gershon) but runs into K'Harma once again -- recently split from her beau -- and finds his way into her bed, setting the stage for his own ascent to superstardom. ~ Nathan Southern, All Movie Guide

Jim Jarmusch's black-and-white feature Coffee and Cigarettes contains three vignettes originally released as short films along with separate yet somewhat related sketches. As the title suggests, most of the vignettes involve famous people smoking cigarettes and drinking coffee. The first, "Coffee and Cigarettes," is a six-minute short from 1986 starring Stephen Wright and Roberto Benigni. The 1989 installment, "Memphis Version," stars Steve Buscemi, Joie Lee, and Cinqué Lee. The award-winning 1993 segment, "Somewhere in California," stars musicians Iggy Pop and Tom Waits. The remaining sketches include Cate Blanchett performing a duel role, a conversation with Bill Murray and members of the Wu-Tang Clan, and Alfred Molina and British television actor Steve Coogan as themselves. In its full-length version form, Coffee and Cigarettes was shown at the 2003 Venice Film Festival. ~ Andrea LeVasseur, All Movie Guide

The Sundance Channel produced this guided tour through the world of independent films and filmmakers, tossing out the statistic that the movement has escalated from some 50 films in 1985, to 800 in 1997. Interview segments include Sundance fest director Geoffrey Gilmore, fest programmer Bob Hawk, writer-director Greg Mottola, producer Steven Soderbergh, critic Roger Ebert, and directors Sydney Pollack and Kevin Smith. Filmed in L.A., N.Y., and Park City, Utah, this hour-long documentary premiered on the Sundance Channel on January 15, 1997, the opening night of the 1997 Sundance Film Festival. ~ Bhob Stewart, All Movie Guide

In this whimsically absurd comedy, Al Fountain (John Turturro) is an rigidly self-controlled electrical engineer who has discovered his first gray hair and has begun seeing things (bicycles running backwards, coffee pouring from the cup into the pot). To Al's shock, he's fired without notice from his job and told to go home. Instead, he rents a car and heads out in search of Splatchee Lake, a vacation spot he remembers visiting as a child (and one of the few places where he ever felt truly content). Al discovers that the lake is too polluted to swim in, but he finds The Kid (Sam Rockwell), a genial eccentric who wears a coonskin cap and lives in the woods with a large collection of junk scavenged from trash heaps. The Kid encourages Al to be spontaneous and take some chances in his life; an opportunity to do so presents itself when Dupree sisters Floatie (Catherine Keener) and Purlene (Lisa Blount) appear, and love (or a reasonable facsimile) is in the air. Writer/director Tom DiCillo had originally intended this project to follow his debut feature, the hipster comedy Johnny Suede, but problems with financing and production delays led him to make the indie film satire Living in Oblivion first. ~ Mark Deming, All Movie Guide

Tom DiCillo directed this surrealistic black comedy starring Brad Pitt as Johnny Suede, a young man with an attitude and an immense pompadour, who wants to be a rock n' roll star like his idol Ricky Nelson. He has all the stylistic accouterments, except a pair of black suede shoes. And one night, after leaving a nightclub, like manna from heaven, a pair of black suede shoes falls at his feet. Soon afterwards, the recently completed Johnny meets Darlette (Alison Moir), a sultry bohemian whom he beds down for the night. In spite of Darlette's abusive boyfriend with a gun, Johnny begins to see Darlette everyday. But when Johnny is forced to pawn his guitar for rent money, Darlette mysteriously leaves him. Johnny's pal Deke (Calvin Levels) fronts him the money to get his guitar out of hock, and the two form a band. Depressed about Darlette's desertion, he wanders aimlessly, and he meets Yvonne (Catherine Keener), a woman much wiser than Johnny who teaches him that there are things in life much more important than a pair of black suede shoes. DiCillo based his independent comedy Living in Oblivion upon his experiences working with Brad Pitt on this film. ~ Paul Brenner, All Movie Guide

This atmospheric melodrama/thriller tells the odd story of a modern-day Lorelei, a woman who lures others to their doom. In the story, the similarly named Laura Ley (Hilde van Mieghem) is a single mother who works as a chambermaid and has a very unusual hobby. When she is off work and her son has been put to bed, she dresses up in evening gowns and has highly suggestive conversations by CB radio with truck drivers and others far into the night. ~ Clarke Fountain, All Movie Guide

Innovative opera composer and director Robert Wilson attempted to create a truly international opera to be performed at the Los Angeles Olympics. Six different composers from six countries were to compose operas from his libretto based on the United States' Civil War. After an initial performance in their countries of origin, they were to be performed in one nine-hour-long epic in Los Angeles during the games. Since the very word "opera" means "work," and the ideal of opera is to join every major art form into one massive undertaking, the ideals of "The Civil War" series of operas parallels the internationalist ideas of the Olympic movement itself. Unfortunately, though the organizers okayed the project and the Olympics Committee agreed to put up matching funds, other funding fell short and the deadlines were not met. Despite that, this extraordinary effort involved casts and composers in Tokyo, Marseilles, Rome, Minneapolis, Rotterdam, and Cologne, with Robert Wilson writing the libretto and directing each of the productions. This documentary begins by considering the composer's life and more innovative works, such as "Einstein on the Beach" and "The Life and Times of Sigmund Freud," and it goes on to document the extraordinary international artistic venture involved in bringing "The Civil War" to life. ~ Clarke Fountain, All Movie Guide

Although Jim Jarmusch made his directorial debut with Permanent Vacation (1982), Stranger than Paradise (1984) marked his breakthrough as a major American filmmaker. One of the most deadpan comedies ever committed to film, Stranger than Paradise suggests a Buster Keaton film written by Samuel Beckett and Jack Kerouac and directed by Andy Warhol. Willie (John Lurie) is a small-time gambler whose distant cousin Eva (Eszter Balint) is moving to America from Eastern Europe and informs him that she'll need to stay with him for ten days. Willie isn't happy to have Eva around, but after Willie introduces her to the joys of American cigarettes and TV dinners ("You got your meat, you got your potatoes, you got your vegetables, you got your dessert and you don't have to wash the dishes -- this is how we eat in America!"), Eva steals a frozen meal and a pack of smokes from the corner store, and Willie is both surprised and impressed. His buddy Eddie (Richard Edson) happens by, and they hang out with Eva just long enough to develop a fondness for her before she moves on to Ohio, where she'll live with her Aunt Lottie (Cecillia Stark). Months later, Willie and Eddie score $600 in a poker game and decide to visit Eva in Ohio. However, it's the dead of winter, and they have nothing to do except look at the frozen surface of the lake. The three eventually head down to the tacky paradise of Miami, where Willie and Eddie try their luck with the ponies and Eva decides what to do next. Stranger than Paradise is a film that defines the notion, "It's not what you say, but how you say it." Shot in long, static takes, its style is minimalism itself, but the post-beatnik cool of John Lurie, Richard Edson and Eszter Balint somehow betrays the fact that they care about each other, and a loopy charm and subtle but potent humor seeps through the film's stark black-and-white images. Stranger than Paradise began as a short subject which was made possible by German director Wim Wenders, who gave Jarmusch a supply of film stock left over from one of his projects, and it went on to become one of the most influential movies of the 1980s, casting a wide shadow over the new generation of independent American filmmakers to come. ~ Mark Deming, All Movie Guide

This biographical documentary on author and eccentric William S. Burroughs (Naked Lunch), founder of the Beat Generation literary movement along with Jack Kerouac and Allen Ginsberg, is roughly divided into two segments. The first part has some witty scenes as the camera follows the author around to his various early haunts in the U.S., London, and Morocco. His friends are interviewed, including an interesting segment with Allen Ginsberg. In the second half of the film Burroughs becomes more of an exhibitionist than a subject, suggesting that discretionary editing would have made a smaller but better final version. ~ Eleanor Mannikka, All Movie Guide

The "underground" of the title refers not to crime but to the half-hidden world of two-bit hustlers, "artistic" poseurs, aberrant lifestyles and shattered dreams. Small-time Manhattan opportunist Eric Mitchell latches onto Patti Astor, a once-popular movie star fallen into penury. He briefly lifts her spirits, but in the final analysis betrays her. Astor sorrowfully decides that she'd rather not live any longer. Lensed in 16 millimeter by producer/ director/ star Eric Mitchell, Underground USA is occasionally effective, though for much of the proceedings it suffers from trying too hard to be the Big Apple counterpart to Godard's Breathless. ~ Hal Erickson, All Movie Guide