Linda de Scenna Movies

When plans to launch a second Star Trek television series in the late 1970s were scrapped by Paramount Pictures, the show's creator, Gene Roddenberry, instead transformed the aborted program's 2-hour pilot into this big budget theatrical feature. Five years after the legendary voyages of the starship Enterprise, James T. Kirk (William Shatner) is an unhappy, desk-bound admiral at Starfleet headquarters. Kirk goes aboard his old vessel to observe its re-launch under new captain Will Decker (Stephen Collins). Soon, however, an escalating crisis causes Kirk to take command of his old ship. A mysterious, planet-sized energy force of enormous power is headed for Earth. Reunited with Spock (Leonard Nimoy), Dr. Leonard "Bones" McCoy (DeForest Kelley), and the rest of his former colleagues, Kirk takes the Enterprise inside the massive energy cloud and discovers that it is the long-lost NASA space probe Voyager. Now a sentient being after accumulating centuries of knowledge in its deep space travels, the alien, which calls itself V'ger, has come home seeking its creator. Although not a critical home run, box office receipts for Star Trek: The Motion Picture (1979) were strong enough to inspire a revamped television series and a long-running line of theatrical sequels. ~ Karl Williams, All Movie Guide

A blend of science fiction and noir detective fiction, Blade Runner (1982) was a box office and critical bust upon its initial exhibition, but its unique postmodern production design became hugely influential within the sci-fi genre, and the film gained a significant cult following that increased its stature. Harrison Ford stars as Rick Deckard, a retired cop in Los Angeles circa 2019. L.A. has become a pan-cultural dystopia of corporate advertising, pollution and flying automobiles, as well as replicants, human-like androids with short life spans built by the Tyrell Corporation for use in dangerous off-world colonization. Deckard's former job in the police department was as a talented blade runner, a euphemism for detectives that hunt down and assassinate rogue replicants. Called before his one-time superior (M. Emmett Walsh), Deckard is forced back into active duty. A quartet of replicants led by Roy Batty (Rutger Hauer) has escaped and headed to Earth, killing several humans in the process. After meeting with the eccentric Eldon Tyrell (Joe Turkel), creator of the replicants, Deckard finds and eliminates Zhora (Joanna Cassidy), one of his targets. Attacked by another replicant, Leon (Brion James), Deckard is about to be killed when he's saved by Rachael (Sean Young), Tyrell's assistant and a replicant who's unaware of her true nature. In the meantime, Batty and his replicant pleasure model lover, Pris (Darryl Hannah) use a dying inventor, J.F. Sebastian (William Sanderson) to get close to Tyrell and murder him. Deckard tracks the pair to Sebastian's, where a bloody and violent final confrontation between Deckard and Batty takes place on a skyscraper rooftop high above the city. In 1992, Ridley Scott released a popular director's cut that removed Deckard's narration, added a dream sequence, and excised a happy ending imposed by the results of test screenings; these legendary behind-the-scenes battles were chronicled in a 1996 tome, Future Noir: The Making of Blade Runner by Paul M. Sammon. ~ Karl Williams, All Movie Guide

In this skewed, unreal view of a woman's choice in men, almost nothing is believable. Amy (Lucie Arnaz) is a savvy, well-educated lawyer in Santa Fe who divorces her husband, an exec in the banking business, to become involved with Will (Craig Wasson) a street musician with the same iron-clad brain as her ex when it comes to women. The musician is regularly picked up by the police for his loitering, though he seems never to fully realize why they are doing this to him. Amy drops him at last, and when she finds out she is pregnant, she goes to the hospital to have an abortion -- and is introduced to a Boris Karloff-type doctor. Before anything further happens, Will comes along and forcibly carries her off to a remote, run-down building in a ghost town where he ties her to a bed intending to keep her there until she has the baby. Hard to believe, but things only get worse from here. ~ Eleanor Mannikka, All Movie Guide

Despite mixed reviews and a disastrous initial release that dumped the film into theaters for a week in the midst of the 1984 Summer Olympics, The Adventures of Buckaroo Banzai Across the Eight Dimension went on to become one of the major cult films of the 1980s, developing a rabid following after its release on videotape. Drifting between satire and improbable sci-fi adventure, the film stars Peter Weller as Buckaroo Banzai, the son of an American mother and Japanese father who is a combination physicist, neurosurgeon, martial arts master, secret agent, and rock star who travels with his band of assistants/backing musicians, The Hong Kong Cavaliers. As the story opens, Buckaroo is driving his car through a mountain to test his new invention, the Oscillation Overthruster. However, a race of boorish aliens called the Red Lectroids have been waiting for such an item to become a reality, as they need it to return to the distant planet they call home. One of Buckaroo's arch-enemies, Dr. Emilio Lizardo (John Lithgow), who has been possessed by the Red Lectroids, attempted to created a similar device decades before; now escaped from an insane asylum, he is back at work with the Lectroids on a plan to control the world. Throw in Rastafarian aliens, unscheduled travel between dimensions, and the odd inexplicable watermelon, and you get a film that defies conventional synopsis. With its fast pace, quotable dialogue ("No matter where you go, there you are"), and barrage of gags (subtle and otherwise), you won't be bored even when you're not sure what's going on. The supporting cast includes Jeff Goldblum as New Jersey, a Cavalier with a snappy cowboy outfit, and Ellen Barkin as Penny Priddy, the twin sister of Buckaroo's late wife. ~ Mark Deming, All Movie Guide

Leonard Maltin wasn't alone when he noticed similarities between Goonies and the 1934 Our Gang comedy Mama's Little Pirate. Adapted by Chris Columbus from a story by Steven Spielberg, the film follows a group of misfit kids (including such second-generation Hollywoodites as Josh Brolin and Sean Astin) as they search for buried treasure in a subterranean cavern. Here they cross the path of lady criminal Mama Fratelli (Anne Ramsey) and her outlaw brood. Fortunately, the kids manage to befriend Fratelli's hideously deformed (but soft-hearted) son (John Matuszak), who comes to their rescue. The Spielberg influence is most pronounced in the film's prologue and epilogue, when the viewer is advised that the film's real villains are a group of "Evil Land Developers." The musical score makes excellent use of Max Steiner's main theme from The Adventures of Don Juan, not to mention contributions by the likes of Richard Marx and Cyndi Lauper. ~ Hal Erickson, All Movie Guide

Someone to Watch Over Me, a mystery thriller directed by Ridley Scott is the story of a police officer who falls in love with the woman he is hired to protect and the effect of this affair on his marriage and his life. Claire (Mimi Rogers) an extremely wealthy socialite is the sole witness to a mob murder and is in great danger. Mike (Tom Berenger), a happily married NYC police officer is assigned to protect her and takes up residence in her foyer while she waits to testify. A romance develops between the unlikely couple which threatens Mike's marriage to Ellie (Lorraine Bracco). All of this sounds more exciting than it is, and while the film fails to generate much suspense, the love story and Mike's dilemma are interesting. All the performances are excellent, particularly that of Bracco as the no-nonsense wife. The score is exceptional and the photography and set decoration are all fine. Someone to Watch Over Me is a fine police thriller and love story. ~ Linda Rasmussen, All Movie Guide

A transit engineer and his family must face the gargantuan task of moving from New Jersey to Boise, Idaho in this lively comedy starring Richard Pryor. It all begins after he gets a really great job out West. Unfortunately, his family is less than thrilled with the prospect. The furniture movers, who prove to be crooks, and their crazy neighbors conspire to make matters all the worse. ~ Sandra Brennan, All Movie Guide

Things have barely settled from the excitement and resolve of the original Back to the Future, when in pops that crazy inventor Dr. Emmett Brown (Christopher Lloyd) with news that in order to prevent a series of events that could ruin the McFly name for posterity, Marty McFly (Michael J. Fox ) and his girlfriend are whisked into the future to the year 2015, where Marty must tangle with a teen rogue named Griff, who's obviously the descendant of Biff, the first Future film's bully. Marty foils Griff and his group when he jumps on an air-foil skateboard that flies him through town at rakish speeds with the loser bullies beaten again. Marty gets a money-making brainstorm before hopping in the time-traveling DeLorean, and he purchases a sports almanac. He figures that back in 1985 he'll be able to place sure-fire bets using the published sports scores of the games that are yet to happen. Unfortunately for Marty, Dr. Brown disapproves of his betting scheme -- he feels too much messing with time is very dangerous -- and he tosses the almanac. A hidden Biff overhears the discussion about the almanac, sees it get tossed out, and grabs it. Thus begins a time-traveling swirl to make the head spin. Biff swipes the DeLorean, heads back to 1955, and with the help of the unerring almanac, bets his way to power. The now-altered "Biff world" has turned into a nightmarish scene with Biff the mogul, residing in a Vegas-styled pleasure palace and running everything. It's all our hero Marty can do to pull the pieces together this time, as he must jump between three generations of intertwined time travel. The end of Back to the Future, Part 2 introduces its sequel as the zany professor has already time-dashed away to the Wild West of the late 1800s and invites Marty into a new adventure. ~ All Movie Guide

After getting his start as a visual effects artist on the original Star Wars trilogy, Spielberg protege Joe Johnston found success as a director with his debut film, the blockbuster family adventure Honey, I Shrunk the Kids. For his sophomore outing, Johnston helmed this action-adventurer, set in 1930s Hollywood and in the spirit of old pulp comics and adventure serials, and co-adapted from the David Stevens graphic novel by Danny Bilson and Paul De Meo. Bill Campbell stars as Cliff Secord, an eager young pilot who finds himself in possession of a secret jet-pack that gives him the ability to fly. Cliff soon learns that screen-star Neville Sinclair (Timothy Dalton) will stop at nothing to get his hands on the rocket pack so he can give it to the Nazis. As The Rocketeer and with a little help from his mechanic friend played by Alan Arkin, it's up to Cliff to elude Sinclair, defeat the Nazis, and save his girlfriend Jenny (Jennifer Connelly). ~ Matthew Tobey, All Movie Guide

Barry Levinson directed this cautionary fantasy fable--a triumph of production design--concerning the clash between benevolent, funny toys and malevolent, violent war toys and video games. Donald O'Connor is the kindly, gentle Kenneth Zevo, founder of Zevo Toys. The workers love him and the love they feel for Zevo comes through in the lovingly cute toys they produce. His son Leslie (Robin Williams) is an eccentric inventor who concentrates on coming up with different styles of plastic vomit and over-sized ears. His addle-headed daughter Alsatia (Joan Cusack) enjoys trying out all of Leslie's inventions. But their innocent, idyllic existence is soon to be shattered. Kenneth is dying and he is reluctant to bequeath the factory to the immature hands of Leslie and Alsatia. He finally decides to pass on his factory to his three-star general brother (Michael Gambon), reasoning that the general will run the factory efficiently and prod Leslie and Alsatia into adulthood. When Kenneth dies, the general and his army surplus son Patrick (LL Cool J) immediately turn Zevo Toys into an oppressive fascistic environment. The general also stops production of the innocent Zevo products and forces the workers to manufacture violent interactive video games and sadistic war toys. Leslie must rouse himself out of his over-long childhood to preserve the tradition of Zevo Toys. Although Toys did not fare well at the box office, it features a stunning combination of production design by Ferdinando Scarfiotti and art direction by Edward Richardson. ~ Paul Brenner, All Movie Guide

Clad in a blonde wig, Joe Pesci stars as the title character, a luckless actor. Unable to make it in the real showbiz world, Jimmy starts fantasizing about fame and fortune. His delusions eventually turn into reality when, through a fluke, Jimmy becomes known to one and all as "Jericho," a Robin Hood-like vigilante. Victoria Abril appears in a supporting role and the film's climax features a number of cameo performances. ~ Hal Erickson, All Movie Guide

Just as the original 1950 version of Father of the Bride spawned a sequel, so did the 1991 remake; like its counterpart four decades earlier, this story concerns a father who learns that his anxieties are just beginning after his daughter takes the big walk down the aisle. George Banks (Steve Martin) has finally adjusted to the marriage of his daughter Annie (Kimberly Williams) when the fates drop a new bombshell on his head: Annie and her husband Bryan (George Newbern) announce that they're going to have a baby. While George's wife Nina (Diane Keaton) is happy enough about the news, George is thrown into an immediate mid-life crisis; while he and Nina were once discussing the possibility of selling the family home and moving to a place on the beach, George impulsively sells their home to Mr. Habib (Eugene Levy), a greedy land speculator. Now, with ten days to move, George gets even more unexpected news: Nina, who had earlier been fretting about the onset of menopause, has just learned that she's pregnant as well. George now has to deal with being a father again as well as becoming a grandparent, while he also figures out how to get the Banks family home back. Martin Short returns as Franck, the oddly accented wedding planner from Father of the Bride, who has moved into a new career organizing baby showers and redecorating homes. ~ Mark Deming, All Movie Guide

In this family drama, a white Southerner discovers that his family history isn't what he thought it was -- with the fact that he's half-black only one of his many surprises. Earl Pilcher, Jr. (Robert Duvall) runs a gas station in Arkansas; he's a typical middle-aged Southern man who likes his pickup truck and loves his momma. Shortly after his mother's death, he receives some very unexpected news; she wasn't really his mother after all. It seems that years ago, Earl Sr. (James N. Harrell) raped the family's African-American maid, Willie Mae, who nine months later died while giving birth to Earl Jr. To avoid further scandal, Mrs. Pilcher simply raised Earl Jr. as her own. While the family has kept the matter a secret all these years, Earl Jr. has a half-brother living in Chicago, and it was his mother's wish that the two should some day meet and become friends. Earl travels to Chicago and tracks down Ray Murdock (James Earl Jones), a veteran police officer and Willie Mae's other son. Earl Jr. quickly learns that Ray has little interest in getting to know him better; he knows all the facts behind the matter, and he's always blamed Earl for the death of his mother. However, Earl Jr. isn't used to life in a big city up north, and after he's mugged and carjacked, Ray grudgingly takes in his half-brother, letting him stay in the home he shares with his son Virgil (Michael Beach) and Aunt T. (Irma P. Hall), who raised Ray as a boy. A Family Thing was written by Billy Bob Thornton shortly before his breakthrough as writer, director, and star of Sling Blade. ~ Mark Deming, All Movie Guide