Ruth E. Carter Movies

Robert Ginty plays an avaricious British lawyer who uses his wiles to keep a crooked union leader out of jail. For his trouble, Ginty is awarded one million pounds. It soon becomes obvious, however, that the union fully intends to get its money back by any means possible. Ginty must now do battle with the very same "dirty tricks" he's been employing all his life. Let's face it: it's hard to root for a lawyer. ~ Hal Erickson, All Movie Guide

Keenen Ivory Wayans wrote, directed, and starred in this hilarious parody of blaxploitation films in the comedy I'm Gonna Git You Sucka. Jack Spade (Wayans) returns home from a hitch in the army to find his brother Junebug has died from an overdose of gold chains, leaving his widow Cheryl (Dawnn Lewis) and mother Ma Bell (Ja'net DuBois) alone to fend for themselves. Ma throws two inept thugs (Damon Wayans and Kadeem Hardison) sent by the evil white guy Mr. Big (John Vernon) down a flight of stairs. Junebug owes $5,000 to Mr. Big for his gold-chain addiction and tries to force Cheryl into prostitution to pay off the debt. Jack recruits his old friend to go after Mr. Big to seek revenge. John Slade (Bernie Casey), Hammer (Isaac Hayes), Slammer (Jim Brown) Kung Fu Joe (Steve James) and the former Pimp Of The Year Flyguy (Antonio Fargas) join up with Jack to avenge his brother' death. Chris Rock makes a brief appearance as the annoying customer who risks his life by irking rib joint owner Hammer. Funny and fast paced, the writing, acting, sight gags and cameos by Robert Townsend, Peggy Lipton, Clarence Williams III, Eve Plumb (Jan from The Brady Bunch), Kim Wayans, and Gary Owens makes this a must-see for any comedy fan. ~ Dan Pavlides, All Movie Guide

Director Spike Lee dives head-first into a maelstrom of racial and social ills, using as his springboard the hottest day of the year on one block in Brooklyn, NY. Three businesses dominate the block: a storefront radio station, where a smooth-talkin' deejay (Samuel L. Jackson) spins the platters that matter; a convenience store owned by a Korean couple; and Sal's Famous Pizzeria, the only white-operated business in the neighborhood. Sal (Danny Aiello) serves up slices with his two sons, genial Vito (Richard Edson) and angry, racist Pino (John Turturro). Sal has one black employee, Mookie (Spike Lee), who wants to "get paid" but lacks ambition. His sister Jade (Joie Lee, Spike's sister), who has a greater sense of purpose and a "real" job, wants Mookie to start dealing with his responsibilities, most notably his son with girlfriend Tina (Rosie Perez). Two of Mookie's best friends are Radio Raheem (Bill Nunn), a monolith of a man who rarely speaks, preferring to blast Public Enemy's rap song Fight The Power on his massive boom box; and Buggin' Out (Giancarlo Esposito), nicknamed for his coke-bottle glasses and habit of losing his cool. When Buggin' Out notes that Sal's "Wall of Fame," a photo gallery of famous Italian-Americans, includes no people of color, he eventually demands a neighborhood boycott, on a day when tensions are already running high, that incurs tragic consequences. ~ Mark Deming, All Movie Guide

A married woman (Robin Wright) thinks she has repressed her past affair with an artist (Jason Patric), but an accidental meeting with an old friend (Rae Dawn Chong) brings the memories flooding back. ~ John Bush, All Movie Guide

Loosely based on the life and times of several R&B artists (The Dells, The Temptations, Frankie Lymon, Sam Cooke and others) The Five Heartbeats traces the rise and fall of a popular African-American 1950s singing aggregation. The story is told from the point of view of one of the "Heartbeats," played by Robert Townsend (who also co-produced, directed and co-wrote the script with Keenan Ivory Waynans). The film is an amalgam of anecdotes drawn from real-life experiences: the long struggle upward, the first rush of success, the dishonest record-company executives, the hard-nosed but nurturing managers, the sex, the drugs, the isolation and the precipitous downward slide. The film begins and ends in the 1990s, as the middle-aged "Duck" (Townsend) ruminates on the past and makes the best of the present. ~ Hal Erickson, All Movie Guide

Writer-director Spike Lee's epic portrayal of the life and times of the slain civil rights leader Malcolm X begins with the cross-cut imagery of the police beating of black motorist Rodney King juxtaposed with an American flag burning into the shape of the letter X. When the film's narrative begins moments later, it jumps back to World War II-era Boston, where Malcolm Little (Denzel Washington) is making his living as a hustler. The son of a Baptist preacher who was murdered by the Ku Klux Klan, Little was raised by foster parents after his mother was deemed clinically insane; as an adult, he turned to a life of crime, which leads to his imprisonment on burglary charges. In jail, Little receives epiphany in the form of an introduction to Islam; he is especially taken with the lessons of Elijah Mohammed, who comes to him in a vision. Adopting the name 'Malcolm X' as a rejection of the 'Little' surname (given his family by white slave owners), he meets the real Elijah Mohammed (Al Freeman, Jr.) upon exiting prison, and begins work as a spokesman for the Nation of Islam. Marriage to a Muslim nurse named Betty Shabazz (Angela Bassett) follows, after which X spearheads a well-attended march on a Harlem hospital housing a Muslim recovering from an episode of police brutality. The march's success helps elevate X to the position of Islam's national spokesperson. There is dissension in the ranks, however, and soon X is targeted for assassination by other Nation leaders; even Elijah Mohammed fears Malcolm's growing influence. After getting wind of the murder plot, X leaves the Nation of Islam, embarking on a pilgrimage to Mecca that proves revelatory; renouncing his separatist beliefs, his oratories begin embracing all races and cultures. During a 1965 speech, Malcolm X is shot and killed, reportedly by Nation of Islam members. ~ Jason Ankeny, All Movie Guide

What's Love Got to Do With It? is the filmed biography of R&B/pop singer Tina Turner (Angela Bassett), documenting her efforts to break away from her abusive husband Ike (Laurence Fishburne). After a few scenes detailing Tina's life as a young singer in Nutbush, TN, she's discovered by Ike Turner, an already established songwriter, guitarist, and record producer. Ike takes Tina under his wing and makes her a star, but her fame makes him jealous and abusive, and she has to struggle to break free of his domination. ~ Stephen Thomas Erlewine, All Movie Guide

The Richard Connell short story, The Most Dangerous Game, has been adapted for the screen many times. In this updated version, the rapper-actor Ice-T plays Mason, a homeless man whose best friend and his dog both die on the same day. Cole (Charles S. Dutton, a relief worker, tells Mason that there's a job available that entails leading a hunting expedition in the mountains of the Pacific Northwest. The desperate Mason signs on. The hunting party is led by two CIA agents, Burns (Rutger Hauer) and Hawkins (Gary Busey), and it includes a business executive, Wolfe, Sr. (F. Murray Abraham), his son (William McNamara), and a strange Texan, Griffin (John C. McGinley). Mason flies on ahead to prepare the hunting lodge, and there he discovers that he is to be the prey for the hunt, though the hunters at least give him a head start before pursuing. The violent action pits the high-tech hunters, armed with numerous fancy weapons and vehicles, against Mason -- who must rely on his street smarts to escape and turn the tables on the hunting party. ~ Michael Betzold, All Movie Guide

A pair of New York City cops collaborate on a plan to rob a cash-packed subway train in this action-comedy. Charlie (Woody Harrelson) and John (Wesley Snipes) are not just co-workers and close friends but also foster brothers. Because of this family connection, the reluctant John becomes involved in the more capricious Charlie's far-fetched scheme to rob the "money train" that collects the subway's daily grosses. Charlie needs the money for gambling debts, and robbing the train would have the added benefit of angering Charlie's and John's harsh, corrupt boss Captain Patterson (Robert Blake). Romantic interest is provided by a fellow police officer (Jennifer Lopez) who sparks rivalry between the brothers, but the film's main interest is in the violent events that surround the attempted heist, which naturally proves more complicated than planned. The film attempts to capitalize on the chemistry between Snipes and Harrelson, who had previously had a hit comedy with White Men Can't Jump (1992), but Joseph Ruben's unexceptional direction and a bland screenplay by Doug Richardson and David Loughery make the film less distinctive than its predecessor. ~ Judd Blaise, All Movie Guide

Boxing is more than just a sport -- it's also a business and a con game in this satirical comedy. Rev. Fred Sultan (Samuel L. Jackson) is a shrewd boxing promoter and manager whose meal ticket is heavyweight champion James "The Grim Reaper" Roper (Damon Wayans), a fighter whose skill and confidence significantly outstrips his intelligence. While the top-ranked contender for Roper's title is Marvin Shabazz (Michael Jace), Sultan isn't too keen on the idea of Shabazz fighting Roper -- it seems that both fighters are black, and Sultan's figures show that mixed race matches stir up a lot more media attention and pay-per-view customers. Eager to find a white challenger for Roper, Sultan digs up Terry Conklin (Peter Berg), who won a Golden Gloves fight against Roper many years ago but is now out of the game and fronting a rock band called Massive Head Wound. Thanks to a few bribes and a couple of fixed fights, Sultan is able to arrange for Conklin to be next in line to battle "The Grim Reaper." However, Conklin is taking his renewed career as a boxer quite seriously, while Roper, convinced that Conklin doesn't stand a chance, has let himself go and gained a lot of weight. Suddenly Sultan realizes that Roper might just lose the piece-of-cake fight he's so carefully arranged, while journalist Mitchell Kane (Jeff Goldblum) smells a rat in Conklin's sudden rise to ranking status. Jon Lovitz, Cheech Marin, and Corbin Bernsen highlight the supporting cast, while members of the well-regarded alternative rock band Local H appear as Massive Head Wound. ~ Mark Deming, All Movie Guide

Rosewood is the true story of an almost unknown incident in a small Florida town, (fictionalized, but faithful to the known facts, as documented in a 1994 report by the Florida Legislature). The town was inhabited almost entirely by quiet, "middle-class" African- Americans (most of them home and land owners and better off than average at the time.) On New Year's day, 1923, the town was wiped off the face of the earth by angry whites from a neighboring community. Based on palpably false testimony by a single white woman against one "Black" stranger, many of the men of Rosewood were hunted down and lynched, or shot, or burned. The rest of the town's residents fled into the swamps and never returned. At the time, official reports stated that two to six people from the black community were slain. Neither the perpetrators nor the victims spoke of the incident again, which was promptly forgotten until 1983 when a reporter stumbled across the old story and began investigating. Interviews with surviving victims indicated that the previous reports were wrong; in reality, between 70 and 250 people were killed in Rosewood during the four-day attack.

The film is a human story, about human envy, greed and lust, about the totally insane psychology of a mob, but also about the courage and decency of common folks facing an unbelievable onslaught of evil. The courage of the black residents is self evident, and the decency on the part of a few white neighbors is reluctant, until they realize that they can't live with themselves if they don't help the woman and children to escape. The most notable black heroes are Sylvester (Don Cheadle) -- a music teacher and the best-educated man in town -- and Mann (Ving Rhames) -- a stranger on horseback with Samson-like strength who becomes the focus of white hatred and black resistance. The penny-pinching, adulterous town grocer John Wright (John Voight), one of the few white residents, also plays a key role in saving lives, but before he does, he must resolve painful racial issues and make a difficult personal choice. Eventually, though, he sees enough of the mob's evil to know what he must do, and with the help of the reluctant owner-operators of the Gainesville railway, he does it. John Singleton's powerful epic film does not present a "comfortable" view of the circumstances of this grim, little-known page from American history. ~ Michael P. Rogers, All Movie Guide

Terry McMillan and Ron Bass wrote this screenplay based on McMillan's semi-autobiographical best-selling novel (over 2,000,000 copies in print before the release of this film). San Francisco stockbroker Stella (Angela Bassett), a 40-year-old divorcee, has a nice Marin County home and an 11-year-old son, Quincy (Michael J. Pagan). With Quincy off to see his dad, Stella and her best friend Delilah (Whoopi Goldberg) vacation in Jamaica, where she meets sexy, good-looking Winston Shakespeare (Taye Diggs). He's the man of her dreams in every way except one -- he's half her age. Even so, a romance develops. Grammy Award-winning songwriters Jimmy Jam and Terry Lewis supervised the film's music and produced the R&B-slanted soundtrack album. Shown at the 1998 Urbanworld Film Festival (NY). ~ Bhob Stewart, All Movie Guide

A young African-American couple navigates the tricky paths of romance and athletics in this drama. Quincy McCall (Omar Epps) and Monica Wright (Sanaa Lathan) grew up in the same neighborhood and have known each other since childhood. As they grow into adulthood, they fall in love, but they also share another all-consuming passion: basketball. They've followed the game all their lives and have no small amount of talent on the court. As Quincy and Monica struggle to make their relationship work, they follow separate career paths though high school and college basketball and, they hope, into stardom in big-league professional ball. Love and Basketball was the first feature film for writer/director Gina Prince-Bythewood, who previously helmed several comedy specials for Dave Chappelle. Spike Lee co-produced. ~ Mark Deming, All Movie Guide