Michael Carreras Movies

Screenwriter George Axelrod turns Alfred Hitchcock's classic comedy-thriller into a capering screwball comedy showcase for Cybill Shepherd and Elliot Gould in this style-less remake of The Lady Vanishes. On an express train traveling through pre-World War II Germany, Amanda Kelly (Cybill Shepherd) befriends a cute old nanny, Miss Froy (Angela Lansbury). But when Miss Froy disappears and the rest of the passengers profess no knowledge of the old woman, Amanda and Robert Condon (Elliot Gould -- the only person aboard who will believe her story about the missing woman -- search the train trying to find out what happened to Miss Froy. In the meantime, they uncover an insidious German plot and fall in love. ~ Paul Brenner, All Movie Guide

Mr. Shatter (Stuart Whitman) is an international assassin, hired to bump off a top government official. He is compelled to fend off a host of Oriental kung-fu and karate experts. Peter Cushing and Anton Diffring make brief appearances. The film -- shot simultaneously with Legend of the Seven Golden Vampires, which also co-starred Peter Cushing -- was something of an experiment for the ailing Hammer studios in the mid-'70s, shortly before they expired, attempting to mix an Oriental style with their own distinctly British brand of filmmaking. In most markets, Call Him Mr. Shatter was released simply as Shatter. ~ Hal Erickson, All Movie Guide

The swan song for director Seth Holt (who died shortly before filming was completed), this stylish Hammer production transcends its low budget thanks to lush photography, a stylish look, and fine performances from the leads. The plot, adapted from Bram Stoker's novel The Jewel of the Seven Stars, involves an expedition led by Professor Fuchs (Andrew Keir) to find the cursed tomb of an evil Egyptian princess. Upon discovery of her sarcophagus, Fuchs finds her perfectly preserved, still-bleeding severed hand -- which also sports a dazzling ruby ring. Several years later, Fuchs gives the pilfered ring to his voluptuous young daughter Margaret (Valerie Leon), whereupon she slowly begins to take on the malevolent traits of its original wearer, seeking revenge for the defilement of her tomb. Though Christopher Wicking's adaptation of Stoker's obscure novel is a bit uneven, it still provides ample suspense and the production has an overall richness that captures the flavor of Hammer's other mummy projects. Remade eight years later (with less effective results) as The Awakening; traces of the same story can also be found in Universal's 1999 mega-budget version The Mummy. ~ Cavett Binion, All Movie Guide

In this horror film, an American graduate student travels to southern France to research her thesis. She is writing about a famed composer who recently died. She stays with his widow and his son, a disabled drug-addict. She becomes more involved in the family than she wanted after she finds the composer's crazy twin, hidden away in the attic. She almost dies trying to escape. ~ Sandra Brennan, All Movie Guide

The Lost Continent is a crazy-quilt of a film, with chunks of several unrelated plotlines sewn together willy nilly. Eric Porter plays Lansen, the captain of a tramp steamer who has agreed to deliver contraband dynamite for a hefty price. His passengers are a polyglot of the good, the bad and the worse. Shipwrecked on an mysterious isle in the Sargasso Sea, Lansen and party find themselves prisoners of a bizarre inbred colony still governed by the long-abandoned edicts of the Spanish Inquisition. The film is no more coherent than the original Dennis Wheatley novel Uncharted Seas, but that doesn't detract from its endearing wackiness. To their credit, the cast members of Lost Continent play the script straight, which merely adds to the kinky fun. ~ Hal Erickson, All Movie Guide

This film was advertised with the slogan "See Raquel Welch In Mankind's First Bikini!" While archeologists tell us humans did not live at the same time as dinosaurs, and our prehistoric ancestors probably didn't look much like Ms. Welch and her co-stars, One Million Years B.C. is a good bit more fun than more scientifically accurate portrait of the era might have been. Tumak (John Richardson) of the Rock People is exiled from his tribe after a fight with his father, and after days of endless wandering is in sad shape before he's taken in by the more peaceable Shell People. He attracts the attention of well-proportioned cave woman Loana (Raquel Welch), but once again finds himself a man without a country after his violent nature alienates the Shell People. Along with Raquel (whose character is remarkably well-groomed given the time period), this movie's greatest selling point are the special effects; legendary stop-motion animator Ray Harryhausen created a dazzling collection of prehistoric creatures for this film that still look impressive, even in the more sophisticated era of computer generated imaging technology. ~ Mark Deming, All Movie Guide

Hammer Films co-produced this lavishly mounted adventure, the fourth adaptation of the novel by H. Rider Haggard. In Jerusalem, Leo Vincey (John Richardson) meets with a slave girl, Ustane (Rosenda Monteros), who has been charged with bringing him to an immortal queen, Ayesha (Ursula Andress). Ayesha, who desires Leo because of his resemblance to her long-dead lover, offers riches if he will travel to her lost city in the mountains, where a magical flame will also give him eternal life. Accompanied by his adventurous friend Major Horace Holly (Peter Cushing), Leo sets out for the fabled city across the desert, but along the way Ustane causes trouble when she decides she wants Leo for her own. She (1965) was followed by a sequel, The Vengeance of She (1968), although the follow-up did not star Andress. ~ Karl Williams, All Movie Guide

Alf (Joe Brown) is a young man from London's East End who tries to rise above his impoverished conditions. His parents worry that he will fall into a life of crime hanging around his neighborhood buddies. When he is inspired to write the song "What A Crazy Gang", his efforts pique the interest of a songwriting publisher. His parents still worry about Alf finding steady employment despite the promise of a financial windfall in this teen beat musical. The most famous of the groups to perform in the film are Freddy and The Dreamers, who would later score top ten hits on both sides of the Atlantic with "I'm Telling You Now", "You Were Made For Me"and the novelty smash dance hit "The Freddy." Led by frantic Freddy Garrity, his lively and comical stage machinations belied his vast musical and songwriting talents directly inspired by the late Buddy Holly. ~ Dan Pavlides, All Movie Guide

A ruthless crook abducts the wife and child of a bank manager and then masquerades as an insurance company detective while scheming to rob the institution in this crime drama. Unfortunately, some of the manager's employees learn about the plot and the terrified manager must beg them to remain silent. Fortunately, the cops have been on the case all along. ~ Sandra Brennan, All Movie Guide

The British writer/director team of Jimmy Sangster and Seth Holt was never satisfied unless it scared the bejeepers out of its audience. Scream of Fear stars Susan Strasberg as the crippled daughter of Ann Todd, whom she meets for the first time during a vacation on the Riviera. There's something unsettling about Strasberg's surroundings and her mother's behavior. But when Strasberg insists that she's seen the dead body of her father, it is she who is considered off the beam, while everyone else is treated as normal. Perhaps the authorities are right; perhaps Strasberg is merely neurotic and overwrought. And perhaps there's more than one plot twist ahead of us as we draw nearer and nearer the truth. Scream of Fear was originally released in Great Britain as Taste of Fear. ~ Hal Erickson, All Movie Guide

With an award-winning screenplay by director Val Guest, this is a first-rate cops-and-robbers crime drama about a dangerous escaped convict and the police inspector who goes after him. The gritty industrial town of Manchester and its outlying moors provide a somber backdrop to the action. Inspector Martineau (Steve Baker) suspects that the escaped thief, Don Starling (John Crawford) is going to return to Manchester to retrieve a cache of jewels he hid away before being convicted. The sudden, brutal murder of a woman and the missing money she was carrying, tips the Inspector off that his suspicions were right. He starts tracking down the killer and the gang of men he knows must be working with him, as suspense builds at every turn. The gang falls one by one, until only the killer is left. ~ Eleanor Mannikka, All Movie Guide

After emerging as a potent force in the genre with Horror of Dracula, Hammer Films added their handsome Gothic touch to this lesser-known remake of the 1944 suspenser The Man in Half Moon Street (itself adapted from a play by Barre Lyndon). Anton Diffring stars as a century-old artist who maintains a youthful appearance by regularly replacing certain glands -- in transplants that he receives thanks to the unwilling participation of healthy donors. Despite his outward physical vitality, his advanced years lead to an increasing mental instability, evinced by his mad obsession with an old flame (Hazel Court) whose newfound love for a suave doctor (Christopher Lee) compels Diffring to commit acts of diabolical cruelty that ultimately become his grisly undoing. Directed by Hammer regular Terence Fisher, who applies a high polish to this atmospheric period thriller. ~ Cavett Binion, All Movie Guide

The scene is Burma during World War II. A small British brigade led by Stanley Baker comes upon a Burmese village controlled by the Japanese. The brigade wipes out the enemy, whereupon Baker discovers that the late Japanese commandant has a coded map secreted on his person. When a Burmese prisoner who can decode the map refuses to talk, Baker orders that two peaceful villagers be executed. Baker's actions seem cruel and extreme until it becomes apparent that the enemy is twice as ruthless as he. Based on a TV play by Peter R. Newman, Yesterday's Enemy is a brutal but insightful look at the blurred line between good and evil in wartime conditions. ~ Hal Erickson, All Movie Guide