Mark Burg Movies

Much as Keenen Ivory Wayans' I'm Gonna Git You Sucka parodied the basic elements of 70's blaxploitation pictures, this film written by and starring his younger brothers Marlon Wayans and Shawn Wayans pokes fun at the gritty "reality check" films of the 1990's, such as Boyz N The Hood, Menace II Society and New Jack City. When Ashtray (Shawn Wayans) moves to South Central L.A. to live with his father (who appears to be the same age he is) and grandmother (who likes to talk tough and smoke reefer), he falls in with his gang-banging cousin Loc Dog (Marlon Wayans), who along with the requisite pistols and Uzi carries a thermo-nuclear warhead for self-defense. Will Ashtray keep living the straight life or will he join up with Loc Dog's gangsta homeboys? And is his romance with self-styled poet Dashiki (Tracey Cherelle Jones) going to go anywhere? Big brother Keenen has a small role as a mailman. ~ Mark Deming, All Movie Guide

Erik (Brad Renfro) is a 13-year-old boy whose single mother, Gail (Diana Scarwid), has just moved to a new home in Minnesota. Erik feels like a fish out of water with his Southern accent, and he has trouble making friends until he meets Dexter (Joseph Mazzello), a kid a year or two younger who lives next door. Erik and Dexter get along fine, but Gail tells Erik not to go near Dexter when she learns that he contracted AIDS from a blood transfusion a few years ago. Erik ignores his mother's instructions and stands up for the frail Dexter at school, while Dexter's mom Linda (Annabella Sciorra) gives Erik the warmth, affection, and home cooking that Gail is too busy to provide. However, both boys are painfully aware of Dexter's illness, and when one of them spots a headline in a supermarket tabloid that a doctor in New Orleans has discovered a cure for AIDS, they run away together, determined to find the doctor and bring Dexter back as good as new. The Cure was the theatrical feature debut for actor-turned-director Peter Horton, who cut his directorial teeth on the TV series The Wonder Years and thirtysomething. ~ Mark Deming, All Movie Guide

The Sandlot is sparsely narrated by the main character (now an adult) who occasionally drops in on the action to comment on events or help move the story along. Tom Guiry plays Scotty Smalls, the shy new kid on the block who wants to join the rowdy pickup baseball team that plays every day in the neighborhood sandlot. But he doesn't know how to catch a baseball, and his stepfather (Dennis Leary) is too busy to teach him. He tries out for the sandlot gang anyway, and though he isn't very good, it turns out he's lucky: there happen to be only eight of them, and nine makes a team. The summer passes blissfully as Scotty learns to play ball under the wing of Benny Rodriguez (Mike Vitar), the oldest and best player, as well as Ham, Squints, Repeat, and the rest of the kid-eccentrics. The skies darken, however, when Benny literally knocks the stuffing out of the team's only baseball, a sign of impending doom, or worse, bad luck. Wanting to set things right, Scotty returns home and "borrows" his stepfather's ball, which he promptly uses to hit his first home run, knocking the ball clear out of the sandlot into mean old Mr. Mertle (James Earl Jones)'s junkyard, home to Mertle's legendary guard dog The Beast. Scotty admits that he took the ball without asking, and he naively explains that his stepfather will want it back since it had a woman's name written on it: some lady named Babe Ruth. Horror-stricken, the sandlot gang mobilizes to fetch the autographed ball from the clutches of The Beast, building a series of mechanical ball-retrieval machines which get progressively more complicated and preposterous as The Beast's size grows in their imaginations. ~ Anthony Reed, All Movie Guide

Dead Poets Society and Die Hard bash heads in this action drama set in a Northeastern prep school. The film opens as a crazed Central American terrorist, Luis Cali (Andrew Divoff), goes on a shooting spree, attempting to gain his drug baron father's release from extradition to the United States. The following sequence introduces some malcontented rich kids from the prep school --Joey Trotta (Wil Wheaton), the son of a New Jersey mob leader; Billy Tepper (Sean Astin), a reprobate who has been to four boarding schools in as many years; Snuffy Bradbury (Keith Coogan), whose rich banker father is the chairman of the Republican Party; Ricardo Montoya (George Perez), the son of a big-shot lawyer; and Hank Giles (T.E. Russell), whose father is the head of the House Armed Services Committee. The boys disregard their studies and spend their waking hours giving Dean Parker (Louis Gossett Jr.) a hard time. The two storylines collide when Luis, with a group of terrorist goons, make their way across the U.S. border and invade the boarding school, planning to take hostage the son of his father's judge. But the authorities have already removed the boy from danger, so Luis and the terrorists decide to hold the entire student body hostage until their demands are met. Working with the FBI and the special government forces, the rebellious groups of boys have to devise a plan to short-circuit the hostage situation. ~ Paul Brenner, All Movie Guide

Borrowing a chapter from the John Hughes school of teen comedy, this likeable caper was a box office success. Patrick Dempsey stars as Ronald Miller, a high school nerd about to enter his senior year, who longs for acceptance as one of the "cool kids." His next-door neighbor Cindy Mancini (Amanda Peterson) is a cheerleader and one of the most popular girls in school, but she doesn't even know that Ronald exists. When she ruins an expensive outfit of her mother's, Ronald offers the $1,000 needed to replace it, if she will pretend to date him for one month. Although skeptical about Ronald's plan, Cindy agrees, and her "new boyfriend" turns out to be right about what he thinks dating Cindy will do for him -- he becomes accepted by the school's snobs because of his association with one of their own. At least, for a while. Originally titled "Boy Rents Girl," Can't Buy Me Love (1987) was the first production launched by former studio executive Thom Mount after leaving his high-profile post. His company went on to produce weightier material such as Bull Durham (1988), The Indian Runner (1991), and Natural Born Killers (1994). ~ Karl Williams, All Movie Guide