Mark Burg Movies

Borrowing a chapter from the John Hughes school of teen comedy, this likeable caper was a box office success. Patrick Dempsey stars as Ronald Miller, a high school nerd about to enter his senior year, who longs for acceptance as one of the "cool kids." His next-door neighbor Cindy Mancini (Amanda Peterson) is a cheerleader and one of the most popular girls in school, but she doesn't even know that Ronald exists. When she ruins an expensive outfit of her mother's, Ronald offers the $1,000 needed to replace it, if she will pretend to date him for one month. Although skeptical about Ronald's plan, Cindy agrees, and her "new boyfriend" turns out to be right about what he thinks dating Cindy will do for him -- he becomes accepted by the school's snobs because of his association with one of their own. At least, for a while. Originally titled "Boy Rents Girl," Can't Buy Me Love (1987) was the first production launched by former studio executive Thom Mount after leaving his high-profile post. His company went on to produce weightier material such as Bull Durham (1988), The Indian Runner (1991), and Natural Born Killers (1994). ~ Karl Williams, All Movie Guide

In this lively comedy, an African American yuppie rethinks life on the corporate fast-track after he falls in love with an ultra hip club promoter. Knowing that she finds him a total square, he seeks the advice of a swinging young mail boy. ~ Sandra Brennan, All Movie Guide

The Sandlot is sparsely narrated by the main character (now an adult) who occasionally drops in on the action to comment on events or help move the story along. Tom Guiry plays Scotty Smalls, the shy new kid on the block who wants to join the rowdy pickup baseball team that plays every day in the neighborhood sandlot. But he doesn't know how to catch a baseball, and his stepfather (Dennis Leary) is too busy to teach him. He tries out for the sandlot gang anyway, and though he isn't very good, it turns out he's lucky: there happen to be only eight of them, and nine makes a team. The summer passes blissfully as Scotty learns to play ball under the wing of Benny Rodriguez (Mike Vitar), the oldest and best player, as well as Ham, Squints, Repeat, and the rest of the kid-eccentrics. The skies darken, however, when Benny literally knocks the stuffing out of the team's only baseball, a sign of impending doom, or worse, bad luck. Wanting to set things right, Scotty returns home and "borrows" his stepfather's ball, which he promptly uses to hit his first home run, knocking the ball clear out of the sandlot into mean old Mr. Mertle (James Earl Jones)'s junkyard, home to Mertle's legendary guard dog The Beast. Scotty admits that he took the ball without asking, and he naively explains that his stepfather will want it back since it had a woman's name written on it: some lady named Babe Ruth. Horror-stricken, the sandlot gang mobilizes to fetch the autographed ball from the clutches of The Beast, building a series of mechanical ball-retrieval machines which get progressively more complicated and preposterous as The Beast's size grows in their imaginations. ~ Anthony Reed, All Movie Guide

Erik (Brad Renfro) is a 13-year-old boy whose single mother, Gail (Diana Scarwid), has just moved to a new home in Minnesota. Erik feels like a fish out of water with his Southern accent, and he has trouble making friends until he meets Dexter (Joseph Mazzello), a kid a year or two younger who lives next door. Erik and Dexter get along fine, but Gail tells Erik not to go near Dexter when she learns that he contracted AIDS from a blood transfusion a few years ago. Erik ignores his mother's instructions and stands up for the frail Dexter at school, while Dexter's mom Linda (Annabella Sciorra) gives Erik the warmth, affection, and home cooking that Gail is too busy to provide. However, both boys are painfully aware of Dexter's illness, and when one of them spots a headline in a supermarket tabloid that a doctor in New Orleans has discovered a cure for AIDS, they run away together, determined to find the doctor and bring Dexter back as good as new. The Cure was the theatrical feature debut for actor-turned-director Peter Horton, who cut his directorial teeth on the TV series The Wonder Years and thirtysomething. ~ Mark Deming, All Movie Guide

In this comedy, a basketball fan figures she could be a better coach than the guy getting paid millions to do the job -- and then gets the chance to prove it. Edwina "Eddie" Franklin (Whoopi Goldberg) is a limousine dispatcher and sometime driver who is a passionate New York Knicks fan; she loyally follows their every move, attending as many home games as possible from the cheap seats and radioing game updates to her drivers when they play during her working hours. The Knicks are purchased by eccentric Southern millionaire Wild Bill Burgess (Frank Langella) in the middle of a long losing streak; when Wild Bill calls for a limo, Eddie arranges to drive him herself, and gives him a piece of her mind about the sad state of the team. Impressed, Wild Bill makes Eddie an honorary coach for the night, and her spitfire attitude and encouragement of the players impresses her. However, Wild Bill thinks putting on a show to boost attendance is more important than having a winning team, and eventually Knicks coach Bailey (Dennis Farina) quits in disgust. Wild Bill gets the bright idea of hiring Eddie as the team's new head coach; she considers it an honor, and at only $50,000 a year, he considers it a bargain. While Eddie is hardly an experienced leader, she soon learns how to motivate her team, and against all odds she helps pull the Knicks out of their losing streak -- but now has to face Wild Bill, who is losing interest in the team and wants to sell. Several real-life NBA stars make cameo appearances, including Dennis Rodman, John Salley, Rick Fox, and Mark Jackson, while prominent New Yorkers David Letterman and Donald Trump play themselves. ~ Mark Deming, All Movie Guide

In this broad fish-out-of-water comedy, Nisi (Halle Berry) and Mickey (Natalie Desselle) are African-American women with two ambitions -- marry rich men who will give them lots of money, and open the world's first combination hair salon and soul food restaurant. However, eligible bachelors and business opportunities are in short supply in Decatur, Georgia, so when Nisi hears rapper Heavy D is auditioning dancers in Los Angeles for an upcoming video and concert tour, the pair hit the road for California. They fail the audition but are approached by a man named Antonio (Luigi Amodeo) with a business proposition. Antonio is the chauffeur for Mr. Blakemore (Martin Landau), a millionaire in poor health. As a young man, Mr. Blakemore was in love with a black maid who worked in his household; Antonio and Blakemore's nephew Isaac (Jonathan Fried) think Nisi bears a resemblance to the girl Blakemore once loved, so they offer her a hefty payment plus room and board to pose as the granddaughter of Blakemore's lost love. Nisi and Mickey believe that this ruse is intended to make Blakemore feel better, but in fact Isaac wants to get his hands on his uncle's fortune, and he hopes that Nisi's presence will make him easier to manipulate. Meanwhile, Nisi and Mickey look like a hurricane that hit a cut-rate clothing store, so manservant Manley (Ian Richardson) teaches them social graces and gives them advice on how to dress. In time, Manley and Mr. Blakemore become friends with Nisi and Mickey; the men learn to be less stuffy and enjoy life, while the ladies become more respectable. B.A.P.S. stands for "Black American Princesses." ~ Mark Deming, All Movie Guide

Robert Altman directed this John Grisham tale that begins at a party where Savannah attorney Rick Magruder (Kenneth Branagh) celebrates his successful defense of a man who shot a local cop. The partygoers include his ex-wife Leeanne (Famke Janssen), the mother of his two children; his law partner Lois Harlan (Daryl Hannah); and caterer Mallory Doss (Embeth Davidtz). After Mallory finds her car stolen, Rick gives her a ride home where things turn sexual. Attracted to Mallory, he learns that her crazed father Dixon Doss (Robert Duvall) has been threatening her. Getting too closely involved with this woman he hardly knows, Rick has the police round up her unstable father, and he next subpoenas her ex-husband Pete (Tom Berenger) to testify against Dixon, who is institutionalized.

The crazed Dixon manages to escape from the asylum, intent on revenge against all his betrayers and enemies. As a potent hurricane blows into Savannah, Mallory's car is torched, and Rick receives threats. Believing his children are in danger, Rick removes them from school, prompting a warrant for his arrest. When his children disappear, Rich goes on the counterattack against Dixon. Chinese cinematographer Changwei Gu (of Chen Kaige's Farewell My Concubine and Zhang Yimou's Ju Dou) captured the soaked Savannah sites. The script is not an adaptation from a John Grisham novel; Grisham wrote it as an original screenplay just before the success of The Firm (1993), and it was acquired by producer Jeremy Tannenbaum. After Island Pictures came into the project at $1.4 million, Grisham returned for rewrites. Altman did even more drafts, so the pseudonym Al Hayes was created as the scripting credit. When Polygram suggested to Altman that the electronic score could be replaced with a traditional score, Altman had friends call reporters to say he had been dismissed. Polygram began re-editing the $25 million movie, but their edit didn't test much better than Altman's version, so they handed the reins back to Altman. ~ Bhob Stewart, All Movie Guide

A prison drama centering on the travails of three friends unjustly imprisoned for a crime they didn't commit, Lockdown opens with Avery (Richard T. Jones), a talented young swimmer who desperately wants to free himself, his wife Krista (Melissa De Sousa), and their infant son from life in the projects of Albuquerque, NM. Avery's future seems bright when, after winning a regional swimming competition, he is approached by Charles Pierce (Bill Nunn), a talent scout who takes an interest in the young man's athletic promise. Unfortunately, Avery's dreams quickly disintegrate when he and his pals Cashmere (Gabriel Casseus) and Dre (De'Aundre Bonds) are pulled over by cops one night and framed for a robbery/murder they didn't commit. Faster than you can say "blatant miscarriage of justice," Avery, Cashmere, and Dre land in the slammer, where they are separated and forced to fend for themselves. Avery ends by getting a valuable prison education from his Ralph Ellison-quoting cellmate Malachi (Clifton Powell), while Cashmere quickly becomes part of the African-American gang network operating under the leadership of Clean Up (rapper Master P, whose No Limit Films produced the film). Dre, meanwhile, meets the worst fate of the three, resorting to heroin after he's gang-raped by a group of Nazi thugs. On the outside, Krista and Pierce work tirelessly to free the trio from prison. ~ Rebecca Flint Marx, All Movie Guide

Bob Odenkirk and David Cross stretch one of the characters from their HBO comedy sketch series Mr. Show into a full-length feature with Run Ronnie Run!. Ronnie Dobbs (Cross) becomes a media celebrity when he becomes the star of his own show ("Ronnie Dobbs Gets Arrested"). On this premise, the writers (and director Troy Miller) hang a series of pop culture spoofs. Among the targets are Mandy Patinkin, the television series Cops, and Survivor. South Park creators Matt Stone and Trey Parker make a cameo appearance. ~ Perry Seibert, All Movie Guide

Charlie Sheen, Jon Cryer, and Angus T. Jones essayed the title roles in the CBS sitcom Two and a Half Men. The swinging-bachelor lifestyle of commercial-jingle composer -- and chronic gambler -- Charlie Harper (Sheen) was sorely disrupted when his Malibu beach house was invaded by his uptight brother, Alan (Cryer), and Alan's ten-year-old son, Jake (Jones). Given the childish hedonism of Charlie and the domestic immaturity of the soon-to-be-divorced Alan, young Jake turned out to be the true "grown-up" in the Harper household. Also seen from time to time were Marin Hinkle as Alan's ex-wife Judith (who may or may not have been gay); Melanie Lynskey as Charlie's erstwhile lover and next-door neighbor Rose; and Holland Taylor (replacing the pilot episode's Blythe Danner) as Charlie and Alan's control-freak mother, Evelyn. Created by Lee Aronsohn and Chuck Lorre, Two and a Half Men opened to excellent ratings on September 22, 2003. ~ Hal Erickson, All Movie Guide

The weekly, half-hour UPN comedy series Love, Inc. revolved around a dating service run by a woman named Clea (Holly Robinson Peete), who had hoped to use her own happy nine-year marriage as publicity for the organization -- but had to resort to "plan B" when that marriage ended in divorce. In each episode, Clea dispatched her "wing-men" and "wing-women" to play Cupid for a variety of unattached males and females, many of whom were so eccentric that the task of finding an appropriate mate seemed all but impossible. In the original pilot episode, Clea's chief "wing-woman," Denise Johnson, whose success at bringing couples together was matched only by her spectacular failure in finding love on her own, had been played by Shannen Doherty. According to the source one believed, Doherty either tested badly with a sample audience or was given the thumbs-down by a group of potential sponsors: whatever the case, by the time the series debuted on September 22, 2005, Doherty had been replaced by Busy Philipps. The rest of the cast included Ion Overman as Viviana, the service's Argentinean receptionist, who needed to land an American husband to stay in the country; Reagan Gomez-Preston as Francine, the resident style expert; and Vince Vieluf as Barry, the service's technical wizard. Love, Inc. was created by Andrew Secunda, formerly a writer on Late Night With Conan O'Brien. ~ Hal Erickson, All Movie Guide

The producers of Saw shine a little darkness on the City of Lights in this grim thriller about a naïve American visiting her sister in Paris, and the horror that unfolds as they descend into the city's vast Catacombs for a wild underground rave. Victoria (Shannon Sossamon) has never been to Paris, but when her sister Carolyn (Pink) invites her to an upcoming party, the prospect of living it up in the most romantic city on Earth proves too powerful to resist. Shortly after arriving in Paris, Victoria and Carolyn venture deep into the 200-mile limestone labyrinth constructed with the bones of seven million Parisians. Later, after getting separated from her friends, the frightened American can't help shake the feeling that someone - or something - is stalking her every move; just waiting for the perfect moment to spring forth from the darkness. ~ Jason Buchanan, All Movie Guide