Harold Buchman Movies

Alfred Lynch and Sean Connery star as a pair of klutzy RAF members, during World War II, who are more interested in running petty confidence scams that toting rifles. Though they doggedly avoid extra effort of any kind, Pope (Lynch) and Pascoe (Connery) are sent on a top-secret mission. The more the duo screws up, the more they succeed in pulling off their assignment, and through no real input of their own they become heroes. On the Fiddle more closely resembled an American service comedy than a British film, thus it was logical that its U.S. title was Operation SNAFU. During the James Bond craze, the film was retitled Operation Warhead and Sean Connery's participation was played up in the ads -- complete with the anachronistic inclusion of bikini-clad starlets! ~ Hal Erickson, All Movie Guide

Fifteen-year-old Elizabeth Taylor receives her first screen kiss in the innocuous MGM confection Cynthia. Taylor plays the title character, a sickly, sheltered young lady who is never permitted the companionship of other teenagers. Frustrated though Cynthia may be, she has nothing on her parents, Larry and Louise Bishop (George Murphy and Mary Astor), who feel they could have gotten a lot further in life had they remained childless Only by discovering that she has a gorgeous (albeit dubbed) singing voice is Cynthia able to break out of her shell and join the high school choir, under the benevolent leadership of cuddly Professor Rosencrantz (S. Z. Sakall). Along the way, the girl's parents overcome their resentment and learn to appreciate their daughter for the prize that she is. As a bonus, Cynthia also falls in love with Ricky Latham (James Lydon), who bestows that historic first kiss on her blushing cheek (Elizabeth Taylor and James Lydon would later be reteamed in Warner Bros.' Life with Father). Based on a play by Vina Delmar, Cynthia is a "programmer" by MGM standards, but an "A"-picture by any other studio's standards. ~ Hal Erickson, All Movie Guide

There were some theatres in 1946 that refused to display the anagramatic title of this film on their marquees: it was, after all, no secret that the letters S.N.A.F.U. did not precisely stand for "Situation Normal, All Fouled Up" as the studio insisted. Based on a stage play by Louis Solomon and Harold Buchman, Snafu details the misadventures of Ronald Stevens, a teenaged boy who is honorably discharged from the Army when it is revealed that he was too young to enlist. By the time he returns home, Ronald has become so acclimated to the military that he can't readjust to civilian life. In his final film appearance, Robert Benchley does a nice, subtle job as Ronald's flustered father, but Vera Vague (aka Barbara Jo Allen) seems to be having trouble with the role of the the mother. And yes, that is the same Conrad Janis who later played Pam Dawber's dad on TV's Mork and Mindy. ~ Hal Erickson, All Movie Guide

This French Underground melodrama stars George Sanders as a seemingly apolitical Parisian doctor who is actually a resistance leader. Sanders' nurse (Brenda Marshall) is likewise a French patriot--less so the nurse's husband (Philip Dorn), who has become disillusioned after two years in a POW camp. The husband changes his mind and joins the Resistance, though he and several other freedom fighters lose their lives to German bullets. Worth noting in Paris After Dark is the fact that several of the personnel involved were actual French refugees, including director Leonide Moguy and husband-and-wife supporting actors Marcel Dalio and Madeleine LeBeau. ~ Hal Erickson, All Movie Guide

Cesar Romero plays an outwardly tough bookie with the proverbial golden heart. Romero falls in love with Carole Landis, an art shop proprietor who introduces her raffish romeo into the world of fine art. Utilizing his gambling skills, he amasses an impressive collection of valuable paintings, only to discover that there are just as many crooks and phonies in the art world as there are at the race track. At first attempting to cash in on the clever forgeries of a duplicitous painter (J. Carroll Naish), Romero is redeemed by the love of Carole Landis and ends up scamming the scammers. Gentleman at Heart includes a brashly amusing performance by Milton Berle as Cesar Romero's chief flunky. ~ Hal Erickson, All Movie Guide

The Cisco Kid rides again, this time in the person of Cesar Romero. Cisco and Pancho (Chris-Pin Martin) come to the aid of proud but ageing cattle king Pedro de Cordoba. Posing as deCordoba's nephew, our hero snoops around in search of those who'd do the old man dirt. The villain turns out to be a close relative of hitherto spotless reputation. We won't reveal the ending of Romance of the Rio Grande, though we'll plant a few hints by noting that the cast includes Patricia Morison, Ricardo Cortez, Trevor Bardette and Tom London. ~ Hal Erickson, All Movie Guide

Ubiquitous 20th Century-Fox contractee Lynn Bari is the heroine of The Perfect Snob. Carefully raised by her social-climbing mother Martha (Charlotte Greenwood) to seek out a millionaire husband, debutante Chris Mason (Bari) throws herself at wealthy Freddie Browning (Alan Mowbray) during a Hawaiian vacation. But Chris secretly intends to follow the advise of her doctor father (Charles Ruggles) and marry for love rather than money. In this spirit, she pledges her troth to the handsome but apparently impoverished Mike Lord (Cornel Wilde). Much to everyone's surprise and delight, Mike turns out to be the owner of a thriving sugar plantation! Still several years removed from film stardom, Anthony Quinn goes through the "other man"paces generally reserved for Ralph Bellamy. ~ Hal Erickson, All Movie Guide

Manhattan Heartbeat is a somewhat toned-down remake of the pre-Production Code melodrama Bad Girl (1931). Newlyweds Johnny (Robert Sterling) and Dottie (Virginia Gilmore) have troubles living within their budget, thanks to Dottie's spendthrift habits. An airplane mechanic, Johnny begins accepting dangerous test-flight jobs to make ends meet. But Dottie doesn't mend her ways until she finds out that she's pregnant, at which point all is forgiven and the young couple hunkers down to the day-by-day responsibilities of married life. Joan Davis does yeoman duty in the film's central comedy-relief role. Like its cinematic predecessor, Manhattan Heartbeat was based on a play by Vina Delmar and Brian Marlow. ~ Hal Erickson, All Movie Guide

The Hero for a Day is elderly night watchman Frank Higgins (Charley Grapewin), still basking in the memories of his long-age college football triumphs. To stir up publicity for a crucial post-season game, his alma mater plucks Higgins out of obscurity and once more showers him in glory. The old man's triumph turns to tragedy when he drops dead during the Big Game, but at least he goes out secure in the knowledge that his protégé Brainy (Dick Foran) has scored the winning touchdown. Critics in 1939 were amused by the inconsistencies during the gridiron sequences (the scenes appeared to have been shot at several different stadiums, then haphazardly patched together in the cutting room) and by the lavish wardrobe sported by "humble" stenographer Sylvia Higgins (Anita Louise). Featured in the cast of Hero for a Day is Richard Lane, who seems to have been in every sports movie ever produced between 1935 and 1945. ~ Hal Erickson, All Movie Guide

In this newspaper drama, a female reporter and a newsreel cameraman are both assigned to cover the Sino-Japanese war. They meet on the boat ride over and decide to team up. They are further assisted by a Chinese cameraman. The three of them manage to expose of spy ring operating out of the Shanghai office of the woman's newspaper. ~ Sandra Brennan, All Movie Guide

The seventh of RKO's Fred Astaire--Ginger Rogers musicals, Shall We Dance casts Astaire as a world-renowned ballet dancer and Rogers as a musical comedy headliner. Rogers' manager Jerome Cowan concocts a phony romance between his client and Astaire in order to garner publicity for them both. Eventually, of course, the twosome falls in love for real, but not before a cornucopia of confusion, complications and misunderstandings. Highlights include a number performed on roller skates and Astaire's dance solo in the art-deco boiler room of an ocean liner. The George and Ira Gershwin score (their last for Astaire and Rogers) includes "Slap That Bass," "Beginner's Luck," "Let's Call the Whole Thing Off," "They All Laughed," "They Can't Take That Away From Me," and the title number. Shall We Dance was slated as the last of the Fred-and-Ginger romps, but within a year they were together again in Carefree. ~ Hal Erickson, All Movie Guide

In the fine tradition of And Sudden Death, Columbia's The Devil is Driving tabulates the dangers of drunken driving in an exciting, unabashedly melodramatic fashion. In his first true portrayal of a "little creep," Elisha Cook Jr. stars as Tony, the spoiled-rotten son of the wealthy and influential Mr. Stevens (Henry Kolker). Forever climbing behind the wheel after one too many martinis, Tony strikes and kills an old woman and later forces his sweetheart Kitty (Ann Rutherford) over an embankment. By rights, this blatant vehicular homicide should earn Tony a stiff jail sentence, but he is constantly bailed out by his father, who even buys off juries and judges to keep his son out of prison. After helping Stevens spring his son once too often, guilt-stricken district attorney Paul Driscoll (Richard Dix) joins forces with crusading reporter Eve Hammond (Joan Perry) to keep repeat offenders like Tony off the road. Be assured that Tony will receive his comeuppance in spades by fade-out time. ~ Hal Erickson, All Movie Guide