Bob Balaban Movies
Playing a succession of bespectacled, soft-spoken, yet vaguely superior characters, Bob Balaban carved himself a niche as a reliable character actor in the last quarter of the 20th century, while also getting the occasional opportunity to write and direct for the screen.The nephew and cousin of industry personages, Balaban got the acting bug at Colgate University and N.Y.U., inspiring him to study with Uta Hagen and Viola Spolin. After some exposure on and off-Broadway in the late 1960s, Balaban made his film debut in Midnight Cowboy (1969), playing the high school student who meets Jon Voight in the movie theater for a tryst. Working sporadically through the '70s, more in theater and TV than film, Balaban developed a more familiar face with such roles as the cartographer and French translator from Close Encounters of the Third Kind (1978) and the attorney hired to help Richard Dreyfuss' quadriplegic choose to die in Whose Life Is It Anyway? (1981).
Balaban's major contribution to the industry in the 1980s was as a director, first of the disappointing Showtime movie The Brass Ring (1983) and then of the macabre weekly TV series Tales of the Darkside (1984) and Amazing Stories (1985). His big-screen directorial debut, the cannibal-themed black comedy Parents (1989), was considered either an objectionable failure by some or a devious cult classic by others; two later forays into directing (My Boyfriend's Back in 1993, The Last Good Time in 1994) were better received.
In the 1990s, Balaban returned his focus to acting, especially as he caught on with more regular parts in the latter half of the decade. His most widely seen role was the NBC executive who accepts, then declines, then accepts again the pilot written by George and Jerry on the popular sitcom Seinfeld. His Russell Dalrymple appeared in only six episodes in the 1992-1993 season but was featured prominently in the season finale, lost at sea and presumed dead in his all-consuming quest to win Elaine's affections. It was this Seinfeld gig that netted Balaban the most regular and prominent work of his career in the years that followed. Although often still appearing in serious roles, Balaban indulged his talent for subtle comedy by linking up with actor/director Christopher Guest and appearing in two of his acclaimed faux documentaries, Waiting for Guffman (1996) and Best in Show (2000).
Balaban scored a major art-house and critical successes producing and playing one of the main characters in Robert Altman's murder-mystery Gosford Park, and appearing as an ineffective father in Ghost World. That same year he appeared in important supporting roles in such big-budget fare as The Mexican and The Majestic. He maintained his carer in the independent world hooking up again with Christopher Guest for A Mighty Wind, and making a cameo appearance in the Oscar nominated Capote. Balaban appeared in and helped produce the animated Hollywood satire Hopeless Pictures, which ran on IFC in 2005. 2006 proved to be a very busy year for the multi-talented Balaban. In addition to another ollaboration with Guest, For Your Consideration, he played a film critic in M. Nght Shyamalan's The Lady in the Water. He also directed Ralph Finnes and Susan Sarandon in Doris and Bernard. ~ Derek Armstrong, All Movie Guide
Since she was a child, Natalie Miller (Patty Duke) has always thought she was an ugly ducking. When a boy called her "clown face", the six-year-old knocked out his front teeth with a shovel. Despite her mother's encouragement that she will grow up to be pretty, Natalie has never believed it will happen. When her parents bribe a young medical student to date her, Natalie discovers the ruse and moves out of her parent's house. She rents a Greenwich Village apartment from an eccentric landlady (Elsa Lanchester) and gets a job at the Topless Bottom Club. She rides a motorcycle to work, decorates her loft with a moose head, and rides up and down a dumbwaiter to get to her apartment. There Natalie meets David (James Farentino) an artist, and the two have a love affair before she discovers he is married. She considers returning home after finding him in bed with his wife. Al Pacino makes his first screen appearance in a minor role in this engaging drama. ~ Dan Pavlides, All Movie Guide
- Starring:
- Patty Duke, James Farentino, (more)
Based on a James Leo Herlihy novel, British director John Schlesinger's first American film dramatized the small hopes, dashed dreams, and unlikely friendship of two late '60s lost souls. Dreaming of an easy life as a fantasy cowboy stud, cheerful Texas rube Joe Buck (Jon Voight) heads to New York City to be a gigolo, but he quickly discovers that hustling isn't what he thought it would be after he winds up paying his first trick (Sylvia Miles). He gets swindled by gimpy tubercular grifter Rico "Ratso" Rizzo (Dustin Hoffman) but, when Joe falls in the direst of straits, Ratso takes Joe into his condemned apartment so that they can help each other survive. Things start to look up when Joe finally lands his first legit female customer (Brenda Vaccaro) at a Warhol-esque party; Ratso's health, however, fails. Joe turns a final trick to get the money for one selfless goal: taking Ratso out of New York to his dream life in Miami. One of the first major studio films given the newly minted X rating for its then-frank portrayal of New York decadence, Midnight Cowboy was critically praised for Schlesinger's insight into American lives, with the intercut mosaic of Joe's memories and Ratso's dreams lending their characters and actions greater psychological complexity. While they may have been drawn by the seamy content (tame by current standards), the young late '60s audience responded to Joe's and Ratso's confusion amidst turbulent times and to the connection they make with each other despite their alienation from the surrounding culture. Midnight Cowboy became one of the major financial and artistic hits of 1969, winning Oscars for Best Picture (the first for an X-rated film), Best Director, and former blacklistee Waldo Salt's screenplay. Though the one-two punch of Midnight Cowboy and The Graduate (1967) proved Hoffman's range and Voight's Joe Buck made him a star, both lost Best Actor to classical cowboy John Wayne for True Grit. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Dustin Hoffman, Jon Voight, (more)
Director Mike Nichols and writer-actor Buck Henry followed their enormous hit The Graduate (1967) with this timely adaptation of Joseph Heller's satiric antiwar novel. Haunted by the death of a young gunner, all-too-sane Capt. Yossarian (Alan Arkin) wants out of the rest of his WW II bombing missions, but publicity-obsessed commander Colonel Cathcart (Martin Balsam) and his yes man, Colonel Korn (Henry), keep raising the number of missions that Yossarian and his comrades are required to fly. After Doc Daneeka (Jack Gilford) tells Yossarian that he cannot declare him insane if Yossarian knows that it's insane to keep flying, Yossarian tries to play crazy by, among other things, showing up nude in front of despotic General Dreedle (Orson Welles). As all of Yossarian's initially even-keeled friends, such as Nately (Art Garfunkel) and Dobbs (Martin Sheen), genuinely lose their heads, and the troop's supplies are bartered away for profit by the ultra-entrepreneurial Milo Minderbinder (Jon Voight), Yossarian realizes that the whole system has lost it, and he can either play along or jump ship. Though not about Vietnam, Catch-22's ludicrous military machinations directly evoked its contemporary context in the Vietnam era. Cathcart and Dreedle care more about the appearance of power than about victory, and Milo cares for money above all, as the complex narrative structure of Yossarian's flashbacks renders the escalating events appropriately surreal. Confident that the combination of a hot director and a popular, culturally relevant novel would spell blockbuster, Paramount spent a great deal of money on Catch-22, but it wound up getting trumped by another 1970 antiwar farce: Robert Altman's MASH. With audiences opting for Altman's casual Korean War iconoclasm over Nichols' more polished symbolism, the highly anticipated Catch-22 flopped, although the New York Film Critics Circle did acknowledge Arkin and Nichols. Despite this reception, Catch-22's ensemble cast and pungent sensibility effectively underline the insanity of war, Vietnam and otherwise. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Alan Arkin, Martin Balsam, (more)
This film is based on the James Simon Kunen book about student unrest on the Columbia University campus. Simon (Bruce Davison) joins the campus protest movement to socialize with the various hippie girls. When a violent police assault breaks up the protest, Simon's thoughts quickly turn from female infatuation to more important social causes. He becomes active in protests against the Vietnam War, police brutality, student's rights and the draft. He is branded a Communist and becomes part of the great worldwide social revolution of his times. Music from Crosby, Stills, Nash & Young, Buffy Sainte-Marie, Thunderclap Newman, Richard Strauss and John Lennon accurately reflect the turbulent times in which the film was released. Bud Cort, James Coco, and Kim Darby star in this uneven political drama. ~ Dan Pavlides, All Movie Guide
- Starring:
- Bruce Davison, Kim Darby, (more)
Sally Field and Robert Pratt star as newlyweds Jane and L.T. in this feature-length pilot for an unsold weekly series. Born into wealth, Jane is quite unprepared for her life with farm-bred medical student L.T., especially when the couple move into what may be the tiniest apartment in the least attractive neighborhood of Chicago. Still, Love Finds a Way, even on L.T.'s penurious salary. Had this project gone to series, it would have either been a half-hour sitcom or an hour-long dramedy. This point proved moot when the first NBC telecast of Marriage: Year One on October 15, 1971, also turned out to be the last. ~ Hal Erickson, All Movie Guide
In the life of sexually successful young high-school student Phil Fuller (Kristoffer Tabori) the episodes in this story enable him to gain increased maturity and understanding. Phil is attracted to his gym teacher's beautiful wife who has a phobia about growing old and who eventually takes him to her bed. The boy also has a girlfriend with a late period, so he gallantly arranges for an abortion for her. When they discover she is not actually pregnant, he finds out that his mother (Joyce Van Patten) is seeking an abortion. Though he and she were not on very good terms, he stands by her throughout the whole ordeal (not entirely by choice) and wins her friendship. The story is broadly based on a novel by James Leigh. ~ Clarke Fountain, All Movie Guide
This crime-caper film from director Gower Champion stars George C. Scott as a visionary thief. He doesn't merely intend to rob a bank; his plan is to steal the whole bank. This is accomplished by lifting the structure with house-moving machinery in the dead of night, then painting it pink and squirreling it away in a trailer park. The Bank Shot was based on a novel by Donald E. Westlake who also wrote the book that became 1972's The Hot Rock. ~ Hal Erickson, All Movie Guide
A young NYPD detective learns (the hard way) about the politics that govern a big-city police department. He kills a lady-detective/colleague whose undercover garb concealed her profession and he gets caught up in a department cover-up. ~ All Movie Guide
- Starring:
- Michael Moriarty, Yaphet Kotto, (more)

- 1977
- PG
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Steven Spielberg followed Jaws (1975), his first major box-office success, with this epic science fiction adventure about a disparate group of people who attempt to contact alien intelligence. Roy Neary (Richard Dreyfuss) is an electrical lineman who, while sent out on emergency repairs, witnesses an unidentified flying object, and even has a "sunburn" from its bright lights to prove it. Neary's wife and children are at first skeptical, then concerned, and eventually fearful, as Roy refuses to accept a "logical" explanation for what he saw and is prepared to give up his job, his home, and his family to pursue the "truth" about UFOs. Neary's obsession eventually puts him in contact with others who've had close encounters with alien spacecraft, including Jillian (Melinda Dillon), a single mother whose son disappeared during her UFO experience, and Claude Lacombe (celebrated French filmmaker François Truffaut), a French researcher who believes that we can use a musical language to communicate with alien visitors. Lacombe's theory is put to the test when a band of government researchers and underground UFO enthusiasts (including Neary) join for an exchange with alien visitors near Devil's Tower, Wyoming. In 1980, a "Special Edition" was released. While its primary selling point was the addition of scenes inside the alien spaceship, Spielberg claimed that he also cleaned up some choppy editing in the second act. ~ Mark Deming, All Movie Guide
- Starring:
- Richard Dreyfuss, François Truffaut, (more)
One of the first fictional efforts by former documentary maker Claudia Weill, Girlfriends focuses on a pair of roommates, Susan Weinblatt and Anne Munroe, played by Melanie Mayron and Anita Skinner. Anne gets married, leaving the plump, insecure Susan alone for virtually the first time in her life. A mild flirtation with a rabbi leads to a whole new life for Susan when she becomes a portrait photographer for Jewish weddings and bar mitzvahs. Claudia Weill wrote the (presumed) autobiographical screenplay with Vicki Polon. Filmed in New Jersey, Girlfriends was an expansion of a short subject subsidized by the American Film Institute. ~ Hal Erickson, All Movie Guide
- Starring:
- Melanie Mayron, Eli Wallach, (more)
In this 1980 sci-fi horror film, William Hurt plays Eddie Jessup, a scientist obsessed with discovering mankind's true role in the universe. To this end, he submits himself to a series of mind-expanding experiments. By enclosing himself in a sensory-deprivation chamber and taking hallucinogenic drugs, Jessup hopes to explore different levels of human consciousness, but instead is devolved into an apelike monster. Director Ken Russell helmed Altered States from a script by Paddy Chayefsky, who adapted his own novel of the same name. Unhappy with the finished product, Chayefsky had his name replaced with his pseudonym Sydney Aaron. ~ Matthew Tobey, All Movie Guide
- Starring:
- William Hurt, Blair Brown, (more)
Inspired by a true story, Prince of the City stars Treat Williams as a Manhattan detective who agrees to help the US Department of Justice weed out corruption in the NYPD. Williams agrees on the assurance that he'll never have to turn in a close friend. Wired for sound, Williams almost immediately stumbles upon a police conspiracy to smuggle narcotics to street informants in order to insure cooperation. While this might be condonable in a stretch, the fact is that the many cops are using the drugs on their own, and are also highly susceptible to bribes. Williams gets the goods on the miscreants, but in so doing he breaks the "code" and becomes a pariah to his fellow officers. As we learn in the unsettling final scene, Williams will always be considered a "fink," even by honest cops. Prince of the City is too long for its own good, but its opening expository sequences and its final twenty minutes more than compensate for the duller stretches. ~ Hal Erickson, All Movie Guide
- Starring:
- Treat Williams, Jerry Orbach, (more)
Stepping into the role made famous on Broadway by Tom Conti, Richard Dreyfuss stars as a profoundly handicapped sculptor in Whose Life is it Anyway? Left a quadraplegic after an auto accident, the embittered Dreyfuss feels utterly useless, as both an artist and a human being. He doesn't want his family's love, or his doctor's care, or his nurse's ministrations. Dreyfuss simply wants to die-but this is impossible, given the legal state of things in the 1970s. Whose Life is It Anyway? may be the only film in which a person's right to self-destruction is regarded as a happy ending. Not as depressing as it sounds, Whose Life Is It Anyway is perversely hilarious at times, with Dreyfuss at his acerbic best. The film was scripted by Reginald Rose and Brian Clark from Clark's stage play. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Dreyfuss, John Cassavetes, (more)
In this legal drama from director Sydney Pollack, Sally Field stars as Megan, an ambitious newpaper reporter who, based on information from FBI investigator Rosen, played by Bob Balaban, writes a scathing article that implicates Gallagher, a reclusive business-owner played by Paul Newman, in the recent disappearance of a labor leader. When Gallagher confronts Megan and sets her straight, the two team together to prove his innocence and have a few romantic interludes along the way. Wilford Brimley and Melinda Dillon also star. ~ Matthew Tobey, All Movie Guide
- Starring:
- Paul Newman, Sally Field, (more)
The Brass Ring is one of the first American films produced expressly for cable TV. Dina Merrill heads the cast, as an emotionally disturbed wife and mother. Desperately in need of treatment, Merrill refuses to heed the warnings of her family and doctor, leading to dire consequences. Sylvia Sidney and April Lerman also appear. Listed in many sources as a 1983 production, The Brass Ring wasn't shown on the Showtime Cable Network until February 2, 1985. ~ Hal Erickson, All Movie Guide
- Starring:
- Dina Merrill, Sylvia Sidney, (more)
This belated sequel to Stanley Kubrick's 2001: A Space Odyssey (1968) is directed by Peter Hyams. Roy Scheider plays the astronaut/skipper of a U.S.-Soviet space mission, sent to find out what happened to the missing Discovery flight that carried Keir Dullea into the beyond in the original 2001. Scheider's polyglot crew includes Americans John Lithgow and Bob Balaban (the latter a computer whiz, responsible for the notorious HAL 9000) and Russians Helen Mirren, Elya Baskin and Natasha Schneider. The reason for this international mixture is that the world is on the brink of nuclear war, and it is hoped that the space mission will assure east-west solidarity (in this respect, 2010 dates far more than 2001, given the collapse of the Iron Curtain). When the astronauts catch up with Dullea, still in orbit around Jupiter, producer/director/writer Hyams attempts to demystify the enigmatic climax of 2001. Arthur C. Clarke, author of the story upon which 2001 was based, appears in 2010 as a man on a park bench. Incidentally, the voice-over credited to Olga Mallsnerd is actually Candice Bergen. (The name Mallsnerd is a play on the name of one of the characters created by her ventriloquist father Edgar.) ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Scheider, John Lithgow, (more)
This compilation documentary covers the massive anti-nuclear peace march held in New York City on June 12, 1982, including the preparations that led up to the march and interviews with concerned and knowledgeable people on the issue of peace, as well as Japanese survivors of the atomic bomb attacks on Nagasaki and Hiroshima in World War II (see No More Hibakusha). The producers, Robert Richter and Stan Warnow have smoothly spliced-together views of the protest march, its speakers and musicians, filmed by more than 40 separate individuals. Among the noted artists who either were there to lend their presence or contributed their talents in one way or another to the success of the protest (estimated at 1,000,000 people) are Pete Seeger, James Taylor, Carly Simon, Peter, Paul, and Mary, Jerry Stiller, Anne Meara, Roy Scheider, Orson Welles, Ellen Burstyn, Joan Baez, Judd Hirsch, Bianca Jagger, Susan Sarandon, Jill Clayburgh, and others. Meryl Streep and Anne Twomey did a moving voiceover of the testimony of the Japanese atomic bomb blast survivors. Among the non-artistic notables adding stature to the event were Dr. Benjamin Spock, and Helen Caldicott, representing Physicians for Social Responsibility. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Dr. Helen Caldicott, Benjamin Spock, (more)
- Starring:
- Matthew Laborteaux, Gary Riley, (more)
Two Southern railroad workers drive a train engine to Chicago to protest the closing of the station in Clifford, Arkansas. Will Haney (Wilford Brimley) and his friend Leo Pickett (Levon Helm) steal the engine and hope to confront the company president to prevent the shutdown. The duo gathers encouragement at every hamlet along the way as entire towns come out to lend support for the cause. The company tries to use the rural rubes to their promotional advantage, but Haney and Pickett take a stand and win an audience with aging company figurehead Thomas Clinton (Henderson Forsythe). Clinton takes a liking to the two activists and agrees to let himself be kidnapped back to Clifford. Mary Steenburgen, Kevin Bacon, and Barbara Barrie co-star in this routine but entertaining moral melodrama. ~ Dan Pavlides, All Movie Guide
- Starring:
- Wilford Brimley, Levon Helm, (more)
In this bizarre and very black comedy set in 1950s suburbia, Michael Laemle (Bryan Madorsky) comes to suspect that his conventional parents (Randy Quaid and Mary Beth Hurt) have a little secret which they have kept from him. Nothing too major - - just that they happen to be cannibals. It seems that Dad has been bringing home some extra meat from his place of work, a mortuary. As the lad grows ever more hysterical, he confesses his suspicions to the school psychologist (Sandy Dennis). She ridicules his notions and even comes to the house to show him how foolish he's being. Instead, she becomes an entree in the next family dinner, as Michael's parents attempt to indoctrinate him into their odd lifestyle. ~ Clarke Fountain, All Movie Guide
- Starring:
- Randy Quaid, Mary Beth Hurt, (more)
A police detective (Don Johnson), whose job is the only thing he has left in his life, must investigate the murder of a fellow officer. He follows the trail and is shocked to find a white-supremacist conspiracy in the process. ~ John Bush, All Movie Guide
- Starring:
- Don Johnson, Penelope Ann Miller, (more)
Woody Allen's character study of a well-kept, upscale Manhattan woman (Mia Farrow) takes the title character on a journey through a Wonderland of her own making, in which she learns some truths about herself, her relationships, and the universe in general. Alice leads a comfortable life, except for some nagging aches and pains, but when she visits the mysterious Dr. Yang (Keye Luke), he discovers that what really ails Alice is her own lack of true human experience. Alice has been married for sixteen years to Doug (William Hurt), an emotionally detached stockbroker, and she lives a perfectly maintained life in a perfectly maintained apartment, with a pair of children and the requisite support staff. All that changes when a chance meeting with a neighbor (Joe Mantegna) leads Alice to consider an affair. Dr. Yang, seizing the opportunity, gives Alice herbal potions that make her both invisible and seductive, allowing her to free herself from her inhibitions. Plunging into her new fantasy world, Alice ultimately comes to terms with her family, her husband, and her life. ~ Don Kaye, All Movie Guide
- Starring:
- Mia Farrow, Joe Mantegna, (more)
The TV-movie thriller Face of Fear is a real cliffhanger--or rather, skyscraper-hanger. Lee Horsely plays a psychic mountaineer who's been afraid of heights ever since stumbling off Mt. Everest. Pam Dawber costars as Horsely's patient fiancee. Less patient is neo-Nazi leader Kevin Conroy, who for reasons dictated by the plot chases Horsely and Dawber around and up a 40-story building. The climax finds hero and heroine dangling by their fingertips, and Conroy all prepared to do a little prying loose. The only people watching Face of Fear upon its September 30, 1990 airing were those who'd had their fill of David Lynch's Twin Peaks--which was resolving a cliffhanger of its own for its second-season opener on a rival network. ~ Hal Erickson, All Movie Guide
- Starring:
- Lee Horsley
Alan Bates stars as Hamish Partt an alcoholic writer in the made-for-TV Unnatural Pursuits. Simon Gray's teleplay contrives to have Partt begin singing boisterously whenever confronted by a crisis. This occurs quite often as the playwright follows the progress of his latest work, from rehearsal to debut to worldwide tour. His experiences range from the tragic to the comic, and he emerges from his odyssey a changed man. This BBC production co-stars Bob Balaban, John Maloney, and Sara Mansfield in an effective bit as a video-store clerk. ~ Hal Erickson, All Movie Guide
Jodie Foster made her directorial debut (with a script by Scott Frank) in this tale of a child prodigy's search for social acceptance. Fred Tate (Adam Hann-Byrd) is a precocious fourth grader who has no problem with the most complex mathematical problems or in banging out a Rachmaninoff concerto on the piano, but is totally inept at playing baseball or dealing with children his own age. His mother Dede (Jodie Foster) is a cocktail waitress who acts more like a child than Fred, but cares passionately about her son. Fred comes to the attention of child psychologist Jane Grierson (Dianne Wiest), who runs a summer camp for child prodigies called Odyssey of the Mind. She invites Fred to attend the summer session, creating a rift between Fred and Dede. ~ Paul Brenner, All Movie Guide
- Starring:
- Jodie Foster, Adam Hann-Byrd, (more)


























