Frank Whaley Movies

In the 1950s and '60s, Jackie Paris was one of the most celebrated jazz vocalists of his generation; he collaborated with such giants as Charlie Parker, Charles Mingus, and Dizzy Gillespie, he was a favorite of leading music critics, and recorded for such top jazz labels as Impulse and East-West. But ten years on, Paris had fallen so far off the radar that a major jazz reference work reported that Paris had died in 1977, even though he was still around and occasionally performing at the time. In the 1990s, filmmaker Raymond De Felitta heard some of Paris' recordings and became an instant fan, and was deeply curious about Paris' life and career, and how an artist with such gifts had become little more than a footnote in music history. De Felitta's search eventually led him to Paris himself, and a fascinating story of bad luck, a wildly dysfunctional family, dangerous pride, a hair-trigger temper, and a remarkable voice that somehow survived it all, even if his career did not. 'Tis Autumn: The Search for Jackie Paris is a documentary which chronicles De Felitta's search for the elusive singer; the film includes interviews with Paris' family, friends, and fans, including Dr. Billy Taylor, Billy Vera, Joe Franklin, Ira Gitler, Harlan Ellison, and James Moody. Frank Whaley, Nick Tosches, and Peter Bogdanovich contribute dramatic readings of reviews of Paris' work from his heyday. ~ Mark Deming, All Movie Guide

Based on a novel by William Wharton, A Midnight Clear is set in the Adriennes Forest in December of 1944. A group of American GIs, all of whom have been together a bit too long, cling to the vestiges of their peacetime interests to remain sane. None are brilliant soldiers, though Will Knot Ethan Hawke is the one who exhibits the strongest leadership qualities. Billeted at a chateau, the soldiers begin hearing strange noises emanating from a graveyard, the handiwork of a group of mischievous German soldiers. The two enemy camps draw closer to one another as Christmas approaches, due in great part to the influence of GI Vince "Mother" Wilkins Gary Sinise. A sudden, impulsive hostile act results in the wholesale -- and unnecessary -- slaughter of the German soldiers. Though the exteriors are convincingly mid-European, the film was actually lensed in Utah. ~ Hal Erickson, All Movie Guide

In this first American film to be shot entirely in Moscow, young vacationing American Archer Sloan (Frank Whaley) gets involved in the theft of a rare religious icon. The "hot-potatoed" icon lands in Sloan's possession and one of the underworld bad guys involved in the theft is murdered. Sloan becomes a suspect and is forced into fleeing the Moscow police while trying to locate the people who can vindicate him. This Glasnost-era film will probably be better remembered for its glimpse into a molting Soviet Union, than for intrigue as an actioner. Included in the cast is Polish producer Roman Polanski. ~ All Movie Guide

The second of three films by co-writer/director Oliver Stone to explore the effects of the Vietnam War (Platoon and Heaven and Earth are the others), Born On The Fourth Of July tells the true story of Ron Kovic (Tom Cruise), a patriotic, All-American small town athlete who shocks his family by enlisting with the Marines to fight in the Vietnam War. Once he is overseas, however, Kovic's gung-ho enthusiasm turns to horror and confusion when he accidentally kills one of his own men in a firefight. His downfall is furthered by a bullet wound that leaves him paralyzed from the chest down. He returns home, spends an appalling, nightmarish stint in a veterans' hospital, and follows an increasingly disillusioned and fragmented path that ultimately leaves him drunk and dissolute in Mexico. However, Kovic somehow turns himself around and pulls his life together, becoming an outspoken anti-war activist in the process. The film is long but emotionally powerful; many consider it Stone's best work and Cruise's best performance. Both were nominated for Oscars, as was the film itself, but only Stone, who co-wrote the film with Kovic from the latter's book, won for Best Director. ~ Don Kaye, All Movie Guide

This urban drama examines the diverse lives of the patrons of a fictional bar for the rich and famous, El Casbah. Among them are the playboy heir to a margarine fortune, Mickey Jelke, and Jack Cale, a handsome actor who has become a new client and works hard to ingratiate himself to others. Using the influence of a press agent and a pimp, Jack becomes friends with Mickey and his lover Pat Ward, a tough, worldly young woman. When Mickey is cut out of the family will, he suggests that Pat become a call girl so they can continue living in luxury. Suddenly Jack reveals his true identity; he has been working undercover for the politically ambitious New York City district attorney. The district attorney uses Jack's information to frame Mickey which gets him billed as the Big Apple's king of vice, and no one is very happy by the time the trial comes around. ~ Sandra Brennan, All Movie Guide

Actor Ethan Hawke takes the director's chair for a test drive with this independent feature, based on a play by Nicole Burdette, in which a number of creative types living in New York's famed bohemian enclave the Chelsea Hotel struggle with their muses as well as their personal concerns. Middle-aged novelist Bud (Kris Kristofferson) is having problems with his latest project, as well as his appetite for alcohol, while he juggles two relationships -- with his wife Greta (Tuesday Weld) and his lover Mary (Natasha Richardson). Audrey (Rosario Dawson) is a poet who is attracted to Val (Mark Webber), but Val has a hard time staying away from drugs, and his pal Crutches (Kevin Corrigan) is doing nothing to help. Grace (Uma Thurman) is trying to make a name for herself as a poet, but in the meantime she supports herself waiting tables; she's developed a crush on her neighbor Frank (Vincent D'Onofrio), but she can't figure out how to get him to pay attention to her. And Ross (Steve Zahn) and Terry (Robert Sean Leonard) are a pair of would-be rock stars who have just arrived in New York from the Midwest, wondering how to get noticed as they try to pick up women. Jeff Tweedy from the acclaimed rock band Wilco composed the film's musical score, while legendary jazz vocalist Jimmy Scott appears in a nightclub scene. ~ Mark Deming, All Movie Guide

In this black comedy starring Randy Quaid, a dead dog, a red-hot date, and a Zen-quoting cabbie with strange connections provide the ingredients for the most frustrating night in poor Michael Latchmer's heretofore dull life. ~ Sandra Brennan, All Movie Guide

In this drama, the wife of alleged assassin Lee Harvey Oswald offers her viewpoint on the day of the deadly shooting of President John F. Kennedy. ~ Sandra Brennan, All Movie Guide

The life of powerful union leader Jimmy Hoffa is the subject of this biographical drama. The focus is strongly on Hoffa's public and political life, from his early days as a labor organizer to his later conflicts with the Federal government -- and, eventually, his mysterious disappearance. ~ Judd Blaise, All Movie Guide

Legendary scientist Albert Einstein (played here by Walter Matthau) takes a break from theoretical physics to try to set up his intellectual niece with a handsome auto mechanic in this romantic comedy. The movie's central conceit is that Einstein's brilliance extends to matters of the heart, allowing him to immediately sense that Ed Walters (Tim Robbins), a bright, lower-class mechanic obsessed with Popular Science Magazine, would be perfect for his niece Catherine (Meg Ryan). Unfortunately, Catherine is already engaged to a stiff Princeton man. In order to defeat Catherine's resistance, Uncle Albert decides to help Ed pretend to be a revolutionary scientist, a charade that inevitably leads to much farcical confusion. Einstein's scientist pals are portrayed as a Greek chorus of Catskills-style kibitzers, featuring such notable perfomers as Lou Jacobi as Kurt Godel and director Gene Saks as Boris Podolsky. ~ Judd Blaise, All Movie Guide

The November 22, 1963, assassination of U.S. President John F. Kennedy shocked the nation and the world. The brisk investigation of that murder conducted under the guidance of Supreme Court Justice Earl Warren distressed many observers, even though subsequent careful investigations have been unable to find much fault with the conclusions his commission drew, the central one of which was that the assassin, Lee Harvey Oswald, acted alone. Instead of satisfying the public, one result of the Warren Commission Report was that an unimaginable number of plausible conspiracy theories were bruited about, and these have supported a sizeable publishing mini-industry ever since. In making this movie, director Oliver Stone had his pick of supposed or real investigative flaws to draw from and has constructed what some reviewers felt was one of the most compelling (and controversial) political detective thrillers ever to emerge from American cinema. Long before filming was completed, Stone was fending off heated accusations of artistic and historical irresponsibility, and these only intensified after the film was released. In the story, New Orleans District Attorney Jim Garrison (Kevin Costner) is convinced that there are some big flaws in the investigation of Oswald (Gary Oldman), and he sets out to recreate the events leading up to the assassination. Along the way, he stumbles across evidence that a great many people had reason to want to see the president killed, and he is convinced that some of them worked in concert to frame Oswald as the killer. Among the suspects are Lyndon Baines Johnson (the next president), the CIA, J. Edgar Hoover, and the Mafia. Over the course of gathering what he believes to be evidence of a conspiracy, Garrison unveils some of the grittier aspects of New Orleans society, focusing on the shady activities of local businessman Clay Shaw (Tommy Lee Jones). Garrison's investigations culminate in his conducting a show trial that he knows he will lose and which he is sure will ruin his career in order to get his evidence into the public record where it can't be buried again. This movie won two of the many Academy Awards for which it was nominated: one for Best Photography (Robert Richardson) and the other for Editing (Joe Hutshing). ~ Clarke Fountain, All Movie Guide

The murder of a psychologist reveals evidence that the killer had access to secret information possessed by the victim. Investigating, the detectives end up at the door of a computer company which sells information about its clients. The D.A.'s office must prove that such transactions are dangerous violations of privacy -- and that the computer firm is just as liable for the psychologist's death as the actual perpetrator. ~ Hal Erickson, All Movie Guide