Trigger the Horse Movies

Bells of Coronado was another of Roy Rogers' always-entertaining Republic "specials," blessed with script and production values that would have done any "A" picture proud. Roy plays an undercover insurance investigator who hopes to ascertain the whereabouts of a vein of gold ore--and to solve the murder of the vein's owner. It follows, as night follows day, that the least-likely suspect is the criminal mastermind. Before Roy finds this out, though, he must contend with the villain's principal henchmen, played by former Our Gang kid Clifton Young. Dale Evans, Pat Brady, and Foy Willing and the Riders of the Purple Sage all do their usual, which is all anyone could ask. Given second billing, just below Roy and just above Dale, is Trigger, "The Smartest Horse in the Movies." ~ Hal Erickson, All Movie Guide

This Roy Rogers musical western (his second starring vehicle for Republic) concerns itself with a group of Texas Rangers, forced to disband when Texas is admitted the Union. The state brings in members of the U.S. Cavalry to provide law enforcement in the Rangers' stead, yet the Cavalry officers become hopelessly confused and muddled -- not only from their ignorance of the territory, but by the guerilla tactics of Texas bandits and local political corruption. When ex-ranger Rogers's brother is killed, he recognizes that the Cavalry will not be able to respond with proper force, and asks his fellow ex-rangers to take up arms in vengeance. The film co-stars Mary Hart, Raymond Hatton, J. Farrell MacDonald and Purnell Pratt. ~ Hal Erickson, All Movie Guide

Having previously introduced Cole Porter's hit song "Don't Fence Me In" in Hollywood Canteen, Roy Rogers performs the song once again in this same-named Republic "special." When he's not singing, Rogers is dealing with nosy female journalist Toni Ames (Dale Evans), who hopes to learn the truth about Wildcat Kelly a notorious outlaw who flourished back at the turn of the century. Said outlaw has supposedly been dead for 40 years, but garrulous old-timer Gabby Whittaker (Gabby Hayes) offers to give Toni the lowdown on Kelly. After a series of convoluted complications, Roy and Toni discover what the audience has suspected all along: Gabby Whittaker and Wildcat Kelly are one in the same. Perhaps because of its saleable title, Don't Fence Me In was treated with more industry respect than most Roy Rogers westerns, earning excellent reviews and choice play-dates. ~ Hal Erickson, All Movie Guide

Released in Republic Pictures' low-budget Trucolor and filmed at the majestic location of the title, Grand Canyon Trail stars Roy Rogers is a rancher going up against a crooked mining engineer played by fellow Western star Robert Livingston. The latter, Bill Regan, has conned eastern silver magnate J. Malcolm Vanderpool (Charles Coleman) into believing that his Sintown mine is worthless. But Vanderpool's pretty secretary, Carol Martin (Jane Frazee), is suspicious and travels to the ghost town masquerading as the boss' daughter. Rancher Rogers and his hired hands -- Foy Willing & the Riders of the Purple Sage in their first Rogers Western -- have all invested in the mine, courtesy of hayseed blacksmith "Cookie" Bullfincher (Andy Devine), and are doing a bit of digging themselves. The only person with knowledge of the location of the mine, elderly stage driver Ed Carruthers (Emmett Lynn), is kidnapped by the gang and later murdered. Carol, whom Roy accuses of being in cahoots with the villains, is kept captive in a cabin during a rainstorm and when Mike Delsing (Ken Terrell), one of Regan's men, turns up, she mistakenly believes he has come to rescue her and hits Roy over the head with a vase. Realizing her error, Carol later aids Roy and the Riders capture the gang and their leader, Regan, whom she dispatches with a well-appointed rock. In between the action, Roy and the Riders perform "Everything's Going My Way," by Foy Willing and "Grand Canyon Trail" and "Colorado Joe" by Jack Elliott. ~ Hans J. Wollstein, All Movie Guide

Roy Rogers saves the day for the ranchers of Cherokee City in this fast-paced comedy-Western directed and produced by Joseph Kane. Roy and no less than three sidekicks -- Smiley Burnette, George "Gabby" Hayes and Bob Nolan of the music group The Sons of the Pioneers -- attempt to persuade eccentric river-boat owner Col. Silas Popen (Walter Catlett) to service Cherokee City. The surrounding ranchers would otherwise be forced to ship their cattle with crooked trucking company operator Ross Lambert (Edmund MacDonald). Aware of the colonel's phobia of anything Western, Lambert and his henchmen (William Haade and Hal Taliaferro) stage typical Wild West brawls, helped inadvertently by Roy's well-meaning sidekicks. Burnette, whom Rogers inherited from draftee Gene Autry, and Hayes perform their usual routines but the comedic highlights are provided by flibbertigibbet Catlett and blustery Paul Harvey, the latter playing B-Western history's perhaps most incompetent Cattlemen's Association president. Ruth Terry makes a spirited heroine as the colonel's daughter but the great African-American actor Leigh Whipper is sadly wasted in a stereotypical "comic" servant role. A proposed action scene in which Lambert and his men start a fire using gasoline was rewritten in order to avoid reminding theater-goers of the war-time rationing. In most prints seen today, Rogers' musical numbers have been cut, making Heart of the West a fast-paced hour or so of nearly non-stop action and comedy. ~ Hans J. Wollstein, All Movie Guide

In the tradition of several of the Gene Autry vehicles of the 1930s, Roy Rogers' Helldorado is built around a real-life frontier celebration. In this instance, the story is set against the backdrop of Las Vegas' annual "Heldorado Week", at which time the Old West came to life in the form of costumed revellers, equine parades and pre-rehearsed stagecoach holdups and bank robberies. Arriving in Las Vegas to participate in the festivities, Roy Rogers ends up crossing six-guns with a gang of gamblers who've been delinquent in their income tax. Gee, if Roy had stuck around a bit longer, he could have shot it out with Bugsy Siegel (or Bugsy's Godfather counterpart Moe Green!) Rogers' perennial costar (and later wife) Dale Evans costars as a female sleuth who gets in over her head when she tries to capture the gamblers herself. ~ Hal Erickson, All Movie Guide

One of the better Roy Rogers vehicles of its period, Home in Oklahoma casts Rogers as a crusading frontier newspaper editor. Forsworn to find the murderers of a prominent cattle rancher, Roy teams up with big-city journalist Connie Edwards (Dale Evans) and grizzled ranch foreman Gabby Whittaker (Gabby Hayes). Following the trail of clues like a Sagebrush Sherlock, Rogers exposes a rival rancher (never mind which one-his identity is obvious to seasoned mystery fans) as the culprit. Musical highlights include Roy and Dale's rendition of the novelty tune "Miguelito." Chalk up another winner for the star-director team of Roy Rogers and William Witney. ~ Hal Erickson, All Movie Guide

Yet another Roy Rogers Western whose title refers to a song, In Old Amarillo actually takes place in and around Amarillo of 1951. Fired by cattleman George Hills (Minor Watson), foreman Clint Burnside (Roy Barcroft) plans to avenge himself by ruining Hills' wastrel son, Philip (Ken Howell). Along with local saloon owner Mike Carver (William Holmes), Burnside is also attempting to buy up all the area's ranches during a prolonged drought. When Roy Rogers, Hills' new foreman, suggests that the ranchers come together and use modern rainmaking equipment, including airplanes armed with dry ice, Burnside and Carver lure Philip into committing a bit of sabotage. At first Roy accuses the young man of shooting down the rainmaking aircraft but then discovers that he was forced to pilot the attacking plane by Burnside, the real killer, who is himself killed in a climactic fistfight. ~ Hans J. Wollstein, All Movie Guide

In Old Cheyenne is where the viewer can find Roy Rogers and Gabby Hayes this time out. Rogers is cast as frontier journalist Steve Blane, determined to print the truth, the whole truth, and nothing but the truth in his weekly rag. But when Steve inaugurates a series of articles about alleged bandit Arapahoe Brown (Hayes), he finds he's been misled: Arapahoe is innocent of the crimes attributed to him. The instigator of this outrage is town boss Sam Drummond (George Rosener), who hopes to use Brown as a scapegoat for his own misdeeds. Steve manages to show Drummond up as the no-good he is, pausing every so often to serenade heroine Dolores Casino (Joan Woodbury) ~ Hal Erickson, All Movie Guide

The budget for this fine Roy Rogers Western was doubled and the title changed from Starlight on the Trail to the more descriptive King of the Cowboys, mainly due to Rogers' great reception on a personal appearance tour in the fall of 1942. Republic had lost Gene Autry to the war effort and this film, more than any other, brought the heretofore also-ran singing cowboy to the forefront, where he remained through the early '50s. Following the example of Autry, Roy played himself, a rodeo star assigned by the governor, Russell Hicks, to investigate a series of warehouse bombings. With sidekick Frog Millhouse (Smiley Burnette) in tow, Roy infiltrates the Merry Makers, a touring tent show whose phony mind reader, Maurice (Gerald Mohr), is the chief operative for a sabotage ring run by the governor's secretary, Kraly (Lloyd Corrigan). But Maurice catches Roy stealing his book of codes and is about to shoot him in cold blood when tent show owner Dave Mason (James Bush) interferes. Maurice then eliminates Mason and frames Roy for the killing but despite this setback, Roy manages to stop the saboteurs before they can blow up a supply train needed in the war effort. An "everything but the kitchen sink" action-thriller, King of the Cowboys came complete with seven songs performed by Rogers, Burnette, and the Sons of the Pioneers, including "Ride, Ranger, Ride," "Roll Along Prairie Moon," and Johnny Mercer's "I'm an Old Cowhand." The film was restored to its full theatrical length by the Roan Group in the late '90s and re-released on a DVD that also features the original theatrical trailer and alternate scenes from a separate version released only to the War Department. In these scenes, Lloyd Corrigan's character is a businessman rather than the governor's secretary, and his Nazi affiliation is more clearly established. ~ Hans J. Wollstein, All Movie Guide

The Man from Cheyenne is Roy Rogers, who does his best to squash a gang of cattle rustlers. What Roy doesn't know is that the mastermind behind the gang is a beautiful woman, East Coast socialite Marian (Lynn Carver). Making Marian's job easier is the fact that all the local cattlemen are crazy about her, and have a tendency to tip off the times and locations of their impending cattle drives. But Rogers is not so easily flummoxed-after all, he's a government man. Man From Cheyenne was hailed at the time of its release as the film in which Roy Rogers received his first screen kiss, which was certainly not the case. ~ Hal Erickson, All Movie Guide

Nevada City finds Roy Rogers and his perennial sidekick Gabby Hayes cast as stagecoach drivers. Their boss is Joseph Crehan, an ornery crust who can't abide the notion of the railroad cutting into his business. Roy and Gabby try to establish a détente between Crehan and railroad man George Cleveland, only to be fired for their efforts. Things don't straighten themselves out until a roving band of outlaws force Crehan and Cleveland to work together, which is what our heroes had intended all along. Sally Payne, heretofore a comedy-relief soubrette in the Roy Rogers films, is promoted to leading lady status in Nevada City. ~ Hal Erickson, All Movie Guide