Leopoldo Trieste Movies
Garnering an impressive 160 film credits over the course of his enduring career, actor/writer Leopoldo Trieste worked with such noted directors as Federico Fellini (The White Sheik [1952]) and Roberto Rossellini (The Young and the Passionate [1952]) before coming to the attention of the international film community with such efforts as Francis Ford Coppola's The Godfather Part II (1974) and Jean-Jacques Annaud's The Name of the Rose (1986). Born in Reggio Calabria, Italy, in 1917, Trieste began his career as a stage performer. Co-writing (as well as acting in) his first film following World War II, Love Prelude, proved a moderate success, though it wasn't until Fellini cast him in The White Sheik that his career truly took off. Subsequently scripting films and gaining a reputation as a respected playwright, Trieste continued to alternate between stage and screen in the following years, even attempting a stint at directing 1950's Città di Notte (City at Night) and 1960's Il Peccato Degli Anni Verdi. Though both films proved disappointing failures, Trieste pushed on and continued to find success in front of the camera. The veteran actor was the recipient of a Nastro d'Argento award for his role in The Star Maker (1995). In January of 2003, Leopoldo Trieste died of cardiac arrest in Rome, Italy. He was 85. ~ Jason Buchanan, All Movie Guide
- 1997
Based on an acclaimed, popular historical novel by Dacia Maraini, this 18th-century set costumer follows the adventures of a deaf-mute noblewoman who strives to escape her dark past and the social conventions that force her to remain married to a man she detests. The story begins when the already speechless title duchess is 12 years old. In hopes of shocking her back into speaking, her grandfather takes her to a hanging. The causes of Marianna's affliction are revealed slowly as the story progresses, but the whole truth is not revealed until the end. Though she is much loved by her family, they still force her to marry her ancient uncle when she is only 13. Her wedding night is horrific as is the birth of her first daughter. Her husband is desperate for an heir so she is forced to endure his unwanted attentions until she is finally able to bear him a son. Despite her oppressive life, Marianna is able to find freedom in subtle ways. She also has time to save a peasant girl from a terrible situation. ~ Sandra Brennan, All Movie Guide
- Starring:
- Emmanuelle Laborit, Roberto Herlitzka, (more)
This Italian film was released in 1995 and slowly made its way around the world; its English title is The Star Maker. Like the Oscar-winning Cinema Paradiso by the same writer-director, Guiseppe Tornatore, it's drenched in the filmmaker's love for cinema. In Sicily in the early 1950s, Joe Morelli (Sergio Castellitto) is a con man who travels by truck from village to village posing as a film company representative. For a fee, he offers the rubes screen tests, using passages from a script of Gone with the Wind and encouraging their hopes with lines such as "Success awaits you!" Morelli's camera brings out people's hidden sides, including a soldier's war trauma, a woman's protests at being accused of prostitution, and a policeman who recites poetry. Begging for a chance at the stardom Morelli purportedly offers, Beata (Tiziana Lodato) asks Morelli to take her with him. ~ Michael Betzold, All Movie Guide
- 1994
This Italian thriller is based on the true story of a young Sicilian public prosecutor murdered in 1990. The young magistrate Rosario is considered a revolutionary in his hometown of Canicatti, which is largely run by the Mafia. He is a serious young man, deeply religious and devoted to his parents with whom he still lives. He firmly believes that justice must prevail no matter what the cost. He does not hesitate to defy public opinion in his quest for justice. His parents fear for him. His boss is irritated by him. Fearing an early death, he dumps his fiance, Angela. So rigid a straight arrow is he, that even the other young prosecutors avoid him. Rosario is eventually gunned down by Mafioso Renato Carpentieri's henchmen. ~ Sandra Brennan, All Movie Guide
- Starring:
- Giulio Scarpati, Leopoldo Trieste, (more)
- 1988
- PG
Cinema Paradiso offers a nostalgic look at films and the effect they have on a young boy who grows up in and around the title village movie theater in this Italian comedy drama that is based on the life and times of screenwriter/director Giuseppe Tornatore. The story begins in the present as a Sicilian mother pines for her estranged son, Salvatore, who left many years ago and has since become a prominent Roman film director who has taken the advice of his mentor too literally. He finally returns to his home village to attend the funeral of the town's former film projectionist, Alfredo, and, in so doing, embarks upon a journey into his boyhood just after WWII when he became the man's official son. In the dark confines of the Cinema Paradiso, the boy and the other townsfolk try to escape from the grim realities of post-war Italy. The town censor is also there to insure nothing untoward appears onscreen, invariably demanding that all kissing scenes be edited out. One day, Salvatore saves Alfredo's life after a fire, and then becomes the new projectionist. A few years later, Salvatore falls in love with a beautiful girl who breaks his heart after he is inducted into the military. Thirty years later, Salvatore has come to say goodbye to his life-long friend, who has left him a little gift in a film can. In 2002, over a decade after the film's original release, Tornatore brought the original 170-minute director's cut to American screens for the first time. ~ Sandra Brennan, All Movie Guide
- Starring:
- Philippe Noiret, Salvatore Cascio, (more)
Intervista has been termed a semi-documentary: This is in fact the filmed autobiography of Italian director Federico Fellini, framed in the form of an interview conducted by a Japanese film crew. As the interview progresses Fellini's mind wanders to his earliest days (the reenacted events conflict with several of the "official" stories of his life). His fascination with filmmaking is manifested in the "wonderland" atmosphere of the old Cinecitta studios. With the cooperation of Fellini's loyal co-workers, we are permitted to see tantalizingly brief excerpts (some self-mocking) of Fellini's modus operandi. A visit by Fellini and guest-star Marcello Mastroianni to Anita Ekberg's home leads to a lavish (and poignant) "reliving" of the 1961 Fellini/Mastroianni/Ekberg effort La Dolce Vita. The climax of Intervista scene invokes Fellini's previous inward-looking classic 8 1/2, with a novel twist calculated to send the director's disciples home with a knowing smile. ~ Hal Erickson, All Movie Guide
- Starring:
- Federico Fellini, Marcello Mastroianni, (more)
- 1986
In an intriguing drama with no winners at the end, Andreev (Filip Trifonov) is a young and aspiring lawyer who takes on the job of local magistrate in a small town. His curiosity is piqued when he finds out the man who preceded him as magistrate is now in prison. After he starts to innocently investigate the reason why, he comes up against evasion and double-talk from anyone he approaches. Now really onto the case, he unearths evidence that the mayor of the town is more guilty than innocent. Yet when everyone, even the imprisoned man, asks him to drop his inquiries he stubbornly continues on. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Boris Loukanov, Lyubomir Kabakchiev, (more)
Adapted from Umberto Eco's best-selling novel, director Jean-Jacques Annaud's The Name of the Rose is a 14th century murder-mystery thriller starring Sean Connery as a Sherlock Holmes-esque Franciscan monk called William of Baskerville. When a murder occurs at a secluded Benedictine Abbey, William is called in to investigate. As he and his apprentice, Adson von Melk (Christian Slater), delve deeper and deeper into the case, more dead bodies begin to turn up. Eventually, Bernardo Gui, an inquisitor played by F. Murray Abraham gets involved, but he may not have the best intentions. Sean Connery's performance earned him the award for Best Actor at the 1988 British Academy Awards. ~ Matthew Tobey, All Movie Guide
- Starring:
- Sean Connery, F. Murray Abraham, (more)
- 1986
Momo (Radost Bokel) is a ten-year-old orphan girl who tries to save her village from the evil clutches of the Grey Men in this uneven children's story. Led by Chief Grey Man (Armin Muller-Stahl), the Grey Men have managed to make the villagers give up all their leisure time. Momo must get to the rococo palace where the time guardian Hora (John Huston) stands in her way. ~ Dan Pavlides, All Movie Guide
- Starring:
- Radost Bokel, John Huston, (more)
- 1985
This umpteenth film version of Henryk Sienkewicz's warhorse novel Quo Vadis? was produced for Italian Television. Francesco Quinn (son of Anthony) stars as the arrogant Roman legionnaire whose brutish, libertine outlook on life is softened by the love of early Christian girl Cristina Raines. Even allowing for the overproduced 1951 MGM version, this Quo Vadis? is a 200-minute wallow in excess. Accordingly, Klaus Maria Brandauer overplays Nero in an unbridled manner that hasn't been seen since the heyday of Bela Lugosi; at times, we shudder in fear that Brandauer's histrionics may level the papier-mache sets. Quo Vadis? debuted in the US on cable TV in 1986, where it was telecast in two parts. ~ Hal Erickson, All Movie Guide
This Italian version of Henry IV is based on the Luigi Pirandello play rather than Shakespeare's historical work. Moreover, the Henry depicted herein is not the English king, but the 11th-century Holy Roman emperor. In addition, central character Marcello Mastroianni doesn't play emperor Henry, but instead a contemporary man of wealth who thinks he's Henry. Also, Mastroianni's delusion is not a delusion, but a subterfuge. Well, we told you it was based on a Pirandello play, so enter ye and leave all sanity behind. ~ Hal Erickson, All Movie Guide
- Starring:
- Marcello Mastroianni, Claudia Cardinale, (more)
- 1983
- PG
In this pseudo-farce, the heroine Mickey (Margot Kidder) takes two weeks off work to go to Malta and write a mystery novel and finds herself caught up in a series of real-life murders that she weaves into her progressing story. Caught between a parody, a children's film, and a who-dunnit, the overplayed Disney charm of Trenchcoat wears thin very quickly. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Margot Kidder, Robert Hays, (more)
- 1981
In this drama, a 12-year-old boy impregnates a young girl and then decides to raise the child all alone. ~ Sandra Brennan, All Movie Guide
- Starring:
- Luca Porro, Fabio Peraboni, (more)
This lavish big-budget epic was the pinnacle of a uniquely Italian subgenre, the historical hardcore gore/porn extravaganza. The star-studded cast, perhaps lured by the high-profile involvement of producer Bob Guccione and screenwriter Gore Vidal, includes such luminaries as John Gielgud, Peter O'Toole, and Helen Mirren. Director Tinto Brass, whose similar treatment of Nazi Germany in Salon Kitty won him the job, did his best with the mammoth enterprise, but numerous production problems and re-edits took their toll on the finished product. When Caligula works best, it works because of Malcolm McDowell, whose crazed portrayal of the title Emperor is the embodiment of villainous corruption. McDowell raises his performance level to match the gaudy spectacle around him, which led to charges of overacting, but there are moments when he is absolutely riveting. Some of the cast doesn't fare as well, as O'Toole makes a particularly unsubtle Tiberius. The sex is graphic and steamy, particularly a feverish lesbian interlude between Penthouse Pets Lori Wagner and Marjorie Thorsen (using the pseudonym "Anneka di Lorenzo"), and the various carnival freaks used as atmosphere imbue the film with a grotesque, Fellini-like opulence. There are many memorable scenes and a magnificent score by Paul Clemente, but the heady brew of historical epic, hardcore sex, and gory violence proved overwhelming to many viewers. Still, Gore Vidal's script is surprisingly accurate, and manages to be entertainingly vulgar while bringing a rather loathsome slice of human history to vivid life, warts and all. The more explicit scenes were directed by Bob Guccione and Giancarlo Lui, causing both Vidal and Brass to remove their names from the credits. ~ Robert Firsching, All Movie Guide
- Starring:
- Malcolm McDowell, Teresa Ann Savoy, (more)
- 1975
Banned in Italy, this movie tells the story of a teenage virgin who has somehow become pregnant. Mary is an epileptic and the town's witch (many rural Italian regions have women who practice folk-magic and medicine and whom they call witches or stregoni). When she appears to die after a seizure, she is given funeral rites but then recovers and walks home. Three months later, she is discovered to be pregnant. A furor gathers as the local people believe they are witnessing a virgin birth. The village priest is encouraged by his Cardinal to find the father of the baby...or else. ~ Clarke Fountain, All Movie Guide
- Starring:
- Turi Ferro, Andréa Ferréol, (more)
Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening The Godfather's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business. With Fanucci gone, Vito's communal stature grows, but it is his family (past and present) who matters most to him -- a familial legacy then upended by Michael's (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Al Pacino, Robert Duvall, (more)
A married couple is haunted by a series of mysterious occurrences after the death of their young daughter in this enigmatic chiller. Based on a story by Daphne du Maurier, whose works inspired Alfred Hitchcock's Rebecca and The Birds, the film centers on Laura and John Baxter (Donald Sutherland and Julie Christie), who have recently relocated to Venice so that John can oversee the architectural restoration of an old church. Both hope that the change of environment will allow them to forget the recent tragic demise of their child, but they instead find themselves surrounded by reminders of death, as the city attempts to deal with a series of unexplained murders. The eeriness intensifies when they encounter a blind psychic and her eccentric sister, who promise to contact her daughter's spirit. Laura embraces the idea, but John remains skeptical until he experiences his own visions: fleeting glimpses of someone in a red coat similar to one that belonged to his daughter. ~ Judd Blaise, All Movie Guide
- Starring:
- Julie Christie, Donald Sutherland, (more)
- 1972
- PG
In this drama, a woman's dancing school is overrun by gangster's who begin using it for a betting parlor. As a result, she becomes the nanny for the mob boss's son. Soon she kidnaps him. Trouble and action ensue. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lynn Redgrave, Victor Mature, (more)
A year after Get Carter (1971), director Mike Hodges and star Michael Caine reunited for this comic crime thriller. Caine stars as Mickey King, a writer of cheap paperback detective novels, living in Rome and cranking one noir book after another. King is approached by Ben Dinuccio (Lionel Stander) and offered an abnormally large sum to ghost write the autobiography of a mystery celebrity. The intrigued King agrees and is transported to a remote island where he meets his subject, Preston Gilbert (Mickey Rooney), a one-time movie star known for playing gangsters and notorious for hanging out with real-life mobsters off the set (a sly jab at Frank Sinatra and George Raft). Now dying of cancer, Gilbert wants King to jot down his life story before he dies. Although he's an abusive jerk, Gilbert's had an interesting life and King sets about getting it all down on paper, but then the star is murdered at a party, leaving King with no conclusion to his tale. Playing detective like the heroes of his stories, King pieces together a mystery involving Gilbert's past, his ex-wife, a transvestite who's supposed to be dead, and an Italian prince running for office. Though largely dismissed at the time of its release by fans and critics disappointed at its dissimilarity to Get Carter, Pulp (1972) was championed by a few and became something of a cult favorite over subsequent decades. ~ Karl Williams, All Movie Guide
- Starring:
- Michael Caine, Mickey Rooney, (more)
- 1971
A family's murderous battle over some bayfront property is the subject of director Mario Bava's bloody horror-thriller, which many have cited as the grandfather of the modern slasher film. Claudine Auger is the scheming daughter of a murdered Countess; her staged suicide forms the basis of the film's plot. In a seemingly unrelated subplot, four hippies arrive in a dune buggy led by Brigitte Skay, who dances the Shake and swims naked before having her throat hacked open with a machete. Skay's boyfriend has his face chopped with the same machete and the other couple has a spear thrust through their bodies as they make love. All of these murder scenes were imitated in Steve Miner's Friday the 13th, Part 2, and the film's style influenced countless American slasher films of the 1970s and '80s. Bava also includes a strangulation by telephone cord, a gory axe decapitation, a man speared to a wall, and five other murders. Antefatto was a trendsetting film, and paved the way for literally hundreds of graphically violent imitations. The film exists in several versions, differing mainly in the extent of the bloodshed. ~ Robert Firsching, All Movie Guide
- 1971
Before the Allied invasion of North Africa in World War II, there was still plenty of confusion, and wartime national alliances often conflicted with personal friendships. Valentin (Michel Piccoli), a French black marketer, rescues Basil (Michael York), an English fighter pilot, off the coast of Italian-occupied Libya. The pilot is discovered by the police when Valentin leaves him with friends in order to visit with his Italian girlfriend. As a result, both Valentin and Basil are held in custody. They escape together and flee to the (neutral) Swiss Embassy, where they get help in the form of a car driven by the ambassador's wife. This French-language wartime comedy recounts their adventures on the journey out of Libya. ~ Clarke Fountain, All Movie Guide
- Starring:
- Marlène Jobert, Michel Piccoli, (more)
- 1970
Sotiris (George Linjeris) is the grandson of Orsetta (Katina Paxinou), the wealthy matriarch of a Greek family. As she lingers near death, Sotiris is repulsed by the ghoulish death watch prompted by greed for the old woman's fortune. He takes off for an unknown country in the Middle East where he joins a bunch of hash smoking hippies. Although no one is actually seen smoking anything, the hippies spend their days in burned out splendor. This is the directorial debut for John Crowther, son of former critic turned studio executive Bosley Crowther. ~ Dan Pavlides, All Movie Guide
- Starring:
- Katina Paxinou, Takis Emmanuel, (more)
- 1970
- PG
This uneven comedy finds Fred (Ian McShane) as a writer living off his royalties in Italy. Married to the long-suffering Millie (Ann Calder-Marshall), Fred revels in a series of affairs with a bevy of Italian beauties. Millie soon grows tired of being alone and takes up with two Italian Don Juans (Sammy Pavel and Marino Mase). When she meets Grant Granite (John Gavin), the two immediately fall for each other and are unable to contain their animalistic passion. Joyce Van Patten also appears in this effort that barely scratches the surface of comedy outside of a few running gags. ~ Dan Pavlides, All Movie Guide
- Starring:
- Ian McShane, Anna Calder-Marshall, (more)
