Rod Taylor Movies

Popular Australian film star Chips Rafferty heads the cast of King of Coral Sea. His character name, in fact, is King, Ted King to be exact. Our hero lives and works on Thursday island, center of Australia's pearling industry. The pearl-diving element of the story is forgotten as King confronts a gang of crooks who are busily smuggling migrant workers onto the island. The supporting cast is largely made up of local Australian stage and radio celebrities, whose fame meant little to American audiences. The one tangible selling angle of King of Coral Sea is its superb location photography. ~ Hal Erickson, All Movie Guide

Having previously portrayed England's Queen Elizabeth I in 1939's The Private Lives of Elizabeth and Essex, Bette Davis reprises the role in the Technicolor-and-Cinescope costumer The Virgin Queen. Harry Brown and Mindret Lord's screenplay proposes that Elizabeth's relationship with adventurer Sir Walter Raleigh (Richard Todd) was somewhat more than cordial. Raleigh is depicted as a charming opportunist, who deliberate leads the Queen on in order to further his chances of heading an expedition to the New World. Complications ensue when Sir Walter falls in love with lady-in-waiting Beth Throgmorton (Joan Collins). Not to be believed for a single moment, The Virgin Queen works well on a swashbuckler level, with Davis outacting everyone in sight-even such veteran scene-stealers as Herbert Marshall, Dan O'Herlihy, and Jay "Caligula" Robinson. ~ Hal Erickson, All Movie Guide

George Stevens' sprawling adaptation of Edna Ferber's best-selling novel successfully walks a fine line between potboiler and serious drama for its 210-minute running time, making it one of the few epics of its era that continues to hold up as engrossing entertainment across the decades. Giant opens circa 1922 in Maryland, where Texas rancher Jordan "Bick" Benedict (Rock Hudson) has arrived to buy a stallion called War Winds from its owner, Dr. Horace Lynnton (Paul Fix). But much as Bick loves and knows horses, he finds himself even more transfixed by the doctor's daughter, Leslie Lynnton (Elizabeth Taylor), and after some awkward moments, she has to admit that she's equally drawn to the shy, laconic Texan. They get married and Leslie spends her honeymoon traveling with Jordan to his ranch, Reata, which covers nearly a million acres of Texas. Once there, however, she finds that she has to push her way into her rightful role as mistress of the house, past Bick's sister, Luz (Mercedes McCambridge), who can't accept her brother's marriage or the changes it means in the home they share. Also working around Reata is the laconic ranch hand Jett Rink (James Dean) -- from a family as rooted in Texas as the Benedicts but not nearly as lucky (or "foxy"), Jett is dirt-poor and barely educated at all, and he fairly oozes resentment at Bick for his arrogance, although Luz likes him and for that reason alone Bick is obliged to keep him on. One thing Jett does have in common with his employer is that he is in awe of Leslie's beauty; another is his nearly total contempt for the Mexican-Americans who work for them -- Jett and Bick may have contempt for each other, but either one is just as likely to dismiss the Mexican-Americans around them as a bunch of shiftless "wetbacks." Luz feels so threatened with a loss of power and control that she decides to assert herself with War Winds, yet another "prize" that Bick brought back from Maryland that resists her authority -- then decides to ride the stallion despite being warned that no one but Leslie is wholly safe on him, and spurs him brutally in an effort to break him, which ends up destroying them both in the battle of wills she starts.

After Luz's death, Jett learns that she left him a tiny piece of land for his own, on Reata, which he refuses to sell back to Bick, preferring to keep it for his own and maybe prospect for oil on it. Meanwhile, Leslie and Bick have their own problems -- Leslie can't abide the wretched conditions in which the Mexican families who work on Reata are allowed to live, taking a special interest in Mr. and Mrs. Obregon and their baby, Angel; but Bick doesn't want his wife, or any member of his family, concerning themselves with "those people." Leslie's humanity and her independence push their marriage to the limit, but Bick comes to accept this in his wife, and in four years of marriage they have three handsome children, a boy and two girls, and a loving if occasionally awkward home life. Meanwhile, Jett strikes oil on his land -- which he's named Little Reata -- and in a couple of years he's on his way to becoming the richest man in Texas, getting drilling contracts on all of the land in the area (except Reata) and making more money than the Benedicts ever saw from raising cattle. Bick is almost oblivious to the way Jett grows in power and influence across the years and the state, mostly because he's got his own family to worry about, including a son, Jordan III (Dennis Hopper), who doesn't want to take over the ranch from him, but wants instead to be a doctor; an older daughter, Judy (Fran Bennett), who wants to study animal husbandry and marry a local rancher (Earl Holliman) and start a tiny spread of her own; and a younger daughter, Luz (Carroll Baker), who's just a bit man-crazy and star-struck by the movies.

The American entry into the Second World War and the resulting need for oil forces Bick to go into business with Jett and allow him to drill on Reata, and suddenly the Benedicts are wealthy enough to be part of Jett Rink's circle, which includes the governor of the state and at least one United States senator at his beck and call -- and Luz develops a serious crush on Jett, who likes his women young and is especially attracted to her, as Bick's and Leslie's daughter. Young Jordan marries Juana, a Mexican-American nursing student (Elsa Cardenas), and his father accepts it begrudgingly, with help from Leslie. The war kills Angel Obregon (Sal Mineo), a death that even affects Bick, but the Benedict family gets through it wealthier than ever and grows some more with the birth of Jordan IV to Jordie and Juana. When the family attends a gala opening of Jett Rink Airport, which concludes with a dinner honoring Jett's success, however, young Jordan's wife is humiliated by Jett's racist edicts, and he is beaten up by Jett's men after punching the oil baron. Seeing this, Bick challenges his old rival to the fight that's been brewing for a quarter of a century and wins by default, Jett being too drunk to defend himself or to hit; he's also too drunk to make the grand speech that was to climax the celebration, and he ends up alone in the ballroom. The Benedicts have it out with each other, young Jordan accusing his father of being as much a racist as Jett, and Leslie caught in the middle between her husband and her son. It looks like the Benedicts may lose each other, until an encounter with a racist diner owner forces Bick to stand up and get knocked down (more than once) defending his daughter-in-law and his grandson.

Seen today, Giant seems the least dated of any of James Dean's three starring films, in part because it addresses issues that remain relevant more than 50 years later, and also because it has the best all-around acting and the best script of any of the three. Taken in broader terms, it's even better, with two of the best performances that Elizabeth Taylor and Rock Hudson ever gave, and perhaps the second best of Hudson's whole career (after Seconds) -- the only unfortunate element at modern theatrical screenings is the tendency of younger viewers, who only know him in terms of the revelations late in his life of his being gay, to laugh and snicker at elements of Hudson's characterization; but his work is so good that the titters usually fade after the first 30 minutes or so. ~ Bruce Eder, All Movie Guide

Bette Davis goes the "kitchen sink drama" route in The Catered Affair. As the frowsy wife of Bronx cabdriver Ernest Borgnine, Davis insists that her daughter Debbie Reynolds have a high-class wedding--caterers and all. Reynolds and future hubby Rod Taylor want a simple ceremony, but Davis' mind is made up. The wedding snowballs into an unwieldy affair as Davis and Borgnine find that they must invite everyone they know or risk incurring the wrath of their neighborhood. When the cost of the affair exceeds the family's bank account, Davis rails at Borgnine for failing to be a good provider. It takes her till the very end of the film to realize what a fool she's been. Gore Vidal, of all people, adapted The Catered Affair from a TV drama written by Paddy Chayefsky; the original telecast had starred Thelma Ritter. ~ Hal Erickson, All Movie Guide

Conceived as a Gone With the Wind for the CinemaScope generation, Raintree County wasn't quite as successful as its role model, but it still proved a moneyspinner for MGM. Elizabeth Taylor stars as a spoiled Southern belle who falls in love with pacifistic Indiana youth Montgomery Clift. Though Clift is engaged to Eva Marie Saint, what Taylor wants, Taylor gets, and she isn't above using the dirtiest of deceptions to win Clift's affections. When the Civil War break out, Clift, a staunch abolitionist, joins the Union, much to the dismay of true-to-Dixie Taylor. While Clift is off fighting the war, Taylor descends into a depression that deepens into insanity. At war's end, Clift tries to come to terms with Taylor's lunacy for the sake of their child. But the strain proves too much for both of them, leading to an operatic climax which curiously segues into a happy ending (happy for some of the characters, anyway). If Montgomery Clift's performance--and appearance--seems to fluctuate wildly throughout the film, it is because he was involved in a serious auto accident during shooting, one that left both physical and emotional scars from which he never completely recovered. The 187-minute Raintree Country (reduced to 168 minutes after its initial roadshow engagements) was adapted by Millard Kaufman from the best-selling novel by Ross Lockridge, Jr. (whose own life story was infinitely more tragic than anything in his book). ~ Hal Erickson, All Movie Guide

Based on Terence Rattigan's play, Separate Tables is about a number of characters and their adventures at a British seaside hotel. Among the guests are an alleged war hero (David Niven), a timid spinster (Deborah Kerr) and her domineering mother (Gladys Cooper), and a divorced couple (Burt Lancaster, Rita Hayworth) trying to re-ignite their romance despite the presence of his mistress (Wendy Hiller). All of the characters' lives become intertwined in the course of the film as the story examines love affairs and secrets. Separate Tables is a fine, textured drama, filled with terrific performances and was nominated for several Academy Awards, including Best Picture, Best Actress (Deborah Kerr), Best Actor (David Niven), Best Supporting Actress (Wendy Hiller), Best Screenplay From Another Medium, Best Cinematography and Best Music. Niven and Hiller won Oscars for the film. ~ Stephen Thomas Erlewine, All Movie Guide

Viewers know they're in a 1959 comedy film early in the proceedings of Ask Any Girl, when secretary Shirley MacLaine is advised by her new supervisor Jim Backus to wear a sweater "a size too small." But she is a good girl: like Doris Day, she won't offer any carnal favors unless a wedding ring is part of the bargain. She targets irresponsible CEO Gig Young for matrimony, asking Young's sober-sided older brother David Niven to help her out. The highlight of Ask Any Girl is Shirley MacLaine's extended drunk scene in the club car of a commuter train. The film was based on a satirical novel by Winifred Wolfe. ~ Hal Erickson, All Movie Guide

In George Pal's version of the H.G. Wells classic, Rod Taylor stars as George, a young scientist fascinated with the concept of time travel. On December 31, 1899, George seats himself in his jerry-built time machine and thrusts himself forward into 1917. A dyed-in-the-wool pacifist, George is distressed to see that World War I is raging all about him. He moves past the 1920s and 1930s into the 1940s, only to be confronted by another, even more terrible war. Next he stops in 1966, just as London is destroyed in a nuclear explosion. Retreating to his Time Machine, George is sealed in his cellar by molten lava. By the time he and his machine manage to escape their tomb, the year is 802,701. Looking around, George observes a seemingly idyllic world populated by gentle people. But he also notices that the citizens of the future, known as "Elois," behave more like mindless sheep than human beings. Befriending the lovely Weena (Yvette Mimieux), George learns to his dismay that humankind has forgotten all that it has learned through the centuries, preferring instead to frolic endlessly under the sun. Plot holes and inconsistencies abound in The Time Machine, but the film's true selling points was its Oscar-winning special effects; in this respect, producer-director Pal succeeded beyond anyone's wildest dreams. Another plus: the haunting musical score by Russell Garcia. ~ Hal Erickson, All Movie Guide

Terrence Rattigan, the playwright who brought us the multicharactered, multistoried Separate Tables, again offers us an episodic cross-section of humanity in The V.I.P.'s. When a heavy London fog paralyzes all air traffic, the lives of several people are profoundly affected. As indicated by the title, most of the characters in this portmanteau film are of the social and/or financial elite. Elizabeth Taylor wishes to leave her enormously wealthy husband Richard Burton in favor of playboy Louis Jourdan. Peripatetic European film producer Orson Welles is hoping to escape London with his newest protegee Elsa Martinelli in order to avoid paying his income tax. Australian businessman Rod Taylor, accompanied by his devoted (and adoring) secretary Maggie Smith, is anxious to head to New York to stave off a hostile takeover of his firm. And impoverished aristocrat Margaret Rutherford (who won an Oscar for her performance) would rather not go to Florida to accept a job as a social arbiter, but the wolf must be kept from the door. Before the fog disperses, you can be sure that at least one of the many plotlines will intersect with another. David Frost, in a tiny part as a reporter, was fond of recalling in later years that, while the major stars of The VIPS were introduced in the opening titles with animated limousines, he was consigned a tiny Volkswagen; alas, no such cartoon joke appears in the film, though on occasion the actors-particularly Mr. Welles-behave as though they were cartoons. Mercilessly skewered by the critics, The VIPS was a winner at the box-office, due in great part to the Cleopatra-inspired publicity concerning the top-billed Liz Taylor and Dick Burton. ~ Hal Erickson, All Movie Guide

The story begins as an innocuous romantic triangle involving wealthy, spoiled Melanie Daniels (Tippi Hedren), handsome Mitch Brenner (Rod Taylor), and schoolteacher Annie Hayworth (Suzanne Pleshette). The human story begins in a San Francisco pet shop and culminates at the home of Mitch's mother (Jessica Tandy) at Bodega Bay, where the characters' sense of security is slowly eroded by the curious behavior of the birds in the area. At first, it's no more than a sea gull swooping down and pecking at Melanie's head. Things take a truly ugly turn when hundreds of birds converge on a children's party. There is never an explanation as to why the birds have run amok, but once the onslaught begins, there's virtually no letup. ~ Hal Erickson, All Movie Guide

A Gathering of Eagles stars Rock Hudson as a colonel in the peacetime Strategic Air Command. His devotion to his duty as a wing commander takes a toll on his men, his marriage, and his own well-being. It is to Hudson's credit that he was willing to put his image on the line with this essentially unsympathetic characterization, and a tribute to his underrated ability as an actor that he compels us to care for him. Popular British leading lady Mary Peach makes a rare Hollywood appearance as Hudson's English wife. An unexpected bonus to A Gathering of Eagles is a semicomic musical piece, "The SAC Song," by dilettante satirist Tom Lehrer. ~ Hal Erickson, All Movie Guide

Suspense builds around the investigation of a plane crash that caused 53 deaths in this dramatic adaption of Ernest K. Gann's novel. Authorities systematically eliminate probable causes, finally placing blame on the pilot, who was seen drinking before the flight. The airline's director of flight operations, Sam McBane (Glen Ford), knowing the pilot's excellent WW II record, refuses to accept the authorities' conclusions and begins his own investigation. With the help of the only survivor, a stewardess (Suzanne Pleshette), McBane re-creates the events leading to the crash in an attempt to discover the true cause. The character of the incriminated pilot, Captain Jack Savage (Rod Taylor), is revealed through a series of flashbacks, from a wartime army camp (with a cameo by Jane Russell) to the climactic moment of the thrilling crash. Milton Krasner's crisp cinematography earned him an Oscar nomination. ~ Lucinda Ramsey, All Movie Guide