Hugo Stiglitz Movies

The Spanish-language comedy Los Gatos de las Azoteas concerns a man who spends his free time spying on his neighbors who lie in a building across the street. His interest grows as he learns how various people in the building are having sexual affairs with each other, often while cheating on other people who also live in the building. When one of the young women who work in the building becomes the victim of a kidnapping, the voyeur must share the knowledge he has. ~ Perry Seibert, All Movie Guide

In this actioner, a crack unit of elite mercenaries must protect a recently deposed Middle Eastern leader and his family from assassination. ~ Sandra Brennan, All Movie Guide

Rosa (Susana Dosamantes) and her brother cross the border into the United States when a horserace results in murder, and her husband is jailed. Her only hope to bail out her husband and save the family farm is to quickly raise the money, but a band of desperados hastens her departure to the land of opportunity. The only opportunity she gets is battling a maniacal motorcycle gang, a bank robber, and a redneck sheriff (Hugo Stiglitz) who hates Mexicans. ~ Dan Pavlides, All Movie Guide

Police Captain Balbuena (Mario Almada) is taken off the case when he uncovers police involvement with notorious drug smugglers in this action drama. When he loses his job, Balbuena gathers a group of outlaws to go after the gangsters. El Loco Ordonez (Jorge Luke) is recruited to lead the vigilantes after the captain and his family are gunned down. The feature contains effective slices of comedy and violence and is a good action programmer. ~ Dan Pavlides, All Movie Guide

With shoddy production values and a plot that seems to be more of an excuse for violence than anything else, this underpar drama focuses on vigilante justice. While trying to cross the border into France, a Spanish truck driver's vehicle is burned by two angry French farmers, killing the driver's wife. Unable to win his case against the men in court, the angry driver vows to avenge the death of his wife by killing the farmers and their sleazy lawyer. It may have helped to know that European farmers were irate at this time about the dumping of their produce. But then, education was not an objective here. ~ Eleanor Mannikka, All Movie Guide

An action adventure about a group of fortune hunters who search for gold and jewels in the jungles of South America. ~ All Movie Guide

A strange, hallucinatory adaptation of the Malcolm Lowry novel of the same name, John Huston's bleak drama is set during the Mexican "Day of the Dead" ceremony in 1939. Albert Finney stars as Geoffrey Firmin, the booze-besotted former British consul to Cuernevarca, who has cut himself off from his loved ones, the better to drink himself to death while surrounded by all manner of skull-and-skeleton decorations. At the urging of his wife Yvonne (Jacqueline Bisset), his half-brother Hugh (Anthony Andrews) goes on a "heart of darkness" search for his missing sibling. Novelist Lowry was himself a suicidal alcoholic, who poured every drop of his embittered philosophy into the Firmin character. If any director could bring Lowry's difficult novel to life, it was Huston, whose own record for drunken self-destruction is the source of legend. (Huston was actually the seventh director to tackle the novel, which had originally been optioned in 1957 by actor Zachary Scott.) Artists contributing to the fascinating Under the Volcano include the brilliant Mexican cinematographer Gabriel Figueroa, screenwriter Guy Gallo, composer Alex North, and director Emilio Fernandez, cast in a significant cameo as a bartender. ~ Hal Erickson, All Movie Guide

In this film, a hot-air balloon is the vehicle for a wonderful adventure. As they sail across the equator, three men encounter a variety of strange and unusual sights. ~ Iotis Erlewine, All Movie Guide

"Names have been changed to protect the innocent" in this infamous fictionalization of the tragic mass suicide of 914 followers of Jim Jones' "People's Temple" in Guyana in the fall of 1978. Rev. James Johnson (Stuart Whitman) is a charismatic but deeply paranoid man of the cloth who moves his flock from Northern California to a settlement in Guyana, where he intends to create an interracial socialist utopia. Addicted to prescription drugs and convinced he is surrounded by enemies, Johnson rules his colony, "Johnsontown," with an iron fist, torturing anyone who violates his rule, seducing both women and men from his congregation, confiscating money and property from his followers, and forcing them to work long hours in the fields for meager rations. Lee O'Brien (Gene Barry), a California congressman who represents the district Johnson and his followers once called home, has received complaints from friends and relatives of the Johnsontown settlers, convinced something is wrong. O'Brien and a team of reporters fly to Guyana to find out the truth about what is happening; Johnson is convinced O'Brien has seen too much, and armed gunmen ambush his party before they can return to the United States (with a number of Johnsontown residents who wish to leave). After a failed attempt to arrange exile in the Soviet Union, Johnson convinced his followers to perform a "final revolutionary act" before authorities arrive. This oddball blend of fact and fiction also features Joseph Cotten and John Ireland as Johnson's lawyers, Yvonne de Carlo as Johnsontown's press officer, and Bradford Dillman as the doctor who mixes the punch for Johnson's final gathering. ~ Mark Deming, All Movie Guide

Miller (Hugo Stiglitz) is a reporter on to something when he sees passengers disembark from a plane and start attacking and murdering whomever they come across -- no, they are not upset with their service, they are zombies -- or more accurately ghouls who need human blood to stay alive. While flight attendants may contend that more than one ghoul is on any flight, this group was contaminated by a man exposed to radiation that leaked from a nuclear plant, and they are hereafter identifiable by their black-face make-up, if not their eating habits. When Miller tries to notify the citizens that these monsters are on the loose, he is rudely stopped by a nasty general (Mel Ferrer) who does not want to make the public unnecessarily hysterical. The monsters have a molecular structure that is not affected by bullets, and so in imitation of the accepted code that zombies only die with a shot to the head, the general launches his attack "aiming for the control center" of each zombie head, before everyone is converted into the blood-thirsty monsters. With anemic acting, murky color, and other technical problems, this is simply another zombie film among the masses. ~ Eleanor Mannikka, All Movie Guide

This 1978 horror-lite opus was the work of René Cardona Jr., who was a creative force behind other tabloid-inspired efforts like Survive! and Guyana, Cult of the Damned. This less-exploitative entry in his filmography utilizes the infamous legends revolving around the many disappearances in the Bermuda Triangle as the backdrop for a fictional horror tale. The Bermuda Triangle tells the tale of a family scuba expedition, led by patriarch Edward (John Huston). Things take a turn for the bizarre when Edward's daughter finds a mysterious doll. The little girl claims the doll is telling her of their impending doom as strange things begin to happen to the cast and crew. The resulting film was more restrained than the likes of Survive!, going for more a Twilight Zone-style creepiness. Like much of Cardona Jr.'s work, it boasted an international cast that included Huston, Italian starlet Gloria Guida, Claudine Auger, and Cardona Jr. regular Hugo Stiglitz. The Bermuda Triangle found little favor with the critics but has earned a small cult following amongst people who have encountered it on late-night television. ~ Donald Guarisco, All Movie Guide

The disaster genre gets the exploitation treatment in this gruesome tale of survival at sea from director René Cardona Jr. In the wake of a violent cyclone, the remaining passengers of a downed airplane find refuge on a passing boat carrying the survivors of a shipwreck. Without a clue where in the world they are, a shortage of food and water, and the surrounding waters teeming with man-eating sharks, the tensions are soon on the rise. El Ciclon was released in the U.S. as The Cyclone. ~ Matthew Tobey, All Movie Guide