John Rogers Movies

Love Before Breakfast was the scintillating title Universal chose over Spinster Dinner, the Faith Baldwin novel upon which this airy comedy is based. Carole Lombard is a Park Avenue beauty squired by Preston S. Foster and Cesar Romero. Since neither gentleman is a prize catch, Lombard is fey and fickle throughout the film. That's all there is to Love Before Breakfast, which might have been completely forgotten had it not been for a famous 1930s-era painting in which a detailed poster for the film is the focus of attention. There's one iconoclastic alteration in the painting: Carole Lombard has been given a black eye. ~ Hal Erickson, All Movie Guide

Legendary stage actress Pauline Lord made but a few films, but was always worth watching whenever she took command of the screen. In Feather in Her Hat, Lord plays cockney storekeeper Clarissa Phipps, who worries that her son Richard will grow up being ashamed of her humble vocation. Thus, she loftily pretends that she's not Richard's mother, and that the boy is actually the offspring of a prominent theatrical family. Upon reaching adulthood, Richard (Louis Hayward) becomes a prominent playwright, confident that the stage is in his blood, while Clarissa secretly sells her store at a loss to finance Richard's first production. Only on her deathbed does Clarissa reveal the truth -- and happily, Richard isn't ashamed of her in the least, and indeed is prouder of her than ever. Basil Rathbone contributes a fascinating characterization as a gin-swilling, unshaven remittance man. ~ Hal Erickson, All Movie Guide

This version of the Charlotte Bronte classic is the first to use sound. The story closely follows the book as it chronicles the romantic travails of a troubled orphan girl who grows up to be a governess in love with her employer who returns her affections. She has finally found happiness. Alas, her happiness is short-lived as she learns that her love has locked his crazy wife in a remote wing of the house. The distraught governess flees and gets engaged to a new man. Just before they marry, she learns that her true love's house has burned down, immolating his wife and leaving him nearly blind. Without hesitation she returns to him and romantic bliss ensues. ~ Sandra Brennan, All Movie Guide

Honolulu detective Charlie Chan (Warner Oland) spends an eventful weekend at an English country estate in this fog-bound series entry. Young Neil Howard (Ray Milland) has been accused of murder, but family friend Geoffrey Howard (Alan Mowbray) expresses the hope that Chan will be able to locate the genuine killer. The weapons this time include a set of poison darts, while a series of cryptic notes provide vital clues to Chan and his Scotland Yard counterpart Sgt. Thacker (E.E. Clive), who insists upon calling the humble oriental sleuth "Mr. Chang" throughout the picture. Crucial to the plot's development is a fox hunt, predating a similar sequence in John Huston's The List of Adrian Messenger by nearly 30 years. At 79 minutes, Charlie Chan in London is the longest of Fox's Chan series -- unnecessarily so, since the identity of the "surprise killer" is obvious from reel one. ~ Hal Erickson, All Movie Guide

John Barrymore is the Long Lost Father in this lightweight seriocomedy. Barrymore is felicitously cast as Carl Bellairs, who is unexpectedly reunited with Lindsay Lane (Helen Chandler), the daughter he deserted years earlier. Not surprisingly, Lindsay wants nothing to do with her prodigal dad, even though both are employed by nightclub owner Tony Gelding (Alan Mowbray). Despite Lindsay's icy hostility, Bellairs rescues her when she is falsely accused of theft. The bittersweet ending is somehow appropriate to this impeccably tailored star vehicle. Scripted by Dwight Taylor, Long Lost Father is a rare foray into sophisticated comedy by King Kong director Ernest B. Schoesdack. ~ Hal Erickson, All Movie Guide

This first sound version of Robert Louis Stevenson's classic morality tale starred Fredric March as the kindly, philanthropic Dr. Jekyll, who makes the fatal mistake of delving into secrets that Man Should Never Know. Fascinated with the notion that within each man lurk impulses for both Good and Evil, Jekyll develops a drug to release the wickedness in himself. The result: the lecherous, lycanthropic Mr. Hyde (one has to keep reminding oneself that the handsome, soft-spoken March plays both roles; small wonder that he won the Academy Award). Jekyll is the honorable suitor of the virtuous Muriel Carew (Rose Hobart), while Hyde is the brutish pursuer of the sluttish "Champagne Ivy" Pearson (Miriam Hopkins, as sexy as she'd ever be in films). It isn't long before the kindly Jekyll is unable to control the wicked Hyde, with tragic results. Director Rouben Mamoulian could often seem like the Brian De Palma of his time, showing off like a first-year film student instead of telling a story. But Mamoulian's excesses work beautifully in Dr. Jekyll and Mr. Hyde, notably the dizzying first transformation scene (that heartbeat you hear on the soundtrack belongs to Mamoulian himself). Withdrawn from circulation when MGM refilmed the Stevenson novel in 1941, Dr. Jekyll and Mr. Hyde resurfaced in the early 1970s, albeit only in the heavily censored version prepared for the 1938 reissue. The current video version restores most of the missing scenes--including the famous opening reel, photographed from Jekyll's point of view with a subjective camera. ~ Hal Erickson, All Movie Guide

Warner Oland made his first appearance in the role of Earl Derr Biggers' sagacious, aphorism-spouting oriental detective Charlie Chan in the 1931 Fox production Charlie Chan Carries On. It all begins when Chan, on vacation from his job with the Honolulu police, tries to solve the murder of a wealthy American in a London hotel. The trail of clues leads Chan on a not-so-merry chase through Nice, San Remo, Hong Kong and Hawaii. The solution to the mystery lies in the words spoken by a temporarily blinded witness -- or at least that's what she seems to be. According to contemporary reviews, the film was enlivened by the dumb-blonde dialogue delivered by Marjorie White and by the bumbling villainy of Warren Hymer. Though Charlie Chan Carries On is no longer available, its quality can be adequately gauged by a viewing of its 1940 remake, Charlie Chan's Murder Cruise. ~ Hal Erickson, All Movie Guide

Despite his precarious health, silent film idol Milton Sills insisted upon tackling one of the most challenging roles of his career in the 1930 talkie The Sea Wolf. Based on the novel by Jack London, the film stars Sills as the psychotic Wolf Larsen, captain of the bad ship Ghost. In the original novel, Larsen rules his tiny vessel like a banana-republic despot, adhering to Satan's credo "Better to Reign in Hell Than Serve in Heaven," as set down in Milton's Paradise Lost. Evidently worried that so villainous a portrayal would hurt Sills' image, the producers split the Larsen role in two: Wolf Larsen is still a fanatic, but far less dangerous than his co-skipper brother Death Larsen (Mitchell Lewis). Another deviation from the novel is the inclusion of a heroine (Jane Keith), a plot device later repeated in the 1940 Edward G. Robinson remake. Still, the 1930 film utilizes London's original ending, with Wolf Larson hiding the fact that he's blind for fear that his scurvy crew will stage a bloody mutiny. Though no one knew it at the time, The Sea Wolf would stand as Milton Sills's valedictory film: the actor died of heart failure on September 15, 1930. ~ Hal Erickson, All Movie Guide

Irving Cummings was a good choice to direct this third Charlie Chan feature, the first to use sound, as he had previously made the first all-talking picture of any kind, In Old Arizona (also 1929). Chan fans may be disappointed in this globe-trotting mystery, however, as the detective (played by Korean actor E.L. Park) only appears in a few scenes. The story begins with a murder in London and the prime suspect is Colonel John Beetham (Warner Baxter), who is hiding pretty heiress Eve Mannering (Lois Moran) from her evil, philandering husband Eric Durand (Philip Strange). The action goes from England to Persia to India and finally ends up in San Francisco, where Chan prevents the golddigging Durand -- whom Eve has left for good -- from killing Beetham. Gilbert Emery, who plays a dedicated Scotland Yard detective, was originally envisioned as a big matinee idol, but was eventually relegated to thankless roles such as the one he plays here. The film is more noteworthy for its introduction of Boris Karloff to sound features, in a small role as a servant from Sudan who mutters inscrutable nonsense about the whims of the desert. The 20th Century Fox series began with 1928's The Chinese Parrot, starring another Asian performer (Sojin) as Chan, before Swedish actor Warner Oland took over the role in Charlie Chan Carries On and The Black Camel (both 1931), playing the unflappable detective until his death in 1938. ~ Robert Firsching, All Movie Guide