Peter Riegert Movies

Charles (David Ogden Stiers) hopes to profit from inside information that the Army intends to change the color of its scrip (the paper used in lieu of money during wartime). Purchasing the old blue scrip from the local Korean villagers at bargain-basement prices, Charles intends to turn it in for the new red scrip at full value. This clever scheme is neatly foiled by Hawkeye (Alan Alda) and B.J. (Mike Farrell). ~ Hal Erickson, All Movie Guide

Director John Landis put himself on the map with this low-budget, fabulously successful comedy, which made a then-astounding 62 million dollars and started a slew of careers for its cast in the process. National Lampoon's Animal House is set in 1962 on the campus of Faber College in Faber, PA. The first glimpse we get of the campus is the statue of its founder Emil Faber, on the base of which is inscribed the motto, "Knowledge Is Good." Incoming freshmen Larry "Pinto" Kroger (Tom Hulce) and Kent "Flounder" Dorfman (Stephen Furst) find themselves rejected by the pretentious Omega fraternity, and instead pledge to Delta House. The Deltas are a motley fraternity of rejects and maladjusted undergraduates (some approaching their late twenties) whose main goal -- seemingly accomplished in part by their mere presence on campus -- is disrupting the staid, peaceful, rigidly orthodox, and totally hypocritical social order of the school, as represented by the Omegas and the college's dean, Vernon Wormer (John Vernon). Dean Wormer decides that this is the year he's going to get the Deltas expelled and their chapter decertified; he places the fraternity on "double secret probation" and, with help from Omega president Greg Marmalard (James Daughton) and hard-nosed member Doug Neidermeyer (Mark Metcalf), starts looking for any pretext on which to bring the members of the Delta fraternity up on charges.

The Deltas, oblivious to the danger they're in, are having a great time, steeped in irreverence, mild debauchery, and occasional drunkenness, led by seniors Otter (Tim Matheson), Hoover (James Widdoes), D-Day (Bruce McGill), Boon (Peter Riegert), and pledge master John "Bluto" Blutarsky (John Belushi). They're given enough rope to hang themselves, but even then manage to get into comical misadventures on a road trip (where they arrange an assignation with a group of young ladies from Emily Dickinson University). Finally, they are thrown out of school, and, as a result, stripped of their student deferments (and, thus, eligible for the draft). They decide to commit one last, utterly senseless (and screamingly funny) slapstick act of rebellion, making a shambles of the university's annual homecoming parade, and, in the process, getting revenge on the dean, the Omegas, and everyone else who has ever gone against them. ~ Bruce Eder, All Movie Guide

In the future (the distant year of 1997), the United States of America is in crisis. The oil shortage has grown to epic proportions, leading to people living in their cars and bicycling to work. Cigarettes and meat have been outlawed, gold coins are needed to operate common household appliances, and the Western White House (located in a luxury apartment in California) has been forced by economic necessity to operate round-the-clock tours for vacationing Chinese citizens. The economy is deep trouble; President Chet Roosevelt (John Ritter) has borrowed four billion dollars from Native American tennis shoe manufacturer Sam Birdwater (Chief Dan George), and he's foreclosing on the loan. When a media expert, Eric McMerkhin (Peter Riegert), is summoned for advice (since despite all hardships, Americans refuse to give up their televisions), he suggests a telethon. It's a great idea, except the President's assistant Vincent Vanderhoff (Fred Willard) is in cahoots with the United Heb-Rab Republic, a sinister coalition of Israeli and Arab nationals who want to snap up America if the debt can't be paid. He ensures that the show is stocked with endless ventriloquists and insists on Monty Rushmore (Harvey Korman), a washed-up, drug-addicted television personality as host. The star of the popular sitcom "Both Mother and Father," he is sure to self-destruct over the grueling 30-day-and-night telethon schedule. Despite terrorist attacks and the kidnapping of President Roosevelt, the patriotic spirit prevails and American citizens dig deep and pledge their gold to the cause. This outrageous farce (based on a play by Firesign Theatre alumni Philip Proctor and Peter Bergman) features cameos from Elvis Costello, Jay Leno, Meat Loaf and the Del Rubio Triplets, and is narrated by George Carlin. The Beach Boys, Eddie Money, and Nick Lowe contribute to the musical soundtrack. ~ Fred Beldin, All Movie Guide

The seven-hour TV miniseries Ellis Island was adapted from a novel by Fred Mustard Stewart. Per its title, the film is a mosaic of subplots involving several European immigrants who passed through New York's Ellis Island before taking up residence in the Big Apple. Most of the characters are based on real people, notably the Irving Berlin-like musician played by Peter Riegert. Co-stars Faye Dunaway, Richard Burton (in his last film role) and Ann Jillian were honored with Emmy nominations. Ironically, this essentially American saga was largely filmed in London. Originally telecast November 11, 13, and 14, 1984, Ellis Island was re-edited and re-telecast in the summer of 1986, just in time for the Statue of Liberty Centennial. ~ Hal Erickson, All Movie Guide

Set against the Allied invasion of North Africa in 1942, this overly-ambitious, comedy-drama focuses on the relationship between its two central characters, Leon Castelli (Roger Hanin) a half-Algerian, half-French bartender, talkative, but with a generous soul, and Etienne Labrouche (Philippe Noiret) the French colonial mayor of the town. Leon gets propositioned on a business deal by an American soldier and joins him in setting up an "underground" night spot in an abandoned airplane hangar that soon catches on and thrives like weeds in a garden. Etienne, in the meantime, starts an affair with the governess of his children and is caught out by his wife, who sends the woman packing. Since the ex-governess needs to support herself somehow, she accepts a waitress job working in the underground nightclub. The word gets out, and before much time has gone by, the nightclub is trashed by a hired gang. Furious at Etienne because he feels this is the mayor's way of paying him back for hiring the governess, Leon picks up a shotgun and goes to Etienne's estate seeking revenge. But fate has other ideas, and when he arrives, Leon discovers that Etienne's father has just died and left a bombshell of a revelation about his parentage that changes everything. ~ Eleanor Mannikka, All Movie Guide

In this contemporary comedy/drama, Anne (Laura Harrington) is a struggling photographer who decides to break up with her boyfriend Joey (Joe Mastroianni) to pursue other romantic opportunities. However, Anne's new-found freedom doesn't work out very well for her, and a new photographic project turns sour when a pimp she was secretly photographing discovers what she's doing and retaliates by trashing her apartment. The City Girl marked the feature debut of director Martha Coolidge, though the film was not released until after her second feature, Valley Girl, became a surprise hit. ~ Mark Deming, All Movie Guide

After witnessing a murder, Alice Kildee (Bonnie Bedelia) is involved in a car accident. She wakes up in a hospital with no memory of who she is, but has total recall concerning the murder. The problem is, no such killing has been reported. So the authorities, assuming that Alice is merely fantasizing, release her picture to the papers in hopes of identifying her. Through the help of psychiatrist Harris Kite Peter Riegert, Alice comes to realize that the murder she has described in such vivid detail actually took place in a movie she saw just before her accident. But if this is the case, why is a hit man (David Spielberg) determined to rub out poor Alice? There's a plot twist a second in the U.S./Argentine co-production The Stranger, which manages to emulate Alfred Hitchcock without ever imitating The Master outright. ~ Hal Erickson, All Movie Guide

Can an independent, contemporary woman find happiness with a guy who sells pickles? Isabelle Grossman (Amy Irving) is an attractive, intelligent Jewish woman in her early 30s. She has a good job and a nice apartment on the Upper West Side, and she values her independence; she often visits her grandmother Bubbie (Reiz Bozyk), who lives on the Lower East Side and wants Isabelle to meet a nice Jewish man and settle down. Bubbie goes so far as to obtain the services of Hannah Mandelbaum (Sylvia Miles), a matchmaker who finds the "perfect" man for Isabelle: a pickle salesman named Sam Posner (Peter Riegert). Isabelle thinks Sam is a nice enough guy, but she has a hard time imagining herself spending her life with the pickle man, and she isn't sure if she wants to pursue the relationship. However, Sam is taken with Isabelle and goes out of his way to change her mind. Crossing Delancy was directed by Joan Micklin Silver, whose breakthrough film Hester Street also examined Jewish culture on the Lower East Side, albeit from the vantage point of the 1890s. ~ Mark Deming, All Movie Guide

W. Eugene Smith: Photography Made Difficult is a unique documentary that reenacts the life of the revolutionary artist. Peter Reigert plays the Midwestern photographer whose images defined the times. Smith began taking pictures when he was a teenager. Though dissatisfied with his early work, he kept developing his talent. By the end of his career, he had worked for many important publications, including Newsweek, Life, and Collier's. Smith was in Okinawa on D-Day. He captured indelible images of the Great Depression, New York City, and the life of a country doctor. Photography Made Difficult stitches together newsreel footage, interviews, and dramatic retelling to weave a story of one of the best-known photographers in the world. ~ Sarah Ing, All Movie Guide

Shock to the System is a black comedy about a middle-aged advertising executive (Michael Caine) who loses his long-awaited promotion to a younger man (Peter Reigret). In frustration, Caine accidentally pushes a panhandler in front of a subway train--and he gets away with the death. Realizing that committing murder might be a little easier than he previously had thought, he begins plotting the murder of several of his corporate enemies. ~ Stephen Thomas Erlewine, All Movie Guide

Sylvester Stallone gives comedy another try in this farce set in the 1930s. Angelo "Snaps" Provelone (Stallone) is the wealthy and powerful head of the Chicago mob, but his ailing father (Kirk Douglas) doesn't approve of his life in crime, and on his deathbed, Dad makes Snaps promise to go straight. Determined to honor his late father's wishes, Snaps decides to go into banking -- just as his life has fallen into chaos. Anthony Russano (Vincent Spano) informs Snaps that he's hijacked $50,000 of his money and wants to marry his daughter. Snaps discovers that his daughter Lisa (Marisa Tomei) is actually involved with the chauffeur, Oscar (Jim Mulholland), but Anthony's girlfriend Theresa (Elizabeth Barondes) has convinced her beau that Snaps is her father. Snaps hopes to use this misunderstanding as a way of getting his money back, but in the meantime, he has to deal with a wary banking board, rival mob boss Vendetti (Richard Romanus), prissy elocution coach Thornton (Tim Curry), and Snaps' one-time girlfriend Roxanne (Linda Gray). Oscar's stellar supporting cast includes Don Ameche, Chazz Palminteri, Harry Shearer, Eddie Bracken, Yvonne DeCarlo, and Bruce Davison. ~ Mark Deming, All Movie Guide

In this black comedy, elderly Jack Scanlan (Jack Warden) passes away just as he's about to tell his oldest son Johnny (Bob Hoskins) what he's decided is truly important in life, which does little to ease Johnny's mid-life anxieties. Jack's funeral and the subsequent wake brings together the various members of the Scanlan Family, most of whom are having troubles of their own. Johnny's mother Mary (Maureen Stapleton) is not dealing well with losing her husband. His brother Frank (William Petersen), a would-be union delegate, has a nagging wife, Denise (Debra Rush), and a pregnant daughter, Rachel (Teri Polo). His sister Nora (Frances McDormand) is a leftist nun who has brought along a guest, a South American dissident wanted by the INS. Terry (Pamela Reed) is splitting up with her husband Boyd (Tim Curry) after finally realizing that he's gay. And Johnny is thinking of quitting his job and leaving his wife Amy (Blair Brown), which makes the mysterious Cassie (Nancy Travis) seem all the more attractive. Passed Away marked the directorial debut of successful screenwriter Charlie Peters. ~ Mark Deming, All Movie Guide

This TV movie recounts the true-life story of a corporate takeover in the greed-driven 1980s. James Garner is F. Ross Johnson, CEO of RJR-Nabisco. Having just been burned by an expensive failure of a smokeless cigarette product, Johnson doesn't wish to incur the wrath of the stockholders. He begins drawing up plans to buy RJR-Nabisco outright so he'll have no one to answer to but himself. Unfortunately for Johnson, his company is also being coveted by sharkish "buyout king" Henry Kravis (Jonathan Pryce), who turns out to have $25 billion at his beck and call. Barbarians at the Gate was adapted by Larry Gelbart from the book by Bryan Burrough and John Helyar. Advertised as a "docucomedy", the film premiered March 20, 1993, over the HBO cable service. ~ Hal Erickson, All Movie Guide