William Orlamond
- 1936
Directed by Edwin L. Marin, Sworn Enemy stars Robert Young as "Hank" Sherman, a law student who earns extra cash by working as a chauffeur. His job becomes significantly harder, however, when he finds himself entangled in the effort to catch the mobster who murdered his boss and harmed his brother. In order to get closer to the killer, Sherman Young masquerates as a fight promoter, and in the process falls in love with his beautiful assistant Maragaret (Florence Rice). Eventually, the young man gains the trust of the mobsters, and is allowed to join in their gang. Once inside, Sherman rushes to avenge the deaths of those near and dear to him. ~ Tracie Cooper, All Movie Guide
- Starring:
- Robert Young, Florence Rice, (more)
- 1936
The Gorgeous Hussy purports to be based on the life of Margaret "Peggy" O'Neill, the controversial wife of early 19th-century politician John Eaton, who served as cabinet minister during the Andrew Jackson presidency. Snubbed by the Washington elite because of her questionable background as a tavernkeeper's daughter, "Pothouse Peg" is championed by her longtime friend Jackson, who chooses to ignore the gossip-mongers and the scandal-provokers of the era. He even stands by Peggy's side when one of her admirers (Melvyn Douglas) is ignominiously killed by his enemies. Some historians believe that the "gorgeous hussy" and Jackson were themselves lovers, but this is never hinted at in the film, which is described in a foreword as "fiction founded upon historical fact." Joan Crawford wears an exhausting succession of gorgeous gowns as Peggy Eaton, but she can't do much to enliven her sketchily written role; one is aware that she brings disgrace to everyone she meets, but one is hard-pressed to understand why. Much better within the framework is Lionel Barrymore as Jackson, Beulah Bondi as "Old Hickory"'s pipe-smoking wife, Rachel, and Sidney Toler (two years away from Charlie Chan) as Daniel Webster. James Stewart is also in the film as one "Rowdy" Dow, a role he later chose to forget. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, Robert Taylor, (more)
- 1932
Richard Dix stars as a heroic riverboat captain in this lurid action-melodrama produced under the aegis of David O. Selznick. Trapped at a hotel in a Mandarin town under siege, a group of Occidentals turn to alcoholic riverboat captain Chauncey Carson (Dix) for help. Among the besieged are Helen (Arline Judge), an American entertainer; her admirer, Busby (Edward Everett Horton); a German doctor (William Orlamond); Carson's cowardly boss, Johnson (Dudley Digges); and Natascha (Gwili Andre), a Russian whom everybody takes for a spy. Carson, who has a long history with Voronsky (C. Henry Gordon) and his Tartar bandits, manages to keep the attackers at bay while at the same time romances the mysterious Natascha, who is no spy after all. A machine gun manned by a self-sacrificing Busby eventually decides the outcome in favor of the westerners, who manage to escape on Carson's riverboat. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Richard Dix, Gwili Andre, (more)
- 1931
Eternal movie juvenile Eric Linden offers perhaps the best performance of his career in RKO's Are These Our Children? In this pioneering Juvenile Delinquent drama, Linden plays a know-it-all high school dropout who falls in with a bad crowd. While burglarizing the delicatessen of a family friend (William Orlamond), Linden accidentally kills the old man. No one can connect him with the crime, and for a while Linden privately gloats as he reads newspaper stories of the killing. But one of his friends (Ben Alexander), who was in on the robbery, spills the beans, and Linden winds up going to the chair. The true impact of Are These Our Children? is Linden's performance as an emotionally immature youth who cannot fully fathom the seriousness of his dilemma: he tries to jolly himself into believing that he hasn't killed anyone, and as he sits on death row he continues displaying a childish bravado, as if expecting to wake up from a bad dream at any moment. Despite its age and the corniness of some of the dialogue, Are These Our Children? is an unforgettably powerful film. ~ Hal Erickson, All Movie Guide
- Starring:
- Eric Linden, Rochelle Hudson, (more)
Cimarron was the first Western to win the Oscar for Best Picture--and, until Dances with Wolves in 1990, the only one. The film begins on April 22, 1889, the opening day of the great Oklahoma Land Rush on the Cherokee Strip. Boisterous Yancey Cravat (Richard Dix) is cheated out of his land claim by the devious Dixie Lee (Estelle Taylor). Instead of becoming a homesteader, Cravat establishes a muckraking newspaper, and with pistols in hand he becomes a widely respected (and widely feared) peacekeeper. He also displays a compassionate streak by coming to the defense of Dixie Lee, who is about to be arrested for prostitution. Cravat's insistence on sticking his nose into everyone's affairs drives a wedge between him and his young wife Sabra (Irene Dunne), but she stands by him--until he deserts her and her children, ever in pursuit of new adventures. Sabra takes over the newspaper herself, and with the moral support of her best friend, Mrs. Wyatt (Edna May Oliver), she creates a powerful publishing empire. Cimarron makes the mistake of placing most of the action early in the film, so that everything that follows the spectacular opening land-rush sequence may feel anti-climactic. While it's always enjoyable to watch Irene Dunne persevering through the years, it's rather wearing to sit through the overblown performance of Richard Dix, who seems to think that he can't make a point unless it's at the top of his lungs. Cimarron creaks badly when seen today, but it still outclasses the plodding 1960 remake. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Dix, Irene Dunne, (more)
- 1930
In this corny disaster drama, patrons of an underground speakeasy in New Orleans attend a victory party and end up terrified when a Mississippi flood threatens to break through a levee and drown them all. Fortunately, the owner is a quick thinker and closes the airtight doors of the establishment. The trapped patrons come from all walks of life. Their reactions to their sudden subterranean confinement comprise the bulk of the story. Though not all of them are good souls, a slightly insane former preacher encourages them all to make their peace with God. They do, and good will flows like Mississippi mud until at last a man demands they open the doors and meet their fate. The doors swing open to reveal a brightly shining sun and a strong levee. ~ Sandra Brennan, All Movie Guide
- Starring:
- Dorothy Revier, Douglas Fairbanks, Jr., (more)
- 1930
In her second film, Broadway actress Ann Harding plays the vacationing wife of a judge who finds herself blackmailed by a notorious gigolo. Leaving her husband after a quarrel, Vera Kessler (Harding) dallies rather innocently with Arnold Hartman (Lawford Davidson). Hartman, however, engages in a bit of blackmail and when Vera confronts him, a scuffle breaks out. In the heat of the moment, Vera picks up a gun and the gigolo ends up dead. The butler is arrested for the crime, and although the poor man is acquitted in court, Vera's guilt drives her to leave her husband. But the good judge (Harry Bannister) overhears his wife confessing the truth to the rather confused factotum and forgives her. Despite the mediocre plot and an overstuffed production, Her Private Affair proved a huge box-office success and boded well for Harding's future in Hollywood. Harry Bannister was "Mr. Harding" in private life at the time. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Ann Harding, Harry Bannister, (more)
- 1929
In this college campus musical comedy from director James Tinling, the first film in which John Wayne received billing (though it's as Duke Morrison), Lois Moran stars as Mary, a pretty young singer who is sought after by two competing composers. Wayne plays Phil, one of the two rival songwriters who are vying not only for the girl, but for a 1,500-dollar prize for writing the best show tune. Mary agrees to sing each of their entries in the contest, but in the end she can only choose one of the young men. Songs include "Too Wonderful for Words," by William Kernell, Dave Stamper, Paul Gerard Smith, and Edmund Joseph; "Stepping Along," also by Kernell; and "Shadows," by Con Conrad, Sidney Mitchell, and Archie Gottler. ~ Matthew Tobey, All Movie Guide
- Starring:
- Lois Moran, Tom Patricola, (more)
- 1929
In this curious film, a knickknack collector falls in love with the daughter of a jewel collector. When a rare stone is swiped from a reception at the latter's home, the daughter and her sweetheart begin looking for it. As they drive to the police, they are taken upon a most circuitous path until they end up at the home of Satan, wherein many strange people dwell. The couple is befriended by a helpful dwarf. They must all attend a masquerade ball, and there some of Satan's minions abduct the woman and demand that she produces the jewel, lest she be tortured. Both she and her love then must endure a number of terrifying encounters before they can escape. Unfortunately, the bizarre ordeal has rendered them both stark raving mad. ~ Sandra Brennan, All Movie Guide
- Starring:
- Louise Fazenda, Thelma Todd, (more)
- 1928
Orville Caldwell, who registered well as Marion Davies' leading man in MGM's The Patsy, was afforded star billing in FBO's The Little Yellow House. A backwoods drama, the story details the tribulations of the Milburns, a farming family headed by an irresponsible alcoholic (William Orlamond). A wealthy relative offers to help out the Milburns, but the proud patriarch refuses to take charity. Fed up with her shabby existence, young Emily Milburn (Martha Sleeper) walks out on her family and heads to the Big City, where she is nearly violated by all-around cad Wells Harbison (Freeman Wood). Emily is rescued just in time by her hometown sweetheart Rob Hollis (Orville Caldwell). She returns home, vowing to make the best of things despite her dad's shiftless ways. ~ Hal Erickson, All Movie Guide
- Starring:
- Orville Caldwell, Martha Sleeper, (more)
- 1928
Back in the late teens, Bryant Washburn starred in a successful series based on the "Skinner" stories by Henry Irving Dodge. After the success of Reginald Denny's Skinner's Dress Suit (1926), Washburn returned to the fold with Skinner's Big Idea in 1928. As before, the star plays Skinner, a young businessman on the way up. Now a partner in his business firm, Skinner is ordered by his boss to fire two of the older employees. Feeling beholden to the old fellows, he decides to save their jobs by enlivening their work performance. To do this, he hires cute, vivacious secretary Dorothy (Martha Sleeper), whose presence "rejuvenates" the two geezers. Naturally, Mrs. Skinner (Ethel Grey Terry) suspects the worst -- until the last reel, of course. ~ Hal Erickson, All Movie Guide
- Starring:
- Bryant Washburn, James Bradbury, (more)
- 1928
Lon Chaney Sr. eschews his trademarked makeup in the MGM crime melodrama While the City Sleeps. The plot is sparked by the misbehavior of heroine Myrtle (Anita Page), who enjoys rubbing shoulders with gangsters like Skeeter (Wheeler Oakman). When she learns too much about Skeeter's set-up, Myrtle is put on the spot by the mob. Crusty veteran police officer Dan (Lon Chaney) takes it upon himself to put Myrtle in "protective custody" in his own apartment. Old Dan falls in love with the girl, but at fadeout time he willingly gives up to likeable reformed gangster Marty (Carroll Nye). The film is a heady combination of standard cops-and-robbers fare and "low" humor, featuring several visual jokes centering around the policeman protagonist's sore feet. Mae Busch, Lon Chaney's leading lady in Unholy Three, shows up in a flashy supporting role. ~ Hal Erickson, All Movie Guide
- Starring:
- Lon Chaney, Anita Page, (more)
- 1928
The Wind, Victor Sjostrom's final American film, is a western only in its locale: its symbolism-laden story of physical and spiritual repression, culminating in a violent, hysterical outburst, has more in common with the European or Scandanavian cinema than with the usual MGM product. Lillian Gish plays a sheltered Virginia girl who heads to Texas to live with her male cousin and his family. Upon arriving at her new home-actually little more than a squalid shack-she is treated as an unwelcome interloper. Even worse is the omnipresecent wind, which howls ceaselessly all around. To quell the jealousy of her cousin's wife, Lillian marries cowboy Lars Hanson, but this impulsive union seems foredoomed from the start. During Hanson's absence, Lillian is visited by former suitor Montague Love. With rape on his mind, Love laughs derisively as Lillian aims a pistol at his midsection. His laughter ceases when she pulls the trigger (the killing is subtly conveyed by a cutaway to a sand-covered plate, which jiggles slightly from the impact of the shot). In near hysteria, she drags the dead man outside and buries him, the mercilessly wind whipping and buffetting her about. Locking herself in the shack, Lillian looks out the window--and, in fascinated horror, sees Love's body "emerging" from the constantly shifting sands. In the film's original ending, Lillian goes completely mad, wandering blindly into the desert. Preview audiences were revolted by this denoument, so the film now ends with Larson's return and a happy reconciliation (reportedly, director Sjostrom's original cut is still available from European sources). In later years, Lillian Gish recalled The Wind as the toughest, most unpleasant picture she ever worked on. The location scenes were shot in the Mojave Desert, where the combination of relentless heat and artificially induced windstorms made working conditions virtually intolerable. At one point, Ms. Gish absentmindedly clutched the metal handle of her car's door-immediately incurring a second-degree burn. Adapted by Frances Marion from a novel by Dorothy Scarborough, The Wind, despite its artistic merit, was a box-office disappointment, resulting in a parting of the ways between Lillian Gish and MGM. ~ Hal Erickson, All Movie Guide
- Starring:
- Lillian Gish, Lars Hanson, (more)
- 1928
This first version of the Rudolf Friml operetta Rose-Marie had no music, but it did have Joan Crawford in the title role. More faithful to its source than the 1936 Nelson Eddy-Jeanette McDonald remake, the 1928 film finds the heroine torn between her love for Mountie House Peters and her loyalty to her outlaw brother James Murray. When Peters is forced to shoot and kill Murray, it looks like curtains for his romance with the heroine. But after a reel or so of histrionics, the girl forgives Peters for doing his duty. The final version of Rose-Marie (at least to date) was lensed in 1954, with Ann Blyth and Howard Keel. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, House Peters, (more)
- 1928
Producer Sam Goldwyn gave his usual deluxe treatment to the 1928 Vilma Banky vehicle The Awakening. Her Hungarian accent unheard, Banky plays French country lass Marie Ducrot, whose name is "mud" after she is compromised by a German soldier (Walter Byron). Turning to religion, Banky becomes one of the "sisters in white" in the field hospitals of World War 1. Meanwhile, the soldier, having been told that Banky is dead, finds out that the report was premature and greatly exaggerated. The script, by Carey Wilson and Frances Marion, is pretty soggy stuff, but "man's man" director Victor Fleming does wonders with the material. ~ Hal Erickson, All Movie Guide
- Starring:
- Vilma Banky, Walter Byron, (more)
- 1927
Impoverished Southern belle Joslyn Poe (Joan Crawford) heads to New York, hoping to become a professional dancer. Unable to land work on Broadway, she becomes a taxi dancer in a cheap dive, where her cardsharp boyfriend Lee Rogers (Owen Moore) whiles away his time fleecing the suckers. Hoping to escape her tawdry surroundings, Joslyn latches on to supposed gentleman James Kelvin (Douglas Gilmore). But when Kelvin turns out to be a thief and a murderer, Joslyn returns to the arms of Rogers, who isn't such a bad guy after all. Publicity stills from The Taxi Dancer show Joan Crawford dancing atop a taxicab -- but alas, no such scene appears in the film. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, Owen Moore, (more)
- 1927
Jack Mulhall stars as Jerry Marsden, the wastrelly son of millionaire milk wholesaler J. Marsden Sr. (George Fawcett). After bailing Jerry out of one scrape too many, the elder Marsden cuts off the boy's allowance and tells him he's on his own. While looking for work, Jerry is hired by wealthy Roger Whitney (Crauford Kent) to serve a brief jail term on Whitney's behalf. Locked up in a minimum-security prison especially designed for "celebrity" convicts, Jerry is ensconced in a luxury cell and waited on hand-and-foot by the supplicative guards. He enjoys the occasional visits from Whitney's pretty sister Ruth (Alice Day). Entering into a business deal with another of the millionaire prisoners, Jerry strikes it rich, pleasing his dear old daddy to no end. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Mulhall, Alice Day, (more)
- 1927
Former film editor Dorothy Arzner made her directorial debut with the Esther Ralston vehicle Fashions for Women. Ralston stars as Celeste de Givray, renowned throughout Europe as the most beautiful and best-dressed model in all Paris. Her press agent DuPont (Raymond Hatton) concocts an attention-getting publicity scheme by having Celeste undergo cosmetic surgery, then unveiling her "new" face at a posh fashion show. But thanks to a delay in the surgery, DuPont is forced to hired a substitute for Celeste, a look-alike American girl named Lulu Dooley (also played by Esther Ralston). The fun begins when Lulu, posing as Celeste, is paired up at a social occasion with aviator Raoul de Bercy (Einer Hansen), who is all too aware of Lulu's true identity. ~ Hal Erickson, All Movie Guide
- Starring:
- Esther Ralston, Raymond Hatton, (more)
- 1927
This lavish adaptation of Victor Herbert's operetta The Red Mill proved to be one of Marion Davies' most delightful and best-received silent vehicles. Davies is cast as Dutch barmaid Tina, who falls in love with handsome hero Dennis (Owen Moore). Alas, Dennis doesn't return her affections, whereupon Tina mounts a campaign to win his heart -- while simultaneously smoothing the romantic path for her friends, burgomeister's daughter Gretchen (Louise Fazenda) and army captain Jacob (Karl Dane). There's a bit of comic suspense when Tina -- disguised for plot purposes as Gretchen -- is accidentally locked in the titular mill, which is rumored to be haunted, but she manages to escape in time for a happy denouement. Beyond its romantic trappings, The Red Mill is full of wonderful slapstick moments, notably an opening scene in which the heroine tries her luck on ice skates, only to wind up covered in snow from head to foot. The film was directed by one "William Goodrich", actually a pseudonym for rotund comedian Roscoe "Fatty" Arbuckle, whose film career had been destroyed five years earlier in the wake of a messy scandal (Davies was endeavoring to help Arbuckle make a comeback -- even though her publisher boyfriend William Randolph Hearst had been largely responsible for his downfall!) It has long been assumed that the public was totally unaware that Goodrich and Arbuckle were one in the same, but contemporary reviews of The Red Mill indicate that William Goodrich's true identity was an open secret. ~ Hal Erickson, All Movie Guide
- Starring:
- Marion Davies, Owen Moore, (more)
- 1927
Though Will Rogers was still packing 'em in on Broadway, he was considered a Hollywood has-been when he starred in the independently produced A Texas Steer. Rogers also wrote the screenplay of this "topical comedy," in which he plays Texas rancher Maverick Brander, who is maneuvered into politics by his status-seeking wife Ma (Louise Fazenda). Unfortunately, Maverick finds himself at the mercy of a trio of corrupt political hacks who want our hero to use his influence to push through a piece of questionable legislation. The opponents of the bill contrive to abduct Maverick, but he escapes in time to strike a blow for honesty in Washington. The level of humor in the film can be gauged by such character names as "Bossy Brander," "Dixie Style" and "Fairleigh Bright." A Texas Steer had its moments, but Will Rogers would have to wait until talkies arrived to fully blossom as a film star. ~ Hal Erickson, All Movie Guide
- Starring:
- Will Rogers, Louise Fazenda, (more)
- 1927
As a follow-up to the successful marital farce Up in Mabel's Room, PDC Productions came out with a film version of the evergreen Avery Hopwood stage comedy Getting Gertie's Garter. Charles Ray, once again trying vainly to shed his "boy next door" image, stars as a bachelor lawyer who gives a jeweled garter and a photograph to his girlfriend Marie Prevost. Upon becoming engaged, however, Ray realizes that his bride-to-be is not the understanding type. Thus, he spends the rest of the picture trying to retrieve the garter from Prevost, who isn't about to give up the precious -- and embarrassing -- keepsake. Famed fan dancer Sally Rand shows up in a supporting role, as does that ubiquitous movie fussbudget Franklin Pangborn. Getting Gertie's Garter was remade in 1944 with Dennis O'Keefe and Marie McDonald. ~ Hal Erickson, All Movie Guide
- Starring:
- Sally Rand, Harry Myers, (more)
- 1926
A bulky, verbose novel by Herman Suderman was the source for the exquisitely silent Flesh and the Devil. On leave from the Austrian army, lifelong friends John Gilbert and Lars Hanson return to their loving families. At a reception in Hanson's honor, Gilbert makes the acquaintance of the hauntingly beautiful Greta Garbo, whom he'd previously glimpsed for a few fleeting seconds at the railway depot. Those few seconds were enough to thoroughly captivate Gilbert, thus paving the way for a feverish sexual liaison with Garbo. Gilbert is shocked to discover that Garbo is married to aristocrat Marc MacDermott, who challenges Gilbert to a duel--on the proviso that the "official" reason for their argument is a disagreement at cards, so that McDermott will suffer no disgrace. Gilbert kills the husband on the field of honor; as punishment for his unmilitary conduct, he is "invited" to accept a post in Africa. Honoring his promise to the late McDermott, Gilbert reveals his love of Garbo to no one, not even his dearest friend Hanson. As he departs for his five-year exile, Gilbert asks Hanson to look after the "bereaved" Garbo. Pardoned after three years, Gilbert returns home, only to discover that Garbo has remarried--to Hanson. Minister George Fawcett, evidently the only person to know of Gilbert's tryst with Garbo, advises Gilbert to give up his friendship with Hanson so as to avoid the temptation of cuckolding his best friend. But when Hanson falls seriously ill, Garbo begs Gilbert to renew the friendship. He does so, not suspecting that Garbo merely wants to trap him in her web again. Gilbert is caught in a compromising position by the distraught Hanson; he regretfully challenges Gilbert to a duel, to be fought on their favorite childhood playing site, "The Island of Friendship". As Hanson nervously aims his weapon at the repentant, unresisting Gilbert, he realizes that he can't go through with the duel. The two friends embrace, begging one another's forgiveness...while Garbo, who has belatedly headed across the frozen lake to prevent the duel, comes to an icy end. While the overly intense "male bonding" between John Gilbert and Lars Hanson tends to evoke knowing chuckles when seen today, Flesh and the Devil otherwise holds up quite well. Clarence Brown's innovative directorial touches still seem fresh after years of imitation by lesser talents. Ostensibly a John Gilbert vehicle (he receives sole over-the-title billing), Flesh is utterly dominated through sheer force of personality by the divine Garbo; in anyone else's hands, her enigmatic, impulse-driven temptress would have been just another cardboard vixen. ~ Hal Erickson, All Movie Guide
- Starring:
- John Gilbert, Greta Garbo, (more)
- 1926
Mr. and Mrs. Weedle (William Gillespie and Charlotte Mineau) are in a jam: For years, they've been receiving substantial amounts of money from their rich uncle (William A. Orlamond), who has been led to believe that the Weedles have two children to support. Now Uncle is coming to town, and the duplicitous couple must come up with a pair of babies in a hurry. Naturally, the Our Gang kids hope to get the job, but they're given a run for their money by a mischievous 27-year-old midget (Harry Earles). Meanwhile, Gang member Joe Cobb tries to curb his fighting blood, with less than successful results. Making good use of Hal Roach Studios' standing hotel sets, the silent, two-reel Our Gang comedy Baby Clothes was originally released on April 25, 1926 (an abbreviated TV version, retitled The Rich Uncle, is best avoided; without the original subtitles, the story makes virtually no sense). ~ Hal Erickson, All Movie Guide
- Starring:
- Joe Cobb, Mickey Daniels, (more)
- 1926
Originally released on January 10, 1926, Good Cheer was Our Gang's Yuletide present to the series' legions of fans. 'Tis the day before Christmas, and all through the snowy streets, the Our Gang kids are confronted not by Christmas cheer, but by the crass commercialism of the holiday. Happily, the Spirit of Christmas -- who looks a lot like Santa Claus -- pays a surprise visit to Gang members Mickey Daniels and Johnny Downs, inspiring the boys to earn enough money to buy presents for the rest of their friends. With their usual business acumen, the youngsters come up with a sure-fire moneymaking scheme -- selling heated bricks to keep the last-minute shoppers' feet warm. As a bonus, the gang captures a bunch of bootleggers, thereby earning a huge reward. The film's most memorable sequence, in which a gathering of wind-up toys dance and cavort in a department store window, is unfortunately missing from most TV prints of Good Cheer. ~ Hal Erickson, All Movie Guide
- Starring:
- Mickey Daniels, Mary Kornman, (more)
- 1926
Clara Bow plays an inveterate flirt who impulsively marries much-older mountain man Ernest Torrence. When city lawyer Percy Marmont shows up on a camping trip, Bow can't help but lead the poor fellow on. He resists her advances, but finally succumbs, leading to disaster. Very typical of the silent films that catapulted jazz-baby Clara Bow to stardom in the late 1920s, Mantrap benefits immeasurably from Bow's boundless vivacity and from the breathtaking location photography by James Wong Howe. One nagging question: what does twentysomething Bow see in either of her superannuated leading men--particularly the cadaverous Percy Marmont? ~ Hal Erickson, All Movie Guide
- Starring:
- Ernest Torrence, Clara Bow, (more)
