Alan Napier Movies

A "new" Lassie (once again, a male collie in drag) starred in A Challenge to Lassie, MGM's fourth entry in their series based on characters created by Eric Knight. This time, Lassie is plunked into the plotline of William Ludwig's novel Greyfriars Bobby (remade by Disney under its original title in 1963). In 19th-century Edinburgh, crusty sheepherder Jock Gray (Donald Crisp) rescues a puppy and raises it into a champion sheep dog. When Gray is murdered by rustlers, his faithful collie keeps a night-and-day watch over his late master's grave, despite local laws banning the presence of unleashed canines. The rest of the film is a battle of wills between kindly innkeeper John Traill (Edmund Gwenn) and by-the-book constable Davie (Reginald Owen) over the dog's well-being. A romantic subplot is capably handled by Geraldine Brooks and Ross Ford, both of whom went on to healthy character-actor careers. ~ Hal Erickson, All Movie Guide

When in doubt, drag out the "old dark house/mad scientist" formula. That's the philosophy of Master Minds, the 16th entry in Monogram's "Bowery Boys" series. It all begins when Sach (Huntz Hall), suffering from a toothache, develops the ability to read minds. Sach's pal Slip (Leo Gorcey), knowing a good thing when he sees one, exploits Sach's talents on the carnival-sideshow circuit. Soon, however, the demented Dr. Druzik (Alan Napier) comes calling, hoping to transplant Sach's brain into the body of ape-man Atlas (Glenn Strange). This film's funniest moments occur when the hulking Glenn Strange imitates Huntz Hall's familiar gestures and body language. ~ Hal Erickson, All Movie Guide

Though the Mark Twain original has been refashioned into a Bing Crosby vehicle, this 1949 musical adaptation of A Connecticut Yankee in King Arthur's Court is a lot more faithful to the Twain original than either of the two previous film versions. Crosby plays Hank Martin, a turn-of-the-century American mechanic who is conked on the noggin and awakens in sixth-century England. Captured by dull-witted Sir Sagramore (William Bendix), Hank is marched into the court of King Arthur (Cedric Hardwicke), where he uses his machine-age ingenuity to win the title of "Sir Boss." Even while incurring the wrath of the duplicitous wizard Merlin (Murvyn Vye), Hank woos and wins the lovely lady-in-waiting Alisande (Rhonda Fleming). Shocked by the appalling living conditions of the British peasants, Hank insists that King Arthur travel amongst the people in disguise so that he can experience their misery first-hand, and thereby bring about social reforms. Merlin schemes to use this opportunity to overthrow the king, but Hank foils the wizard's plans by pretending to demonstrate magical powers during a total eclipse. As a last-ditch effort to rid the kingdom of Hank, Merlin kidnaps Alisande and lures "Sir Boss" to certain doom. This scurrilous scheme segues into a much happier ending than one will find in the Twain novel. The expected "time displacement" routines are freshly handled by Crosby and company, while the songs are melodious and perfectly suited to the situations at hand. The film's Technicolor photography is another major asset. By present-day standards, the only drawback to A Connecticut Yankee in King Arthur's Court is that it goes on too long; even so, it is infinitely preferable to the recent remakes that have spewed forth from the Disney studio. Songs include: "Twixt Myself and Me," "Busy Doing Nothing," "Once and for Always", "When is Sometime," and "If You Stub Your Toe on the Moon."
~ Hal Erickson, All Movie Guide

MGM's Lassie series was declining in popularity by 1948, so the studio decided to release its latest adventure of the famous collie as Hills of Home, so that non-Lassie fans might be inveigled into entering the theatre. Actually, Hills is one of the best entries in the series, due in no small part to the engaging performance by Edmund Gwenn. Playing a Scottish doctor, Gwenn adopts Lassie, who in this film has an unnatural aversion to water; she'll drink it, but won't swim in it. Gwenn spends most of the film trying to cure Lassie of her fears, but she remains water-shy until Gwenn's life is put in danger and the dog is forced to dive into a raving river. The doctor dies as the result of the ordeal, but not before beneficently passing on Lassie's ownership to romantic leads Janet Leigh and Tom Drake. Lensed in restful Technicolor, Hills of Home was based on Ian McClaren's Doctor of the Old School, which had previously been filmed without Lassie in 1923. ~ Hal Erickson, All Movie Guide

After supervising several of the best "psychological" horror films ever made, producer Val Lewton shifted his base of operations from RKO to Paramount. Lewton's first project at his new studio -- and the last -- was My Own True Love, an uncharacteristically sentimental offering. Based on the novel by Yolanda Foldes, the story focuses on the romantic dilemma facing ex-POW Joan Clews (Phyllis Calvert). On the verge of marrying middle-aged Clive Heath (Melvyn Douglas), Joan is introduced to Heath's war-veteran son Michael (Philip Friend). Sympathizing with Michael's wartime loss of his Malayan wife and child, Joan falls in love with him. Unwilling to betray his own father, Michael elects to commit suicide, but that's not quite how things turn out. My Own True Love is proof positive that romantic melodrama was not Val Lewton's forte. ~ Hal Erickson, All Movie Guide

Shakespeare's tragic tale of the rise and fall of ambitious 12th-century Scottish warrior MacBeth has proven irresistible to filmmakers. Orson Welles was so anxious to transfer the play to the screen that he acceded to the demands of his parent studio, Republic pictures, that he shoot his version of MacBeth in 23 days on standing B-western sets. The result may not be the best-ever cinematic MacBeth, but it's certainly one of the most moody and atmospheric. Director Welles naturally casts star Welles in the title role, with his old radio colleague Jeanette Nolan as Lady MacBeth (her highly stylized performance has been unfairly castigated by purists, but we defy you to take your eyes off her). Dan O'Herlihy plays MacDuff, Roddy MacDowell is Malcolm, and Edgar Barrier the unfortunate Banquo. Erskine Sanford, William Alland and Gus Schilling, veterans all of Welles' masterpiece Citizen Kane, are also prominently featured, as is Welles' daughter Christopher (as one of MacDuff's murdered children). The severe cutting of the original text is compensated for by the addition of a new character, the "Holy Father" (played in Boris Karloff-style makeup by Alan Napier), whose potted Shakespearian speeches help to bridge several continuity gaps. Highlights include MacBeth's tremulous sighting of Banquo's ghost, an extended monologue in which only MacBeth's head is illuminated, and the synthesizer-like interpolations of the three ubiquitous witches. Welles had originally instructed his actors to deliver their dialogue in a thick Scots burr, but this proved so incomprehensible to preview audiences that Republic ordered the film to be completely redubbed. The original, fully restored version of MacBeth (as opposed to the 89-minute general release cut) was made available on videocassette in the mid-1980s. ~ Hal Erickson, All Movie Guide

Michael Lanyard, aka the Lone Wolf, ventures into Sherlock Holmes territory in this series entry. When a cache of internationally famous diamonds is stolen, Scotland Yard automatically suspects Lanyard (Gerald Mohr). While trying to prove his innocence, Lanyard is approached by Sir John Helmscott (Vernon Steele), who wants our hero to arrange a sale of Helmscott's gem collection. Lanyard figures out that there's a connection between his new client and the stolen jewels when Helmscott's butler Robards (Tom Stevenson) is murdered. The Lone Wolf in London represents Gerald Mohr's second appearance as Louis Joseph Vance's celebrated criminal-turned-sleuth. ~ Hal Erickson, All Movie Guide

In this period drama, Joan Fontaine stars as Ivy Lexton, a woman with an unusual hunger for men. Though she already has a husband, Jervis (Richard Ney), and is having an affair with Roger Gretorex (Patric Knowles), Ivy becomes obsessed with Miles Rushworth (Herbert Marshall), and is determined to have him. However, Miles has no interest in married women and rejects Ivy's advances. Angered, Ivy plans to get her revenge by poisoning Miles and pinning the blame on Roger. Cedric Hardwicke plays the inspector assigned to look into Miles' mysterious death. ~ Mark Deming, All Movie Guide

Adventure Island is a shorter and less satisfying remake of the 1937 Paramount actioner Ebb Tide. Rory Calhoun, Paul Kelly and John Abbott star as Herrick, Lochlin and Hulsh, three mercenary seamen involved in illegal activities in the South Seas. Hired to pilot a schooner to Australia, the threesome plan instead to rob the vessel of its precious cargo. Much to their dismay, they discover that the cargo is bogus, and that they're stuck taking care of the former captain's pretty but contentious daughter Faith Rhonda Fleming. The four lost souls are later imprisoned by Mr. Atwater Alan Napier, in the role played in Ebb Tide by Lloyd Nolan, a megalomaniac who rules a tiny island by exploiting the superstitions of the local natives. Assembled by Pine-Thomas productions, Adventure Island represents a rare excursion away from Poverty Row by director Sam Newfield, here travelling under the alias of Peter Stewart. ~ Hal Erickson, All Movie Guide

Cecil B. DeMille's first postwar production, the $5 million Technicolor historical spectacular Unconquered lacks only the kitchen sink. The story begins in England in the 1760s, as Abigail Martha Hale (Paulette Goddard), unjustly accused of a crime against the Crown, is sentenced by the Lord Chief Justice (C. Aubrey Smith) to 14 years' forced servitude in North America. Carted off to the auction block, Abigail is highly coveted by slavemaster Martin Garth (Howard da Silva), but the highest bidder turns out to be Virginia militiaman Captain Christopher Holden (Gary Cooper). Having been jilted by his aristocratic fiancee Diana (Virginia Grey), Holden harbors no romantic feelings for Abigail, but he's determined not to let her fall into Garth's grimy clutches. The patriotic Holden also knows that Garth, who is married to the daughter (Katherine de Mille) of Indian chief Pontiac (Robert Warwick), has been trading firearms to the Ottawas. The treacherous Garth later participates in the "Pontiac Conspiracy," an allegiance of 18 Indian nations forsworn to wipe out every colonist on the East Coast. To put Holden out of the way, Garth arranges for him to be court-martialed and sentenced to death on a trumped-up desertion charge. But Abigail, partly in repayment for her rescue from Seneca chief Guyasuta (Boris Karloff) and partly because she's fallen in love with Holden, helps him escape, just in time to save a nearby military fort from an Indian massacre -- a feat accomplished by a subterfuge straight out of Beau Geste, which also starred Gary Cooper! As historically suspect as any Cecil B. DeMille epic, Unconquered is still marvelous escapist entertainment, especially during the time-honored bathtub scene involving a bare-shouldered Paulette Goddard (who spends most of the film in either a state of dishabille or bondage, or both!) Once again, however, Mr. "Spare No Expense" DeMille cuts corners by filming most of his major exterior scenes within the artificial confines of the Paramount sound stages. ~ Hal Erickson, All Movie Guide

Lucille Ball is an American taxi-dancer living in London whose roommate has disappeared. The missing girl had left to answer a job offer in the "personal" column of the Times...just like several other women who've vanished without a trace. Scotland Yard detective George Zucco suggests that Ball answer the personals herself in hopes trapping the killer. She crosses the paths of several eccentrics, including deranged artist Boris Karloff, who for a brief time is the prime suspect. The actual culprit, a sex murderer, is the least likely and most helpful of Ball's contacts -- a fact that she learns almost too late. ~ Hal Erickson, All Movie Guide

B-movie auteur Edgar G. Ulmer managed to direct a few A-pictures during his long career; he was personally selected by Hedy Lamarr to helm this big-budget thriller, a project she put together to change her image as a starlet whose sex appeal outweighed her acting abilities. Set in the early 19th century, The Strange Woman takes place in Bangor, Maine, where logging and lumber mills have made the town prosperous. Jenny Hager (Lamarr) has grown up in Bangor, not far from the watchful eye of wealthy Isaiah Poster (Gene Lockhart). The fact that Jenny is twenty years Isaiah's junior does not stem his amorous intentions, and when she's finally out of her teens, Jenny accepts his proposal of marriage. But beneath her sweet exterior, Jenny is a shrewd, conniving women, and while she makes a fine life for herself with Isaiah's money, she obviously doesn't care for him. When Isaiah's son Ephraim (Louis Hayward) visits from college, Jenny is immediately attracted to him, and she tells him that she'll marry him if he murders his father. But, unknown to Ephraim, Jenny is already scheming to win the affections of businessman John Evered (George Sanders), even though he's pledged to marry her best friend Meg (Hillary Brooke). Based on a novel by Ben Ames Williams, The Strange Woman was generally considered one of Hedy Lamarr's best performances, although her best-known performance would continue to be in Ecstasy (1933), largely because of her then-daring nude scenes. ~ Mark Deming, All Movie Guide

This marked the first starring role for Rondo Hatton, previously seen in a few Sherlock Holmes films as the spine-snapping killer "The Oxton Creeper." Hatton, a giant of a man whose face was deformed by acromegaly, was luridly promoted by the studios as a "human monster" who required no makeup. Here, he plays yet another brutish character, a homicidal convict who is rescued from drowning by mad sculptor Martin Kosleck. Hatton returns the favor by killing any critic who ever gave the artist a poor notice. Though Hatton never had the opportunity to develop his acting skills before his tragic death, there is nevertheless a glimmer of talent evident here, which is put to better use in his final film The Brute Man. ~ Cavett Binion, All Movie Guide