Alan Napier Movies
Though no one in his family had ever pursued a theatrical career (one of his more illustrious relatives was British Prime Minister Neville Chamberlain), Alan Napier was stagestruck from childhood. After graduating from Clifton College, the tall, booming-voiced Napier studied at the Royal Academy of Dramatic Art, then was engaged by the Oxford Players, where he worked with such raw young talent as John Gielgud and Robert Morley. He continued working with the cream of Britain's acting crop during his ten years (1929-1939) on the West End stages. Napier came to New York in 1940 to co-star with Gladys George in Lady in Waiting. Though his film career had begun in England in the 1930s, Napier had very little success before the cameras until he arrived in Hollywood in 1941. He essayed dignified, sometimes waspish roles of all sizes in such films as Cat People (1942), The Uninvited (1943), and House of Horror (1946); among his off-the-beaten-track assignments were the bizarre High Priest in Orson Welles' Macbeth (1948) and a most elegant Captain Kidd in the 1950 Donald O'Connor vehicle Double Crossbones. In 1966, Alan Napier was cast as Bruce Wayne's faithful butler, Alfred, on the smash-hit TV series Batman, a role he played until the series' cancellation in 1968. Alan Napier's career extended into the 1980s, with TV roles in such miniseries as QB VII and such weeklies as The Paper Chase. ~ Hal Erickson, All Movie Guide
In 1950, Maj. Jefferson Pike (James Garner), an Army intelligence agent who served with distinction in World War II, awakens in a hospital with severe amnesia. He isn't sure where he is, how he got there, or even who the woman at his side is, even though the doctor tells him that her name is Anna (Eva Marie Saint) and that she is his wife. The doctor instructs Pike to recall, in as much detail as possible, what he was doing before the accident that caused his traumatic memory loss. But the doctor isn't a doctor, Anna isn't Pike's wife, it isn't 1950, and he isn't in an American hospital. World War II is still very much in progress, and Pike is being duped in an elaborate scheme prepared by Maj. Walter Gerber (Rod Taylor), a German intelligence agent. Gerber is trying to trick a drugged and suggestible Pike into telling him everything he knows, as the injured soldier lies in a Bavarian military hospital after being taken prisoner. Will Pike be able to see through the cracks in Gerber's facade before he spills the beans that could mean death and defeat for American soldiers? 36 Hours was later remade for TV under the title Breaking Point. TV fans will want to keep an eye peeled for bit parts by James Doohan from Star Trek and John Banner from Hogan's Heroes. ~ Mark Deming, All Movie Guide
- Starring:
- James Garner, Eva Marie Saint, (more)
- 1949
Though the Mark Twain original has been refashioned into a Bing Crosby vehicle, this 1949 musical adaptation of A Connecticut Yankee in King Arthur's Court is a lot more faithful to the Twain original than either of the two previous film versions. Crosby plays Hank Martin, a turn-of-the-century American mechanic who is conked on the noggin and awakens in sixth-century England. Captured by dull-witted Sir Sagramore (William Bendix), Hank is marched into the court of King Arthur (Cedric Hardwicke), where he uses his machine-age ingenuity to win the title of "Sir Boss." Even while incurring the wrath of the duplicitous wizard Merlin (Murvyn Vye), Hank woos and wins the lovely lady-in-waiting Alisande (Rhonda Fleming). Shocked by the appalling living conditions of the British peasants, Hank insists that King Arthur travel amongst the people in disguise so that he can experience their misery first-hand, and thereby bring about social reforms. Merlin schemes to use this opportunity to overthrow the king, but Hank foils the wizard's plans by pretending to demonstrate magical powers during a total eclipse. As a last-ditch effort to rid the kingdom of Hank, Merlin kidnaps Alisande and lures "Sir Boss" to certain doom. This scurrilous scheme segues into a much happier ending than one will find in the Twain novel. The expected "time displacement" routines are freshly handled by Crosby and company, while the songs are melodious and perfectly suited to the situations at hand. The film's Technicolor photography is another major asset. By present-day standards, the only drawback to A Connecticut Yankee in King Arthur's Court is that it goes on too long; even so, it is infinitely preferable to the recent remakes that have spewed forth from the Disney studio. Songs include: "Twixt Myself and Me," "Busy Doing Nothing," "Once and for Always", "When is Sometime," and "If You Stub Your Toe on the Moon."
~ Hal Erickson, All Movie Guide
~ Hal Erickson, All Movie Guide
- Starring:
- Bing Crosby, Rhonda Fleming, (more)
A Scandal in Paris is a liberal adaptation of the life story of Eugène François Vidocq, who was French prefect of police during the Napoleonic era. George Sanders stars as Vidocq, who spends most of the film as an aimless rogue willing to lie, cheat, and steal for his own comfort. The women who affect Vidocq's life include a saucy cabaret entertainer (Carole Landis) for whom Vidocq steals, and a good woman (Signe Hasso) for whom he straightens himself out. Fledgling director Douglas Sirk displayed his love of the Baroque (both in decor and characterizations) that would distinguish his later high-budget Universal soap operas. Most prints of A Scandal in Paris bear the film's alternate title, Thieves' Holiday. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sanders, Signe Hasso, (more)
- 1942
MGM's A Yank at Eton follows the same basic formula as the 1938 Robert Taylor starrer A Yank at Oxford, with a wartime angle thrown in. This time it's Mickey Rooney as the cocky young American who is shipped off to England to complete his education. Upon his arrival in the hallowed halls of Eton, Timothy Daniels (Rooney), bereft of common courtesy or a sense of tradition, wastes no time alienating the rest of the students. Eventually of course, Timothy knocks the chip off his own shoulder and becomes a model student and top athlete. Freddie Bartholomew, Rooney's costar in so many MGM classics of the 1940s, plays Timothy's upper-classman half-brother Peter Carlton, who applies a little "tough love" to bring our headstrong hero into line; also seen as the school bully is new MGM contractee Peter Lawford, who in 1938 had made his American film debut in the Rooney-Bartholomew starrer Lord Jeff. ~ Hal Erickson, All Movie Guide
- Starring:
- Mickey Rooney, Edmund Gwenn, (more)
- 1951
Clark Gable is the largely nonheroic hero of the sprawling western Across the Wide Missouri. A cunning trapper who lives purely by his wits, Gable avoids being scalped by the Blackfoot Indians by marrying Maria Elena Marques, the chief's daughter. This marriage of convenience also allows Gable to trap to his heart's content in Blackfoot territory. After bearing a child, Marques is killed by a warring tribe; the opportunistic Gable at first considers abandoning the child, but at long last does right by the boy. Adolphe Menjou steals the show as an eternally inebriated French trapper, while Ricardo Montalban and J. Carroll Naish are convincing (and noncondescending) in their Native American characterizations. Evidently, Across the Wide Missouri tested poorly when it was first previewed: the final release version runs a surprisingly brief 78 minutes, with narrator Howard Keel (who otherwise does not appear) filling in the continuity gaps. ~ Hal Erickson, All Movie Guide
- Starring:
- Clark Gable, Ricardo Montalban, (more)
- 1944
Exiled from his own country during WW2, French filmmaker Leonide Moguy worked briefly in Hollywood, where he directed the patriotic thriller Action in Arabia. George Sanders stars as Gordon, an American newspaperman at large in Damascus. When a colleague is murdered, Sanders wants to find out why. He is helped along by glamourous secret agent Yvonne (Virginia Bruce), who is on the trail of a group of Nazi saboteurs. It turns out that the murder is tied in with a plan to destroy the Suez Canal in the name of Der Fuehrer. Though economically produced, Action in Arabia benefits from several rather spectacular-looking scenes of desert combat-most of these lifted from a never-finished 1933 filmed biography of Lawrence of Arabia. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sanders, Virginia Bruce, (more)
- 1947
Adventure Island is a shorter and less satisfying remake of the 1937 Paramount actioner Ebb Tide. Rory Calhoun, Paul Kelly and John Abbott star as Herrick, Lochlin and Hulsh, three mercenary seamen involved in illegal activities in the South Seas. Hired to pilot a schooner to Australia, the threesome plan instead to rob the vessel of its precious cargo. Much to their dismay, they discover that the cargo is bogus, and that they're stuck taking care of the former captain's pretty but contentious daughter Faith Rhonda Fleming. The four lost souls are later imprisoned by Mr. Atwater Alan Napier, in the role played in Ebb Tide by Lloyd Nolan, a megalomaniac who rules a tiny island by exploiting the superstitions of the local natives. Assembled by Pine-Thomas productions, Adventure Island represents a rare excursion away from Poverty Row by director Sam Newfield, here travelling under the alias of Peter Stewart. ~ Hal Erickson, All Movie Guide
- Starring:
- Rory Calhoun, Rhonda Fleming, (more)
- 1957
Previously filmed as a theatrical feature in 1939, Alec Coppel's semi-serious mystery play I Killed the Count was adapted 17 years later as Alfred Hitchcock Presents' only three-part episode. In part one, London police inspector Davidson (John Williams) hopes to find out who killed the much-hated Count Martoni (John Hoyt). There seems to be no shortage of suspects, and when one of them steps forward to confess to the murder, Davidson is certain that the case is closed...but it isn't, not by a long shot. ~ Hal Erickson, All Movie Guide
- 1957
Previously filmed as a theatrical feature in 1939, Alec Coppel's semi-serious mystery play I Killed the Count was adapted 17 years later as Alfred Hitchcock Presents' only three-part episode. In part two, Inspector Davidson (John Williams) has his hands full trying to determine who murdered the much-hated Count Martoni. No sooner has one suspect confessed to the crime than another suspect comes forward with another confession! Making matters worse for Davidson, there is not enough evidence to convict either one of the confessors. ~ Hal Erickson, All Movie Guide
- 1957
Previously filmed as a theatrical feature in 1939, Alec Coppel's semi-serious mystery play I Killed the Count was adapted 17 years later as Alfred Hitchcock Presents' only three-part episode. In part three, Inspector Davidson (John Williams) is no closer to solving the murder of Count Martoni than he was in parts one and two -- especially since no fewer than three people have come forward, confessing to the crime. Finally, Davidson is able to separate wheat from chaff and determine who is truly guilty...but he may be forced to free the miscreant on a legal technicality. ~ Hal Erickson, All Movie Guide
- 1959
Scotland Yard inspector Benson (played by future "James Bond" Roger Moore) seems determined to monitor every movement made by Lady Gwendolyn Avon (Hazel Court). Benson informs his superiors that he is convinced that Lady Gwendolyn plans to smuggle a valuable emerald necklace out of the country, and then sell it so she won't have to pay the taxes on it. The story takes an unexpected turn when the necklace is stolen by a "person or persons unknown." ~ Hal Erickson, All Movie Guide
- 1955
This episode is based on a famous urban legend, previously filmed as the 1949 theatrical feature. Patricia Hitchcock (daughter of the boss) stars as Diana Winthrop, who attends the 1899 Paris World's Exposition in the company of her mother (Mary Forbes). Having left their hotel room to fetch some medicine for her ailing mother, Diana returns a few hours later, only to be told that she has not been registered. Further investigation reveals that no one can remember ever seeing Diana or her mother -- and there is serious doubt that her mother ever existed! The key to the mystery is a patch of wallpaper...and the solution involves an elaborate ruse to save the Exposition from being closed down before it has a chance to open. ~ Hal Erickson, All Movie Guide
- 1956
Newly arrived in Heaven, mystery writer Alexander Arlington (John Williams) asks permission from Recording Angel Wilfred (Alan Napier) to return to Earth so that he can find out who murdered him. The list of suspects is formidable indeed, including not only Arlington's faithless wife Carol (a pre-Gunsmoke Amanda Blake), but also his nephew and his secretary. In his efforts to reconstruct the crime, Arlington succeeds only in getting himself bumped off all over again -- and it looks for a while as though he'll never discover "whodunit." ~ Hal Erickson, All Movie Guide
- 1943
This wartime melodrama stars George Sanders as Keith Wilson, a disillusioned Britisher who becomes a "Lord Haw Haw"type at a Nazi radio station. All the time he's dispensing anti-British propaganda over the airwaves, however, Wilson is actually a secret agent in the employ of the His Majesty's government. It is Wilson's intention to use his intimate relationship with the Germans to expose a worldwide Nazi spy ring. Romance enter the picture in the form of Ilse Preissing (Marguerite Chapman), the sister of a Nazi agent whose decision to join Wilson's side results in her death. Veteran movie villainess Gale Sondergaard also appears in the film, cast against type as a courageous British intelligence agent. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sanders, Marguerite Chapman, (more)
Tongue-in-cheek humor prevails in Batman, a witty homage to the Dynamic Duo's exaggerated exploits. The Caped Crusaders (Adam West and Burt Ward) are called in as a last resort when the criminal masterminds of the millennium team up to conquer Gotham City by turning the U.N. Security Council into dehydrated dust; among the villains are the Joker (Cesar Romero), Catwoman (Lee Meriwether), the Riddler (Frank Gorshin), and the Penguin (Burgess Meredith). The entire cast is excellent, particularly West and Ward, who distinguish themselves among a standout list with hilariously straight-faced performances. The film includes some truly memorable scenes, highlighted by a particularly tenacious shark with a vertical leap that would put Spud Webb to shame and a bomb on the waterfront with no place to explode (nuns, infants and lovebirds beware!). ~ Jeremy Beday, All Movie Guide
Dealing in imported goods, a businessman and his wife seem to continuously be the capable recipients of international trouble. The short-running series ran for 26 episodes during the 1952-1953 season. ~ Kristie Hassen, All Movie Guide
- Starring:
- Alan Hale, Jr., Randy Stuart, (more)
Of all the "kill the commies" cold war films of the 1950s, John Wayne's Big Jim McLain may well be the worst. Certainly it's the hardest one to sit through today. The Duke and his partner Jim Arness (Wayne's real-life protege) head to Hawaii to investigate a subversive pro-Red organization. Feigning love for suspect Nancy Olson, Wayne ferrets out the name of the Big Cheese, played by Gayne Whitman. After a long wild-goose chase, peopled by such oddball types as Hans Conried and Alan Napier, Wayne catches up with his quarry, who has--egad!--already murdered Arness. Wayne exacts vengeance, paving the way for a final clinch with Nancy Olson, who turns out to be true-blue and not red after all. To quote Spike Jones: "Peeeeee.....yewwwww." ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Nancy Olson, (more)
- 1930
One of several British films produced and directed by American moviemaker Larry Trimble, Caste gets under way when the hero, played by Sir John Hare, defies his family's wishes and marries a chorus girl. Disgraced in the eyes of "proper" society, Hare deserts his new wife and joins his regiment in South Africa, where he is later reported to be missing in action. Meanwhile, Hare's wife returns to her old neighborhood and bears her husband's child. Several years pass before the very-much-alive Hare returns to entreat his wife's forgiveness. Though billed first, the delightful Peggy Hyland was wasted in the role of the hero's wisecracking sister. ~ Hal Erickson, All Movie Guide
- 1942
Handed the exploitive title Cat People, RKO producer Val Lewton opted for a thinking man's thriller--a psychological mood piece, more reliant on suspense and suggestion than overt "scare stuff". Simone Simon plays an enigmatic young fashion artist who is curiously affected by the panther cage at the central park zoo. She falls in love with handsome Kent Smith, but loses him to Jane Randolph. After a chance confrontation with a bizarre stranger at a restaurant, Simon becomes obsessed with the notion that she's a Cat Woman--a member of an ancient Serbian tribe that metamorphoses into panthers whenever aroused by jealousy. She begins stalking her rival Randolph, terrifying the latter in the film's most memorable scene, set in an indoor swimming pool at midnight. Psychiatrist Tom Conway scoffs at the Cat Woman legend--until he recoils in horror after kissing Simon. If the film's main set looks familiar, it is because it was built for Orson Welles' The Magnificent Ambersons (Lewton later used the same set for his The Seventh Victim). Cat People was remade by director Paul Schrader in 1982. ~ Hal Erickson, All Movie Guide
- Starring:
- Simone Simon, Kent Smith, (more)
The longest (26-1/2 hours), most expensive ($25 million) and most complicated (four directors, five producers, five cinematographers, almost 100 speaking parts, several hundred extras) project made for television up to that time, Centennial was shown in two- and three-hour installments over a period of four months. An adaptation of James Michener's best-selling novel, it told the story of the settling of the American West by looking at the founding of the fictional town of Centennial, Colorado, from the settling of the area in the late 18th century to the present. Emmy-nominated for film editing and art direction, it boasts of sterling performances from Richard Chamberlain as frontiersman Alexander McKeag, Robert Conrad as the French-Canadian trapper Pasquinel, and a surprisingly powerful performance from former football star Alex Karras as compassionate but iron-willed immigrant farmer Hans Brumbaugh. ~ Brian Gusse, All Movie Guide
- 1949
A "new" Lassie (once again, a male collie in drag) starred in A Challenge to Lassie, MGM's fourth entry in their series based on characters created by Eric Knight. This time, Lassie is plunked into the plotline of William Ludwig's novel Greyfriars Bobby (remade by Disney under its original title in 1963). In 19th-century Edinburgh, crusty sheepherder Jock Gray (Donald Crisp) rescues a puppy and raises it into a champion sheep dog. When Gray is murdered by rustlers, his faithful collie keeps a night-and-day watch over his late master's grave, despite local laws banning the presence of unleashed canines. The rest of the film is a battle of wills between kindly innkeeper John Traill (Edmund Gwenn) and by-the-book constable Davie (Reginald Owen) over the dog's well-being. A romantic subplot is capably handled by Geraldine Brooks and Ross Ford, both of whom went on to healthy character-actor careers. ~ Hal Erickson, All Movie Guide
- Starring:
- Edmund Gwenn, Donald Crisp, (more)
- 1941
Don Ameche, an American news bureau chief stationed in London, is frustrated by the British government's censorship of his wildly speculative dispatches to the United States. Joan Bennett is the government Teletype operator assigned to make sure that Ameche doesn't send out any story that hasn't been cleared. At first adversarial towards each other, Ameche and Bennet fall in love while huddled in various bomb shelters during the 1940 London blitz. Clearly inspired by Hitchcock's Foreign Correspondent (40), Confirm or Deny was one of many "preparedness" films turned out by Hollywood in the months just prior to Pearl Harbor. Any political proselytizing, however, takes second place to the Don Ameche/Joan Bennett love story. ~ Hal Erickson, All Movie Guide
- Starring:
- Don Ameche, Joan Bennett, (more)
- 1972
Crime Club was the umbrella title given a series of monthly mystery novels in the 1930s and 1940s. Several films and radio programs ostensibly based on "Crime Club" stories were produced during that same period. The title was revived for a TV pilot film in 1972; this time the "Crime Club" referred to a high-tech crime solving organization which numbered among its members a private detective, a federal agent, a policeman and a judge. In the pilot, the private eye (Lloyd Bridges) and the judge (Victor Buono) pool their skills to solve the murder of a fellow club member. The film failed to lead to a weekly series, but another Crime Club pilot was commissioned in 1975. ~ Hal Erickson, All Movie Guide
Steve Thompson (Burt Lancaster) returns home after a few years of knocking around the country following his divorce from good-time girl Anna (Yvonne De Carlo). Getting his old job back driving an armored car, and not even convincing himself that he's making a new start, he also wants his old wife back. When he finds Anna, he quickly learns that she is involved with gangster Slim Dundee (Dan Duryea). Nonetheless, they carry on a clandestine affair, with Steve foolishly believing that Anna will return to him. Even after she marries Slim, Steve, with her encouragement, masochistically clings to this doomed obsession. So when Slim catches them together, Steve ad libs plans for an armored car robbery that includes Slim. The two rivals form an uneasy and untrusting collaboration, but Steve and Anna plan to double cross Slim. However, the title of Robert Siodmak's film noir gem is, not incidentally, Criss Cross. ~ Steve Press, All Movie Guide
- Starring:
- Burt Lancaster, Yvonne De Carlo, (more)
