Alan Napier Movies

The Monkey Mission was the second of three feature-length pilot films for the never-sold Robert Blake TV series Joe Dancer. On this occasion, hard-boiled private eye Joe Dancer (Blake, of course) takes on the challenge of return a priceless European vase to its rightful owner. Stolen by Nazis during WWII, the vase is now the property of a high-scale museum -- with round-the-clock guards to prevent its being swiped again, even by the "good guys." To pull off his assignment, Dancer enlists the aid of shady electronics genius Stump Harris (Keenan Wynn), veteran sneak thief Jimmy Papadopolous (John Fiedler), and Jimmy's "assistant" -- a chimpanzee named Gregor. Airing March 23, 1981, on NBC, The Monkey Mission failed to result in a weekly Joe Dancer series, though critical and viewer response was positive. ~ Hal Erickson, All Movie Guide

Circumstantial evidence has implicated Nico Triforos (George Pan Casselman), a reclusive young Greek immigrant, in the murder of a prostitute. Assigned to solve the case, Kojak (Telly Savalas) runs afoul of his fellow Greek-Americans, who disapprove of his "persecution" of a downtrodden countryman. Featured in the supporting cast as heavily accented Greek characters are Alan Napier (Batman) and Oscar Beregi, respectively born in England and Hungary. ~ Hal Erickson, All Movie Guide

Myrna Loy guest stars as Andrea Wollcott, a pioneering feminist author. Over the years, Andrea has made many enemies--one of whom apparently hates her enough to fire a few gunshots at her. Assigned by Ironside (Raymond Burr) to protect Andrea, Fran (Elizabeth Baur) is thrilled at meeting one of her idols...at least at first. Meanwhile, Ed (Don Galloway) falls in love with the Great Lady's granddaughter April Morris (Jacqueline Scott), leading to unanticipated complications. ~ Hal Erickson, All Movie Guide

Returning to Fiji for the first time since WW2, Ironside is anxious to be reunited with a wartime friend. Upon his arrival, however, Ironside is informed that his friend has left for San Francisco to meet him. Suspecting foul play, Ironside summons Mark and Ed to the islands--only to mysteriously vanish himself. Central to the mystery is a well-coordinated scheme to steal gold from the US government. Featured in the cast are two 1960s TV icons: Alan Napier, aka "Alfred the Butler" on Batman; and Bernard Fox, whose many sitcom roles included Dr. Bombay on Bewitched and Malcolm Merriwether on The Andy Griffth Show. ~ Hal Erickson, All Movie Guide

This second episode of a four-part story arc is one of three Beverly Hillbillies installments filmed in England for the series' sixth season. Having inherited a castle and a title, Jed Clampett arrives in London with his family in tow. After a tussle with the local officials, the Clampetts take a rollicking tour of the "swinging" English metropolis. Reportedly, this was one of the series' most difficult episodes to film, thanks to the thousands of loyal British Beverly Hillbillies fans who converged upon cast and crew at every opportunity. "The Clampetts in London" first aired on September 13, 1967. ~ Hal Erickson, All Movie Guide

The satire in Evelyn Waugh's darkly comic novel The Loved One was originally double-edged. The book was not only an attack on the Southern California funeral industry but also a lampoon of Hollywood's "British colony," those clannish, cricket-playing English actors of years gone by who bemoaned the artificiality of Tinseltown while eagerly accepting the demeaning and insignificant movie roles they were offered. The film version of The Loved One, anxious to live up to its ad-campaign promise of containing "something to offend everybody," downplays the British-colony business (save for the presence of the magnificent Robert Morley) and pumps up the "death" gags. Innocent British poet Dennis Barlow (Robert Morse) falls in love with funeral-home cosmetician Aimee Thanatogenos (Anjanette Comer), who in turn is loved by prissy funeral director Mr. Joyboy (Rod Steiger). The latter lives with his obese mother (Ayllene Gibbons), whose eating sequence is far more hilarious (and more tasteless) than many of the film's calculatedly "black" jokes. A huge guest-star cast is headed by Jonathan Winters in a dual role as a funeral home manager and his covetous twin brother, who operates an elaborate pet cemetery. Musician Paul Williams is also on hand as a 13-year-old aeronautics genius who develops a method of sending corpses into "eternal orbit" (a plot device that Waugh neglected to include in his novel). Film historian William K. Everson has commented that The Loved One is one of the best and most underrated comedies of the 1960s. For others, especially those who might feel guilty chuckling at the sight of Anjanette Comer committing suicide with an embalming needle, it's purely a matter of taste...or lack of same. ~ Hal Erickson, All Movie Guide

Charles Beaumont adapted this hauntingly-poignant 60-minute Twilight Zone episode from his own short story "Song for a Lady." Hoping to save their tattered marriage, Alan and Eileen Ransome (Lee Philips and Joyce Van Patten) book passage on a luxury liner bound for England. Their first indication that something is amiss is the fact that all the other passengers are very, very old; the second is the realization that the ship is not travelling in the direction that it should. But what seems to be sinister at first ends up as something rare and beautiful. The veteran supporting cast includes Gladys Cooper, Wilfrid Hyde-White, Cecil Kellaway, and Alan Napier. The first Twilight Zone to be produced by Bert Granet, "Passage on the Lady Ann" originally aired May 9, 1963. ~ Hal Erickson, All Movie Guide

Roger Corman's success with low-budget adaptations of Edgar Allan Poe tales continued with this third installment, the first to lack the commanding presence of Vincent Price. Instead, we have Ray Milland as tormented protagonist Guy Carrell, who is so traumatized by the death of his father -- whom he believes was entombed alive after suffering a cataleptic attack -- that he becomes convinced that he will meet a similar demise. Guy's mounting dementia rapidly undermines his recent marriage to the lovely Emily (Hazel Court), particularly after he begins the construction of a specially designed crypt rigged with numerous escape devices. Encouraged by Emily to face his fears, Guy decides to view his father's remains, to prove once and for all whether he died peacefully. When the crypt is opened, however, what he finds there is so horrifying that he succumbs to a cataleptic episode himself, which doctors misdiagnose as a fatal heart attack... and Guy's worst fear soon becomes a reality. Milland's performance conveys the requisite amount of hand-wringing torment (in the mode of The Lost Weekend), even if he fails to capture the manic intensity that Price brought to the other Poe films. Corman's deft direction, employing a rich palette of colors and superb widescreen compositions, is on a par with the series' finest installments. ~ Cavett Binion, All Movie Guide

Rock 'n roll king Elvis Presley stars as Glenn Talbot, a country boy with a problem temper and a yen for literary greatness in this typical Presley vehicle directed by Philip Dunne. After Glenn is sent packing by his father for mixing it up one too many times with his brother, the court makes him a ward of his uncle. His inner turmoil leads him into therapy with the older and very attractive Irene (Hope Lange), a patient-doctor relationship that is misconstrued by their small town. The two spend a platonic night in the same room in a motel, but no one is believing it was innocent. Glenn's romantic interests include Noreen (Tuesday Weld), with whom he shares a drink or two or more, and a song, and Betty Lee (Millie Perkins). Between the singing and carousing and fist fights, it still looks like a happy resolution looms large on the horizon. ~ Eleanor Mannikka, All Movie Guide

In this adventure, a pilot and a radio commentator crash on an island just off the Australian coast and discover a crazed scientist and his three lovely daughters Venus, Urana, and Mercuria. The girls have never seen a man other than their father. When the commentator realizes that the scientist has been working on atomic experiments, he threatens to expose the scientist. In retaliation, the scientist destroys their airplane. Fortunately, the lovely daughters help them build a raft. Unfortunately, the mad mad scientist sets off a dreadful explosion. The ensuing blast attracts the attention of the Australian authorities. The survivors are soon rescued. ~ Sandra Brennan, All Movie Guide

Previously filmed as a theatrical feature in 1939, Alec Coppel's semi-serious mystery play I Killed the Count was adapted 17 years later as Alfred Hitchcock Presents' only three-part episode. In part two, Inspector Davidson (John Williams) has his hands full trying to determine who murdered the much-hated Count Martoni. No sooner has one suspect confessed to the crime than another suspect comes forward with another confession! Making matters worse for Davidson, there is not enough evidence to convict either one of the confessors. ~ Hal Erickson, All Movie Guide

The Mole People holds the dubious distinction of being the weakest of the Universal-International horror films. John Agar plays Dr. John Bentley, who leads a Middle Eastern expedition in search of a lost tribe of Sumerians. Bentley and his cohorts follow a tunnel deep, deep, deep below the surface of the earth, eventually coming across a tyrannical tribe of albino Sumerians, who use the semi-human Mole People as slaves. What follows is so dull and plodding that stars John Agar and Hugh Beaumont seem like Mel Gibson and Arnold Schwarzenegger in comparison. Some prints of The Mole People are minus the pre-credits "explanation" by 1950s celebrity egghead Dr. Frank Baxter. ~ Hal Erickson, All Movie Guide