Isabelle Nanty

A high-society housewife finds her social standing threatened when her American ex-husband arrives in Paris in Hiroshima Mon Amour director Alain Resnais' adaptation of André Barde's farcical 1920s-era operetta. With money to spare and a lavish home, Gilberte Valandray (Sabine Azéma) spends most of her days relaxing and enjoying the company of close friend Huguette (Audrey Tautou). When Gilberte learns that her ex-husband Georges Valandray (Pierre Arditi) has arrived in Paris, her desperate bid to keep her past hidden from her current husband is further complicated by the constant advances of her many admirers. ~ Jason Buchanan, All Movie Guide

French actress Isabelle Nanty, known in the States as Georgette the cigarette girl in Amélie, makes her debut as a writer/director with the lighthearted comedy Le Bison (et sa voisine Dorine). Nanty also stars in the leading role as Dorine, a frumpy working mother complete with pink foam curlers in her hair. Extremely pregnant, she struggles as a concierge to support the four children she already has. Right before her fifth one is born, her husband leaves her. She then gets involved in an unlikely romance with her selfish neighbor Louis Le Bison (Edouard Baer), who turns out to be a nice guy when she goes into labor. ~ Andrea LeVasseur, All Movie Guide

Based on the original '60s French comic books by René Goscinny, Astérix & Obélix: Mission Cléopâtre is the big-budget sequel to the 1999 box-office hit Astérix and Obélix vs. Caesar. Empress Cleopatra (Monica Bellucci) makes a wager with Julius Caesar (played by writer/director Alain Chabat) that her people can build a beautiful palace in three months. She chooses architect Numerobis (Jamel Debbouze) for the project, which must be completed in time or he will be fed to the crocodiles. Numerobis travels to Gaul to get help from the superpowered Panoramix (Claude Rich) and the warriors Astérix (Christian Clavier) and Obélix (Gérard Depardieu), along with their faithful pet Dogmatix. They use their magic potion to make the Egyptian slave-labor population into superheroes, thereby building the palace in no time. Meanwhile, the angry architect Amonbofis (Gérard Darmon) and Julius Caesar don't want to see them succeed. At the time of its release, Astérix & Obélix: Mission Cléopâtre was the most expensive French film ever made, with a budget of $50 million. ~ Andrea LeVasseur, All Movie Guide

One woman decides to change the world by changing the lives of the people she knows in this charming and romantic comic fantasy from director Jean-Pierre Jeunet. Amelie (Audrey Tautou) is a young woman who had a decidedly unusual childhood; misdiagnosed with an unusual heart condition, Amelie didn't attend school with other children, but spent most of her time in her room, where she developed a keen imagination and an active fantasy life. Her mother Amandine (Lorella Cravotta) died in a freak accident when Amelie was eight, and her father Raphael (Rufus) had limited contact with her, since his presence seemed to throw her heart into high gear. Despite all this, Amelie has grown into a healthy and beautiful young woman who works in a cafe and has a whimsical, romantic nature. When Princess Diana dies in a car wreck in the summer of 1997, Amelie is reminded that life can be fleeting and she decides it's time for her to intervene in the lives of those around her, hoping to bring a bit of happiness to her neighbors and the regulars at the cafe. Amelie starts by bringing together two lonely people -- Georgette (Isabelle Nanty), a tobacconist with a severe case of hypochondria, and Joseph (Dominique Pinon), an especially ill-tempered customer. When Amelie finds a box of old toys in her apartment, she returns them to their former owner, Mr. Bretodeau (Maurice Benichou), sending him on a reverie of childhood. Amelie befriends Dufayel (Serge Merlin), an elderly artist living nearby whose bones are so brittle, thanks to a rare disease, that everything in his flat must be padded for his protection. And Amelie decides someone has to step into the life of Nino (Mathieu Kassovitz), a lonely adult video store clerk and part-time carnival spook-show ghost who collects pictures left behind at photo booths around Paris. Le Fabuleux Destin D'Amelie Poulain received unusually enthusiastic advance reviews prior to its French premiere in the spring of 2001, and was well received at a special free screening at that year's Cannes Film Festival. ~ Mark Deming, All Movie Guide

Taking its title from a popular 1960s dance craze, this digital video comedy concerns the exploits of a particularly odd fictional talk-show host, portrayed by real-life French talk-show sensation Edouard Baer. Baer -- who also directed and co-wrote the film -- plays a sarcastic TV personality who decides to gather together the panel members from his live show before they shoot the program so that they have a chance to rehearse. To this end, the absurd group -- including a lawyer, a transvestite, and a grown woman who acts like a child -- rents a villa for a month. It doesn't take long for resentment to fester among the motley crew. ~ Michael Hastings, All Movie Guide

Martin Lamotte made his directorial debut with this French comedy. Building contractor Patrick (Sam Karmann) is unaware that Helene (Catherine Frot), his wife for 15 years, intends to celebrate their wedding anniversary with a surprise party. She's invited friends and relatives to spend the weekend at their blue house. Elsewhere down the road, at an identical blue house, Patrick and his other love, Elizabeth (co-scripter Carol Brenner), the mother of his two-year-old daughter, are planning an engagement party for the son of their neighbor. Neither woman knows about the other, and this sticky situation requires Patrick to rush back and forth from one blue house to another throughout the evening. The story is told in flashback by Patrick -- from his hospital bed. ~ Bhob Stewart, All Movie Guide

A boy, blaming himself for his parent's break-up, devises a scheme to bring them back together in this entertaining French film. Antoine is angry because he can't have a leather jacket so he steals one from a boutique. He couldn't have one because his parents couldn't afford it. His father is a teacher and makes a modest salary. His mother, to help out, takes a job as a telephone operator for an advertising agency. She quickly advances within the company and is soon out earning her husband, who resents it, has an affair, and leaves the house. Antoine, to ease his self-blame and restore harmony, begins hatching his elaborate plan. ~ Sandra Brennan, All Movie Guide

A modern farce about medieval life, this is a time-travel comedy by French director Jean-Marie Poire. A 12th-century nobleman, Godefroy (Jean Reno), and his squire Jacquouille (Christian Clavier) are the victims of a mistake by an aging wizard. While trying to work another spell, the sorcerer accidentally transports the pair to the late 20th century. To his great dismay, Godefroy finds that his family is now poor and has sold their estate to Jacquouille's rich descendants, including Jacquart (also played by Clavier). The insensitive new owners plan to turn the castle into a modern hotel. Meanwhile, the sorcerer asks his own descendant for help in trying to get his charges to return back to medieval times. The film, which details with comic precision the differences in manners and technology between the two eras, was a huge hit in France. ~ Michael Betzold, All Movie Guide

Tatie Danielle is a black comedy about a widow who is intent on ruining the lives of her great-nephew and his wife. Tsilla Chelton plays the title character, who mourns the death of her husband by tormenting everyone she meets. Eventually, she moves in with her nephew and his vain wife. Soon, her family is at war with Tatie, and takes off for Greece, leaving her in the care of Sandrine (Isabelle Nanty), an au pair who is as equally bitter as Tatie herself. At first the two don't get along, yet the two eventually become friends. However, Sandrine is invited to accompany an American student for an overnight stay at the beach, which would leave Tatie alone for a night. Angered, Tatie fires Sandrine, and while she is alone, she goes into deep depression, eventually setting the family's apartment on fire. The fire becomes a national story, with Tatie cast as a poor old lady and the family labeled as cruel and heartless villains. ~ Stephen Thomas Erlewine, All Movie Guide

Students of film history will appreciate the many tributes to famous films of yore which appear in this first-time feature directed and written by former drama teacher Francis Huster. In the story, a mild-mannered bank clerk has heroic dreams of being a real he-man. Given his diffident, shy nature, it comes as a bit of a surprise that not only does he actually have a girlfriend, but he has managed to get her pregnant. However, she doesn't fit his image of himself, and he can't bring himself to marry her. When the bank he works in is robbed by a daring group which includes a magnetically attractive woman, the clerk throws his lot in with them and becomes an outlaw. ~ Clarke Fountain, All Movie Guide