Matt McHugh Movies
Actor Matt McHugh was born into a show business family, joining his parents, his brother Frank, and his sister Kitty in the family stock company as soon as he learned to talk. Matt came to Hollywood to repeat his stage role in the 1931 film adaptation of Elmer Rice's Broadway hit Street Scene. He continued to have sizeable film assignments for the next few years (notably the bourgeois Italian bridegroom Francesco in Laurel and Hardy's The Devil's Brother [1933]) before settling into bits and minor roles. A dead ringer for his more famous brother Frank McHugh, Matt projected an abrasive, sardonic screen image; as such, he was utilized in such rough-edged roles as cab drivers, bartenders and mechanics. Matt McHugh's best screen opportunities in the '40s came with his supporting roles in the 2-reel comedy output of Columbia Pictures; he appeared in the short comedies of Andy Clyde, Hugh Herbert, Walter Catlett, The Three Stooges and many others, most often cast as a lazy or caustic brother-in-law. ~ Hal Erickson, All Movie Guide
The genesis of MGM's Freaks was a magazine piece by Ted Robbins titled Spurs. The story involved a terrible revenge enacted by a mean-spirited circus midget upon his normal-sized wife. In adapting Spurs for the screen, writers Willis Goldbeck, Leon Gordon, Edgar Allan Wolf, and Al Boasberg retained the circus setting and the little man-big woman wedding, all the while de-vilifying the midget and transforming the woman into the true "heavy" of the piece. German "little person" Harry Earles plays Hans, who falls in love with long-legged trapeze artist Cleopatra (Olga Baclanova). Discovering that Hans is heir to a fortune, Cleopatra inveigles him into a marriage, all the while planning to bump off her new husband and run away with brutish strongman Hercules (Henry Victor). What she doesn't reckon with is the code of honor among circus freaks: "offend one, offend them all." What set this film apart from director Tod Browning's earlier efforts was the fact that genuine circus and carnival sideshow performers were cast as the freaks: Harry Earles and his equally diminutive sister Daisy, Siamese twins Violet and Daisy Hilton, legless Johnny Eck, armless-legless Randian (who rolls cigarettes with his teeth), androgynous Josephine-Joseph, "pinheads" Schlitzie, Elvira, Jennie Lee Snow, and so on. Upon its initial release, Freaks was greeted with such revulsion from movie-house audiences that MGM spent the next 30 years distancing themselves as far from the project as possible. For many years available only in a truncated reissue version titled Nature's Mistakes, Freaks was eventually restored to its original release print. ~ Hal Erickson, All Movie Guide
- Starring:
- Wallace Ford, Leila Hyams, (more)
- 1932
Barbara Stanwyck, displayed in all her pre-Code glory, once again plays "damaged goods" in Warner Bros.' The Purchase Price. Hard-boiled nightclub singer Joan Gordon (Stanwyck) gets fed up being the kept woman of her married boss, bootlegger Ed Fields (Lyle Talbot). Fleeing New York City, she ends up in North Dakota as the mail-order bride of wheat farmer Jim Gilson (George Brent). ~ Hal Erickson, All Movie Guide
- Starring:
- Barbara Stanwyck, George Brent, (more)
- 1932
James Cagney was originally pegged to play brash Broadway columnist Jimmy Russell in this pleasant if somewhat lightweight newspaper yarn, but when director William Wellman called "action," Douglas Fairbanks Jr. had replaced him. In love with pretty actress Mary Wodehouse (Frances Dee), Jimmy can only watch as gangster Eddie Shaw (Lyle Talbot) takes on the girl's mounting debt. Sending Jimmy on a wild goose chase to Atlantic City, Shaw then attempts to lure Mary to his penthouse but is instead confronted with the girl's gun-toting Aunt Hattie (Cecil Cunningham). Jimmy manages to escape Shaw's goons and arrives at Shaw's apartment just in time to watch Aunt Hattie hide the murder weapon. There is an attempt at a coverup, and the eventual ruling of the court reads suicide. The ambitious Mary, meanwhile, marries theatrical entrepreneur Max Boncour (André Luguet) and Jimmy vows to stay away from the "love racket" for good. Or at least until gal-pal Sally (Ann Dvorak) can convince him otherwise. Although George Raft is listed in most credits for Love is a Racket, he is not in the surviving print. The drama was retitled Such Things Happen for release in Great Britain, where the word "racket" meant something entirely different. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Douglas Fairbanks, Jr., Ann Dvorak, (more)
Elmer Rice's Pulitzer Prize-winning play Street Scene was purchased for the screen by producer Samuel Goldwyn in 1931. The entire story takes place on the street in front of a foreboding old New York brownstone, between one evening and the next afternoon. The individual fates of eight neighboring Manhattan families intertwine during this brief stretch of time. Special emphasis is given the Maurrant family: the philandering mother (Estelle Taylor), the drink-sodden husband (David Landau) and long-suffering daughter Rose (Sylvia Sidney). When the husband catches the wife "in the act" with bill-collector Russell Hopton, the resulting tragedy is not shown, but reflecting in the wildly varying reactions of neighbors and passersby. Though resisting the temptation to "open up" the play, director King Vidor nonetheless injects his cinematic know-how into the proceedings, by utilizing an entirely different camera setup or angle for each individual "take." The cast of Street Scene includes several carry-overs from the Broadway original, including David Landau, Max Montor, Matt McHugh (brother of Frank), John Qualen, George Humbert, Tom H. Manning, and Anna Konstant (Sidebar: Shirley Kaplan, the role played by Ms. Konstant, was portrayed in the London production of Street Scene by Greer Garson). Unavailable for TV for many years due to legal tangles, Street Scene was freed up for the small screen when it lapsed into public domain in the early 1980s. ~ Hal Erickson, All Movie Guide
- Starring:
- Sylvia Sidney, William Collier, Jr., (more)
