Matt McHugh Movies
Actor Matt McHugh was born into a show business family, joining his parents, his brother Frank, and his sister Kitty in the family stock company as soon as he learned to talk. Matt came to Hollywood to repeat his stage role in the 1931 film adaptation of Elmer Rice's Broadway hit Street Scene. He continued to have sizeable film assignments for the next few years (notably the bourgeois Italian bridegroom Francesco in Laurel and Hardy's The Devil's Brother [1933]) before settling into bits and minor roles. A dead ringer for his more famous brother Frank McHugh, Matt projected an abrasive, sardonic screen image; as such, he was utilized in such rough-edged roles as cab drivers, bartenders and mechanics. Matt McHugh's best screen opportunities in the '40s came with his supporting roles in the 2-reel comedy output of Columbia Pictures; he appeared in the short comedies of Andy Clyde, Hugh Herbert, Walter Catlett, The Three Stooges and many others, most often cast as a lazy or caustic brother-in-law. ~ Hal Erickson, All Movie Guide- 1940
Considering that it was adapted from a Broadway musical by Richard Rodgers, Lorenz Hart and George Abbott, The Boys From Syracuse must rank as a disappointment, though it manages to remain entertaining throughout its surprisingly brief 74-minute running time. Like its theatrical predecessor, the film was inspired by Shakespeare's A Comedy of Errors ("After a play by William Shakespeare long, long after" reads the opening title). In ancient Ephesus, young tyrant Antipholus (Allan Jones) sentences elderly merchant Aegeon (Samuel S. Hinds) to death unless the latter can come up with a handsome ransom. What Antipholus doesn't know is that Aegeon is his own father; he also doesn't know that he has a twin brother, also named Antipholus (and also played by Allan Jones) who has just arrived from Syracuse in search of dear old daddy. Further complicating matters is that Antiopholus of Ephesus and Antipholus of Syracuse both have slaves named Dromio (Joe Penner)-likewise identical twins! The mistaken-identity angle is played to the hilt, with A. of E.'s wife Adriana (Irene Hervey), A. of S.'s girlfirend Phyllis (Rosemary Lane), and Dromio of Ephesus' main squeeze Luce (Martha Raye) ending up just as confused as everyone else. Only four of the original Rodgers & Hart songs were retained-"This Can't Be Love", "Falling in Love with Love", "Sing for Your Supper", and "Oh, Diogenes"-while two new ones were written for the film. Most of the best jokes are based on anachronisms, with Dromio the slave organizing a labor union (complete with placards), a cheering section at an execution shouting "Give him the ax", and a parchment newspaper bearing such headlines as "Ephesus Blitzkriegs Syracuse". Originally purchased by Universal as a vehicle for the Ritz Brothers, The Boys from Syracuse isn't any great shakes, but it would certainly be well worth seeing again (last telecast in the 1970s, it seems to have fallen off the face of the earth in recent years!) ~ Hal Erickson, All Movie Guide
- Starring:
- Allan Jones, Joe Penner, (more)
Frank Capra's classic comedy-drama established James Stewart as a lead actor in one of his finest (and most archetypal) roles. The film opens as a succession of reporters shout into telephones announcing the death of Senator Samuel Foley. Senator Joseph Paine (Claude Rains), the state's senior senator, puts in a call to Governor Hubert "Happy" Hopper (Guy Kibbee) reporting the news. Hopper then calls powerful media magnate Jim Taylor (Edward Arnold), who controls the state -- along with the lawmakers. Taylor orders Hopper to appoint an interim senator to fill out Foley's term; Taylor has proposed a pork barrel bill to finance an unneeded dam at Willet Creek, so he warns Hopper he wants a senator who "can't ask any questions or talk out of turn." After having a number of his appointees rejected, at the suggestion of his children Hopper nominates local hero Jefferson Smith (James Stewart), leader of the state's Boy Rangers group. Smith is an innocent, wide-eyed idealist who quotes Jefferson and Lincoln and idolizes Paine, who had known his crusading editor father. In Washington, after a humiliating introduction to the press corps, Smith threatens to resign, but Paine encourages him to stay and work on a bill for a national boy's camp. With the help of his cynical secretary Clarissa Sanders (Jean Arthur), Smith prepares to introduce his boy's camp bill to the Senate. But when he proposes to build the camp on the Willets Creek site, Taylor and Paine force him to drop the measure. Smith discovers Taylor and Paine want the Willets Creek site for graft and he attempts to expose them, but Paine deflects Smith's charges by accusing Smith of stealing money from the boy rangers. Defeated, Smith is ready to depart Washington, but Saunders, whose patriotic zeal has been renewed by Smith, exhorts him to stay and fight. Smith returns to the Senate chamber and, while Taylor musters the media forces in his state to destroy him, Smith engages in a climactic filibuster to speak his piece: "I've got a few things I want to say to this body. I tried to say them once before and I got stopped colder than a mackerel. Well, I'd like to get them said this time, sir. And as a matter of fact, I'm not gonna leave this body until I do get them said." ~ Paul Brenner, All Movie Guide
- Starring:
- James Stewart, Jean Arthur, (more)
- 1939
The Jones family goes to Tinseltown in this entry in the series. They go so Father can attend an American Legion meeting. While there, the daughter has a terrible screen test. Later the family visits a movie studio and chaos ensues. ~ Sandra Brennan, All Movie Guide
- 1939
This film should have been a press agent's dream: Hollywood's two greatest "big mouths," Joe E. Brown and Martha Raye, together in the same picture. Brown and Raye play a show business couple who inherit a near-bankrupt college. They decide to build up the school's scraggly football team in hopes of improving alumni funding; somewhere along the line it is agreed to grant one thousand dollars for every touchdown scored, hence the title. Slapstick opportunities abound, and with the two stars at the helm, the film should have been far funnier than it is. But thanks to uninspired direction and a threadbare budget, $1000 a Touchdown was a disappointment for fans of both Martha Raye and Joe E. Brown. ~ Hal Erickson, All Movie Guide
- Starring:
- Joe E. Brown, Martha Raye, (more)
- 1939
This drama chronicles the life and times of a notorious gangster. The story begins at his funeral. There a reporter, assigned to do a brief biography, interviews a doctor who tells the gangster's sad tale. In flashback, the crook is first seen getting released from prison. His father pleads with him to go straight, but the son doesn't listen. He immediately robs a warehouse. His father rats upon him and the crook's gang abducts the district attorney's daughter to bargain for his release. Later it is discovered that the girl is really his daughter whom he and his lover put up for adoption. A policeman, a good friend of the gangster, helps the criminal escape and save his daughter from the gang. He is killed during the rescue. ~ Sandra Brennan, All Movie Guide
- Starring:
- Kane Richmond, Amanda Duff, (more)
- 1939
This prison film features an inventive escape from Alcatraz. They do it by planning a phony wedding in a prison chapel. The fugitives are soon captured by a brave hero who stops them by crashing his car into their getaway plane. ~ Sandra Brennan, All Movie Guide
- Starring:
- Robert Livingston, John Gallaudet, (more)
- 1938
This film is one of acclaimed director Fritz Lang's less noted achievements, a mixture of romance, comedy, drama, and satire. It includes three songs by the famed Kurt Weill, including "The Right Guy for Me." George Raft plays Joe Dennis, an ex-convict working in a department store. The store's boss, Mr. Morris (Harry Carey), likes to hire ex-cons. Joe falls in love with Helen (Sylvia Sidney), who hides the fact that she is on parole until after they marry. Since parolees can't wed, the marriage is illegal. Distraught, Joe organizes a gang to rob Morris' store. Helen intervenes and tries to convince the gang members that the potential take isn't worth the risk of returning to prison. ~ Michael Betzold, All Movie Guide
- Starring:
- Sylvia Sidney, George Raft, (more)
- 1938
- NR
Wealthy socialite Melsa Manton (Barbara Stanwyck) is taking her pooches for a walk in the dead of the night when she stumbles upon a dead body and a car fleeing the scene of the crime. She alerts the police but the corpse has disappeared by the time they arrive, and the lieutenant, knowing of her madcap reputation, believes she was playing a practical joke. After newspaper editor Peter Ames (Henry Fonda) takes her to task in print, she sues him for libel and enlists the aid of her society friends in tracking down the body and finding the killer. Eventually, Ames comes around to believing Melsa's story and aids her in her search. It isn't long before the two antagonists find they're attracted to each other -- but they have to catch the murderer before they can settle down and live happily ever after. Fonda and Stanwyck would team up again in You Belong to Me and The Lady Eve. ~ Craig Butler, All Movie Guide
- Starring:
- Barbara Stanwyck, Henry Fonda, (more)
- 1938
Dorothy Lamour and Ray Milland, a popular Paramount screen team specializing in south-sea extravaganzas, don "civilized" garb (at least briefly) for Tropic Holiday. Lamour plays a Mexican senorita, while Milland is a visiting American screenwriter. Since we know where this is going, our attention is deflected every so often by comedy relief Bob "Bazooka" Burns and Martha Raye, who are frankly more watchable than the leads. Also on hand is Mexican musical star Tito Guizar, who was still packing 'em in for his concert tours of the 1980s. Tropic Holiday contrives to remove most of Dorothy Lamour's clothing before the fade-out, just so we remember who's top billed around here. ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy Lamour, Martha Raye, (more)
- 1938
Nancy, a jilted bride-to-be, is played by Janet Gaynor in one of her last starring films. The three loves are novelist Robert Montgomery, publisher Franchot Tone, and gormless nebbish Grady Sutton (Sonny TUFTS??). In New York to find her runaway groom Sutton, Janet runs across Montgomery and Tone. More selective since her unfortunate near-wedding, Gaynor decides to have the two swains demonstrate their worthiness, leading to a brief (and chaste) menage-a-trois in which all three are under the same roof. Three Loves Has Nancy is a sedate screwball comedy, carried completely by the charm of its stars. ~ Hal Erickson, All Movie Guide
- Starring:
- Janet Gaynor, Robert Montgomery, (more)
- 1938
Glenda Farrell plays still another fast-talking girl reporter in Universal's Exposed. Willing to sell her soul for a story, newspaper sob sister Click Stewart (Farrell) is presently on the trail of DA William Reardon (Otto Kruger), a "Judge Crater" type who disappeared without a trace several years earlier. Following a lead, she finds Reardon residing in a flophouse, where he's been drinking his life away ever since he sent an innocent man to the electric chair. Sensing a swell scoop, Click offers to locate the daughter of the wrongly executed man so that Reardon can apologize; in exchange, our heroine will get the ex-DA's exclusive story. As the story progresses, Reardon rehabilitates himself and Click regains her essential decency and humanity, whereupon they team up to smash the operation of racketeer Mike Romero (Bernard Nedell). ~ Hal Erickson, All Movie Guide
- Starring:
- Glenda Farrell, Otto Kruger, (more)
- 1938
A female reporter is faced with a tough decision in this romantic comedy. She is engaged to another reporter. Though they want to marry soon, they are constantly kept apart by widely differing assignments. At last they settle on a wedding date, but then the woman finds a missing person that her lover has been seeking for ages. Now she must decide whether to tell him, or get the big scoop for herself. ~ Sandra Brennan, All Movie Guide
- Starring:
- Richard Arlen, Mary Astor, (more)
- 1938
Harold Lloyd plays a professor of Egyptology, frightened by the notion that he has fallen under an ancient Egyptian curse. Lloyd has the opportunity to join an archeological expedition to search for a missing tablet that will determine his fate, but he has to travel from Los Angeles to New York before the party sails to Egypt. Alas, Lloyd is also required to appear in court to answer charges of "indecent exposure" (it's a long story). The rest of the film is a frantic chase with the authorities pursuing the fugitive professor across the country, highlighted by a daredevil sequence atop a moving train. Most of the individual gags are funny, but Professor Beware is several notches below the standard set by Harold Lloyd's silent films. The lukewarm boxoffice response to this film would convince Lloyd that he should retire from performing--which he did, returning to the screen only for 1947's Sins of Harold Diddlebock. ~ Hal Erickson, All Movie Guide
- Starring:
- Phyllis Welch, Raymond Walburn, (more)
Both film versions of Phillip Barry's stage comedy Holiday have their merits, but the 1938 version has the added advantage of supercharged star power. Katharine Hepburn and Doris Nolan play Linda and Julia Seton, two daughters of a very well-to-do family. Linda feels a bit lost in the shuffle as sister Julia prepares to marry self-made financier Cary Grant. Hepburn has always rebelled against her privileged trappings, and finds a kindred spirit in the unorthodox, iconoclastic Grant. On the verge of compromising his down-to-earth values with his marriage to the wealth-obsessed Nolan, Grant chooses instead to plight his troth with soul-mate Hepburn, celebrating his "liberation" by doing several cartwheels. Donald Ogden Stewart is careful to bring the pre-Depression frivolities of the Barry play up-to-date, first by changing the character of Grant's best friend (played in both films by Edward Everett Horton) from a lazy socialite to a dedicated professor, and by including several lines indicating how out of touch the privileged classes are--and choose to remain--with 1930s realities. The only element in which the remake does not improve on the original is in the casting of Hepburn's alcoholic younger brother; charming though Lew Ayres is in the 1938 film, he is still outclassed by Monroe Owsley in Holiday (1930). Katharine Hepburn managed to temporarily defray her "box office poison" onus when Holiday proved to be a success; alas, her next film, Bringing Up Baby (which reteamed her with Grant), was a financial bust, compelling her to return to Broadway--where she made a spectacular comeback in another Philip Barry play, The Philadelphia Story. ~ Hal Erickson, All Movie Guide
- Starring:
- Katharine Hepburn, Cary Grant, (more)
- 1938
Sonja Henie is the "lucky star" in this enjoyable 20th Century-Fox musical. Henie plays Kristina Nelson a humble department store sales clerk who is spotted while skating by George Cabot Jr. (Cesar Romero_, son of the store's owner. George is so taken by Kristina that he gets her an athletic scholarship in a major university. It is hoped that our heroine will serve as a living advertisement for the store by strolling around in an expensive sports wardrobe; instead, she incurs the jealousy of her fellow students, causing a slump in sales. George also loses out romantically when Kristina falls in love with handsome teacher Larry Taylor (Richard Greene). Expelled from college, Kristina recovers from the blow when she's hired by a popular ice capades-style extavaganza. The film's highlight is Sonja Henie's "Alice in Wonderland" ice ballet, originally released in Sepiatone. Those not interesting in skating will be compensated by the lunatic comedy of supporting actress Joan Davis. ~ Hal Erickson, All Movie Guide
- Starring:
- Sonja Henie, Richard Greene, (more)
- 1937
An actor creates a devious murder plot in this suspenseful, ironic drama. For many years, the aging thespian has been confessing to homicides he never committed. Naturally the cops think he is bonkers so that when he really does kill his victim, no one believes he did it. Unfortunately, his lies work against him when something goes horribly wrong. ~ Sandra Brennan, All Movie Guide
- Starring:
- Tom Brown, Robert Gleckler, (more)
- 1937
Mannequin stars Joan Crawford as Jessie Cassidy, a girl of the tenements (though this being an MGM film, her slum dwellings are cleaner and more lavish than most middle-class bungalows!) Hoping to escape her grimy surroundings, Jessie marries Eddie Miller (Alan Curtis), a childhood acquaintance who has made good with a variety of dishonest business ventures. Another refugee from Jessie's neighborhood is John Hennessy (Spencer Tracy), who has likewise worked his way up to fame and fortune, albeit more honestly than Eddie. Faced with mounting debts, Eddie callously orders Jessie to divorce him and marry John for his money -- then divorce John and return to Eddie with the cash. Jessie reluctantly goes along with the scheme, but she double-crosses Eddie upon falling in love with John. Things look bad for our heroine when Eddie, with blackmail on his mind, threatens to spill the beans to John about their little "arrangement" -- whereupon John solves the dilemma (and saves his marriage) by losing his own fortune. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, Spencer Tracy, (more)
- 1937
MGM's Navy Blue and Gold prettily dresses up some of the oldest cliches in the "military cadet" movie genre. The film charts the progress of three Annapolis "plebes," all played by actors in the age range of 24 to 30. Wisecracking Roger Ash (Robert Young) is a cynic, wide-eyed Richard Gates Jr. (Tom Brown) is overeager), and reclusive Truck Cross (James Stewart) harbors a dark secret. When not going about their appointed duties, Ash and Cross battle over the attentions of heroine Patricia (Florence Rice), Gates' sister. All the while, Captain Skinny Dawes (Lionel Barrymore), the traditional crusty old seafarin' man with a heart of gold, tries to instill the love of Honor, Duty and Country in all three heroes. The plot is resolved in a climactic football game, with everyone showing his true colors (blue and gold, of course!) Many of the plot devices and stereotypical characters in Navy Blue and Gold would continue to resurface in similar films for the next five decades -- even in the R-rated Officer and a Gentleman (1980). ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Young, James Stewart, (more)
- 1936
Italian immigrant George Raft uses his wits and his fists to rise to prominence in a local political machine. He falls in love with Rosalind Russell, the wife of a prominent banker, but discreetly hides his feelings even as he and Russell are thrust together by social circumstances. The banker turns out to be an embezzler, but Raft comes to the rescue by replacing the stolen funds. Accused of conspiring with the banker because he'd failed to make the original embezzlement public, Raft is grilled by a grand jury. Once cleared, Raft is finally able to wed the divorced banker's wife, who it turns out had always had a crush on him. It Had to Happen is most entertaining in its early scenes wherein we see George Raft strongarming his way to success. ~ Hal Erickson, All Movie Guide
- Starring:
- George Raft, Rosalind Russell, (more)
- 1936
Anything Goes is a fun-filled but hardly faithful adaptation of the same-named Cole Porter Broadway musical, with additional songs by Hoagy Carmichael, among many many others. Set on a luxury liner, the story gets under way when Moonface Mullins (Charlie Ruggles), Public Enemy No. 13, slips on board disguised as a bishop. As he weaves in and out of the story, Billy Crocker (Bing Crosby) romances Hope Harcourt (Ida Lupino), titled Englishman Evelyn Oakleigh (Arthur Treacher) also pursues Hope, and brassy entertainer Reno Sweeney (Ethel Merman) chases after Sir Evelyn. Critics in 1934 complained that the original Broadway production's Victor Moore was replaced by Charlie Ruggles, but none could fault Ethel Merman's rendition of "I Get a Kick Out of You", nor her duet with Bing Crosby, "You're the Top" (the only two songs retained from the Porter score!) Anything Goes was remade in 1956, again with Bing Crosby, and again with little fidelity to the original (this remake required MCA Television to retitle the 1936 version as Tops is the Limit). ~ Hal Erickson, All Movie Guide
- Starring:
- Bing Crosby, Ethel Merman, (more)
- 1936
The Country Beyond is based on one of the scores of Canadian-Northwest yarns written by James Oliver Curwood. Robert Kent plays Corporal Robert King, a Mountie who has sworn to "get his man" -- the man in question being suspected fur thief Jim Alison (Alan Hale). Kings's resolve is weakened when he falls in love with Alison's pretty daughter Jean (Rochelle Hudson). For her sake, he vows to prove that Alison is innocent of the charges levelled against him. Sure enough, the real culprit is Ray Jennings (Alan Dinehart), who spends the last ten minutes or so of the film trying to bump off everyone in general and Kent in particular. ~ Hal Erickson, All Movie Guide
- Starring:
- Rochelle Hudson, Paul Kelly, (more)
- 1936
In this drama, set at the turn-of-the-century an ingenious young jockey finds his reputation sullied by criminals. He cleverly outsmarts them and his reputation is restored. ~ Sandra Brennan, All Movie Guide
- Starring:
- Eddie Quillan, Charles "Chic" Sale, (more)
- 1936
This screwball comedy stars Jean Arthur as unemployed professor's daughter Joan Hawthorne. While sitting on a park bench, Joan makes the acquaintance of wealthy automotive engineer Jim Buchanan (Herbert Marshall). Unaware of his identity, and assuming that he's as desperate as she is, Joan talks Jim into posing as her husband so that they can secure work as the cook and butler in the home of gourmet gangster Mike Rossini (Leo Carrillo). When it becomes obvious that Joan can't even burn water, she and Jim fear for their lives. But Rossini turns out to be a sentimental soul, even going so far as to having Jim kidnapped at his own wedding to rich-bitch Evelyn Fletcher (Frieda Inescourt) so that Jim and Joan can be reunited. Lionel Stander is aces as Rossini's ratchet-voiced henchman. If You Could Only Cook was falsely advertised in England as "A Frank Capra Production," resulting in a bitter legal battle between Capra and his home studio of Columbia Pictures. ~ Hal Erickson, All Movie Guide
- Starring:
- Herbert Marshall, Jean Arthur, (more)
- 1935
Perhaps the best of Mascot Pictures' feature-film releases, Ladies Crave Excitement is also one of the fastest 69 minutes ever put on film. Norman Foster and Eddie Nugent play Don and Bob, a pair of ace newsreel cameraman for The March of Events, forever keeping one step ahead of their competition. Swept up in the boys' adventures is thrill-seeking heiress Wilma Howell (Evalyn Knapp), who eventually proves to be a valuable member of the team. After a dizzying series of hairbreadth escapes, Don once again scoops his rivals by rounding up a gang of crooks, with the not inconsiderable help of the resourceful Wilma. One interesting aspect of Ladies Crave Excitement is the suggestion that newsreel photographers regularly "stage" events to make things more exciting; in one amusing scene, a storm at sea is re-created on a studio soundstage, as "captain" Christian Rub is doused with bucket after bucket of cold water. Future TV favorites Milburn Stone and Marie Wilson pop up unbilled as a sailor and his date, while perennial Superman villain Herb Vigran appears as a wisecracking photographer. Serving as film editor on Ladies Crave Excitement was director-in-training Joseph H. Lewis. ~ Hal Erickson, All Movie Guide
- Starring:
- Norman Foster, Evelyn Knapp, (more)
It's the wild and woolly waterfront world of San Francisco in the late 1800s in this rambling tale of an outrageous nightclub owner (Edward G. Robinson) and his efforts at wooing lovely Mary Rutledge (Miriam Hopkins), a lovely Eastern lass left to her own devices in the rowdy port city. The innocent babe loses that innocence when she becomes a kept lady, running the roulette wheel in Robinson's nightclub. The plot matures when Mary falls in love with an honest and upright gold miner. When the lovers are discovered during a fateful tryst, they flee the evil Robinson, hoping to escape as stowaways aboard a departing ship. Robinson is magnificent in this ruffian role. This action-filled adventure is suitable for the whole family. ~ All Movie Guide
- Starring:
- Miriam Hopkins, Edward G. Robinson, (more)
