Stephen Mailer

Former Saturday Night Live "Weekend Update" co-anchors Tina Fey and Amy Poehler co-star in this baby-fever comedy about a single, career-oriented woman who previously put parenthood on hold, and is forced to hire a surrogate mother when she discovers there is only a one-in-a-million chance that she will be able to get pregnant. Kate Holbrook (Fey) is a 37-year-old business executive who has always put her professional life before her personal life, but these days her biological clock is ticking louder than ever before. As with everything else she has accomplished in life, Kate is determined to have a child on her own terms. Unfortunately for Kate, the chance of her ever becoming pregnant is slim to none. Undaunted, a willful Kate drafts South Philly working-class girl Angie Ostrowiski (Poehler) -- a woman who may just be her polar opposite -- to be a surrogate mother. Subsequently informed by the head of the surrogacy center (Sigourney Weaver) that her surrogate is indeed pregnant, the excited mother-to-be soon purchases every child-rearing book she can find and excitedly begins the nesting process. But life hasn't quit throwing Kate curveballs just yet, because when a pregnant Angie shows up on her doorstep with no place to live, the woman who once thrived on order finds her life descending into chaos. Now, as Kate attempts to transform Angie into the ideal expectant mother, this odd couple will discover that families aren't always biological, but occasionally formed through friendship as well. Writer Michael McCullers, who authored the screenplays for Austin Powers: The Spy Who Shagged Me and Undercover Brother in addition to working on Saturday Night Live, makes his feature directorial debut with a self-penned screenplay. ~ Jason Buchanan, All Movie Guide

A complex tale of uneasy alliances along the Kansas/Missouri border during the Civil War, Ride with the Devil concerns Jack Bull Chiles (Skeet Ulrich), a proud son of the South ready to fight for the Confederate cause after his father is killed by Union troops. Chiles's best friend, Jake Roedel (Tobey Maguire), joins the Bushwhackers, a group of renegade Southerners aligned with the Confederate Army, even though his family supports the Union cause. The two young men, used to the slow pace and gracious lifestyle of the South's privileged class, are soon confronted with the chaos of battle. Their comrades include valiant leader Black John (James Caviezel), paranoid madman Pitt (Jonathan Rhys Myers), Southern gentleman George (Simon Baker), and Daniel (Jeffrey Wright), a slave from George's plantation. The Bushwhackers hide out in a barn near the home of Sue Lee (singer/songwriter/poet Jewel, in her film debut), a pregnant widow whose husband died in battle three weeks after their marriage. Roedel and Sue Lee begin a chaste romance, but it remains to be seen if the war will permit them to stay together. Adapted from the novel Woe to Live On by Daniel Woodrell, Ride with the Devil was directed by Ang Lee, whose previous project was a very different look at America's past, the 1970s domestic drama The Ice Storm (1997). ~ Mark Deming, All Movie Guide

This sly comedy drama follows the weekly ritual of three single men who gather at a local steak house to brag, and maybe lie, about their latest romantic adventures. ~ Sandra Brennan, All Movie Guide

An attempted black comedy, Getting In endeavors to satirize the cut-throat competition surrounding the medical school admissions process -- a struggle that in this case literally turns deadly. Gabriel Higgs is an aspiring medical student, not out of a great dedication to his craft but due to pressure by his parents, who expect him to follow the long-standing family tradition of attending Johns Hopkins and embarking upon a prominent medical career. However, a poor showing in the admissions test and several other mishaps conspire to place Gabriel on the school's waiting list. Desperate to gain entrance to the school before being disinherited, Gabriel takes to bribing his fellow waiting-list candidates to ensure his admission. But when the students at the top of the waiting list start turning up dead in rather nasty ways, Gabriel finds himself in real trouble. He must discover who is committing these crimes before he is blamed -- or becomes the next victim himself. Easily forgettable, the film is mainly notable for featuring early performances by future television stars Matthew Perry and Calista Flockhart, and for being the directorial debut of Doug Liman, who would receive critical acclaim for his second film, Swingers. ~ Judd Blaise, All Movie Guide

The All-American Girls' Professional Baseball League was founded in 1943, when most of the men of baseball-playing age were far away in Europe and Asia fighting World War II. The league flourished until after World War II, when, with the men's return, the league was consigned to oblivion. Director Penny Marshall and screenwriters Lowell Ganz and Babaloo Mandel re-create the wartime era when women's baseball looked to stand a good chance of sweeping the country. The story begins as a candy-bar tycoon enlists agents to scour the country to find women who could play ball. In the backwoods of Oregon, two sisters -- Dottie (Geena Davis) and Kit (Lori Petty) -- are discovered. Dottie can hit and catch, while Kit can throw a mean fastball. The girls come to Chicago to try out for the team with other prospects that include their soon-to-be-teammates Mae Mordabito (Madonna), Doris Murphy (Rosie O'Donnell), and Marla Hooch (Megan Cavanagh). The team's owner, Walter Harvey (Gary Marshall) needs someone to coach his team and he picks one-time home-run champion Jimmy Dugan (Tom Hanks), who is now a broken-down alcoholic. After a few weeks of training, as Dugan sobers up, the team begins to show some promise. By the end of the season, the team has improved to the point where they are competing in the World Series (which is no big deal, since there are only four teams in the league). ~ Paul Brenner, All Movie Guide

This film is a darkly humorous, determinedly ambiguous adaptation of Alan Dershowitz's book about his successful legal appeal of Claus von Bulow's conviction for the attempted murder of his wife, Martha "Sunny" von Bulow. Sunny (Glenn Close) -- who remains in a "persistent vegetative state" resulting from a suspicious injection of insulin -- narrates the film, summarizing the first murder trial, which ended with Claus (Jeremy Irons) convicted and released on bail pending appeal. Claus approaches Harvard Law professor Dershowitz (Ron Silver) to handle the case. Working with a small group of law students recruited from his classes, Dershowitz presents sufficient new evidence to cast doubt as to Claus' guilt and the veracity of the star witness, her maid. Jeremy Irons' extraordinary, Oscar-winning performance dominates the film. He plays the role of Claus with a alternatively pompous, aloof snobbishness and an engagingly enigmatic, kinky, sly humor. Barbet Schroeder was also nominated for an Academy Award for his extraordinary, off-beat, direction of this sophisticated, exceptionally intelligent legal drama. Reversal of Fortune with its sharp, witty, Oscar-nominated screenplay by Nicholas Kazan is unusual in its understanding that legal guilt and moral culpability are not the same thing -- making for an unusually provocative tragicomedy of bad manners and bad behavior among the rich. ~ Linda Rasmussen, All Movie Guide

Grad-school administrative head Marion Post (Gena Rowlands) is in the midst of writing a book. The walls are thin in the apartment she's taken for work purposes, and soon Marion begins listening to the sessions conducted by her neighbor, an analyst. One of the patients is Hope (Mia Farrow), whose marriage is in tatters. As Hope prattles on, Marion begins flashing back to highlights (and lowlights) of her own marriage. Her musings are constantly interrupted by the memory of the man (Gene Hackman) she'd once ardently loved. Later on, chance encounters with old friends force Marion to face the fact that she has lived her life sheltering herself from her true emotions. Director Woody Allen's career-long indebtedness to Ingmar Bergman is underlined in Another Woman via Bergman's frequent cinematographer Sven Nykvist. ~ Hal Erickson, All Movie Guide