Susan Barnes Movies

Novelist Reverge Anselmo makes his directorial debut with this comedy about two inept brothers trying to run the family's ranch. After spending several years in Mexico, P.D. Mitjans (Danny Nucci) returns to the States following the death of his father. He's giving thoughts to the notion of getting the family ranch back on its feet until he sees the mess his brother A.J. (Del Zamora) has made of the place. P.D. decides to give the place a try anyway, and the Mitjans Brothers attempt several schemes to raise cash, all of which prove to be spectacular failures. P.D. still has a reason to stick around, however -- his ex-girlfriend Cat (Dana Delany), who runs the neighborhood watering hole. Unfortunately, Cat has a new boyfriend these days, a cop with a less-than-stable constitution (Paul LeMat). The Outfitters was shown as part of the American Spectrum series at the 1999 Sundance Film Festival. ~ Mark Deming, All Movie Guide

This ambitious Disney movie uses a remarkable screenplay from Steven L. Bloom and Robert Rodat to tell a rollicking tale of America's transition from a close-to-the-land culture of mythic heroes to a corporate world of real estate tycoons. The strong theme about the decline of folk culture is expressed through a series of high octane adventures experienced by 12-year-old Daniel Hackett (Nick Stahl) at the dawn of the 20th century. Daniel's father, Jonas Hackett (Stephen Lang), runs a farm in a place called Paradise Valley, but his land is coveted by a greedy developer, J.P. Stiles (Scott Glenn). Daniel looks longingly at postcards of New York City while growing increasingly skeptical of his father's tales of legendary folk heroes. Then, through a series of incredible adventures, Daniel meets up with the legends that his father has spoken about -- cowboy Pecos Bill (Patrick Swayze), lumberjack Paul Bunyan (Oliver Platt), and finally, ex-slave and strongman John Henry (Roger Aaron Brown). Each of these heroes hooks up with Daniel and becomes involved in an increasingly bitter and boisterous fight against Stiles, whose plans to buy up land threaten the very strength of the folk heroes and the well-being of the common people. Pecos Bill has a horse named Widowmaker and can lasso a tornado. The giant Bunyan is accompanied by his famous blue ox, Babe. At one point, another legend, the cowgirl Calamity Jane (Catherine O'Hara), joins in the adventures. ~ Michael Betzold, All Movie Guide

Upset by Carol's dismissive, derisive attitude toward those less fortunate than she, Jason (Alan Thicke) arranges for her to volunteer at the free clinic. While thus occupied, Carol (Tracey Gold) meets a charming ex-convict named Webster (Scott Lawrence), and begins dating him. Not surprisingly, Jason is now sorry that he ever allowed Carol to see "how the other half lives"--and Carol herself experiences a real eye-opener when Webster is confronted by one of his former robbery victims. ~ Hal Erickson, All Movie Guide

Single parent Victoria Principal is justifiably driven into a blind rage when her 11-year-old daughter (Danielle Harris) is molested. Thanks to legal loopholes, the girl's attacker is set free. Victoria swears vengeance, and intends to get it by any means possible, despite the level-headed remonstrations of cop Paul Sorvino. Also known as Nightmare, the made-for-TV Don't Touch My Daughter debuted April 7, 1991. Its director was John Pasquin, who later helmed the innocuous, family-oriented theatrical feature The Santa Clause. ~ Hal Erickson, All Movie Guide

In this suspenseful drama set in a luxury resort, a psychotic teen-age girl working as a baby sitter there causes all kinds of trouble. The story is a remake of the 1952 Marilyn Monroe film, Don't Bother to Knock. ~ Sandra Brennan, All Movie Guide

The sole survivor of a psycho-led mass suicide awakens from a 13-year coma and begins having visions of the cult leader who was also killed in the fiery death scene. She resists his efforts to have her join him in the hereafter, and soon members from her therapy group start dropping like flies. ~ All Movie Guide

In the conclusion of a two-part story, Laverne (Penny Marshall) and Shirley (Cindy Williams) must retrieve an angry letter that they have written to their boss. Unfortunately, it is well "after hours", and the letter is safely locked in the boss' office--which is safeguarded by the most thorough and complex security system in sitcom history! It falls to Lenny (Michael McKean), Squiggy (David L. Lander) and Carmine (Eddie Mekka) to pull off the obligatory "Mission: Impossible" that will save the girls' jobs. ~ Hal Erickson, All Movie Guide

In the first episode of a two-part story, Laverne (Penny Marshall) and Shirley (Cindy Williams) are outraged when they think they have been passed over for a salary hike. In the tradition of such previous sitcom protagonists as Ralph Kramden and Rob Petrie, the girls mete out vengeance by writing an angry letter to the boss. Inevitably, word comes through that L&S have gotten their raise after all--but it's too late to retrieve the letter from their boss' office! ~ Hal Erickson, All Movie Guide

In the conclusion of a two-part story (originally telecast as a single one-hour episode), Laverne (Penny Marshall) and Shirley (Cindy Williams) have come to regret their impulsive decision to quit their brewery jobs and join the WACS. Now the girls are in the hands of merciless drill sergeant Alvinia T. Plout (Vicki Lawrence). The situation reaches the crisis stage during a series of staged combat games, with L&S caught in the crossfire between the "Red Team" and the "Blue Team". ~ Hal Erickson, All Movie Guide

This independent drama takes an unexpectedly light and emotionally sensitive approach to a potentially controversial subject -- a teenager taking up a career as a prostitute. Sixteen-year-old Jake (Tara Subkoff) is a pretty but troubled girl who has been abandoned by her mother. Needing a place to stay, she shows up on the doorstep of her sister Darlene (Kristy Swanson) and begs her to take her in. Darlene refuses, and Jake is left with nowhere to go. Marci (Sandra Bernhard), Darlene's next door neighbor, takes pity on Jake and gives her a meal and a place to stay for the night. The next morning, Marci heads off for work and Jake tags along to discover that Marci manages a massage parlor. Jake is a bit naive about what goes on at such places, but after meeting Marci's charges -- Bambi (Sahara Lotti), Coco (Loretta Devine), and Teddy (Renee Humphrey) -- she catches on that the women are offering their male clientele more than a simple rubdown. Needing money, Jake asks Marci for a job; Marci says no, since Jake is underage, but after much begging and pleading, Marci agrees under the condition that Jake make herself scarce when Jean (Susan Barnes), the owner, comes around. Jake becomes friendly with Bambi, Coco, and Teddy, who show her the ropes of her new "career" and let her stay at their communal apartment. Soon Jake is making a good living, and Darlene is impressed enough to get a job of her own at the parlor. However, Darlene doesn't get along with the other women any better than she does with Jake, and when Jake's friends get on Darlene's bad side, she turns Jake in for working underage, which leaves everyone out in the cold. ~ Mark Deming, All Movie Guide

In this postmodern exploitation flick loosely based on "Little Red Riding Hood," the uneducated daughter of a drug-addicted prostitute flees the foster-care system in search of her long-lost grandmother but meets up instead with a serial killer. Vanessa (Reese Witherspoon), a nearly illiterate firebug and serial shoplifter, desperately clings to normalcy even though her mother turns tricks, does drugs, and manages to ignore the fact that the girl's stepfather Michael T. Weiss has been abusing her for years. When both of her parents get arrested, Vanessa steals the car of her family-services caseworker (Conchata Ferrell) and heads up Interstate 5 in search of her paternal grandmother, who's never met her. Car problems force her to accept a ride from Bob Wolverton (Kiefer Sutherland), a youth counselor who uses charm and sympathy to get the girl to open up. Confessing the sordid details of her childhood to Bob, Vanessa is shocked when he suddenly declares that she's one of the "garbage people" and that he plans to murder her and have sex with her corpse. Bob, it turns out, is the "I-5 Murderer," who's been slaughtering young prostitutes in the Los Angeles area. Thanks to a gun borrowed from her fiancé, Vanessa manages to turn the tables on Bob, shooting him repeatedly and leaving him for dead. He survives, Vanessa is arrested, and the two meet up again in court -- with her unrepentant, even though the police disbelieve her story, him flanked by his prim wife (Brooke Shields) and the righteous indignation of the American legal system. Locked up in the juvie for psychological evaluation, Vanessa gets in touch with her wild side and eventually escapes, heading off to her fateful meeting with grandma. Although Freeway was originally filmed for HBO, vigorously positive critical response eventually earned it a theatrical release. Alanna Ubach, who portrays Vanessa's nemesis/accomplice Mesquita, would go on to appear with Witherspoon in Legally Blonde. Freeway also features two Clueless alumni: Dan Hedaya, as a police detective, and Brittany Murphy, as the disfigured lesbian who befriends Vanessa in lock-up. Michael T. Weiss, who previously appeared in gay indie Jeffrey, appears in both Freeway and its sequel, Freeway 2: Confessions of a Trickbaby. ~ Brian J. Dillard, All Movie Guide

George Sluizer's 1992 English-language remake of his 1988 Dutch thriller The Vanishing follows the same plot-line as the original film, yet with one important difference. The film details a young man's (Kiefer Sutherland) search for his girlfriend (Sandra Bullock), who disappeared at a gas station after the couple had a fight. Where the original film didn't reveal what happened to the girlfriend until late into the movie, the 1992 version opens with her kidnapper (Jeff Bridges) plotting his abduction. Over the course of the film, Sutherland's search for Bullock is intercut with footage of Bridges that illustrates his mental illness and his repeated attempts to abduct women. ~ Stephen Thomas Erlewine, All Movie Guide