Angela Lansbury Movies

Joseph Papp's notion of staging one of Gilbert and Sullivan's best-loved operettas with two pop singers (Linda Ronstadt and Rex Smith) in the leads paid off as a surprise Broadway smash in the early 1980s, and this film faithfully reproduces Papp's production, featuring most of the original cast and the original director. Frederic (Smith) has been taught since childhood to be a sea-going bandit by the Pirate King (Kevin Kline), but with his 21st birthday imminent, Frederic wants to leave pirating behind, especially after he becomes infatuated with innocent Mabel (Ronstadt). But the Pirate King informs Frederic that since he was born on the last day of February on a Leap Year, his 21st birthday won't roll around for some time yet, and he still owes the King some raiding on the high seas. To Frederic's embarrassment, the Pirate King's next target turns out to be Major General Stanley (George Rose), Mabel's father! The Pirates of Penzance also features Angela Lansbury as Ruth (the sole major casting change from the Broadway production -- Estelle Parsons played the role on stage). ~ Mark Deming, All Movie Guide

Sweeney Todd, the Demon Barber of Fleet Street is a videotaped staging of Stephen Sondheim and Hugh Wheeler's 1979 Broadway musical. This winner of nine Tony awards was based on Christopher Bond's adaptation of the venerable Victorian melodrama of the same name. The eponymous Mr. Todd (George Hearn), an ill-tempered London barber, pursues the grisly sideline of slashing his enemies' throats, grinding up their bodies, and selling the results in meat pies! This is material for a musical? Yes, and it's terrific. The production is at its best when Angela Lansbury, as Todd's looney mistress, belts forth one of the score's 26 songs. When first offered on the Showtime cable service in 1983, Sweeney Todd, the Demon Barber of Fleet Street carried home a shelf-full of ACE awards. ~ Hal Erickson, All Movie Guide

Screenwriter George Axelrod turns Alfred Hitchcock's classic comedy-thriller into a capering screwball comedy showcase for Cybill Shepherd and Elliot Gould in this style-less remake of The Lady Vanishes. On an express train traveling through pre-World War II Germany, Amanda Kelly (Cybill Shepherd) befriends a cute old nanny, Miss Froy (Angela Lansbury). But when Miss Froy disappears and the rest of the passengers profess no knowledge of the old woman, Amanda and Robert Condon (Elliot Gould -- the only person aboard who will believe her story about the missing woman -- search the train trying to find out what happened to Miss Froy. In the meantime, they uncover an insidious German plot and fall in love. ~ Paul Brenner, All Movie Guide

In this animated feature featuring the voices of Cyril Ritchard and Angela Lansbury, a young shepherd is unexpectedly honored after an act of kindness. ~ Iotis Erlewine, All Movie Guide

Based on a novel by Harry Kressing, Something for Everyone must hold some sort of record for having the largest number of unsympathetic characters within a single film. Mercenary layabout Michael York talks himself into a footman's job at the estate of dissipated countess Angela Lansbury. In his efforts to advance himself socially and monetarily, York stops at nothing--including murder. He is eventually roasted on his own spit, courtesy of Lansbury's gross, ugly daughter Jane Carr. Guiding the debauched destinies of the characters is none other than Broadway luminary Harold Prince. The film has also been released as The Rook and Black Flowers for the Bride. ~ Hal Erickson, All Movie Guide

Of the two competing Jean Harlow biopics released in 1965, producer Joseph E. Levine's Harlow is the more slickly professional, though neither film is exactly a cinematic landmark. Carroll Baker plays 1930s "platinum blonde" Jean Harlow, who, in keeping with the portrait painted by biographer Irving Schulman and Arthur Landau (upon whose book this film is based) was a forlorn waif tossed around like a football by the predatory males of wicked old Hollywood. Prodded by a hellish stage mother (Angela Lansbury) and an implicitly incestuous stepfather (Raf Vallone), Harlow rises to the pinnacle of movie stardom but never finds true happiness. The wedding-night revelation that her new husband, producer Paul Bern (Peter Lawford), is impotent is just another devastating blow for the poor girl. After all she goes through in the film, Harlow's premature death at age 26 is almost a relief. The only person who truly, deeply, sincerely cares about her is her lovable agent Arthur Landau (played by lovable Red Buttons) who, it will be remembered, co-authored the original Harlow book. Movie buffs will derive some perverse pleasure by the script's many distortions of the facts. Whatever its shortcomings, Harlow posted a huge profit for Joe Levine and Paramount Pictures. ~ Hal Erickson, All Movie Guide

Kim Novak's decolletage, rather than the lady herself, is the true star of The Amorous Adventures of Moll Flanders. This rambunctious filmization of Daniel Defoe's "naughty" novel stars Novak as a poverty-stricken 18th century damsel who rises to the top of society surrendering her virtue--time and time again. After several wealthy patrons and husbands, our heroine finds true love with roguish highwayman Richard Johnson (who briefly became Novak's husband in real life). The film's best moments belong to its largely British supporting cast, especially Leo McKern as a myopic bandit. ~ Hal Erickson, All Movie Guide

Decked out with another of his American accents, Peter Sellers plays self-centered concert pianist Henry Orient. While Henry's active libido sends him off on pursuit of married woman Paula Prentiss, a pair of preteen boarding-school chums, played by Tippy Walker and Merrie Spaeth, worship Orient from afar. The girls' overworked imaginations, manifested in pursuing Orient about and recording their fantasies in their diaries, leads Walker's mom, Angela Lansbury, to conclude that Henry has "had his way" with her underaged daughter. The World of Henry Orient was later musicalized for Broadway as Henry, Sweet Henry. ~ Hal Erickson, All Movie Guide

In one of his first roles, Warren Beatty plays a callous, self-involved young man who is idolized by his younger brother Brandon DeWilde. When Beatty and DeWilde's parents Karl Malden and Angela Lansbury take in Eva Marie Saint as a boarder, Beatty makes violent love to the poor (but not entirely unwilling) girl. Saint becomes pregnant, a contingency which brings out the absolute worst in Beatty. When he deserts her, she kills herself. Only at this point does DeWilde (who has worshipped Saint from afar) realize that Beatty has feet of clay. Attempting to kill his older brother, DeWilde relents when he decides that Beatty is more pathetic than evil. Playwright William Inge adapted the screenplay for All Fall Down from a novel by James Leo Herlihy. So dependent is this film on its stark black and white photography that the currently available colorized version is tantamount to sacrilege. ~ Hal Erickson, All Movie Guide

An unusually tense and intelligent political thriller, The Manchurian Candidate was a film far ahead of its time. Its themes of thought control, political assassination, and multinational conspiracy were hardly common currency in 1962, and while its outlook is sometimes informed by Cold War paranoia, the film seemed nearly as timely when it was reissued in 1987 as it did on its original release. It opens with a group of soldiers whooping it up in a bar in Korea as their commander, Sgt. Raymond Shaw (Laurence Harvey), arrives to inform them that they're back on duty. These men obviously have no fondness for Shaw, and he feels no empathy for them. While on patrol, Shaw and his platoon are ambushed by Korean troops. Months later, Shaw is receiving a hero's welcome as he returns to the United States to accept the Congressional Medal of Honor, and several of the soldiers who served under Shaw repeatedly refer to him as "the bravest, finest, most lovable man I ever met." It soon becomes evident that after their capture by the Koreans, Shaw and his men were subjected to an intense program of brainwashing prior to their release. While several are troubled by bad dreams and inexplicable behavior, it's Capt. Bennett Marco (Frank Sinatra) who seems the most haunted by the experience. In time, Marco is able to piece together what happened; it seems Raymond Shaw was programmed by a shadowy cadre of Russian and Chinese agents into a killing machine who will assassinate anyone, even a close friend, when given the proper commands. On the other side of the coin, Shaw is also used for political gain by his harridan mother (Angela Lansbury), who guides the career of her second husband, John Iselin (James Gregory), a bone-headed congressman hoping to win the vice-presidential nomination through a campaign of anti-Communist hysteria.

The Manchurian Candidate features a host of remarkable performances, several from actors cast cleverly against type. Frank Sinatra's edgy, aggressive turn as Marco may be the finest dramatic work of his career; Laurence Harvey's chilly onscreen demeanor was rarely used to s better advantage than as Raymond Shaw; James Gregory is great as the oft-befuddled Senator Iselin; and Angela Lansbury's ultimate bad mom will be a shock to those who know her as the lovable mystery writer from Murder, She Wrote. George Axelrod's screenplay (based on Richard Condon's novel) is by turns compelling, witty, and horrifying in its implications, and John Frankenheimer's direction milks it for all the tension it can muster. While Frankenheimer's career has had its ups and downs, The Manchurian Candidate and Seconds (1966) suggest that he deserves to be recognized as one of the most brilliantly paranoid American filmmakers of the '60s. Entertaining yet unsettling, both films indicate that things in the '60s were not what they seemed, with a resonance that still echoes uncomfortably in the present. ~ Mark Deming, All Movie Guide

Based on the Ferenc Molnar play Olympia, A Breath of Scandal serves as an elegant vehicle for a ravishing Sophia Loren. The star plays Princess Olympia, who despite her station in life cannot resist the urge to satisfy her sexual appetites. Exiled to the countryside, Olympia falls in love with American millionaire Charlie Foster (John Gavin). Meanwhile, a marriage of state is arranged between the princess and Prince Ruprecht of Prussia (Carlo Hintermann). Jealous rival Countess Lina (Angela Lansbury) endangers this union by threatening to tell all about Olympia and Foster. A cute, continental plot twist brings this harmless confection to a close. Maurice Chevalier dispenses his usual all-knowing glances and sly smiles as Olympia's understanding father. A Breath of Scandal was directed by Michael Curtiz, who uncharacteristically allows the pace to lag at crucial junctures. Scriptwriter Sidney Howard was credited with the script posthumously, some 21 years after his death. ~ Hal Erickson, All Movie Guide

Poignant and pointed, as well as funny, this love story by director Leslie Norman has a simple message: act your age. Since they were older teens, two buddies Barney (John Mills) and Roo (Ernest Borgnine) have gone to a summer rendezvous with the same two women, for fun in the sun in Sydney. They work on sugar-cane farms and after the harvest spend the summer with their women. In this 17th such summer, they arrive only to discover that Barney's girlfriend has married and Pearl (Angela Lansbury), a rather straight-laced widow, has taken her place. Roo's girlfriend Olive (Anne Baxter) does not get her annual gift of a special doll because Roo is broke -- he has had a bad year. As these adults mix and mingle, various circumstances arise that force them to rethink their behavior. ~ Eleanor Mannikka, All Movie Guide