Binnie Barnes Movies
Actress Binnie Barnes enjoyed a 30-year career on both sides of the Atlantic, and despite appearances in several notable films in her native England, she found her most lasting success in Hollywood, where she was best remembered for her tart-tongued portrayals. She was born Gittel Enoyce Barnes in London to a British father who was Jewish and an Italian mother. She was raised Jewish, although she converted to Catholicism upon her second marriage; later in life, she also took the formal name Gertrude Maude Barnes. It took until her teens before she actually entered performing, as a trick-rope artist in vaudeville (billed as "Texas Binnie Barnes"). Around that career start at 15, she also worked as a nurse, chorus girl, dance hostess, and milkmaid over the next few years. Barnes didn't start formal acting until age 26, working with Charles Laughton on stage. And apart from one appearance in a 1923 silent, she made her proper screen debut in 1931 in a series of short films, cast opposite comedian Stanley Lupino. Barnes was later signed to Alexander Korda's fledgling London Films, through which she was cast in movies such as Counsel's Opinion (1932) and other minor productions, earning the princely sum of 35 pounds (roughly $180) a week, which was actually very good money by ordinary standards, but hardly as star's compensation. She had something of a breakthrough in Korda's 1933 film The Private Life of Henry VIII portraying Catherine Howard, which gave her valuable exposure in England and America (where the movie was extraordinarily popular). Barnes was in the stage version of Cavalcade which, in turn, led to Hollywood to do the movie version and marked the beginning of her American career. Although she was initially uncomfortable in Hollywood, it was there that she spent most of the rest of her screen career. It helped that during the next few years she suppressed her English accent and developed a new, sassier persona as a wise-cracking female character lead, with her tall, imposing beauty and good looks, she was still attractive, but was usually cast as the heroine's best friend or older sister, and frequently with the best lines in those roles. At her best in those years, Barnes was a sort of trans-Atlantic rival to Eve Arden, cast in the same kind of sarcastic, knowing, yet attractive female roles. She still occasionally worked in films in England, including Korda's The Private Life of Don Juan and The Divorce of Lady X (a remake of Counsel's Opinion, in which Merle Oberon played her former role, while Barnes played the wife in the comedy of mistaken identity).Barnes had a sense of humor about herself that allowed her to work comfortably opposite performers such as the Ritz Brothers (The Three Musketeers), in which she was turned upside down and shaken by the comic trio; Bud Abbott and Lou Costello in The Time of Their Lives, in which she had one of the funniest "in" joke lines in the history of Hollywood (when meeting the intense, taciturn housekeeper played by Gale Sondergaard, Barnes' character remarks, "Didn't I see you in 'Rebecca'?"). She also got to portray a lusty side to her screen persona as the lady pirate Anne Bonney in The Spanish Main (a role originally slated for June Duprez), which afforded her a great death scene as well as some fierce and entertaining interactions with Maureen O'Hara, as the two contended for the affections of Paul Henried.
In 1940, she married her second husband, actor/announcer-turned-film executive Mike Frankovich, and the two eventually moved to Italy following the end of the Second World War. There she produced movies, as well as acting in them, including Decameron Nights (1953) (in which -- shades of Alec Guinness -- she played eight different roles). Barnes retired in 1955 to devote herself to her home life, but in the mid-'60s, at her husband's insistence, she started to work again, on television and in feature films. She resumed acting on The Donna Reed Show, in two episodes three seasons apart, and played Sister Celestine in The Trouble With Angels (1967) and its sequel, Where Angels Go, Trouble Follows (1968). Barnes' last screen appearance was in 40 Carats (1973), and during that same year she was a guest on The Tonight Show. She enjoyed a long and happy retirement, and passed away in 1998 at the age of 95, six years after her husband passed away. ~ Bruce Eder, All Movie Guide
- 1973
- PG
Adapted by Jay Presson Allen from the French farce by Pierre Barillet and Jean-Pierre Gredy, Forty Carats is a standard-issue sex comedy elevated by the performances of its stars. Fortyish Realtor Ann Stanley (Liv Ullman) finds herself attracted to Peter Latham (Edward Albert) - a man literally half her age. After a summer fling in Greece, Ann and Peter come to a parting of the ways, and that, Ann supposes, is that. Imagine her surprise when Peter comes to visit her back in New York. Though at first dismissed as a fortune hunter, Peter turns out to a financial whiz with a lot more in the bank than his lady friend. Both Ann's mother (Binnie Barnes, whose husband Mike Frankovich produced the film) and daughter (Deborah Raffin) are delighted at the prospect of Ann's romance with Peter -- the only one unsure is Ann herself. Lending his considerable comic expertise to Forty Carats is Gene Kelly as Liv Ullman's ex-husband-who also takes a liking to the personable Edward Albert and encourages the May-December romance. ~ Hal Erickson, All Movie Guide
- Starring:
- Liv Ullmann, Edward Albert, (more)
- 1968
- G
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Mother Simplicia (Rosalind Russell) is the head nun at an all-girl school. Aided by the young Sister George (Stella Stevens), the two try to convert the wayward girls to prim and proper ladies with a solid religious foundation. Rosabelle (Susan St. James) and Marvel Ann (Barbara Hunter), are the leaders of the teenage girls who often rebel against authority.Arthur Godfrey plays the Bishop, and Milton Berle provides a hilarious cameo as a film director whose big cowboy chase scene is ruined by the arrival of the girl's school bus. Farriday (Robert Taylor) is the helpful neighbor, and Van Johnson is the priest who heads the school for boys in this mildly amusing comedy. Tommy Boyce and Bobby Hart sing their self-penned title track. ~ Dan Pavlides, All Movie Guide
- Starring:
- Rosalind Russell, Stella Stevens, (more)
The Trouble With Angels opens on the first day of school for a new batch of students at St. Francis Academy, run by a very strong-willed Mother Superior (Rosalind Russell). She is used to having things her way, but she may have met her match in the headstrong and independent Mary Clancy (Hayley Mills) and her newfound friend, Rachel Devery (June Harding). Mary, easily bored and ready to rebel at the drop of a hat, comes up with an endless series of "scathingly brilliant" schemes designed either to amuse her and Rachel, torture insufferable schoolmate Marvel-Ann, or in some way help them get ahead. Rachel, who would never come up with such ideas on her own, is delighted to go along with them. The duo starts right away by convincing several of the girls to join them in giving fake names to the sisters that register them. Future escapades include guided tours of the nuns' living quarters, illicit cigarette smoking that brings about the fire brigade, replacing sugar with soap bubbles, and many others. Several times the Mother Superior is on the brink of expelling the girls, but she relents, knowing something of their home lives and that they will benefit from the more nurturing environment of the school. By the end of the film, the girls have indeed grown, and Mary, in particular, has developed a special love for the Academy. ~ Craig Butler, All Movie Guide
- Starring:
- Rosalind Russell, Hayley Mills, (more)
- 1956
Thunderstorm was produced in Spain by actress Binnie Barnes, though one suspects that most of the production details were handled by her husband Mike Frankovich. Carlos Thompson plays fisherman Diego Martinez, who while casting his nets one day comes up with quite a catch -- Maria Ramon (Linda Christian), whom Diego saves from drowning. It isn't long before practically every male in the village, including mayor Pablo Gardia (Charles Korvin) and Gardia's son Miguel (Gary Thorne), has fallen madly in love with Maria. Alas, her presence brings only misfortune for all concerned, leaving her no alternative to leave the village by returning whence she came -- the open sea. Thunderstorm was released in the U.S. by Allied Artists. ~ Hal Erickson, All Movie Guide
- Starring:
- Carlos Thompson, Linda Christian, (more)
- 1954
In this adventure, set in North Africa, a secret agent must find a band of smugglers. The man who recommended her for the job is another American agent who works in foreign law enforcement. Only he knows her real identity and he is soon killed leaving her to break up the ring with the assistance of another agent masquerading as a smuggler. The are also assisted by a friendly saloonkeeper. The story was shot on location in Tangiers. ~ Sandra Brennan, All Movie Guide
- Starring:
- Maureen O'Hara, MacDonald Carey, (more)
- 1953
Director Hugo Fregonese and writer George Oppenheimer do the unthinkable: they manage to transform Giovanni Boccaccio's bawdy -- and downright raunchy -- medieval tales of martial discontent and infidelity into harmless white-bread treacle. Louis Jourdan plays Boccaccio in a framing story set in a villa in the Florentine hills. With a widowed woman and her sex-starved female wards hungrily hunched over listening to his every word, Boccaccio spins three tales of illicit romance involving a trio of medieval husbands and wives. All three tales feature Jourdan as the romantic male lead and Joan Fontaine -- spruced up in a collection of bright costumes -- as the misunderstood and mistreated women of the tales. The first story concerns the bored housewife, of a middle-aged husband, who willingly jumps into the arms of a roustabout. The second tale tells the story of a husband who is highly suspicious of his wife's fidelity and the wife's circumspect way of proving her virtue to her husband. The third story is an ineffectual lark about a wife who fools her indifferent husband into demonstrating his proper marital role. Boccaccio had to wait for Pier Pasolini in order to get the spirit of his Decameron right. ~ Paul Brenner, All Movie Guide
- Starring:
- Joan Fontaine, Louis Jourdan, (more)
- 1950
Janis Paige stars as Fugitive Lady Barbara Clementi in this internationally produced melodrama. When Italian millionaire Ralph Clementi (Eduardo Cianelli) dies mysteriously, suspicion falls upon Clementi's admittedly mercenary American wife Barbara. Insurance investigator Jeff (Tony Centa) is hesitant to jump to the obvious conclusion, determining that Clementi's stepsister Esther (Binnie Barnes) and Barbara's lover Gene (Massimo Serato) also had motive and opportunity. The story concludes with a neat "Postman Always Rings Twice" twist. Released in the U.S. by Republic, Fugitive Lady was produced by future Columbia studio chief Mike Frankovich, the husband of co-star Binnie Barnes. ~ Hal Erickson, All Movie Guide
- Starring:
- Janis Paige, Binnie Barnes, (more)
- 1950
Shadow of the Eagle is set during the reign of Russia's Catherine the Great. Dashing Count Orlof (Richard Greene) is dispatched to Venice to kidnap Princess Elizabeth (Valentina Cortesa), a pretender to Catherine's throne. Falling in love with the princess, Orloff casts his lot with Elizabeth's followers. When Catherine (Binnie Barnes) finally gets her clutches on Elizabeth and sentences her to death, Orloff nobly offers to die in her place. All of this sounds suspiciously like The Eagle, a 1925 Rudolph Valentino vehicle. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Greene, Valentina Cortese, (more)
Disciples of "B"-picture stylist Edgar Ulmer will not be disappointed with Pirates of Capri. Lensed in Italy, the film stars Louis Hayward as swashbuckling Captain Sirocco. Posing as a foppish nobleman by day, Sirocco tirelessly works on behalf of a group of insurgents bent on deposing the wicked Queen Carolina (Binnie Barnes, endearingly miscast). Every so often, the Captain pauses to romance Countess Mercedes (Mariella Lotti), whose character name was evidently lifted from The Count of Monte Cristo. The musical score is by Nino Rota, better known for his work on the Godfather films. As in his other films, the resourceful Edgar Ulmer works miracles with a skintight budget. ~ Hal Erickson, All Movie Guide
- Starring:
- Louis Hayward, Binnie Barnes, (more)
- 1948
In this western comedy, a milquetoast gunsmith from the East Coast goes to Arsenic City, Arizona because he has heard that everybody their carries guns. His trip West is an exercise in misfortune. Everything that could go wrong on the journey, does. At least he meets a pretty woman, also en route to Arsenic City. She goes there in search of her late father's gold mine. They fall in love and work together to find her father's killer and reclaim the mine. ~ Sandra Brennan, All Movie Guide
- Starring:
- Eddie Albert, Binnie Barnes, (more)
- 1948
After supervising several of the best "psychological" horror films ever made, producer Val Lewton shifted his base of operations from RKO to Paramount. Lewton's first project at his new studio -- and the last -- was My Own True Love, an uncharacteristically sentimental offering. Based on the novel by Yolanda Foldes, the story focuses on the romantic dilemma facing ex-POW Joan Clews (Phyllis Calvert). On the verge of marrying middle-aged Clive Heath (Melvyn Douglas), Joan is introduced to Heath's war-veteran son Michael (Philip Friend). Sympathizing with Michael's wartime loss of his Malayan wife and child, Joan falls in love with him. Unwilling to betray his own father, Michael elects to commit suicide, but that's not quite how things turn out. My Own True Love is proof positive that romantic melodrama was not Val Lewton's forte. ~ Hal Erickson, All Movie Guide
- 1947
In this drama, set in England, an honorable textbook writer in a village becomes friends with a pregnant girl. The friendship costs him his marriage. Later, the girl dies, and the authorities wonder if it is murder. A coroner's inquest is held, and for a while the writer's social and professional standing sets on the brink of ruin. In the end, he is finally cleared and is therefore free to court his true love. ~ Sandra Brennan, All Movie Guide
- Starring:
- Walter Pidgeon, John Abbott, (more)
- 1946
While perhaps not Abbott & Costello's best film, The Time of Their Lives is certainly their most unusual. Lou Costello plays a Revolutionary War-era tinker, whose prized possession is a letter from George Washington, commending Costello as a loyal patriot. Costello's lady love is Anne Gillis, maidservant to aristocratic Jess Barker. Costello's rival in romance is Barker's butler Bud Abbott, who locks the tubby tinker in a trunk to keep him away from Gillis. Meanwhile, Gillis stumbles onto a plot to betray the Colonial Armies, masterminded by Barker. The girl is kidnaped and spirited away, but not before Barker has appropriated Costello's letter from Washington and hidden it in a mantelpiece clock. All this is witnessed by Barker's fiancee Marjorie Reynolds, who disguises herself as a man, the better to make her way through the lines to warn the Colonial troops of Barker's plot. She frees Costello from his trunk and enlists his aid in locating Washington. Mistaken for traitors, Costello and Reynolds are shot dead. Their bodies are thrown in a well as a colonial officer curses their souls to remain on the grounds of Barker's estate "until the crack of doom," unless some evidence should prove them innocent of treason. A few moments later, Costello and Reynolds materialize as ghosts. They try to escape the grounds, but a supernatural force holds them back. Flash-forward nearly two centuries to 1946: Costello and Reynolds, still confined to the estate, resent the intrusion by Barker's descendants, who plan to renovate the mansion and open it to tourists. The two ghosts decide to haunt the estate, resulting in a series of amusing and well-conceived invisibility gags. Much to their surprise, Costello and Reynolds find none other than Costello's old nemesis Bud Abbott as one of the house guests. No, Abbott isn't a ghost: he's a famed psychiatrist, a descendant of the butler who double-crossed Costello back in 1780. Costello has a high old time playing tricks on the nervous Abbott (a fascinating reversal of the usual Abbott-Costello relationship) before the rest of the house's occupants decide to hold a seance to find out what's annoying the two ghosts. In a genuinely spooky sequence, sinister house servant Gale Sondergaard, possessed by the spirit of Jess Barker, reveals that the ghosts have been falsely accused of treason, and that their salvation lies in locating that letter from Washington. Driven by a feeling of remorse over the sins of his ancestor, Abbott does his best to help the ghosts. Before the plot is resolved, there is time for a standard Abbott-and-Costello chase scene, with the invisible Costello driving a car wildly around the estate, with a terrified Abbott cringing in the back seat. More than a little inspired by The Canterville Ghost, The Time of Their Lives was the second of two Universal films that attempted to recast Abbott and Costello as individual characters rather than smart guy-dumb guy team members. While the film is an unmitigated delight when seen today, it failed at the box office in 1946, compelling Bud and Lou to return to their standard formula in their next film, Buck Privates Come Home. ~ Hal Erickson, All Movie Guide
- Starring:
- Lou Costello, Bud Abbott, (more)
- 1945
Getting Gertie's Garter is an updated adaptation of the venerable stage farce by Wilson Collison and Avery Hopwood. Dennis O'Keefe, newly married to lovely Sheila Ryan, is in a jam. O'Keefe's former girl friend, exotic dancer Marie McDonald, has in her possession an expensive, jeweled garter given to her by O'Keefe in his bachelor days. McDonald intends to show the garter to O'Keefe's suspicious wife, so Our Hero must retrieve the embarrassing accouterment without tipping off the missus. Previously filmed in 1927, Getting Gertie's Garter was one several enjoyable films produced by Edward Small and directed by Allan Dwan, all based on popular stage comedies. ~ Hal Erickson, All Movie Guide
- Starring:
- Dennis O'Keefe, Marie McDonald, (more)
- 1945
RKO Radio's first film in the three-color Technicolor process was the standard-issue swashbuckler The Spanish Main. Paul Henried is his usual stoic self as Laurent Van Horn, a Dutch sea captain shipwrecked on the coast of Cartagena, a Spanish-held island. Sentenced to be hanged, Van Horn and his crew escape from jail and take up piracy as revenge against Spain. Soon afterward, they capture a ship carrying Francisca (Maureen O'Hara), the fiance of Cartagena's corrupt governor Don Alvarado (Walter Slezak). Van Horn vengefully forces Francisca to marry him instead, which causes dissension at the Pirate colony of Tortuga. Naturally, Van Horn and Francisca eventually fall in love with each other, but the bad guys must be vanquished before a happy ending can be realized. Binnie Barnes steals the show as feisty female buccaneer Anne Bonney (who in real life looked less like Barnes and more like Walter Slezak!) The script is a cynical melange of pirate-movie cliches and the performances are generally routine, but The Spanish Main pleased the crowd in 1945, posting a profit of nearly $1.5 million and encouraging future Technicolor adventure films from RKO. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Henreid, Maureen O'Hara, (more)
- 1945
Based on the popular Russian novel The Twelve Chairs, this stars Fred Allen as flea-circus impresario Fred Floogle. Learning that he's inherited $12 million from his uncle, Fred also discovers that the money has been stuffed in one of thirteen chairs that he's sold at auction. The rest of the film goes off on any number of hilarious tangents, each tied-in ever so tenuously to the plot. Included is an episode at the movies (Fred and his wife Binnie Barnes are continually escorted up several balcony steps and out several alleyway doors), a visit to Floogle's radio cohort Mrs. Nussbaum (Minerva Pious), a brief misadventure with Jack Benny (this time Benny has a hat-check girl in his hall closet, so that he can collect tips from visitors), an impromptu barbershop quartet session with Fred, Rudy Vallee, Don Ameche and Victor Moore, and a confrontation with the dreaded William Bendix mob (Bendix isn't really a gangster; he simply inherited the mob from his mother). Also weaving in and out of the proceedings are John Carradine as a crooked attorney, Robert Benchley as Fred's pompous in-law-to-be, Sidney Toler as a popcorn-munching detective, and Jerry Colonna as Fred's live-in psychiatrist. Two versions of this film exists, one without Fred Allen's ongoing voice over narration. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Allen, Jack Benny, (more)
- 1944
Jim Hetherton (Franchot Tone), the scion of an aristocratic rural English family, was traumatized from boyhood by a shooting accident and reaches adulthood as a sincere and dedicated pacifist -- like many of his generation in England. He makes his way through life as a schoolteacher with a promising future, and even ponders the possibility of marriage with Dora Bruckmann (Veronica Lake), the governess of his young nephew. But then the Second World War breaks out, which creates a crisis for Jim and his family and household. He decides that he can't a won't fight if it means killing another human being, and is accepted as a conscientious objector by the authorities. But in doing so, he is forced to give up his teaching position and take a job in farming, to contribute to the economic good at home. He soon finds himself being shunned by much of the village for his beliefs, and discovers that even amid a manpower shortage, securing a job to fulfill his service requirement is no easy matter. Meanwhile, his brother (John Sutton) is called up by the RAF, and his father (Henry Stephenson) joins the home guard. And Dora seems headed to an internment camp, until Jim marries her. But what neither he nor anyone else suspects is that Dora is actually an agent planted by the Germans, part of a team of fifth columnists working to undermine the British war effort. And her main concern is finding the location of a secret British airfield in the vicinity of the Hetherton estate. She manages to manipulate Jim by preying on his beliefs, and maneuvers him into potentially betraying his country. ~ Bruce Eder, All Movie Guide
- Starring:
- Franchot Tone, Binnie Barnes, (more)
- 1944
Up in Mabel's Room was one of a mid-1940s series of profitable film revivals of venerable theatrical comedies, all produced by Edward Small and directed by Allan Dwan. Previously filmed in 1925, this rusty-dusty stage perennial was written by Otto Harbach and Willson Collison; Tom Reed was the scenarist hired to bring the play's creaky plot contrivances up to date. The story hinges on the fact that newly-married Gary Ainsworth (Dennis O'Keefe) once gave his former sweetheart Mabel (Gail Patrick) a sexy negligee with his initials embroidered in the lacework. It is Gary's unenviable task to retrieve the incriminating undergarment from Mabel's room before his wife Geraldine (Marjorie Reynolds) gets wise. Most of the film's laughs are generated by Mischa Auer as dour manservant Boris. ~ Hal Erickson, All Movie Guide
- Starring:
- Marjorie Reynolds, Dennis O'Keefe, (more)
- 1944
A con artist heads for the gold fields of Nevada during the 1880s after he is tossed off of San Francisco's Barbary Coast. Once in the state, he poses as an important banker. When he actually does find a gold mine, he is forcibly compelled to divvy up the take with the townsfolk. He doesn't mind going straight until his former buddies (still crooks) show up and try to steal the town payroll. To save the town and the mine, the phony financier becomes a crook himself. ~ Sandra Brennan, All Movie Guide
- Starring:
- Binnie Barnes, John Carradine, (more)
- 1943
In this drama set at the end of WW I, Sgt. Jocko Wilson leaves England to return to Australia. He brings with him, two Belgian orphans whom he will raise as his own. He later sends the girl to boarding school while his son becomes the Australian lightweight boxing champion (the Sgt. himself was a former boxer). He uses his considerable prize money to buy an estate and then turns it into a hotel. Years pass and suddenly a singer whom Jocko loved and left in England reappears. Though she is quite wealthy, she is still angry at being jilted. she ends up winning the hotel in a card game. When WW II erupts, she and Jocko renew their love. Meanwhile the brother and sister discover that they are not related and are free to act on the mutual attraction they had been fighting for so long. ~ Sandra Brennan, All Movie Guide
- Starring:
- Charles Laughton, Binnie Barnes, (more)
- 1942
The final pairing of Jeanette MacDonald and Nelson Eddy, an adaptation of a Rodgers & Hart musical, stars Eddy as a playboy who fantasizes that he is romancing an angel (MacDonald). ~ Jason Ankeny, All Movie Guide
- Starring:
- Jeanette MacDonald, Nelson Eddy, (more)
- 1942
This RKO Radio programmer reunites Edmund Lowe and Victor McLaglen in an enjoyable rehash of their earlier Quirt-and-Flagg antics in What Price Glory. The two venerable action stars are respectively cast as Curtis and McGinnis, who after several years' hiatus rejoin the Marines as sergeants. While stationed in San Diego, they duke it out over the attentions of toothsome cabaret singer Vi (Binnie Barnes), who turns out to be linked up with a gang of enemy saboteurs. The plot is secondary to the comedy in this outing, with most of the laughs generated by a tasteless but undeniably hilarious routine involving a speech impediment. In addition, the producers managed to cram six songs into the proceedings, most of them performed by the King's Men Quartet and Six Hits and a Miss. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor McLaglen, Edmund Lowe, (more)
With its slight resemblance to Destry Rides Again (1939) -- probably not entirely coincidental -- this rousing Western from Republic Pictures remains a joy throughout. John Wayne plays Tom Craig, a mild-mannered druggist from Boston who opens a shop in wild and woolly Sacramento shortly before the Gold Rush. The town is "owned" by the Dawson brothers, Britt (Albert Dekker) and Joe (Dick Purcell), who poison Craig's tonic when saloon hostess Lacey Miller (Binnie Barnes) takes too much of an interest in the handsome newcomer. Town drunk Whitey (Emmett Lynn) has one drink too many, and all of Sacramento is soon in a lynching mood. The news of "gold in them thar hills" saves the druggist in the nick of time, but his business is destroyed. While everyone is heading for the gold fields, Craig prepares to leave town with snobbish debutante Ellen Sanford (Helen Parrish), whom he intends to marry. News of typhoid fever among the prospectors changes his mind, however, and the man once referred to as "a human hitchin' post instead of a two-legged man," risks his own life to save the suffering populace. The Dawson brothers, meanwhile, plan to hijack the medical supplies and sell them to the highest bidder, but when Britt Dawson learns that Lacey is helping the sick and may be stricken with the disease herself, he has a change of heart and eventually confesses to spiking Craig's medicine. Cast against type for most of the film, John Wayne fails to make his amiable druggist entirely believable but remains simply John Wayne throughout -- which is as it should be. Binnie Barnes is rowdy and fun whether leading a chorus of "California Joe" by Johnny Marvin and Fred Rose, or jealously interrupting a tête-à-tête between Wayne and 19-year-old Helen Parrish. Usually cast as glacial "other women" in Hollywood films, the British-born Barnes had actually begun her professional career touring Europe and South Africa with bucolic American headliner Tex McLeod, which was as good a preparation as any to play In Old California's saloon belle. Patsy Kelly, who shoots down her laundry with a Winchester, and Edgar Kennedy, as Wayne's tooth-ache plagued sidekick, add to the general fun. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- John Wayne, Binnie Barnes, (more)
- 1941
Widowed mother Charlotte Lord (Katherine Alexander) would like to marry wealthy Guy Barton (Sidney Blackmer), but Bartons' avaricious ex-wife Sybil (Binnie Barnes) insists upon contesting their recent Mexican divorce. Charlotte's daughters Jane (Jane Frazee), Leni (Leni Lynn), and Marilyn (Marilyn Hare) conspire to put Sybil out of the way by pairing her off with Steve Nelson (Edward Norris), gilding the lily by convincing Nelson to pose as Argentine cattle baron Don Pablo Viscente (Gilbert Roland). The ruse almost works, but then the real Don Pablo shows up. Undaunted, the Lord girls concoct a variety of additional schemes to smooth the path of romance for their mother and the eligible Mr. Barton. And on and on it goes, slapstick set pieces alternating with musical numbers for the remainder of the film's 72 minutes. ~ Hal Erickson, All Movie Guide
- Starring:
- Binnie Barnes, Gilbert Roland, (more)
