James Keane Movies
A variation on the "buddy-cop" hybridized genre, 48 HRS. greatly bolstered the career of Nick Nolte and made comedian Eddie Murphy a bonafide box-office sensation. When a pair of reckless cop-killers break out of prison, grizzled detective Jack Cates (Nolte) is left no alternative but to spring fast-talking hustler Reggie Hammond (Murphy) from the penitentiary in order to find the criminals. The catch: the pair only have 48 hours to complete their assignment before Hammond must return to prison. Naturally, the two despise each other and even engage in fisticuffs, but eventually the danger facing them proves a strong enough common bond for them to play on the same team, and even achieve a little mutual admiration. ~ Jeremy Beday, All Movie Guide
- Starring:
- Nick Nolte, Eddie Murphy, (more)
- 1982
The fact-based TV movie The Ambush Murders was adapted from a book by Ben Bradlee Jr. Dorian Harewood plays an African-American political activist who is loyal to his ideals and faithful to his friends and family. After two white policemen are killed, Harewood is charge with the crime. 49 months and two mistrials later, Harewood remains in prison. When lawyer James Brolin offers his services, Harewood doesn't trust him any more than any of the other self-serving white attorneys who've "helped" him in the past. But Brolin digs a little deeper than his predecessors, uncovering facts and evidence that may at long last spring his client. Ambush Murders was first telecast January 5, 1982. ~ Hal Erickson, All Movie Guide
Explore the Mississippi River with young Mark Twain. A shorter classroom version is also available. ~ All Movie Guide
Fact-based drama starring Robert Redford as Henry Brubaker, the new inmate at a run-down Southern prison that's become notorious for corruption and violence. After he witnesses several instances of gross misconduct and defuses a tense confrontation with a crazed inmate (Morgan Freeman), Brubaker reveals to the guards and administrators that he's not a criminal at all, but the new warden, assigned by the governor to infiltrate the facility undercover. His identity confirmed, Brubaker takes office and sets about shaping up policies and procedures, despite resistance from, incredibly, even some of the more entitled convicts. With the help of the prison's chief trustee (Yaphet Kotto) and a compassionate ally (Jane Alexander), the warden effects some positive change, but powerful business interests line up against him when his ideas threaten their financial bottom line. A reform-minded, socially conscious, and politically liberal picture of the type usually associated with director Norman Jewison, this fact-based prison drama was the result of a troubled production that saw original director Bob Rafelson replaced with Cool Hand Luke (1967) and The Amityville Horror (1979) helmsman Stuart Rosenberg. Despite the backstage turmoil, Brubaker was an acclaimed release and an Oscar-nominated, career-finale triumph for co-screenwriter Arthur A. Ross, creator of Creature From the Black Lagoon (1954) and father of successful writer/director Gary Ross. ~ Karl Williams, All Movie Guide
- Starring:
- Robert Redford, Yaphet Kotto, (more)
One of a cluster of late-1970s films about the Vietnam War, Francis Ford Coppola's Apocalypse Now adapts the Joseph Conrad novella Heart of Darkness to depict the war as a descent into primal madness. Capt. Willard (Martin Sheen), already on the edge, is assigned to find and deal with AWOL Col. Kurtz (Marlon Brando), rumored to have set himself up in the Cambodian jungle as a local, lethal godhead. Along the way Willard encounters napalm and Wagner fan Col. Kilgore (Robert Duvall), draftees who prefer to surf and do drugs, a USO Playboy Bunny show turned into a riot by the raucous soldiers, and a jumpy photographer (Dennis Hopper) telling wild, reverent tales about Kurtz. By the time Willard sees the heads mounted on stakes near Kurtz's compound, he knows Kurtz has gone over the deep end, but it is uncertain whether Willard himself now agrees with Kurtz's insane dictum to "Drop the Bomb. Exterminate them all." Coppola himself was not certain either, and he tried several different endings between the film's early rough-cut screenings for the press, the Palme d'Or-winning "work-in-progress" shown at Cannes, and the final 35 mm U.S. release (also the ending on the video cassette). The chaotic production also experienced shut-downs when a typhoon destroyed the set and star Sheen suffered a heart attack; the budget ballooned and Coppola covered the overages himself. These production headaches, which Coppola characterized as being like the Vietnam War itself, have been superbly captured in the documentary, Hearts of Darkness: A Filmmaker's Apocalypse. Despite the studio's fears and mixed reviews of the film's ending, Apocalypse Now became a substantial hit and was nominated for eight Academy Awards, including Best Picture, Best Director, Best Supporting Actor for Duvall's psychotic Kilgore, and Best Screenplay. It won Oscars for sound and for Vittorio Storaro's cinematography. This hallucinatory, Wagnerian project has produced admirers and detractors of equal ardor; it resembles no other film ever made, and its nightmarish aura and polarized reception aptly reflect the tensions and confusions of the Vietnam era. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Martin Sheen, Marlon Brando, (more)
- 1979
- PG
Charles Bronson is out for revenge (and doesn't that sound familiar) in this action drama. Jackie Pruit (Jill Ireland) is the girlfriend of notorious gangster Joe Bomposa (Rod Steiger). When it looks as if Jackie's life is being threatened by Bomposa's goons, the FBI moves in to protect her, in hopes that she'll have incriminating evidence that the Bureau can use against Bomposa in court. Veteran agent Charlie Congers (Bronson) is assigned to watch over Jackie, and while it soon becomes obvious that she knows almost nothing about Bomposa that would be of any use to the FBI, he also falls in love with her. However, Bomposa decides that it would be a lot more convenient to have Jackie out of the way, and he orders her to be executed. Bomposa's henchmen manage to slip through FBI security and murder her, but now they have to answer to the angry and vengeful Congers. Love and Bullets also features Strother Martin, Bradford Dillman, Henry Silva, and Paul Koslo. ~ Mark Deming, All Movie Guide
- Starring:
- Charles Bronson, Rod Steiger, (more)
Bette Midler stars as Rose in this somber drama loosely based on the life of the late Janis Joplin. She plays an ill-fated singer who succumbs to the pressures of performing by indulging in drugs and alcohol. Her sweetheart Dyer (Frederic Forrest) is the former chauffeur who naively tries to save her from self destruction, while her British manager Rudge (Alan Bates) is ultimately blamed for not preventing her inevitable fall. The story mirrors any one of a number of popular singers who have fallen victim to the excess of success. Midler and Forrest were nominated for Oscars for their performances, with Best Editing laurels given to Timothy O'Meara and Robert Wolf. The Rose was a box office smash and was the plum role that elevated Midler to star status in the eyes of the public and Hollywood. ~ Dan Pavlides, All Movie Guide
- Starring:
- Bette Midler, Alan Bates, (more)
- 1979
Returning from Tokyo with a massive hangover, Charles (David Ogden Stiers) is confronted with the possibility that he might have gotten married while drunk. And that's hardly the end of Charles' problems, as he and the other doctors tackle a plague of deadly hemorrhagic fever. Making matters worse, the staff of the 4077th has been ordered not to treat any of the fever victims. ~ Hal Erickson, All Movie Guide
- 1977
- PG
- Add Close Encounters of the Third Kind to QueueAdd Close Encounters of the Third Kind to top of Queue
Steven Spielberg followed Jaws (1975), his first major box-office success, with this epic science fiction adventure about a disparate group of people who attempt to contact alien intelligence. Roy Neary (Richard Dreyfuss) is an electrical lineman who, while sent out on emergency repairs, witnesses an unidentified flying object, and even has a "sunburn" from its bright lights to prove it. Neary's wife and children are at first skeptical, then concerned, and eventually fearful, as Roy refuses to accept a "logical" explanation for what he saw and is prepared to give up his job, his home, and his family to pursue the "truth" about UFOs. Neary's obsession eventually puts him in contact with others who've had close encounters with alien spacecraft, including Jillian (Melinda Dillon), a single mother whose son disappeared during her UFO experience, and Claude Lacombe (celebrated French filmmaker François Truffaut), a French researcher who believes that we can use a musical language to communicate with alien visitors. Lacombe's theory is put to the test when a band of government researchers and underground UFO enthusiasts (including Neary) join for an exchange with alien visitors near Devil's Tower, Wyoming. In 1980, a "Special Edition" was released. While its primary selling point was the addition of scenes inside the alien spaceship, Spielberg claimed that he also cleaned up some choppy editing in the second act. ~ Mark Deming, All Movie Guide
- Starring:
- Richard Dreyfuss, François Truffaut, (more)
"His code name is Condor. In the next 24 hours, everyone he trusts will try to kill him." As the ads ominously announced, a low-level spook confronts the unfathomable in Sydney Pollack's 1975 political thriller, adapted from the James Grady novel Six Days of the Condor. CIA researcher Joe Turner (Robert Redford) returns from lunch to find the entire staff of his small New York office assassinated. When he meets his boss (Cliff Robertson) at another location to tell him what happened, someone tries to shoot Turner as well. On the run from the cops and his agency, a desperate Turner resorts to holing up with innocent civilian Kathy (Faye Dunaway), who becomes his only ally. Joe decides to save himself the only way possible: by going to The New York Times. But will it work? One of a cycle of conspiracy films from the 1970s that also included The Parallax View (1974) and Redford's All the President's Men (1976), Three Days of the Condor pits a working Everyman (albeit a CIA everyman) against a far-reaching conspiracy, as it also criticizes the CIA during a period of increasing publicity about federal wrongdoing, from the Pentagon Papers through Watergate and other congressional investigations; the challenge of negotiating New York City, shot on location, becomes one more sign of the forces that Joe must face. With its timely subject matter, taut suspense, and sympathetic Redford hero, Three Days of the Condor became a substantial hit. Balancing the conspiracy cycle's pessimism with a margin of attenuated hope, Three Days of the Condor suggests that one man can still discover the truth, but whether it helps him remains to be seen. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Robert Redford, Faye Dunaway, (more)
- 1921
This independently made program picture gives away its low-budget nature by its proliferation of exteriors and lack of star names. Even the dog that appears, Brindle, is a second-stringer when compared to bigger stars like Strongheart or Rin Tin Tin. Lumber king David Hartley (Walter Davis) is called to the camp on business, and while he is away, a mysterious stranger comes to visit his wife Florence (Esther Welty). The whole village starts whispering about the man's identity and soon rumors about Florence reach Hartley. He rushes towards home and is attacked by a wolf pack. The couple's children, Dolly (Clara Heller) and Bobby (Everett Moran), have become lost in the woods and their lives too are in danger. But their dog Brindle comes to the rescue and fights off the wolves. Back at home, Hartley discovers that the stranger is Florence's brother, "Blackie" Devoe (George C. Welch), who has gotten himself in trouble with the law and come to his sister for help. ~ Janiss Garza, All Movie Guide
In 1912, Frederick Warde, a respected actor on the legitimate stage, who, over the course of a long career, had worked opposite the likes of Edwin Booth, this time lends his talents to the still creatively fledgling medium of the motion pictures. Drawing upon his triumphant stage performance in the title role of William Shakespeare's Richard III, Warde and his fellow players gave the story a new interpretation, performing the classic tragedy of the deformed and unscrupulous king in pantomime for the then-silent cameras. Within a decade of its release, this early screen version of Richard III was believed to have been lost, with no prints surviving, but in 1996 a private film collector discovered a copy, which was then donated to the American Film Institute. The AFI archivally restored Richard III and commissioned a new orchestral score, written by Ennio Morricone. The film now has the distinction of being the oldest feature-length motion picture to survive intact and is historically invaluable both as an example of early cinema and as a look at acting and theatrical production techniques of the turn of the century. ~ Mark Deming, All Movie Guide
- Starring:
- Frederick Warde, Violet Stuart, (more)
