Paul Herman

Inspired by the personal memoirs of Hollywood producer Art Linson, Barry Levinson's fictional showbiz comedy stars Robert De Niro as a struggling movie producer who has just suffered through his second divorce, and slowly finds his soul being ground up in the machinations of the Hollywood machine. Ben (De Niro) is an aging producer whose career was already on a downward turn when his personal life went straight into the toilet. Not only is Ben juggling two ex-wives and a daughter who seems to have grown up overnight, but his colleagues seem to take pleasure in watching him suffer while he attempts to complete his latest film on an impossible schedule.

"Fiercely" was supposed to be the visionary movie that revived Ben's career, but drug-addicted director Jeremy (Michael Wincott) has clashed with uncompromising studio chief Lou (Catherine Keener) following a disastrous test screening, and now it appears as if not even Sean Penn's presence in the film will be enough to make it a box-office hit. Meanwhile, Ben's ex-wife Kelly (Robin Wright Penn) can't seem to decide if she loves him or hates him, and his teenage daughter, Zoe (Kristen Stewart), has gone from playing with Barbie dolls to flirting with boys in the blink of a heavily mascaraed eye. As if that wasn't enough for one man to take in, screenwriter Scott (Stanley Tucci) is trying to broker a deal with Ben while simultaneously making a play for his former wife, and nebbish agent Dick (John Turturro) is so terrified of his own clients that he can't even ask Bruce Willis to shave his scraggly new beard for an upcoming role. It's all just another day in the world of runaway egos, treachery, betrayal, and deceit that is Hollywood, and if Ben can just make it to Cannes with a finished film under his arm and his sanity in tact, everything might just work out after all. ~ Jason Buchanan, All Movie Guide

Tony Barbieri made his directorial debut with this psychological drama about two old friends. Garbage collector Nick (Kane Picoy) once had a promising baseball career until he hit his manager. Now he lives in a building owned by his father (Paul Herman), who can't forgive his son's failure. Nick drives to the state penitentiary where he picks up longtime pal Charlie (Jason Cairns), imprisoned on manslaughter charges for helping his grandfather take his life. Charlie's parole requires community service, so he delivers medical supplies to disabled children. His parole officer (Muhammed Hassan) warns him not to go near the children, and Charlie gets a warning because he helps a child who has fallen out of his wheelchair. Since Charlie spends time on his college studies and also takes a romantic interest in his supervisor Sara (Autumn Macintosh), he sees less of Nick, and their friendship collapses. Shown at the 1998 Sundance Film Festival. ~ Bhob Stewart, All Movie Guide

A successful career criminal considers getting out of the business after one last score, while an obsessive cop desperately tries to put him behind bars in this intelligent thriller written and directed by Michael Mann. Neil McCauley (Robert De Niro) is a thief who specializes in big, risky jobs, such as banks and armored cars. He's very good at what he does; he's bright, methodical, and has honed his skills as a thief at the expense of his personal life, vowing never to get involved in a relationship from which he couldn't walk away in 30 seconds. Vincent Hanna (Al Pacino) is an L.A.P.D. detective determined to catch McCauley, but while McCauley's personal code has forced him to do without a wife and children, Hanna's dedication has made a wreck of the home he's tried to have; he's been divorced twice, he's all but a stranger to his third wife, and he has no idea how to reach out to his troubled step-daughter. While McCauley has enough money to retire and is planning to move to New Zealand, he loves the thrill of robbery as much as the profit, and is blocking out plans for one more job; meanwhile, he's met a woman, Eady (Amy Brenneman), whom he's not so sure he can walk away from. The supporting cast includes Val Kilmer as Chris, one of McCauley's partners; Ashley Judd as his wife Charlene; Jon Voight as Nate; Hank Azaria as Alan Marciano; and Henry Rollins as Hugh, who is beaten up by Hanna. ~ Mark Deming, All Movie Guide

In this thriller, an attempted variation of Roman Polanski's Repulsion, a young woman is repeatedly threatened by a violent intruder. The pretty woman had a husband, but lost him after he killed her lover and then himself in front of her. Now she is constantly harassed and approached at work, but consistently demurs. She begins to believe she is being stalked and her suspicions are confirmed when her apartment is entered and she is knocked around and robbed. A policeman is assigned for protection, but after she rejects his advances, he stops doing his job adequately. Now the woman is on her own against an unknown force. ~ Sandra Brennan, All Movie Guide

Bullets Over Broadway is a Woody Allen romp that, as the title suggests, combines gangsters with show business at the height of the Roaring Twenties. David Shayne (John Cusack) is a straight-arrow playwright who plans to stand firm against compromising his work, but quickly abandons that stance when his producer (Jack Warden) finds a backer to mount his show on Broadway. There's just one catch, however: the backer is a mobster (Joe Viterelli) who sees Shayne's play as a vehicle for his dizzy, talent-free girlfriend, Olive (Jennifer Tilly). Shayne also has to deal with the demands of veteran theatre diva Helen Sinclair (Dianne Wiest) and is shocked to discover that Olive's hitman bodyguard, Cheech (Chazz Palminteri), is probably a better playwright than he is, as he secretly revises Shayne's work when he sits in on rehearsals. ~ Don Kaye, All Movie Guide

The subject of this urban comedy could be "Two-timing men, and the women that despise them" as it presents the scathing opinions of women observing an adulterous misogynist in action. The adulterer in question is Scott who swears fealty to his beloved fiance, but then goes out and chases anything with ovaries when she is not around. He is cheered on by his equally misogynistic uncle. Scott's many sexploits are interrupted by female observers, who offer their commentary upon his actions. Their comments upon Scott can apply to adulterers everywhere. ~ Sandra Brennan, All Movie Guide

In this film version of E. L. Doctorow's Billy Bathgate, Loren Dean plays the title character, a street-smart kid who inveigles his way into the confidence of 1930s gangster Dutch Schultz (Dustin Hoffman). Billy is ordered to look after Schultz' new moll, Drew Preston (Nicole Kidman), while Dutch fends off tax evasion charges and such up-and-coming rivals as Lucky Luciano (Stanley Tucci). Even though they know they're playing with dynamite, Billy and Drew fall in love. In attempting to escape Schultz' wrath, Billy succeeds only in putting himself in the thick of a gun battle between his boss and Luciano. When "Charley Lucky" emerges triumphant, Billy is forced once again to rely on his wits to escape being sent to the bottom of the briny in a cement overcoat. Bruce Willis shows up in an extended cameo as Dutch Schultz' former business associate. Billy Bathgate was adapted for the screen by British playwright Tom Stoppard. ~ Hal Erickson, All Movie Guide

Bill Murray co-directed (along with Howard Franklin) this mixture of The Out-of-Towners and After Hours, concerning Grimm (Bill Murray), a frustrated city planner who is fed up with the corruption and venality of New York City. Getting together a couple of accomplices -- Phyllis (Geena Davis), who admires Grimm for his audacity, and Loomis (Randy Quaid), a follower to Grimm's leader since grade school -- Grimm decides to rob a bank, pocket the money, get out of town and take off to tropical splendor. Dressing in a clown suit, Grimm devises a unique way to rob a bank -- taking a group of hostages at the bank and inviting the police to surround the bank. Amazingly, although pursued by a police chief (Jason Robards), the trio manage to pull off the robbery. However, the problems really start when they try to get from the bank to the airport -- which proves to be more difficult than the robbery. ~ Paul Brenner, All Movie Guide

When his brother is murdered, a policeman is caught between his devotion to the law and his family's desire for revenge in this action drama. Patrick Swayze plays Truman Gates, who left his backwoods Appalachian home for life as a Chicago police officer. When his brother is killed by a gangster, Truman is determined to seek legal retribution. His older brother Briar (Liam Neeson) has different ideas, however, and travels to the city to seek old-fashioned vigilante justice. Truman must now choose between his family's belief in mountain justice and the duties of his job. Though the film is not particularly action-packed, director John Irvin does provide the expected gunplay and macho confrontations. However, despite a surprisingly distinguished cast (also including Helen Hunt and Michael J. Pollard), little distinguishes the film from numerous other revenge stories with a similar outline. ~ Judd Blaise, All Movie Guide

Set in the Manhattan street milieu that served him well in West Side Story, Robert Wise’s Rooftops tells the story of T, a quiet, soft-spoken teen-ager who has left his broken home and is living in a makeshift shelter in an old water tower on top of an abandoned tenement building. There are other kids like him, including Squeak, a talented graffiti artist who joins T after an altercation involving his mother’s boy friend. T and Squeak manage to scrape together what little money they need through minor sins (stripping cars, etc.), and at night all these street inhabitants get together in a vacant lot to “combat” dance, in which they use a combination of karate and dancing to force an opponent off of a platform. Into this mix comes Lobo, a drug dealer who moves into T’s building and turns it into a crack house. Lobo’s beautiful cousin Elana serves as his lookout – not because she wants to, but because her father’s heart attack has left her family in dire financial straits. T and Elana become interested in each other, but T and Lobo are at odds with each other – which fact leads to a showdown in which T must put his “combat” skills to good use. ~ Craig Butler, All Movie Guide

Willem Dafoe plays Jesus Christ in this extraordinarily controversial adaptation of Nikos Kazantzaki's novel. The film depicts a sometimes reluctant, self-doubting Jesus, gradually coming to accept His divinity and the inexorability of His ultimate fate. The much-maligned sex scene with Mary Magdalene (Barbara Hershey) occurs as an hallucination experienced by Jesus as he suffers on the cross. This particular sequence was what infuriated the film's most rabid critics, but in fact it is just one of many iconoclastic musings to be found in the film and its source novel. Equally volatile are the intimations that, as a carpenter, Jesus indifferently shaped the crucifixes for other condemned prisoners long before his own fate was sealed, and that Judas (Harvey Keitel) was literally manipulated into betrayal by a Christ whose preoccuption with his own destiny compelled him to "use" others. None of these departures from the normal interpretation of the scriptures are offered as any more than theory; as such, it was accepted as food for thought by the more open-minded clerics and Biblical scholars who recommended the film. ~ Hal Erickson, All Movie Guide

In this comedy, artistic con man Harry (Michael Keaton) teams up with lady detective Rachel Dobs (Rae Dawn Chong) to trick a corrupt TV lottery-show host into revealing how he has been rigging the contest to benefit the Mob. ~ Sandra Brennan, All Movie Guide

Woody Allen's gentle and nostalgic tribute to the glory days of radio and coming-of-age during World War II plays like Fellini's Amarcord filtered through Neil Simon. The nominal star is Seth Green as Joe, a teenage Jewish boy, growing up with a house full of relatives in Brooklyn. Allen cuts between Joe's working class neighborhood of Rockaway Beach, Queens, and the glittery and glamorous world of radio in Manhattan. Joe's favorite radio hero is The Masked Avenger (Wallace Shawn), and he dreams of getting The Masked Avenger Secret Decoder Ring. Using all the money they have collected for Israel, Joe and his friends buy the ring, much to the shock of his mother (Julie Kavner) and the local rabbi. His father (Michael Tucker), a business failure embarrassed to be seen driving a taxi, is an ineffective and distant man. His uncle Abe (Josh Mostel) is obsessed with eating. His Aunt Bea (Dianne Wiest) is obsessed with getting married. All together, these relatives make up a rather chaotic life in Brooklyn for Joe. Interspersed with these family relations are vignettes of radio lore --from the cigarette girl (Mia Farrow) who wants to strike it big in radio, to the "Name That Tune" jackpot telephone call answered by a burglar, who guesses the right answer and wins the victimized homeowners a cornucopia of valuable prizes. ~ Paul Brenner, All Movie Guide