Andre Gregory

Black-and-white Sven Nykvist cinematography highlights this Woody Allen comedy about fame and obscurity among Manhattan celebs. Journalist Lee Simon (Kenneth Branagh), makes a play for actress Nicole Oliver (Melanie Griffith), subject of his current story. Lee is separated from his wife Robin (Judy Davis), a schoolteacher who's totally lost and insecure -- until TV producer Tony Gardella (Joe Mantegna) becomes fascinated with her. Concerned about her possible sexual inadequacies, Robin recruits a prostitute (Bebe Neuwirth) to instruct her on oral sex techniques. On the town, Lee becomes transfixed by a blond supermodel (Charlize Theron), who teases him throughout the night, eventually dropping him before they get home. Lee's relationship with book editor Bonnie (Famke Janssen) is solid, and she's due to move into his place. However, he suddenly becomes romantically involved with waitress-actress Nola (Winona Ryder), complicating his agreement with Bonnie. Lee's efforts to sell his screenplay take him to the Stanhope Hotel, where he arrives just as spoiled young movie star Brandon Darrow (Leonardo DiCaprio) is fighting with his girlfriend (Gretchen Mol), trashing his hotel room, and insulting hotel staffers. When Darrow and his entourage head off to Atlantic City, Lee tags along, but as life swirls about him, a dismal dawn awaits. In addition to the Stanhope, locations included Barbetta's Restaurant, Ziegfeld Theatre, Soho's Serge Soroko Gallery, Flamingo Club, Jean-Georges Restaurant, and the Trump Marina Hotel and Casino (donated by Donald Trump, who portrays himself in a cameo at the Jean-Georges). Shown at the 1998 Venice Film Festival, this was the opening night selection of the 1998 New York Film Festival. ~ Bhob Stewart, All Movie Guide

A legendary theatrical family gather for one final show at their East Hamptons estate in this verbose comedy-drama. Swedish actress Viveca Lindfors takes center stage as Helena, the family matriarch, who has made the difficult decision to sell the estate due to financial problems. A mixed group has come for what will be the last of the family's annual summer performances, a gathering that naturally brings conflicts and rivalries to the surface. Much of the trouble centers on Oona (Victoria Foyt), a financially successful Hollywood actress seeking artistic approval from such theatrical colleagues as avant-garde director Ivan (André Gregory) and gay playwright Jake (real-life dramatist Jon Robin Baitz), who each has difficulties of his own. As in all of writer/director Henry Jaglom's films, the focus is on conversation over action, as the various characters share personal torments and debate their individual philosophies. The talky, intellectual dialogue will be seen by some viewers as witty and perceptive and by others as pretentious and slow-moving. Regardless of one's opinion of Jaglom's idiosyncratic style, Last Summer in the Hamptons is distinguished by the presence of Lindfors in her final film, giving a career-capping performance that addresses the problems of older actresses and looks back fondly on the star's own history. ~ Judd Blaise, All Movie Guide

A crime fighter created in the 1930s and popularized in movies, pulp novels, and a radio show starring a young Orson Welles, The Shadow came back to life in 1994 in this slick, well-cast production. Alec Baldwin stars as Lamont Cranston, a murderous opium dealer reformed by a Tibetan mystic, who teaches him how to use his keen mental powers to manipulate others. As penance for his past misdeeds, Cranston masquerades as a degenerate New York City playboy by day and secretly plays the heroic Shadow by night, staving off evildoers with a network of agents and a cab-driving sidekick (Peter Boyle). A greater challenge arrives when Cranston must fight Shiwan Khan (John Lone), the final descendent of Genghis Khan, who has received training from the same Tibetan master who instructed Cranston. Shiwan plans to use atomic weapons to take over New York and then the world. At the same time, Cranston meets socialite Margo Lane (Penelope Ann Miller), and, although he's instantly enamored of her, he discovers that her psychic abilities render his secret identity vulnerable. The Shadow was directed by former music video creator Russell Mulcahy, whose feature film debut Highlander (1986) was a cult classic. ~ Karl Williams, All Movie Guide

The plot of this action film begins in 1996, with Los Angeles in a violence-crazed conflagration. One of the LAPD's most notorious cops, John Spartan (Sylvester Stallone), known as "the demolition man," is in hot pursuit of blonde-haired psychopath Simon Phoenix (Wesley Snipes), who is so nasty he even kills sometimes just because he feels cranky. John captures Simon, but not before Simon kills innocent hostages. John is blamed for the deaths of the hostages, and both he and Simon are cryogenically frozen to remove their brand of ultra-violence from a society that is simply just too violent. The film shifts to the future world of 2032, where Los Angeles has become a megalopolis called San Angeles. There is no poverty, Arnold Schwarzenegger was (at one time) president of the United States, and Taco Bell is the sole survivor of the Franchise Wars. Into this peaceful and bland society, Simon is summarily defrosted by reigning benevolent dictator Dr. Cocteau (Nigel Hawthorne) to have Simon murder Edgar Friendly (Denis Leary), the leader of a group of underground rebels. But Cocteau bites off more than he can chew when the melted-down Simon proceeds to go on a murder-and-looting spree. Reluctantly, Cocteau defrosts John to hunt down his old adversary. As John adjusts to self-driving cars and having sex wearing helmets, he pairs up with Lenina Huxley (Sandra Bullock), a bored cop with a nostalgic fascination for 20th-century culture. ~ Paul Brenner, All Movie Guide

Brian De Palma's Hollywood sanitization of Tom Wolfe's scabrous satire stars Tom Hanks as Sherman McCoy, the "master of the universe," a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin (Melanie Griffith), a Southern belle golddigger. Sherman and Maria are driving back to Maria's apartment from the airport when Maria takes a wrong turn on the expressway and the two find themselves in the South Bronx. She sees a black youth approaching Sherman's car and Maria, frightened, guns the engine, running over the teenager and killing him. The two drive away and decide not to report the accident to the police. Meanwhile, indigent alcoholic journalist Peter Fallow (Bruce Willis), anxious for a story to make good with his editor, comes upon the hit-and-run tale through local black community activist, Reverend Bacon (John Hancock). Bacon plans to use the hit-and-run case as a rallying point for the black community, while Fallow recognizes the press coverage inherent in prosecuting the callow Sherman. As Sherman is brought to his knees, the New York community fragments into different factions who use the case to suit their own cynical political purposes. Finally, Sherman is left without any allies to support him except for the sympathetic Judge White (Morgan Freeman) and the remorseful Fallow. ~ Paul Brenner, All Movie Guide

Michael (Patrick Dempsey) is a college student invited to spend Christmas vacation in Quebec City with his sweetheart Gabby (Jennifer Connelly) and her family. The wide-eyed Michael sees the city as a fairytale land with the splendid architecture gently dusted by the falling snow. When Michael arrives, Gabby tells him she is breaking up with him, and separate sleeping arrangements are made, and Gabby's mother (Florinda Bolkan) makes sure the visitor adheres to Gabby's wishes. Gabby's eccentric father (Andre Gregory) is an idealistic scholar who likes to work in the nude. Michael isn't lonely for long, as Gabby's two younger sisters show amorous interest in him. Lila Kedrova gives an excellent performance as the slightly daffy grandmother who believes Michael is her late husband. ~ Dan Pavlides, All Movie Guide

Harrison Ford delivers one of his most-acclaimed performances in Peter Weir's adaptation of Paul Theroux's novel (scripted by Paul Schrader). Ford plays Allie Fox, an inventor embittered by the blighted landscape of the contemporary United States. As he tells his oldest son, Charlie (River Phoenix), "Look around you. It's a toilet." He moves his wife (Helen Mirren) and kids -- Charlie, Jerry (Jadrien Steele), April (Hilary Gordon), and Clover (Rebecca Gordon) -- to the rain forests of Central America, where he plans to create a new civilization starting with his own nuclear family. Allie's family compliantly goes along with his scheme to build a free society, but slowly notices that his obsession has turned him into a tyrannical fascist. Rather than create a utopia, Allie's driving egomania demands total subservience from his downtrodden brood. ~ Paul Brenner, All Movie Guide

Including such songs as "Broadway Baby," "I'm Still Here," "The Ladies Who Lunch," and "Losing My Mind," this video features a filming of the well-known Stephen Sondheim musical as it was performed at New York's Lincoln Center in 1985. ~ Iotis Erlewine, All Movie Guide

In this routine spoof of government and media foibles, Sunny (Goldie Hawn) is an ordinary cocktail waitress, someone who graduated in the top 75% of her class. When she dramatically prevents the assassination of a visiting dignitary, an Emir (Richard Romanus) from an Arab country. the event puts her dead center at a whirlwind of media attention, and she gets her a job in the protocol department of the government -- nothing that cocktail waitressing can really prepare one to do. Sunny's nemesis is the evil Mrs. St. John (Gail Strickland) who does not appreciate her inane blunders, and with a few cohorts, she schemes to ship Sunny off to join the Emir's harem, in exchange for a military base in his country. The daffy ex-cocktail waitress is not also blind and deaf, and before long, she suspects that something underhanded is in fact, underfoot. Now she has to find out what it is and how to stop it. ~ Eleanor Mannikka, All Movie Guide

Successful playwright Al Pacino can't get any work done as long as he is pestered by his wacko wife Tuesday Weld. Making things worse are the couple's obstreperous children, many of them products of her previous marriages. Just as Pacino is completing his latest work, his wife walks out on him. That's the good news: the bad news is that he's saddled with a bunch of snot-nosed kids. Still and all, Pacino finds time to inaugurate an affair with his play's leading lady, played by Dyan Cannon, while attempting to juggle the stresses of opening night with the needs of the demanding, often obnoxious children. ~ Hal Erickson, All Movie Guide