Tom Atkins

A family faces new crises while trying to resolve an old one in this drama. After the death of Cal Malby (Miles O'Keefe), a miner who died in an accident that eventually leveled the economy of a small Pennsylvania community, his sons Patrick (Jason Widener) and Cole (Tyler Christopher) have been trying to find out what caused the disaster while also caring for their mother Elizabeth (Sally Kirkland), who is now bedridden. As Patrick and Cole try to uncover the truth, they have to struggle to hold on to the family's home as Penny Hart (Dee Wallace Stone), a widow who owns the farm the family has long called home, attempts to sell the property out from under them. ~ Mark Deming, All Movie Guide

James Garner is reunited with several of his fellow cast members from the Rockford Files series in this made-for-TV sequel. It all begins when schoolteacher Ernie Landale (Hal Holbrook), the husband of private eye Jim Rockford's ex-prostitute friend Rita Kapkovic (Rita Moreno), is accused of child molestation. Never mind that the evidence is circumstantial at best, flimsy at worst: The Media have already tried and convicted Landale, irresponsibly whipping up a journalistic frenzy that turns all of the benighted teacher's associates and friends against him. All, that is, except Jim Rockford (Garner), who, together with Landale's attorney Beth Davenport (Gretchen Corbett) and police lieutenant Dennis Becker (Joe Santos), is prepared to move heaven and earth to find the actual pedophile and clear Landale's name. Filmed in 1997, The Rockford Files: If It Bleeds, It Leads made its CBS debut on April 20, 1999. ~ Hal Erickson, All Movie Guide

While rescuing a group of slave girls from a warlord, Xena saves the life of an old man (Tom Atkins) who has helped her fend off the villains. The oldster subsequently claims to be Atrius -- Xena's long-lost father. Ensuing events convince Gabrielle (Renee O'Connor) that Xena should stay as far away from Atrius as possible. Alas, before long Xena has reverted to her Warrior Princess ways, fully prepared to kill all the occupants of a village -- including Gabrielle. Can this be the handiwork of the duplicitous God of War Ares (Kevin Smith), who still has his own special plans for Xena? ~ Hal Erickson, All Movie Guide

In the tradition of This Is Spinal Tap, producer/ director/ star Tim Robbins' Bob Roberts is a satire disguised as a documentary. Robbins plays the titular Roberts, a wealthy, well-connected young man running for a senatorial seat in Pennsylvania. On the surface, Roberts is an ingratiating glad-hander, a sincere believer in the restoration of such intangibles as national pride, family values, etc. But the longer Roberts is followed about by documentary filmmaker Brian Murray, the more we become aware that the candidate is a textbook case of cynicism and contempt. Only Giancarlo Esposito, a reporter for an underground newspaper, is willing to dig beneath Roberts' veneer--a habit that leads to the film's ironic conclusion. Several well-known actors make cameo appearances as TV commentators, notably Tim Robbins' longtime partner Susan Sarandon. Bob Roberts started out as a Tim Robbins-directed short subject for the TV series Saturday Night Live, then was expanded into a $4 million feature. ~ Hal Erickson, All Movie Guide

Cry in the Wild: The Taking of Peggy Ann eschews the usual "today's headlines" approach to fact-based TV movies. This 1991 film recounts an event which took place in Shade Gap, Pennsylvania, way back in 1966. A lunatic backwoodsman (David Morse) abducts a 17-year-old local girl (Megan Follows) and spirits her away to the deep woods. During her eight-day ordeal, Peggy Ann develops a sort of sympathy for the pathetic creature who has kidnapped her out of a misguided sense of love. Meanwhile, virtually every authority within a 50-mile radius scours the timberland in search of the girl and her captor. Whether or not Cry in the Wild: The Taking of Peggy Ann was necessary 25 years after the fact is debatable, but one can't deny that the accomplished performances of David Morse and Megan Follows smooth over the script's bumpier sections. ~ Hal Erickson, All Movie Guide

Danny Glover and Ruben Blades costar in this made-for-cable death row thriller. Blades plays a condemned prisoner, while Glover plays his psychiatrist. The prisoner's behavior is so violent and erratic that he may be too sick to execute. Glover is brought in to calm Blades down--and if he does so, he will certify that Blades is ready for execution. Dead Man Out first aired over HBO on March 11, 1989. ~ Hal Erickson, All Movie Guide

In this made-for-HBO thriller, Pierce Brosnan stars as an ex-convict who seeks revenge on the racetrack partner (Tom Skerritt) who framed him. ~ Jason Ankeny, All Movie Guide

LA cop Martin Riggs (Mel Gibson), whose wife has recently died, is a loose cannon with a seeming death wish. This makes him indispensable in collaring dangerous criminals, but a liability to any potential partners. Roger Murtaugh (Danny Glover), a conservative family man who wants to stay alive for his upcoming 50th birthday, is partnered with Riggs. As Riggs gets to know Murtaugh and his family, he begins to mellow, though his insistence on using guerilla tactics to catch criminals is still (put mildly) above and beyond the call of duty. The main villain is The General (Mitchell Ryan), a drug dealer responsible for the death of the daughter of one of Murtaugh's oldest friends. The General is also in charge of a deadly, militia-like gang of smugglers. Adding fuel to the fire is The General's chief henchman, played with all stops out by Gary Busey. Moviegoers familiar only with the relatively tongue-in-cheek Lethal Weapon sequels may be amazed to find out how dangerous and unpredictable Riggs is in the first Lethal Weapon -- and how likely it seems that Murtaugh might not survive until fade-out time. ~ Hal Erickson, All Movie Guide

Virtually unnoticed during its brief theatrical run, this wildly entertaining horror-comedy achieved healthy cult status following its home-video and cable TV releases. The directorial debut of Fred Dekker (writer of the successful horror parody House), this low-budget effort throws alien monsters, axe-wielding killers, flesh-eating zombies, nudity, and (gasp!) drunken fraternity shenanigans into a blender, spiced with witty one-liners and references to dozens of horror classics (and anti-classics). The result is a satisfying treat that will tickle the tastebuds of horror fans. The film's nominal protagonists are a pair of randy fraternity pledges (Jason Lively, Steve Marshall) who open a literal can of worms when they steal a corpse from the campus medical facility and release a horde of space-leeches, which proceed to infest the bodies of everyone in sight. The host bodies subsequently become homicidal zombies with a penchant for popping in on unsuspecting (and undressing) sorority girls. The town's only hope (such as it is) seems to be a hard-boiled ex-cop (Tom Atkins), who has uncovered the secret link between the zombie invasion and a 30-year-old axe-murder case... and who's also several sandwiches shy of a picnic. Dekker keeps things moving at a brisk pace thanks to some outrageous set-pieces (some of which happen so quickly they'll have viewers reaching for the pause button) and clever dialogue, particularly for Atkins ("Girls, the good news is your dates are here; the bad news is, they're dead"), who dives into his crusty character with relish. ~ Cavett Binion, All Movie Guide

Abby (Lori Loughlin) and her brother, Loren (Shannon Presby), seem to have it all: good looks, lots of friends, and a great relationship with their loving mom and their heroic, discipline-minded military dad. When their folks are killed in a car crash, however, the siblings must move to small-town Florida to live with their sweet but cash-impaired Uncle Charlie (Ed Jones) and Aunt Fay (Lucy Martin), who own a gas station and a struggling, bargain-bin amusement park. For Abby and Loren, life in the Sunshine State proves to be a mixture of hard work, new faces, and harassment at the hands of drug-dealing, skirt-chasing local scion Dutra (James Spader) and his gang of trailer-park psychopaths. Dutra places a bet with the wiry, reptilian Gideon (John Philbin) about which of the young villains will be able to bed Abby first, leading to a series of increasingly vile sexual come-ons. Abby, however, has other romantic ideas involving a kindly boy named Mark (Eric Stoltz). Between bouts of defending his sister's honor, Loren finds a similarly wholesome romance with pretty, blond Karen (Paige Lyn Price). With the help of these new friends, Loren and Abby make some headway in the local social hierarchy, but their skirmishes with Dutra and his minions escalate, climaxing with attempted rape, kidnapping, and bumper-car violence on the night of a high-school dance. Director Sean S. Cunningham also directed the original Friday the 13th. ~ Brian J. Dillard, All Movie Guide

In this made-for-TV film, a high-school counselor (Joyce Brothers) faces ineffectual help from administration in combating drugs, so she recruits several students to help in the battle. ~ John Bush, All Movie Guide

Two of the most venerable names in the horror field, author Stephen King and director George A. Romero, present this anthology of original twisted tales inspired by the E.C. horror comics of the 50's and 60's (themselves a more direct basis for the popular Tales from the Crypt TV series). The five stories are framed within the pages of a comic book which a boy's insensitive father has thrown in the garbage. The first tale, "Father's Day," features a zombie patriarch returning to claim his Father's Day cake; "The Lonesome Death of Jordy Verrill" stars King himself as a slack-jawed yokel whose discovery of a radioactive meteorite turns him into a walking weed; "Something to Tide You Over" presents a deadly-serious Leslie Nielsen as a cuckolded husband who plans an elaborate seaside revenge; "The Crate" unleashes its ferocious man-eating contents on the enemies of a meek college professor; and "They're Creeping Up On You" pits obsessively-clean billionaire E.G. Marshall against a swarm of cockroaches in his sterile penthouse. The chapters are uniformly creative, filmed in garish comic-book colors, and Tom Savini's makeup effects are quite memorable (particularly the monster from "The Crate"), though the campy treatment does become exhausting after two hours' runtime. The final segment is the most impressive, thanks to Marshall's over-the-top performance, though the planned scope of the cockroach invasion was drastically reduced (no doubt due to budget constraints). ~ Cavett Binion, All Movie Guide