Teri Garr Movies
Teri Garr found early visibility with a mixture of dramatic and comic roles before maturing, so to speak, into her persona as a smart comedienne typecast as an eccentric ditz. Her warm, fluffy presence and great sense of timing made her a Hollywood mainstay, still finding regular work into her fifties, with her intelligence forever providing depth to a panoply of sweetly goofy supporting roles.The progeny of old-school, low-level industry types -- vaudevillian Eddie Garr and wardrobe mistress Phyllis Garr -- the actress was born as Terry Garr on December 11, 1949. She had launched into a professional dance career by age 13, working with the San Francisco ballet and joining a touring company of West Side Story. Her toes soon tapped her into the movies, providing her steady work during the 1960s in such films as The TAMI Show, What a Way to Go, and John Goldfarb Please Come Home, with her first actual appearance coming in the Elvis Presley vehicle Fun in Acapulco (1963). Her tiny speaking role in the 1968 Monkees movie Head brought her enough attention to land her work as a featured player in a handful of early-'70s television variety shows: The Ken Berry "Wow" Show, The Burns and Schreiber Comedy Hour, and The Sony and Cher Comedy Hour.
Francis Ford Coppola gave Garr her first major film role with 1974's The Conversation, where she played Amy, the girlfriend of Gene Hackman's surveillance man Harry Caul. With her next part, however, she proved herself impossible to pin down, going the opposite direction to play the riotously accented maidservant Inga in Mel Brooks' Young Frankenstein (1974). From here she began a string of playing mothers and wives in high-profile films, few of which allowed her to dabble in her sillier side: Close Encounters of the Third Kind (1977), Oh, God! (1977), and The Black Stallion (1979). It wasn't until Tootsie in 1981 that she received full recognition for her talents and started to become identified with her knack for playing charmingly sweet airheads. She received her one and only Oscar nomination as Sandy, the neurotic soap actress.
Tootsie proved an early career peak for Garr; although she continued to get a decent amount of prominent film work (Mr. Mom, Miracles, Mom and Dad Save the World, Dumb and Dumber), she never again made the same forceful impression, keeping her plate full but slipping into the background. Garr became ubiquitous as a TV movie actress, ushering in a slightly more earnest period of her career, as well as a drop in prestige. With such projects as Stranger in the Family (1991), Deliver Them From Evil: The Taking of Alta View (1992), and Fugitive Nights: Danger in the Desert (1993), she could be counted on to tackle the hot-button topic of the week on network TV.
Although the '90s provided her few meaty movie roles, she did indeed thrive in television, including countless sitcom guest spots, as well as vocal work on the animated series Batman Beyond. Her most widely seen guest appearance was as the estranged birth mother of Phoebe Buffay (Lisa Kudrow) on NBC's Friends. In addition to it being an uncanny case of casting by physical resemblance, Garr's character provided the perfect explanation for the source of Phoebe's wackiness. Garr also seemed to symbolically pass the torch to Kudrow, her heir apparent in lovable flightiness. ~ Derek Armstrong, All Movie Guide
Elvis Presley stars as Mike Windgren, a former trapeze artist who's suffered from vertigo ever since accidentally dropping his partner during a performance. Working as a lifeguard/entertainer at an Acapulco resort, Mike falls in love with social director Margarita Dauphine (Ursula Andress). With her help, he overcomes his fear of heights in a spectacular high-dive finale. Presley songs featured include "Vino, Dinero y Amor," "Marguerita," "Bossa Nova Baby" and the title tune. ~ Hal Erickson, All Movie Guide
- Starring:
- Elvis Presley, Ursula Andress, (more)
Viva Las Vegas, one of Elvis Presley's most popular vehicles, adheres as rigidly to formula as a Kabuki dance. Elvis plays a race-car driver competing in the Las Vegas Grand Prix opposite his principal rival, Cesare Danova. To finance his entry, Elvis takes a job as a casino waiter. Naturally, he is occasionally prevailed upon to sing, making one wonder why he didn't choose this talent as a means of making some quick cash. As always, Elvis chases all the wrong girls, only to ignore the "right" one, portrayed by Ann-Margret in her considerable youthful prime (We're supposed to believe that A-M is the daughter of irascible William Demarest. So much for the reliability of gene pools). With a pre-fat Presley, an indescribably gorgeous Ann-Margret, and no fewer than 12 songs on the soundtrack, how could Viva Las Vegas help but reap a fortune at the box office? ~ Hal Erickson, All Movie Guide
- Starring:
- Elvis Presley, Ann-Margret, (more)
Charlie Rogers (Elvis Presley) is a coffeehouse singer who joins a financially troubled carnival in Roustabout. He is hired by owner Maggie Morgan (Barbara Stanwyck) and soon catches the eye of his pretty female co-worker Cathy Lean (Joan Freeman). Cathy's irate father Joe (Leif Erickson) clashes with Charlie when he tries to romance his daughter, but Charlie's singing helps bring in the much-needed money for the failing carnival and keeps the wolves from the big tent show. A disagreement has Charlie joining another carnival before things are smoothed out. Watch for Raquel Welch and Terry Garr in bit parts. Presley delivers 11 songs, the highlight being the Mike Leiber/Jerry Stoller tune"Little Egypt". ~ Dan Pavlides, All Movie Guide
- Starring:
- Elvis Presley, Barbara Stanwyck, (more)
In 1964, television director Steve Binder was given the task of staging the Teen-Age Music International Show, a concert event which would showcase some of the biggest rock and pop acts of the day; Binder and his camera crew then captured the proceedings on video tape, and the results were transferred to kinescope film and released to theaters as The T.A.M.I. Show. While The Beatles were otherwise occupied with making their own movie, the roster of performers otherwise reads like a "who's who" of early-60's rock -- original guitar hero Chuck Berry, three of Motown's biggest stars (Marvin Gaye, Smokey Robinson and the Miracles, and The Supremes), two leading British Invasion acts (Gerry and the Pacemakers and Billy J. Kramer and the Dakotas), garage rock legends The Barbarians, teen angst goddess Leslie Gore, and surf music pioneers The Beach Boys and Jan & Dean (the latter of whom also served as hosts). Closing the show is a veritable "Battle of the Bands" between two of the most exciting stage acts in rock history, James Brown and his Famous Flames (Brown's dancing still inspires awe nearly 40 years later), and The Rolling Stones (who look young and green, but are already blessed with a near-deadly charisma). Regarded by many aficionados as one of the very best rock and roll movies ever made (despite a video transfer that's not quite up contemporary technical standards), The T.A.M.I. Show has unfortunately never been released on home video (and most current prints don't feature The Beach Boys' performance, which was trimmed due to a legal dispute), though highlights from the movie were combined with excerpts from the pseudo-sequel The Big T.N.T. Show and released as on a compilation video entitled That Was Rock. ~ Mark Deming, All Movie Guide
- 1964
Politics and sports clash in this occasionally funny spoof centered around a downed U2 pilot and an extravagant oil sheik. John Goldfarb (Richard Crenna), a former football player, now pilot, sent on a reconnaissance mission over the Soviet Union, is lost and crash-lands in the Middle Eastern kingdom of Fawzia. King Fawz (Peter Ustinov) is constructing a football team to defeat Notre Dame and demands that Goldfarb coach his team or be handed over as a spy. In the interests of international relations, the U.S. State Department not only complies with King Fawz's request to bring the Notre Dame team to his country but in true diplomatic form insists that they throw the game. The romantic interest appears in the form of Jenny Ericson (Shirley MacLaine), an American reporter on an undercover assignment in the king's harem. A pleasant view in scanty harem garb, she lends mild amusement to the story with attempts to avoid the king's amourous advances. Although the humor falls short of its potential, the film was fortuitously saved from obscurity due to publicity generated by an unsuccessful lawsuit brought agianst the studio by the University of Notre Dame, which objected to a scene involving Notre Dame players fraternizing with harem girls. The screenplay for John Goldfarb, Please Come Home was written by William Peter Blatty who was later known for his award winning novel and screenplay The Exorcist. ~ Lucinda Ramsey, All Movie Guide
- Starring:
- Shirley MacLaine, Richard Crenna, (more)
Elvis Presley plays a double role in Kissin' Cousins. When the U.S. government wants land owned by the hillbilly clan headed by Pappy Tatum (Arthur O'Connell), they send Air Force Lieutenant Josh Morgan (Presley), a cousin of the Tatum's, to try and secure the land for a proposed missile base. Josh comes face-to-face with Jody Tatum, his blonde-haired look-alike. Glenda Farrell plays Ma Tatum, and distaff interest for Elvis is provided by Cynthia Pepper, Yvonne Craig, a busty Beverly Powers, and Hortense Petra. Watch for Maureen Reagan as one of the Kittyhawks, a group of desperate, man-hungry females out to get some love. This film was the first of the low-budget movies that would unfortunately plague the rest of Elvis' movie career. The song selection also reflects a decline in the quality of both recording and acting parts offered to Presley. Once he fulfilled his contractual obligations for the forgettable features, Elvis ended his film career and devoted his efforts exclusively to live shows and recording. ~ Dan Pavlides, All Movie Guide
- Starring:
- Elvis Presley, Arthur O'Connell, (more)
Out of the beaches and into the boudoirs go Frankie Avalon, Annette Funicello and the rest of the gang in Pajama Party. Actually, the whole megillah is as innocent as a newborn babe, but there's plenty of smirking and snickering during a wild 'n' wacky girl's slumber party. Frankie Avalon has only a cameo, relinquishing center stage to Tommy Kirk, playing a teenaged Martian (!) studying the lovemaking rituals of Earthlings. Old-timers Buster Keaton, Dorothy Lamour and Elsa Lanchester also weave in and out of the proceedings, with Keaton the only one who doesn't look as though he wishes he were somewhere else. And of course there's good old Harvey Lembeck as good old Eric "Why Me?" Von Zipper. Director Don Weis took over for Beach Party's William Asher in Pajama Party, remaining in charge for the ill-fated sequel Ghost in the Invisible Bikini (1966). ~ Hal Erickson, All Movie Guide
- Starring:
- Tommy Kirk, Annette Funicello, (more)
- 1966
No relation to the 1977 Barbra Streisand vehicle of the same name, the independent 1966 film For Pete's Sake top-bills none other than evangelist Billy Graham. This well-intentioned effort concerns a gas-station attendant (Robert Sampson), his wife (Pippa Scott) and son (Johnny Jensen). Barely eking out a living, the attendant must endure harassment from a local motorcycle gang. After attending a Billy Graham revival meeting, the attendant and his family decide to apply their new found religiosity in dealing with the nasty cyclists. A remarkably stellar cast -- including Sam Groom, Al Freeman Jr. and Terri Garr -- do their best to lend credibility to this farfetched fable. ~ Hal Erickson, All Movie Guide
Elvis Presley plays Scott Heyward, the son of a Texas oil millionaire in this thin storyline. Scott changes places with the poor but honest water-skiing instructor Tom Wilson (Will Hutchins) to find out if women love him for himself or his money. Tom goes to the posh penthouse previously occupied by Scott, and Scott takes over as the instructor. Scott's father Duster (James Gregory) blows a gasket when he finds out what his son is doing. Boat builder Sam Burton (Gary Merrill) talks Scott into driving his new boat in the big race. Elvis delivers 8 songs in one of the more lackluster vehicles of his 1960s film catalogue. A bevy of beauties, some exciting race scene, and glossy production all help this one across the finish line. ~ Dan Pavlides, All Movie Guide
- Starring:
- Elvis Presley, Shelley Fabares, (more)
- 1968
This exploitation film about the evils of marijuana finds art teacher Phil Blake (Fabian) discovering some of his students are smoking pot. Although he admits to the students he tried it himself in college, he is dumber than a bag of hammers about student drug use. Phil has eyes for fellow teacher Ellie (Diane McBain) until he discovers she is the main dealer, along with the star of the football team. Included in the cast is actress (Patty McCormick), all grown up since her appearance in Bad Seed, and Terri Garr, who makes a brief appearance as a student. This unintentionally laughable film, a feeble attempt to cash in on the sensationalism of marijuana use, was co-written by Richard Gautier and Peter Marshall of "Hollywood Squares" television fame. This film, along with similarly overblown 1930s anti-marijuana diatribes, cost the "straight" world a great deal of credibility at the time, and it became an instant "camp" classic. ~ Dan Pavlides, All Movie Guide
- Starring:
- Fabian, Diane McBain, (more)
- 1968
Captain Kirk and the crew of the Enterprise travel back in time to 20th-century Earth on a special observation mission but soon discover that they are not the only time traveler in town in this second-season episode of the enduringly popular science-fiction series. While in orbit around Earth, the Enterprise unexpectedly comes across Gary Seven, an enigmatic man who recognizes the starship as being from the future. When Gary Seven escapes from the Enterprise and returns to the Earth's surface, Kirk and Mr. Spock decide to go undercover and follow. The two must ascertain the nature of the mysterious stranger's mission before he changes the past forever, while struggling to keep their own identities as visitors from the future secret. Series creator Gene Roddenberry co-wrote the original story behind this episode, which also features an early performance by a young Teri Garr. ~ Judd Blaise, All Movie Guide
Steve Grayson (Elvis Presley) is a swinging racecar driver whose manager Kenny (Bill Bixby) has bet his money on the horses. Most of the horses didn't win, causing Steve to be visited by IRS agent Susan Jacks (Nancy Sinatra). Gale Gordon plays Hepworth, her stuffy supervisor, and William Shallert has the role of Abel Esterlake, former racecar driver who helps Steve on the track. Steve engages in the stock-car races at the Charlotte Speedway to get back the money to keep him and his manager out of jail. Presley delivers 11 songs, the most notable being "Let Yourself Go." Elvis by now was just playing out the innocuous string of movies that his musically insensitive, cigar-chomping manager Colonel Tom Parker had contracted for him. Soon Elvis would undertake the most successful live comeback by any performer in history and leave these trashy features behind. ~ Dan Pavlides, All Movie Guide
- Starring:
- Elvis Presley, Nancy Sinatra, (more)
The Monkees -- Micky Dolenz, Mike Nesmith, Davy Jones and Peter Tork -- didn't really enjoy being labelled the Prefab Four back when their TV series was all the rage in 1966. With the help and support of Bob Rafaelson (co-producer, co-writer and director) and Jack Nicholson (co-producer, co-writer, and, if you look closely, bit player), the Monkees expressed their displeasure over being packaged for popular consumption in the non sequitur masterpiece Head. At least, it seems that the film is an indictment of the merchandising of pop stars. It's hard to tell at times, because Head literally has no plot; it is instead a patchwork of loopy sight gags, instant parodies, "camp" cutups, musical numbers and wry inside jokes. Clips of such old movies as the 1934 Karloff-Lugosi epic The Black Cat pop up every so often, as does an impressive lineup of pop-culture icons: Victor Mature, Annette Funicello, Sonny Liston, Frank Zappa (he's the one leading a cow) and Ray Nitschke, as well as such movie-trivia "answers" as Timothy Carey, Vito Scotti, Teri Garr, Percy Helton, Logan Ramsey, Carol Doda, and pre-Divine cross-dresser T.C. Jones. The best bits include a lengthy Golden Boy parody which does double duty as a lampoon of the network's efforts to create "personalities" for the individual Monkees, and a psychedelic buck-and-wing performed by Davy Jones. One gag, in which Micky Dolenz blows up a Coca Cola machine, is usually excised from TV showings. Head did zero business when it first came out thanks to poor distribution, but it has since become a fixture of midnight-movie showings and campus cinema classes. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Tork, Davy Jones, (more)
- 1968
At long last, Howard Sprague's domineering mother (Mabel Albertson) remarries and moves out of Howard's house. To celebrate his liberation, Howard transforms his conservative domicile into a "swingin' bachelor pad." Alas, his first bachelor party-with Andy and Helen in attendance--proves to be a bust. Love those hanging beads and Howard's new threads! Written by Joe Bonaduce, "The Wedding" originally aired on March 4, 1968. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Hartman
- 1969
- R
Kent (Kent Lane) is a college-dropout-turned-drifter who travels South from Big Sur down the California coastline. His worried father (Jack Albertson) tries to bridge the ever-widening generation gap with his son, but Kent is born to wander through his life with no apparent sense of direction, searching for something elusive and unknown. One woman commits suicide after Kent declines her invitation to stay. Michele Carey is Julie, the woman working for a carnival who almost gets our anti-hero to settle down. Soundtrack music is provided by Tim Buckley, Kim Weston (who has a bit part in the film), Judy Collins, Mickey Stevenson and Neil Young. ~ Dan Pavlides, All Movie Guide
- Starring:
- Kent Lane, Michele Carey, (more)
- 1970
- PG
In this comedy drama set during the late Prohibition era, a federal agent attempts to make some real money before the alcohol ban is lifted. He sets his sights on the whiskey cache of an old army buddy, but just before they strike a deal, two ex-convicts frighten the buddy away. The creeps then murder the town sheriff and his deputy and begin looking to get a hold of the moonshine. The agent decides to help his friend defeat the thugs. One of the crooks ends up killing the agent and taking four locals hostage. In exchange for their lives, he wants all the whiskey. The moonshiner acquiesces and tells him that the booze is stashed in a graveyard. The greedy crook races off and begins digging. Unfortunately instead of hooch, he finds dynamite and blows himself up. To celebrate his death and the end of Prohibition, the town decides to have a blow-out of their own. Naturally the buddy provides the booze. ~ Sandra Brennan, All Movie Guide
- Starring:
- Patrick McGoohan, Richard Widmark, (more)
- 1973
When Carol goes on vacation, Emily offers to fill in as receptionist. Everybody on the "professional" floor is in favor of the idea, except Bob, who worries that Emily's presence will foment marital discord. Once she reports to work, Bob's predictions come true -- along with several unexpected complications. Featured in the cast are Teri Garr as Miss Brennan, Rhoda Gemignani as Joan Rossi, and Nora Marlowe as Mrs. Manning. Written by Jerry Mayer, "Emily in for Carol" first aired on October 13, 1973. ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Newhart, Suzanne Pleshette, (more)
- 1974
Filling in for another psychologist, Bob finds out that his first patient is his best friend, Jerry. Initially reluctant to listen to Jerry's problems, Bob decides that his is not to reason why, etc. etc. Then Jerry confesses that he is secretly in love...with Bob's wife, Emily. Also in the cast are Roger Perry as Dr. Walker and Teri Garr as Mrs. Brennan. Written by Tom Patchett and Jay Tarses, "Confessions of an Orthodontist" first aired on February 23, 1974. ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Newhart, Suzanne Pleshette, (more)
Lending his burlesque touch to 1970s genre revision, Mel Brooks followed his hit "western" Blazing Saddles with this parody of 1930s Universal horror movies. Determined to live down his family's reputation, Dr. Frederick Frankenstein (co-screenwriter Gene Wilder) insists on pronouncing his name "Fronckensteen" and denies interest in replicating his grandfather's experiments. But when he is lured by Frau Blucher (Cloris Leachman) to discover the tantalizingly titled journal "How I Did It" in his grandfather's castle, he cannot resist. With the help of voluptuous Inga (Teri Garr), wall-eyed assistant Igor (Marty Feldman), and a purloined brain, Frankenstein creates his monster (Peter Boyle). Igor, however, stole the wrong brain, and the monster tears off into the countryside, encountering a little girl and a blind hermit (Gene Hackman). Frankenstein finds the monster and trains him to do a little "Puttin' On the Ritz" soft-shoe, but the monster escapes again, this time seducing Frankenstein's uptight fiancée Elizabeth (Madeline Kahn) with his, ahem, sweet mystery. His love life and experiment in shambles, Frankenstein finally finds a way to create the being he had planned. Shooting in gleaming black-and-white, with sets and props from the 1930s and appropriate fright music by John Morris, Brooks' cheeky attitude towards the Hollywood past attracted a large audience, turning it into one of the most popular 1974 releases after (what else?) Blazing Saddles. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Gene Wilder, Peter Boyle, (more)
Made between The Godfather (1972) and The Godfather Part II (1974), and in part an homage to Michelangelo Antonioni's art-movie classic Blow-Up (1966), The Conversation was a return to small-scale art films for Francis Ford Coppola. Sound surveillance expert Harry Caul (Gene Hackman) is hired to track a young couple (Cindy Williams and Frederic Forrest), taping their conversation as they walk through San Francisco's crowded Union Square. Knowing full well how technology can invade privacy, Harry obsessively keeps to himself, separating business from his personal life, even refusing to discuss what he does or where he lives with his girlfriend, Amy (Teri Garr). Harry's work starts to trouble him, however, as he comes to believe that the conversation he pieced together reveals a plot by the mysterious corporate "Director" who hired him to murder the couple. After he allows himself to be seduced by a call girl, who then steals the tapes, Harry is all the more convinced that a killing will occur, and he can no longer separate his job from his conscience. Coppola, cinematographer Bill Butler, and Oscar-nominated sound editor Walter Murch convey the narrative through Harry's aural and visual experience, beginning with the slow opening zoom of Union Square accompanied by the alternately muddled and clear sound of the couple's conversation caught by Harry's microphones. The Godfather Part II and The Conversation earned Coppola a rare pair of Oscar nominations for Best Picture, as well as two nominations for Best Screenplay (The Godfather Part II won both). Praised by critics, The Conversation was not a popular hit, but it has since come to be seen as one of the artistic high points of the decade, as well as of Coppola's career. Its atmosphere of paranoia and suspicion, combined with its obsessive loner antihero, made it prototypical of the darker "American art movies" of the early '70s, as its audiotape storyline also made it seem eerily appropriate for the era of the Watergate scandal. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Gene Hackman, John Cazale, (more)
- 1975
Cowboy-hatted marshall McCloud (Dennis Weaver) certainly has his share of woe in Return to the Alamo. McCloud's NYPD superior Chief Clifford (J.D. Cannon) comes down with the flu, obliging Sgt. Broadhurst (Terry Carter) to assume command. When Broadhurst is kidnapped, the reins of authority are handed to an inexperienced female police sergeant (Teri Garr). Both the novice leader and McCloud come through the ordeal with flying colors, rescuing Broadhurst and collaring the kidnappers. Also appearing in Return to the Alamo is star Dennis Weaver's son Robert. This 2-hour TV movie first aired March 30, 1975, as an episode of the McCloud series. ~ Hal Erickson, All Movie Guide
- 1976
- PG
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This spoof makes fun of a certain famous German shepherd movie star from the 1920s. The mayhem begins when the head honcho of a financially struggling studio turns a lost dog into a legend. The story features a number of old stars making cameo appearances. ~ Sandra Brennan, All Movie Guide
- Starring:
- Bruce Dern, Madeline Kahn, (more)
- 1976
Former policewoman Dorothy Uhnak wrote the book upon which this 150-minute TV movie was based. The central characters of Law and Order are the male members of an Irish-American family--three generations of police officers. The bulk of the drama concerns the conflicts between Deputy Chief of Public Affairs Brian O'Malley (Darren McGavin) and his Vietnam-vet son (Art Hindle), who has become a beat cop. In addition to his problems at home, Chief O'Malley must contend with rumors of departmental corruption. Law and Order was designed as the pilot film for a Police Story-style series with a family slant. ~ Hal Erickson, All Movie Guide
- 1977
In this musical fantasy, the Brothers Grimm, accompanied by some of their most famous creations, wander through a magical forest. Characters appearing include Hansel and Gretel, Little Red Riding Hood, and Rumpelstiltskin. ~ Sandra Brennan, All Movie Guide
