Richard Gaines Movies

Extortionist Jimmy French (Robert Loggia) selects as his latest patsy Maude Sheridan (Barbara Baxley), the lovelorn secretary of psychiatrist Dr. Cooper (Theodore Newton). Pretending to be in love with Maude, French uses her to gain access to Cooper's files, thus enabling him to blackmail the shrink's patients. Choosing the file of one "M.J.H." as his first victim, the enterprising French succeeds only in outsmarting himself -- and losing his life in the process. ~ Hal Erickson, All Movie Guide

Nearly bankrupt because of his wife's gambling debts, ad executive Herman Albright (Erik Rhodes) tries to forget his problems by hitting on fashion model Grace Frye (Myrna Fahey). Angry and humiliated, Grace consults Perry Mason (Raymond Burr) in an effort to break her contract with Albright's agency. As a result, Mason is on hand to defend Grace on a charge of murdering Albright--who actually may have been a victim of mistaken identity rather than revenge. ~ Hal Erickson, All Movie Guide

Hopelessly in love with Poopsie Barrett (Sarah Marshall), the childlike, scatterbrained wife of his boss James Barrett (Richard Gaines), Philip Weaver (Peter Walker) begins plotting Barrett's demise. The scheme involves a business trip to Toronto and an "accidental" tragedy. What Philip hadn't counted on is the fact that Poopsie is not only scatterbrained, but rather stupid as well!€ ° ~ Hal Erickson, All Movie Guide

Gambling-casino owner George Anclitis (Henry Lascoe) has two big problems on his hands: His second-in-command Slim Marcus (H.M. Wynant) has been caught cheating in a high-stakes card game, and Slim's girlfriend Vivian (Jeanne Moody) has been murdered. Hoping to kill several birds with a single stone, Anclitis uses a hot gun and a few ounces of marijuana to frame Betty Roberts (Joan O'Brien), a cigarette girl who "knows too much", for Vivian's murder. Lucky for Betty that she'd previously engaged the services of Perry Mason (Perry Mason) because she'd figured that Anclitis and Marcus were up to something fishy. ~ Hal Erickson, All Movie Guide

A valuable Matisse is stolen from an art museum and replaced by a forgery. Museum curator June Sinclair (Mala Powers) and her boyfriend David Lambert (Joe Maross) are suspected of the crime--and then charged with the murder of the actual thief, David's wife Lisa (Carmen Philips). Thus it is that Perry Mason (Raymond Burr) has two clients to save from the gas chamber. The huge supporting cast includes veteran radio actresses Isabel Randolph and Elvia Allman, and former B-western hero Jack Perrin. ~ Hal Erickson, All Movie Guide

Theatrical "angel" (and former gangster!) Frank Brooks (Stacy Harris) is charged with the murder of playwright Ernest Royce (Jerome Cowan), who has been killed in the same manner as the main character in one of his unproduced plays. It turns out that Royce has based his play on the real-life murder of underworld figure Rick Valponi back in 1947. In order to clear Brooks in court, Perry Mason (Raymond Burr) must locate the "lost last act" of Royce's play, which may not only solve the present crime but also the one that occurred 22 years earlier. ~ Hal Erickson, All Movie Guide

Not long after trying to strike a deal with political "fixer" Wilfred Borden (George Neise), building contractor George Andrews (John Anderson) is in a car accident. When Borden is murdered and Andrews arrested for the crime, Perry (Raymond Burr) hinges his defense on locating swimsuit model Dawn Manning (Dolores Donlon), the girl who was with Andrews at the time of the accident--and that, folks, is why Mr. Mason is posing as a professional photographer. This episode is based on a 1958 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, All Movie Guide

Perry (Raymond Burr) would rather not get involved when he finds out that his childhood friend Eileen Harrison (Anne Sargent) plans to divorce her overworked husband Danny (Arthur Franz), a schoolteacher who moonlights as a restaurant worker to pay for his baby daughter's operation. But Perry is more than willing to handle Danny's defense when the poor man is charged with murdering his old acquaintance Frank Curran (Stacy Harris), after a rather unpleasant disturbance at the greasy spoon where Danny works. "Maytag repairman" Jesse White is appropriately abrasive as Danny's nighttime boss. ~ Hal Erickson, All Movie Guide

Five Steps to Danger was adapted from thenovel The Steel Mirror by Donald Hamilton. When her scientist brother is killed in East Berlin, Ruth Roman finds herself in possession of a secret code, engraved on the back of a mirror. To prevent Ruth from delivering the secret information to the authorities, double agent Werner Klemperer has her committed to a mental institution. She finds an unlikely savior in the form of misanthropic drifter Sterling Hayden. Producer-director Henry S. Kesler also penned the numbingly complicated screenplay. ~ Hal Erickson, All Movie Guide

Viewers familiar with the 1996 Mel Gibson blockbuster Ransom may be disappointed that there are no smirking villains, car chases, or bloody fistfights in the original 1956 version of the same story. Even so, the earlier Ransom! has much to offer on a purely dramatic level. Based on the Richard Maibaum-Cyril Hume TV play Fearful Decision, the film stars Glenn Ford as self-made industrialist David Stannard. When his son is kidnapped and held for 500,000 dollars ransom, Stannard at first sets about to cooperate with the abductors and to raise the necessary funds. Somewhere along the line, however, Stannard's outrage erupts and boils over. Buying air time on a local TV station, he pulls out the half-million dollars, then informs the kidnappers that they'll never get their hands on a single penny. He further threatens to use the money as a reward for the kidnappers' capture, dead or alive, should any harm befall his son. Despite the protests of his wife, Edith (Donna Reed), and the admonishments of his friends, family, business associates and even the police, Stannard sticks fast to his decision...but will he live to regret it? The boy's abductors are never seen in Ransom!; instead, the film concentrates on the multitude of ramifications (including a few political ones) stemming from David Stannard's bold stance. As such, the 1956 Ransom! is in its own way as tense and exciting as the more elaborate 1996 remake. ~ Hal Erickson, All Movie Guide

One of the gutsiest movie musicals of the 1950s, Love Me or Leave Me is the true story of 1930s torch-singer Ruth Etting, here played by Doris Day. While working in a dime-a-dance joint, Ruth is discovered by Chicago racketeer Martin "The Gimp" Snyder (fascinatingly played with nary a redeeming quality by James Cagney). The smitten Snyder exerts pressure on his show-biz connections, and before long Ruth is a star of nightclubs, stage and films. Ruth continues to string Snyder along to get ahead, but she can't help falling in love with musician Johnny Alderman (Cameron Mitchell). After sinking his fortune into a nightclub for Ruth's benefit, Snyder is rather understandably put out when he finds her in the arms of Alderman. Snyder shoots the musician (but not fatally) and is carted away to prison. Upon his release, Snyder finds that Ruth is still in love with Alderman; he is mollified by her act of largesse in keeping her promise to perform in his nightclub at a fraction of her normal salary. No one comes off particularly nobly in Love Me or Leave Me, even though the still-living Ruth Etting, Martin Snyder and Johnny Alderman were offered full script approval. The fact that we are seeing flesh-and-blood opportunists rather than the usual sugary-sweet MGM musical stick figures naturally makes for a more powerful film. In his autobiography, James Cagney had nothing but praise for his co-star Doris Day, and bemoaned the fact that she would soon turn her back on dramatic roles to star in a series of fluffy domestic comedies. ~ Hal Erickson, All Movie Guide

Though heavily advertised as Delmar Daves' Drum Beat, this film owed its existence to producer-star Alan Ladd. The star is cast as a veteran Indian fighter Johnny MacKay, who because of his close relationship with the Medoc tribe is sent out to negotiate a peace treaty. Once he has arrived in Medoc territory, Johnny (Ladd) must contend with the misspent emotions of his childhood sweetheart Toby (Marisa Pavan), the sister of Indian chief Manok (Anthony Caruso). Jealous over Johnny's relationship with pretty Nancy Meek (Audrey Dalton), Toby has cast her lot with renegade warrior Captain Jack (Charles Bronson), who honors no treaties. Though the film has a Native American villain, Drum Beat is largely sympathetic to the plight of the Indian. Based on a true story, the film is distinguished by J. Peverell Marley's breathtaking exterior photography, and by Victor Young's ballad-like musical score. ~ Hal Erickson, All Movie Guide

Billy Winder directed and co-wrote this bitterly satiric comedy-drama which turns a jaundiced eye towards both the news media and its consumers. Chuck Tatum (Kirk Douglas) is a talented but short-tempered reporter whose fondness for booze and unwillingness to bow to authority has cost him jobs at some of America's most prestigious newspapers. When Tatum's car breaks down in Albuquerque, New Mexico, Tatum persuades the editor of the local paper (Porter Hall) to give him a job until he can make enough to get his jalopy running and find a story that will put him back in the good graces of the Big City journals. After a year in Albuquerque, Tatum begins to wonder if a big scoop will ever cross his path, but when he's sent to Los Barios to cover the annual rattlesnake hunt, he lucks into a great human interest story -- Leo Minosa (Richard Benedict), who runs a local diner, motel and curio emporium, is caught in an abandoned mine shaft after a rockslide, which some superstitious locals attribute to an Indian curse. Tatum writes up the story with all the flourish he can muster, and portrays Leo's wife Lorraine (Jan Sterling) as a devoted spouse fearful for her husband's life, even though she can barely stand Leo and is planning to leave him. Tatum's story is picked up by the wire services and he makes friends with local sheriff Kretzer (Ray Teal) to insure he has an inside line on updates on Leo's rescue. When Tatum learns that Leo can be freed in a mere twelve hours, he persuades Kretzer and his men to adopt another rescue method that will take several days, which will generate more copy for Tatum, more press attention for Ketzer's re-election campaign, and more business for Lorraine's diner. Soon Los Barios is the biggest tourist attraction in the state, but as the media circus mounts, Leo begins to fall seriously ill. Also released as The Big Carnival, Ace In The Hole was a major box-office disappointment upon its original release in 1951, even though it was sandwiched between two of Wilder's biggest hits, Sunset Boulevard and Stalag 17. Despite never being released in home video until 2007, Ace In The Hole's bitter tone earned it an enthusiastic cult following, and it's now regarded as one of Wilder's best films of the Fifties. ~ Mark Deming, All Movie Guide