Leigh French

An outsider teen acclimating to a new school finds a home in a reclusive teenaged fight club in this drama from Cry_Wolf director Jeff Wadlow. Jake Tyler (Sean Faris) has just moved with his family to Orlando, FL. While Jake isn't exactly comfortable being the new kid in town, his younger brother, Charlie (Wyatt Smith), is an aspiring professional tennis star who might just have what it takes to break big. But Charlie isn't the only talented athlete in the family, because Jake used to be something of a hotshot on the gridiron -- at least back home. Here in Orlando, Jake is considered something of a hothead thanks to his penchant for brawling. In an attempt to better fit in with his new classmates, Jake accepts flirtatious classmate Baja's (Amber Heard) invitation to a raucous party. There, the short-fused newcomer is lured into a fight and badly beaten by local bully Ryan McCarthy (Cam Gigandet). But a beam of hope shines through the humiliation when a classmate who sees potential in the defeated fighter informs Jake of a local MMA (Mixed Martial Arts) program run by Jean Roqua (Djimon Hounsou). Despite Jake's preconceived notions regarding MMA, he quickly discovers that it's not just another form of street fighting but a rich new art form that he longs to master. As Roqua takes Jake under his tutelage, it soon becomes apparent that in order to become a true MMA champion, Jake will have to learn patience, discipline, willingness, and reason. This isn't just a quest for revenge, but an opportunity for Jake to finally find out what kind of man he truly is. ~ Jason Buchanan, All Movie Guide

Shrek and Fiona's (Mike Myers and Cameron Diaz, respectively) fairy-tale wedding has gone off without a hitch, yet just as the beaming newlyweds prepare to enjoy their blissful "happily ever after," the sudden death of King Harold (John Cleese) finds everyone's favorite ornery ogre being reluctantly fitted for the royal crown. Troubled to learn that not only will he be compelled to rule Far Far Away, but that he and Fiona are also expecting a little ogre, Shrek determines to track down his new bride's rebellious cousin, Artie (Justin Timberlake) -- the one true heir to the throne -- in order to focus on fatherhood without the added distraction of having to preside over the kingdom. As Shrek sets out with faithful companions Donkey (Eddie Murphy) and Puss in Boots (Antonio Banderas) to locate the medieval high-school slacker and bring him back to become the reigning sovereign of Far Far Away, handsome snake Prince Charming (Rupert Everett) slithers back to the castle in the company of the dreaded Captain Hook (Ian McShane) to stage a diabolically timed coup and assume control of the throne. Now, as Shrek, Donkey, and Puss in Boots do their best to wrangle up the feisty Artie, Fiona must enlist the aid of fighting princesses Snow White (Amy Poehler), Sleeping Beauty (Cheri Oteri), Rapunzel (Maya Rudolph), and Cinderella (Amy Sedaris) to barricade the castle and fend off Prince Charming's invading army of fairy-tale villains until her beloved husband can return with the cavalry to save the day. ~ Jason Buchanan, All Movie Guide

A woman discovers that a part of her family history may be more complicated -- and more famous -- than she ever imagined in this comedy. Thirtysomething Sarah Huttinger (Jennifer Aniston), who has spent most of her adult life in New York City, is flying home to California with her long time boyfriend, Jeff Daly (Mark Ruffalo), for the wedding of her annoyingly perky younger sister, Annie (Mena Suvari). While Sarah and Jeff have recently announced they're engaged to be married, Sarah has been having second thoughts, and she isn't excited about the prospect of spending time with the family where she's always felt like the odd duck. As Sarah tries to decide what she should do with her personal and professional lives, she turns to her sharp-tongued and still youthful grandmother, Katharine (Shirley MacLaine), for advice, and Katharine shares a little-known bit of family history -- that Sarah's now-deceased mother left her father, Earl (Richard Jenkins), a few days before their wedding and ran off with another man for several days before coming back and marrying Earl. However, after hearing this Sarah is also treated to some long-simmering local gossip about a young man who ran off with a bride-to-be after he was seduced by her mother...and that the story became the basis for the hit movie The Graduate. Sarah begins to wonder, was Katharine the real-life Mrs. Robinson of this story? And if it's true, who was the man who had affairs with Sarah's mother and grandmother? Was it dashing and wealthy family friend Beau Burroughs (Kevin Costner), who has also turned Sarah's head? Rumor Has It... was produced from an original screenplay by Ted Griffin; Griffin was originally set to direct the film, but shortly after production began he was replaced, with Rob Reiner taking over the project. ~ Mark Deming, All Movie Guide

Co-written by Jonathan Tolins and based on his original stage play, this Showtime drama concerns the possible role of genetics in determining sexual orientation. Suzanne Gold (Jennifer Beals), a medical-school dropout who manages a clothing store, marries genetic researcher Rob Stein (Jon Tenney), the son of Orthodox Jews who disapprove of what they perceive as their son's meddling with God's prerogatives. When Rob submits his and Suzanne's unborn son to his colleagues' experimental test procedures, the baby appears to have a 90 percent chance of being homosexual. Suzanne confides to her mother, Phyllis (Faye Dunaway), that she fears for the added burden her new family will face. Mom's got a big mouth, and before long Suzanne's father, Walter (Garry Marshall), and gay brother, David (Brendan Fraser), are weighing in with their conflicting opinions about whether or not Suzanne should abort the child and what such an action would mean about David's place in the family. The strain of such a decision ruptures existing fault lines in both the Gold family and Suzanne's marriage, culminating in revelation, transformation, and a group hug. ~ Brian J. Dillard, All Movie Guide

Making great fun of the '70s, this lively sci-fi comedy centers on a trio of time travellers who go into the past in hopes of retrieving the Constitution to celebrate America's 300th birthday. Unfortunately, the travelers end up in 1976 not 1776. The trouble is, they don't realize it. ~ Sandra Brennan, All Movie Guide

Michael J. Fox once more makes a courageous effort to shed his nice-guy image in Bright Lights, Big City. Fox plays an impressionable Kansan who comes to the Big Apple to take a job at a major magazine. It isn't long before he falls into the twin traps of drug and alcohol abuse. His only hope for redemption is in the hands of Vicky (Tracy Pollan), the cousin of his scuzzy drinking buddy Tad (Kiefer Sutherland). Jay McInerney's bestselling novel does not translate easily to the big screen, but Fox strives hard to please, as do all of his costars. The white stuff snorted by Fox wasn't really cocaine, but powdered milk. Watch for Frasier's David Hyde Pierce in a small role and Jason Robards in a significant unbilled cameo. ~ Hal Erickson, All Movie Guide

In this comedy, a journalist and her husband, an editor, present their very different thoughts on her pregnancy in their respective columns and become a big hit with their fans. ~ Sandra Brennan, All Movie Guide

Children of a Lesser God is a love story about a speech teacher who falls for a beautiful yet distant deaf girl in a small New England school for the deaf, and the obstacles that they face due to their differences. William Hurt plays James Leeds, a renegade teacher with an unconventional approach to education and a resume that includes stints as a bartender and a disk jockey. Upon his arrival, he is warned by school administrator Dr. Franklin (Philip Bosco) not to get creative with his instruction. Naturally, Leeds already has his mind set on his teaching plan and proceeds to play loud rock music in class in order to teach the students to feel the vibrations of the music and get them to try to speak phonetically. But a new element enters his life when he meets the attractive custodian, Sarah (Marlee Matlin). An exceptionally intelligent yet extremely bitter young woman, Sarah is a graduate of the school who has decided to remain there, in the confines of her world of silence; it's safer for her to be with her own "people" than to face what she perceives as a cruel and uncaring world. She hardly seems interested in James and will only communicate with him through signing, although she can read lips and even speak a little. James learns from Sarah's mother (Piper Laurie) that Sarah was sexually molested as a teenager; this explains why she is so wary of his attempts to form a relationship with her and why she is so full of fear. Eventually, James does get through to Sarah and the two fall in love, although both have to learn new ways to communicate their feelings. Though it seldom resembles the Mark Medoff play on which it was based, this directing debut from Randa Haines won an Best Actress Oscar for Matlin, for her first screen performance. ~ Don Kaye, All Movie Guide

This routine comedy is about a series of misadventures during a family vacation at the beach and stars John Candy (who died of a heart attack while filming in Mexico in 1994) as John Chester and Karen Austin as his long-suffering wife Sandy. When the family leave for what turns out to be a pretty decrepit shack on a public beach, Jack eventually locks horns with the owner of this dubious piece of real estate, and their conflict terminates in a boat race in which Jack and his motley crew are at first glance, and even second, no match for the others in the race. In the meantime, there are plenty of skits with Jack dressed as anything from an ample, unintentional likeness of a geisha to the normal tourist dude in a Hawaiian shirt. His wife and daughter tackle their own problems, related to sex in one way or another, mostly another. ~ Eleanor Mannikka, All Movie Guide

While John Carpenter's 1978 horror classic Halloween irrevocably changed the style of horror cinema with its simple but relentlessly tense story, it triggered more than a decade's worth of uninspired, exploitative knock-offs, and one could easily list Halloween II among these failures. As with its predecessor, this film was written and produced by Carpenter and Debra Hill, but the terse style and unbearable suspense of the first film are missing, replaced by a more simplistic stalk-and-slash scenario. Directorial duties were handed over to Rick Rosenthal, whose lack of expertise is quite evident (though he managed to hit his stride two years later with the prison actioner Bad Boys). The plot picks up exactly where the original left off: Laurie Strode (Jamie Lee Curtis), shaken and injured from her battle with unkillable psycho Michael Myers, is taken to the Haddonfield Hospital for observation, while Dr. Sam Loomis (Donald Pleasence) continues his desperate search for his monstrous patient. An interesting plot twist has Loomis' investigations revealing Michael's true identity (some of these sequences incorporate footage of young Michael originally shot for the television version of Halloween, which contained scenes hinting at the link between Michael and Laurie). After slashing his way through the town, Myers manages to track Laurie to the hospital, where the remainder of the action takes place. Numerous night-shift employees are slaughtered in a variety of gruesome ways before Loomis catches up with his quarry, leading to an explosive -- and seemingly conclusive -- confrontation. Pleasence is compelling as usual, but Curtis, who made an auspicious debut in the original, is sadly wasted here, her character reduced to shuffling half-drugged through darkened hospital corridors and screaming helplessly. Carpenter's active involvement in the Halloween franchise continued to dwindle steadily from one sequel to the next, getting scarcely a mention by the time producers Hill, Moustapha Akkad and Irwin Yablans revived the series in 1988 for three more sequels. ~ Cavett Binion, All Movie Guide

Fran Drescher, Michelle Pfeiffer, and Tony Danza are the most notable aspects of this forgettable teen drama that features a gang of youths in a car club who decide to battle it out with the establishment in Beverly Hills. It seems their favorite haunt, the last drive-in restaurant in the neighborhood, has been forced to close. Their rebellion is marked by tactics that might be embarrassing to any serious rebels: they turn a high school banner into an X-rated statement, sabotage a police car, ruin a manicured garden, and urinate in a punch bowl. These shenanigans take place on Halloween in 1965, a time when practical jokes are usually in the hands of elementary school kids -- and that level of maturity is maintained here. ~ Eleanor Mannikka, All Movie Guide

In this action film, trucker Carrol Jo Hummer (Jan-Michael Vincent) borrows money to purchase a truck of his own, only to discover that part of his "payment plan" includes smuggling goods on his trips. When Carrol refuses to participate in the underhanded scheme, a group of thugs threaten his wife, leading Carrol to fight back with a vengeance. ~ Iotis Erlewine, All Movie Guide

San Francisco's Delancey Street is the locale of a halfway house for ex-convicts, former drug users, and other society castaways. The founder of this operation is himself a paroled convict (Walter McGinn), who hopes to help others get back on their feet as he has. His touchiest assignment is the regeneration of a 56-year-old man who has just spent 36 years in the slammer for murder. This TV movie was the pilot for an unsold series based on the real-life activities of ex-con Joseph Maher, who in his heyday was a favorite subject of several TV newsmagazines. Sadly, the semi-happy ending of Delancey Street was not borne out in real life: Joseph Maher lapsed into alcoholism in the early 1980s, was forced out of his own rehab program, and died in poverty in 1988. ~ Hal Erickson, All Movie Guide