Jane Fonda Movies
Hollywood legend has it that Bette Davis was forced to talk to a blank wall rather than her co-star Henry Fonda during filming of her close-ups in Jezebel; the reason was that he had repaired to New York to attend the birth of his daughter Jane.A child of privilege, the young Jane Fonda exhibited the imperious, headstrong attitude and ruthlessness that would distinguish both her film work and her private life. The teenage Fonda wasn't keen on acting until she worked with her father in a 1954 Omaha Community Theatre production of The Country Girl. Slightly interested in pursuing a stage career at that point, Fonda nonetheless studied art both at Vassar and in Europe, returning to the States to work as a fashion model. Studying acting in earnest at Lee Strasberg's Actors' Studio, Fonda ultimately starred on Broadway in Tall Story, then made her film debut by re-creating this stage appearance in 1960.
A talented but not really distinctive player at that time, Fonda astonished everyone (none as much as her father) by becoming one of the first major American actresses to appear nude in a foreign film. This was La Ronde (1964), directed by her lover (and later her first husband) Roger Vadim. The event was heralded by a giant promotional poster in New York's theater district, with Fonda's naked backside in full view for all of Manhattan to see. Vadim decided to mold Fonda into a "sex goddess" in a series of lush but forgettable films; the best Fonda/Vadim collaboration was Barbarella (1968), which scored as much on the actress' sharp comic timing (already evidenced in such American pictures as Cat Ballou [1968]) as it did on her kinky costuming. In the late '60s, Fonda underwent another career metamorphosis when she became involved in the anti-Vietnam War movement. Her notorious visit to North Vietnam at the height of the conflict earned her the sobriquet "Hanoi Jane," as well as the enmity of virtually every ex-GI who fought in Southeast Asia.
Even so, Fonda's film stardom ascended in the early '70s; in 1971, she won the first of two Oscars for her portrayal of a high-priced prostitute in Klute (her other was for Coming Home [1978]), and Fonda's career flourished despite a sub-rosa Hollywood campaign to discredit the actress and spread idiotic rumors about her subversive behavior (one widely circulated fabrication had Fonda destroying the only existing negative of Stagecoach because she despised John Wayne).
In the 1980s, the actress realized several personal and career milestones: she worked with her father on film for the only time in On Golden Pond (1981); she assisted former peace activist Tom Hayden, whom she had married in the early '70s, in his successful bid for the California State Assembly; and she launched the first of several best-selling exercise videos. She also won an Emmy for her performance in the TV movie The Dollmaker (1984). After her marriage to Hayden ended in the early '80s, Fonda married media mogul Ted Turner in 1991 (the couple would divorce in 2000), and began curtailing her film appearances, all but retiring from the screen after her lead role opposite Robert De Niro in 1990s Stanley & Iris. Fonda was no less the social activist in the 1990s than she was two decades earlier; among her projects was the production of several "revisionist" dramatic specials and documentaries about the history of Native Americans, duly telecast on Turner's various worldwide cable services.
Just when it seemed audiences might have seen the last of Fonda on the big screen, she returned in 2005 with the romantic comedy Monster-in-Law. Starring Fonda as a meddling mother bent on disrupting the planned nuptials of her son (Michael Vartan) and his fiance (Jennifer Lopez), the film went on to be a modest box-office success despite mixed reviews from critics. 2005 also saw the release of Fonda's best-selling autobiography My Life So Far, after which she took some time off. She got back in the saddle a few years later with 2007's Georgia Rule, playing the hard-driving grandmother of a rebellious teenager played by Lindsay Lohan. ~ Hal Erickson, All Movie Guide
- 1983
An exercise video that includes a fast-paced warm-up and exercise, balance and stretching. Includes a 20 minute routine for those with too few hours in the day. ~ All Movie Guide
- 1983
Documentary filmmaker Claudio Masenza, cinematic chronicler of the lives of Marlon Brando and James Dean, turns his attentions to the tragic film idol Montgomery Clift. Masenza offers a cursory synopsis of Clift's stage work (including The Skin of Our Teeth), then launches into a paean of the actor's film career, beginning with The Search (1947) and ending with The Defector (1966). It comes as no surprise that the film dwells upon Clift's erratic behavior, his quicksilver temperament, his sexual ambiguity, and his near-fatal 1957 auto accident. At 2 hours, the film leaves few stones unturned, though repetition is the order of the day during some stretches. Still, Montgomery Clift is a valuable primer for anyone unfamiliar with this compellingly unique performer. ~ Hal Erickson, All Movie Guide
- Starring:
- Kevin McCarthy, Augusta Dabney, (more)
Alan J. Pakula directs the political thriller Rollover, produced by leading lady Jane Fonda's production company, IPC Films. Featuring a racist plot and negative stereotypes about the Arab world, this film reflected the American fear of the Middle East prevalent in the early '80s. Fonda stars as former film star Lee Winters, who inherits a multimillion-dollar company when her corporate bigwig husband is murdered. She teams up with banker Hubbell Smith (Kris Kristofferson) in order to find her husband's killer and survive in the world of high-stakes international finance. They become lovers and travel together to Saudi Arabia to secure a loan and to guarantee Lee's spot as the company's board chairman. However, they end up discovering an Arab company's plan to withdraw money from the world's banks in order to destabilize the Western economy. Rollover also stars Hume Cronyn and Josef Sommer. This story also foreshadowed Jane Fonda's marriage to corporate bigwig Ted Turner in 1991. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Jane Fonda, Kris Kristofferson, (more)
- 1981
Although the Actors Studio and Lee Strasberg have been famous for many decades in the U.S., this documentary is the first film to go into the studio and record sessions with actors, showing Strasberg in action. Aside from interviews with Strasberg, he is also seen responding to filmed performances of Eleonora Duse and other Hollywood giants of times gone by, and interacting with others as a mentor and friend. Even Strasberg's inspiration, Konstantin Stanislavsky himself, is shown talking about acting with two students toward the end of his life. Jane Fonda explains how she benefitted by Strasberg's instruction, and the results of his efforts are shown in clips of James Dean and Marlon Brando, two of his more famous students. By the time the final segment of the documentary has closed, viewers have a much better idea of why Lee Strasberg was so successful with hundreds of actors over the long span of his professional life. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Lee Strasberg, Ellen Burstyn, (more)
There's little that happens in On Golden Pond that isn't thoroughly predictable from the start, but the film is blessed with so much star power, charm and honest sentiment that everyone in the audience is willing to ignore the cliches and go the distance. In his last film, Henry Fonda plays Norman Thayer, a cranky 80-year-old retired professor, making his annual pilgrimage with his wife Katharine Hepburn (in her only teaming with Henry Fonda) to their New England summer cottage. Their solitude is interrupted when the couple's daughter Chelsea (Jane Fonda) arrives with her fiance Bill (Dabney Coleman) and his son Doug McKeon in tow. It takes a while, but Jane Fonda and Coleman, about to go on a vacation of their own, persuade Henry Fonda and Hepburn to take care of McKeon. Henry Fonda and the kid dislike each other from Square One, and it looks as though this summer (which may very well be Henry Fonda's last) will be a depressing experience. Gradually, Henry Fonda and McKeon grow to love one another; their bond is strengthened during a near-fatal accident while fishing. It is through the warm relationship between Henry Fonda and the boy that the old man and his daughter Jane Fonda are at last able to display affection towards each other--the first time they've done so in years. Gorgeously photographed by Billy Williams, On Golden Pond is a wonderful valedictory for Henry Fonda, who died not long after the film's completion; Katharine Hepburn has less to do, but few can do so much with so little. Academy Awards were bestowed upon Henry Fonda, Hepburn, and screenwriter Ernest Thompson (who adapted the film from his stage play). ~ Hal Erickson, All Movie Guide
- Starring:
- Katharine Hepburn, Henry Fonda, (more)
- 1980
- PG
Also known as The Muse Concert: No Nukes, this rock-concert film offers a good representative cross-section of old-line show business liberalism. Bruce Springsteen and Bonnie Raitt are the "newest" members of the aggregation by default. They're okay if not brilliant, which can also be said for their fellow troubadours Jackson Browne, Crosby, Stills, and Nash, James Taylor and the Doobie Brothers. The anti-nuke theme of the concert isn't as overbearing as it might have been under the circumstances (even "special guest" Jane Fonda is comparatively benign). The best sequences in the film are comprised of misleading government-propaganda clips from the old TV series "The Big Picture" (love those uniformed piglets!) The graininess of the film stock is the only real detriment of No Nukes. ~ Hal Erickson, All Movie Guide
- Starring:
- Jackson Browne, Crosby, Stills & Nash, (more)
Judy Bernly (Jane Fonda), a housewife whose husband has left her for his secretary, begins her own secretarial career at a huge corporation. Violet Newstead (Lily Tomlin), a feisty, veteran office manager, instructs her on the perils and procedures of office life -- and of working for Franklin Hart Jr. (Dabney Coleman), their chauvinistic, sleazy boss, and his right-hand woman, the crisp, nosy Roz (Elizabeth Wilson). Meanwhile, Hart's endless attempts to seduce his happily married secretary, Doralee Rhodes (Dolly Parton), lead the entire office to think she's a trollop. When Hart unfairly passes Violet over for a promotion, she drowns her sorrows at a local bar with Judy and Doralee, who regales the others with tales of Hart's epic advances. Later, at Doralee's house, the women smoke pot, eat barbecue, and concoct hilarious revenge fantasies -- a rodeo hog-tie, a Wild West shootout, and a gothic Snow White scenario -- about killing their boss. When a mix-up leads the women to think they have accidentally poisoned Hart's coffee, they hatch a scheme to protect themselves by stealing Hart's body from the morgue. When he turns up alive, never having drunk the coffee, they must kidnap him to prevent him from blackmailing them or calling the police. The women then use the occasion of their boss' absence to effect some changes around the office. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Jane Fonda, Lily Tomlin, (more)
A cowboy-turned-huckster unexpectedly finds love as he tries to regain his self-respect in this romantic comedy drama. Sonny Steele (Robert Redford) is a one-time rodeo star whose career as a cowboy has ground to a halt. He makes a good living as a spokesman for Ranch Breakfast, a sugar-coated cereal for kids, but he's lost most of his self-respect in the process; his boss, corporate mogul Hunt Sears (John Saxon), considers him a property rather than a human being, and Sonny has developed a serious problem with alcohol. Sears' cereal company is negotiating a highly profitable merger with another firm and brings Sonny to Las Vegas for a publicity stunt, in which Sonny, wearing a garish cowboy outfit complete with blinking lights, will ride on-stage at Caesar's Palace aboard prize-winning thoroughbred stallion Rising Star. When Sonny discovers Sears' men have drugged the horse so that it will be able to walk on an injured leg, he's appalled, and he rides Rising Star off the stage at Caesar's and into the Nevada desert, looking for grazing land where he and the horse can heal their wounds. Sears is shocked to discover that Sonny has run off with a 12 million dollars, and he realizes that Sonny knows enough to make his firm look very bad in the press, potentially scotching the merger. Sears files charges against Sonny and posts a reward for Rising Star's safe return, though he implies that it wouldn't bother him if Sonny died in the rescue attempt. Hallie Martin (Jane Fonda), a television journalist covering Sonny's Vegas appearance, is convinced that something is fishy and manages to catch up with him in the desert; as Hallie tries to get Sonny to tell her his story, the has-been cowboy and the city-girl reporter fall in love. The Electric Horseman also stars Valerie Perrine and Willie Nelson; the country & western star made his screen debut in this film and has a very memorable line about tequila and trailer hitches. ~ Mark Deming, All Movie Guide
- Starring:
- Robert Redford, Jane Fonda, (more)
This gripping 1979 drama about the dangers of nuclear power carried an extra jolt when a real-life accident at the Three Mile Island nuclear plant in Pennsylvania occurred just weeks after the film opened. Kimberly Wells (Jane Fonda) is a TV reporter trying to advance from fluff pieces to harder news. Wells and cameraman Richard Adams (Michael Douglas, who also produced) are doing a story on energy when they happen to witness a near-meltdown at a local nuclear plant, averted only by quick-thinking engineer Jack Godell (Jack Lemmon). While Wells and Adams fruitlessly attempt to get the story on their station, Godell begins his own investigation and discovers that corporate greed and cost-trimming have led to potentially deadly faults in the plant's construction. He provides evidence of the faulty equipment, which could lead to another meltdown (the "China syndrome" of the title), to the station's soundman to deliver to Wells and Adams at a hearing on nuclear power. However, on the way to the hearing, the soundman is run off the road by evil henchmen, leading Godell to realize that his own life is threatened, possibly by his bosses at the plant. Driven to the edge of a breakdown, Godell takes over the plant's control room at gunpoint and demands to reveal his findings on TV. The plant's management, however, has other plans, and the facility itself is becoming dangerously unstable. Whether or not you agree with the film's clear anti-nuclear bias, its sobering message and riveting, realistic story and performances are still difficult to ignore. ~ Don Kaye, All Movie Guide
- Starring:
- Jane Fonda, Jack Lemmon, (more)
Hal Ashby's 1978 melodrama examines the impact of the Vietnam War on the "war at home" among the men who fought it and the women in their lives. Left alone in Los Angeles when her gung-ho Marine husband Bob (Bruce Dern) heads to Vietnam in 1968, proper wife Sally Hyde (Jane Fonda) decides to volunteer at the V.A. hospital where her new friend Vi (Penelope Milford) works. There she meets Luke Martin (Jon Voight), a former high-school classmate and Marine who has returned from 'Nam a bitter paraplegic. As their relationship grows, Sally sees the effect of the war on the soldiers after they come back, inspiring her to rethink her priorities; Luke's spirits begin to lift, and a hospital tragedy helps focus his anger toward meaningful protest. After a Hong Kong visit with her increasingly withdrawn husband, Sally finds a love and companionship with Luke that she had never known with her husband. Once Bob comes home with his own injury, however, the three must find a way to deal with a changing world and with a system that betrayed the men fighting for it. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Jane Fonda, Jon Voight, (more)
Old man Ewing (Jason Robards) owns a ranch right next to the ranch of Ella (Jane Fonda). This is a source of two problems: Ewing wants to gobble up most of the land around the two ranches and also wants Ella's ranch; secondly, when Ella was too young to know better, she went to bed with the man, which, many years later, she considers to have been a grievous error on her part. A third problem arises when oil companies begin pressuring both of them to allow drilling on their land, and Ewing won't allow it -- on his or anyone else's land. Before long, war-veteran Frank (James Caan) enters Ella's life and helps her fight to save her land and her sanity, with added assistance from Dodger (Richard Farnsworth), an old local who knows the score. ~ Clarke Fountain, All Movie Guide
- Starring:
- James Caan, Jane Fonda, (more)
Playwright Neil Simon turned to the hotel setting he used so successfully in his stage-play (later a movie) Plaza Suite to explore four more human dramas in his play California Suite, which was adapted into this quite successful movie. In the first episode, the divorced couple of Bill and Hannah Warren (Alan Alda and Jane Fonda) have rented a suite in a posh Beverly Hills hotel in order to have a discussion about who will get the custody of their child. In the next episode, Sidney Cochran and Diana Barrie (Michael Caine and Maggie Smith) are a hilarious pair of Hollywood stars who have rented the suite to await their appearance at the Academy Awards: it is a "date of convenience" which enables the sexually adventurous duo to conduct their other, more unconventional alliances out of the public eye. Drs. Willis Panama and Chauncy Gump (Bill Cosby and Richard Pryor) have brought their families to Beverly Hills for a vacation which takes on nightmarish tone. Finally, Marvin Michaels (Walter Matthau) tries frantically and unsuccessfully to explain the situation to his wife (Elaine May) when she catches him in flagrante delicto with a hooker. Actress Maggie Smith won an Academy Award as "Best Supporting Actress" for her role in this film, in which she plays the actress waiting to win . . . an Academy Award. ~ Clarke Fountain, All Movie Guide
- Starring:
- Alan Alda, Michael Caine, (more)
- 1978
Hosted by the American Film Institute, this video is a tribute to career of Henry Fonda. Included are excerpts from: Jezebel, Young Mr. Lincoln and Mr. Roberts. ~ Tana Hobart, All Movie Guide
The film traces the lifelong relationship between playwright Lillian Hellman and Julia, a wealthy girl who turns her back on her upbringing to follow her ideals. In the 1930s, while the adult Hellman (Jane Fonda) struggles to establish herself as a playwright with the help of her lover, Dashiell Hammett (Jason Robards), Julia (Vanessa Redgrave) battles the exigencies of the Nazi regime. Visiting Julia in Germany, Lillian realizes how much her friend's idealism has cost her, both physically and financially. Lillian is asked by Julia's friend Johann (Maximilian Schell) to smuggle a large sum of money from Paris to Germany, the better to combat the Nazis from within. Nominated for 11 Academy Awards, including Best Picture, Best Director, and four acting awards, Julia won for Alvin Sargent's screenplay and Robards' and Redgrave's performances, leading to Redgrave's infamous "Zionist hoodlums" acceptance speech. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Fonda, Vanessa Redgrave, (more)
Dick Harper (George Segal) and his wife Jane (Jane Fonda) have always lived way beyond their means. Just because Dick has just lost his high-paying job is no reason for Jane to stop spending like there's no tomorrow. To make ends meet, Jane takes up a new career: armed robbery. ~ Hal Erickson, All Movie Guide
- Starring:
- George Segal, Jane Fonda, (more)
- 1976
The first official co-production between the United States and the Soviet Union, The Blue Bird was the third screen adaptation of the children's story by Maurice Maeterlinck about a pair of children, Tyltyl (Todd Lookinland) and Mytyl (Patsy Kensit), who leave home to search for the Blue Bird of Happiness. After spending some time wandering through a fantasy world and encountering The Night (Jane Fonda), The Cat (Cicely Tyson), Luxury (Ava Gardner), Father Time (Robert Morley), and The Oak (Harry Andrews), they meet The Queen of Light (Elizabeth Taylor) and discover that true happiness can be found right at home, with your family. As the box-office failure of the first two versions of this story proves, putting this sort of children's fantasy on film is tricky business, and despite a top-notch cast of American and Soviet talent and the directorial expertise of veteran filmmaker George Cukor, The Blue Bird had a notoriously difficult production, with the American and Russian crews not always understanding each other's working methods, the Soviet camera crew not knowing how to light African-American actress Cicely Tyson, and Jane Fonda often trying to engage the Russian crew members in political discussions. ~ Mark Deming, All Movie Guide
- Starring:
- Elizabeth Taylor, Jane Fonda, (more)
- 1974
This documentary was made during the most intense period of fighting in the Vietnam War. U.S. participation in that conflict lasted from 1956 (approximately) until 1975. Here Jane Fonda and Tom Hayden travel to North Vietnam in order to show the North Vietnamese as actual human beings with legitimate needs and concerns. Their suffering from American and allied bombing attacks is clearly shown, along with interviews with Le Duc Tho (a Viet Cong peace negotiator) and others. Fonda was extremely active in the antiwar movement, and organized concerts and films supporting antiwar activities; this documentary was only a small part of her efforts in that period. This film, and the trip which made it possible, earned her the derisive epithet "Hanoi Jane." ~ Clarke Fountain, All Movie Guide
- Starring:
- Tom Hayden
In this counter-culture caper comedy, directed by Alan Myerson (whose work with The Committee and Second City gives the film a quirky sketch comedy freshness), Donald Sutherland plays Veldini, a sad-eyed demolition-derby driver, serving time for larceny. He also possesses a millennial desire to wreck every car manufactured in the United States from 1940 to 1960. After being released from jail, Veldini hatches a scheme to restore an old U.S. World War II amphibian plane to escape conventional society and fly off to a new nonconformist world. Searching for spare parts to complete the restoration, Veldini realizes that a particular electrical circuit is available only at the local Navy base, and he decides to rob the base to steal the circuit. Involved in the caper with him is Iris (Jane Fonda in a burlesque of her performance in Klute) as a 100-dollar-a-night call girl who is sick of being humiliated; Veldini's kid brother (John Savage); and Eagle (Peter Boyle), a schizophrenic out-of-work circus performer. Standing in the way of Veldini's scheme is Frank Veldini (Howard Hesseman), his older brother and a politically ambitious district attorney. ~ Paul Brenner, All Movie Guide
- Starring:
- Jane Fonda, Donald Sutherland, (more)
- 1973
- G
This Joseph Losey-directed 1973 version of Henrik Ibsen's A Doll's House marks one of two cinematizations of the story released during the same year. Here, Jane Fonda plays Nora Helmer, the mousy Norwegian wife who eventually turns on her insensitive husband Torvald (David Warner). At the time of its release, A Doll's House was castigated for allowing Ms. Fonda to espouse her "feminist dogma" in the role. In truth, what Losey and Fonda give us is not the traditional mindless "hothouse rose" who finally comes to her senses in Act Three, but instead a woman who knows she is trapped in a stereotype, but is willing to play along as long as her husband loves and trusts her. Only when Torvald proves to be a thick-headed jerk by condescendingly forgiving his wife for entering into a potentially scandalous but household-saving financial arrangement, does Nora reject his values and slam the door on him. Trevor Howard plays the slimy Dr. Rank, who assumes that his monetary hold over Nora grants him certain intimate privileges. A Doll's House was exquisitely photographed on location in Norway by Gerry Fisher. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Fonda, David Warner, (more)
After collaborating on a series of small-scale political films under the alias of the Dziga Vertov Group, pioneering French director Jean-Luc Godard and filmmaker and activist Jean-Pierre Gorin attempted to fuse their Maoist theories of revolutionary art with a more accessible structural framework in this leftist comedy drama. Susan (Jane Fonda) is an American journalist working as a French correspondent for a radio network; her husband, Jacques (Yves Montand), was once a major filmmaker during the French New Wave, but now supports himself directing television commercials as he tries to come to terms with his political responsibilities. Jacques tags along when Susan visits a sausage factory to interview the manager (Vittorio Caprioli); their visit unexpectedly coincides with a wildcat strike staged by the plant's employees, who hold the boss captive as they lash out against both their employers and their union in a bid for more money and greater dignity. Over the course of the day, many of the participants speak to the camera about their varying degrees of commitment to radical political and economic change, while we are also afforded an inside look at Susan and Jacques' splintered relationship. Shortly after Tout Va Bien was released, Jane Fonda made her famous (or infamous, depending on your perspective) visit to Hanoi, an action which led Godard and Gorin to create a companion film, Letter to Jane, in which they dissected a photo of Fonda in Vietnam for its multiple levels of political meaning. ~ Mark Deming, All Movie Guide
- Starring:
- Jane Fonda, Yves Montand, (more)
In 1971, Jane Fonda and a group of fellow activist performers and musicians (including actor Donald Sutherland, musician Holly Near, and writer and comedian Paul Mooney) put together a satirical revue to perform at coffeehouses and parks near U.S. Army bases for the entertainment of G.I.'s who had come to oppose the war in Vietnam. Calling the show F.T.A. (meaning either "Free The Army" or "F-ck The Army" depending on what part of the show one witnessed), the show included protest songs, anti-war humor, appearances by G.I.'s and veterans who spoke out the war, and agit-prop theater designed to increase awareness and spread resistance against the military escalation in Vietnam. After a tour of the United States, the troupe headed to the Pacific, where they performed in Hawaii, Japan, the Philippines, and Okinawa. F.T.A. is a documentary of the troupe's Pacific Tour, including highlights from the show, appearances by local performers, behind the scenes footage of the logistical and political problems of keeping the show on the road, and conversations with soldiers as they discuss what they saw in battle, their anger with the military bureaucracy, and their opposition to America's presence in Indochina. American-International Pictures released F.T.A. in the United States in 1972, but it appeared in theaters the same week that Jane Fonda made her infamous trip to Hanoi; AIP soon pulled it from circulation and it has been seen very rarely since. ~ Mark Deming, All Movie Guide
The first part of his "paranoia trilogy," Alan J. Pakula's 1971 thriller details the troubled life of a Manhattan prostitute stalked by one of her tricks. Investigating the disappearance of his friend Tom Gruneman (Robert Milli), rural Pennsylvania private eye John Klute (Donald Sutherland) follows a lead provided by Gruneman's associate Peter Cable (Charles Cioffi) to seek out a call girl who Gruneman knew in New York City. The call girl is Bree Daniels (Jane Fonda), an aspiring actress who turns tricks for the cash and to be free of emotional bondage. Klute follows Bree's every move, observing the city's decadence and her isolation, eventually contacting her about Gruneman. Bree claims not to know Gruneman, but she does reveal that she has received threats from a john. As Bree becomes involved in Klute's search and realizes that she is in danger, she reluctantly falls in love with Klute, despite her wish to remain unattached to any man. When she finally comes face to face with the killer, however, she is forced to reconsider her detached urban life. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Jane Fonda, Donald Sutherland, (more)
- 1969
- PG
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A total of nine Academy Award nominations went to this wildly acclaimed, allegorical drama set amongst the contestants in a marathon dance contest during the Great Depression. Gig Young stars as Rocky, the obnoxious emcee for a dance marathon that offers prize money of $1,500, a small fortune during hard economic times that brings out the worst in several participants. Among them are Gloria Beatty (Jane Fonda), a malcontent who's partnered with a drifter, Robert Syverton (Michael Sarrazin); a pregnant farm girl (Bonnie Bedelia) and her husband (Bruce Dern); a sailor (Red Buttons); and an aspiring actress (Susannah York). As the marathon winds into a staggering second month, suspicion, doubt and insecurity rages among the competitors and even the decaying and increasingly manipulative Rocky, leading to a shocking crime. ~ Karl Williams, All Movie Guide
- Starring:
- Jane Fonda, Michael Sarrazin, (more)
A voluptuous outer space agent travels to another galaxy in search of a missing inventor in this science fiction send-up. Barbarella (Jane Fonda), an interstellar representative of the united Earth government in the 41st century, is dispatched to locate scientist Durand Durand, whose positronic ray, if not recovered, could signal the end of humanity. Outfitted in an array of stunning Star Trek/Bond girl outfits and cruising around in a plush, psychedelic spaceship, Barbarella travels to the Tau Seti system and promptly crash-lands. She then spends the rest of the film discovering the joys of interstellar sex with a keeper of feral children (Ugo Tognazzi), a blind, beatific angel (John Phillip Law), and an inept revolutionary named Dildano (David Hemmings). Slowly but surely, she also finds her way to Durand Durand by moving from one exotic, Wizard of Oz-style locale to another. Along the way, she meets the kindly Professor Ping (a surprisingly verbal Marcel Marceau), a Eurotrash dominatrix named the Great Tyrant (Rolling Stones gal pal Anita Pallenberg), and the Concierge (Milo O'Shea), a strangely familiar lackey of the Great Tyrant who tries to destroy Barbarella with his great big organ of love. Jean-Claude Forest, who created the character Barbarella in 1962 for V-Magazine, served as visual advisor on the adaptation. The film's missing scientist character famously inspired the band name of '80s pop stars Duran Duran (who altered the spelling slightly). Almost two decades later, the film also inspired electronic act Matmos, which was named after the aqueous personification of evil unleashed by the Concierge at the movie's climax. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Jane Fonda, John Phillip Law, (more)
