J.K. Simmons Movies

Jonathan Kimble Simmons was originally a singer, with a degree in music from the University of Montana. He turned to theater in the late 1970s and appeared in many regional productions in the Pacific Northwest before moving to New York in 1983. He appeared in Broadway and off-Broadway shows and also did some television -- his early roles included the portrayal of a white supremacist responsible for multiple murders in an episode of Homicide: Life on the Street. In that same vein, Simmons first gained wide exposure as Vern Schillinger, the leader of an Aryan Brotherhood-type organization in prison in the HBO series Oz.

Parlaying his small-screen notoriety into feature film opportunities, Simmons had a small part in the 1997 thriller The Jackal and played a leading role in Frank Todaro's low-budget comedy Above Freezing, a runner-up for the most popular film at the 1998 Seattle Film Festival. Also in 1997, Simmons increased his television prolificacy by taking on the role of Dr. Emil Skoda, the consulting psychiatrist to the Manhattan district attorney's office in the series Law and Order.

By 1999, Simmons was showing up in such prominent films as The Cider House Rules and the baseball drama For Love of the Game, directed by Sam Raimi. The director again enlisted Simmons for his next film, 2000's The Gift. After a supporting turn in the disappointing comedy The Mexican, Simmons teamed with Raimi for the third time, bringing cigar-chomping comic-book newspaperman J. Jonah Jameson screaming to life in the 2002 summer blockbuster Spider-Man. In 2004, he would reprise the role in the highly anticipated sequel, Spider-Man 2. That same year, along with appearing alongside Tom Hanks in the Coen Brothers' The Ladykillers, Simmons continued to be a presence on the tube, costarring on ABC's midseason-replacement ensemble drama The D.A. ~ Bruce Eder, All Movie Guide
1998  
 
A youngster dies of a virus at a day-care center. As detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) trace the source of the illness, evidence is unearthed of embezzlement and an extramarital affair. Somehow these diverse elements are all bundled together when A.D.A.'s McCoy (Sam Waterston) and Carmichael (Angie Harmon) target a drug manufacturer for prosecution. ~ Hal Erickson, All Movie Guide

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1997  
 
In another case "ripped from today's headlines," a trail of gruesome clues leads to the conclusion that a newborn infant has been killed. The main suspects are a pair of college-student lovers, who insist that the child was stillborn -- and besides, both have an airtight alibi. Once the case finally gets to court, the Defense plays mercilessly upon the heartstrings of the jury. ~ Hal Erickson, All Movie Guide

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1997  
 
In the second of Law & Order's three "crossovers" with the Baltimore-based NBC crime series Homicide: Life on the Street, a teenaged model dies on the streets of New York, apparently the victim of toxic-shock syndrome. An autopsy reveals that the girl had been raped, a crime that would have to have been committed while she was in Baltimore. Thus, detective Lennie Briscoe (Jerry Orbach) calls in his Baltimore counterpart, John Munch (Richard Belzer), to assist in the investigation. Meanwhile, New York assistant DA McCoy (Sam Waterston) finds himself locked in a jurisdictional battle with the Baltimore DA -- a battle complicated by the actions of the dead girl's parents. In addition to Richard Belzer, Homicide regulars Jon Seda (Falsone) and Yaphet Kotto (Giardello) also appear. The first episode of the two-part "Baby, It's You" aired as the November 11, 1997, installment of Law & Order; the conclusion was seen November 14 on Homicide: Life on the Street. ~ Hal Erickson, All Movie Guide

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1997  
R  
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In Moscow, after FBI deputy director Carter Preston (Sidney Poitier) and scarred Russian intelligence officer Valentina Koslova (Diane Venora) bring down a key figure in the Russian Mafia, they are threatened by the criminal's powerful brother who swears vengeance on the FBI and immediately hires a professional assassin, the Jackal (Bruce Willis) to kill a leading American political figure. A master of disguises, the Jackal believes in total perfectionism and demands $70 million for the job. The FBI suspects the Jackal is aiming for the FBI director, so they consult with former Basque terrorist Isabella (Mathilda May), in Virginia, and Isabella's former lover, IRA operative Declan Mulqueen (Richard Gere), serving a prison sentence. Promised leniency, Mulqueen agrees to help. Meanwhile, the Jackal prepares false passports, secures a customized computer system to run his Gatling gun, and heads toward his target in Washington, D.C. ~ Bhob Stewart, All Movie Guide

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Starring:
Bruce WillisRichard Gere, (more)
1997  
 
A young girl from a wealthy family is killed in a suspicious fire. Confronted with an incriminating answering-machine message, the teenaged stepbrother of the victim confesses. Things take an even more sinister turn when D.A. Schiff (Steven Hill) tangles with the wealthy and well-connected grandfather of the accused. Robert Vaughn makes his first Law & Order appearance as powerful, paranoiac millionaire Carl Anderton. ~ Hal Erickson, All Movie Guide

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1997  
 
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Seen mostly through the eyes of wheelchair-bound prisoner Augustus Hill (Harold Perrineau Jr.), who serves as narrator and "tour guide," the first season of Oz begins with the establishment of a "prison within a prison" on Cell Block 5 of Oswald Maximum Security Penitentiary -- aka "Oz." Under the watchful eyes of Warden Leo Glynn (Ernie Hudson), Tim McManus (Terry Kinney) serves as unit manager of Cell Block 5, which he rechristens the Emerald City. It is the hope of the idealistic McManus that by allowing the prisoners more freedom and privileges, and getting them used to a daily routine, they will become rehabilitated more quickly. Perhaps it goes without saying that McManus is in for a lot of disillusionment and disappointment during the eight episodes of season one. Newly interned at "Em City" are former lawyer Tobias Beecher (Lee Tergesen), nervously serving time for murder; famed Muslim leader Kareem Said (Eamonn Walker), who calmly informs Warden Glynn that he intends to become "top man" at Oz; pro basketball player Jackson Vayhue (Rick Fox); and cannibalistic serial killer Donald Groves (Sean Whitesell). Their assimilation into the prison population is uneventful until Governor James Devlin (Zeljko Ivanek), who has sailed into office on a platform diametrically proposed to Glynn's "coddling" of prisoners, orders the removal of such newly installed privileges as smoking and conjugal visits. Going one step farther, Devlin reinstates the death penalty, resulting in the immediate execution of one of the Em City "residents." Clearly, this does nothing to alleviate the tension between cons and guards -- nor, for that matter, between the various powerful factions within the population. In the course of events, an undercover narc is found hanged in his cell, another prisoner is set afire, the Oz staffers wrestle with the problem of what to do with elderly inmates, a turf war breaks out over a game of checkers, and Kareem Said suffers a heart attack. The season ends with a bloody and destructive riot -- with no indication as to who will survive to appear in season two. ~ Hal Erickson, All Movie Guide

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Starring:
Ernie HudsonTerry Kinney, (more)
1996  
 
This episode of Homicide: Life on the Street is the conclusion of "Charm City," a two-part story introduced on the TV series Law & Order. Baltimore homicide detectives Pembleton (Andre Braugher) and Bayliss (Kyle Secor) have gone to New York to investigate a subway bombing which may be linked to a similar case that occurred in their own city five years earlier. It soon becomes clear that their investigation is being thwarted by a widespread official coverup. Also involved in the case are three Law & Order regulars: detectives Rey Curtis (Benjamin Bratt) and Lennie Briscoe (Jerry Orbach), and ADA Claire Kincaid (Jill Hennessy). The presence of Briscoe ticks off Baltimore detective John Munch (Richard Belzer); it seems that Lennie was once intimate with John's ex-wife. ~ Hal Erickson, All Movie Guide

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Starring:
Richard BelzerAndre Braugher, (more)
1996  
R  
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Comic leading man Hugh Grant gets serious in this drama about a physician who uncovers a truly disturbing secret. Guy Luthan (Hugh Grant), a British doctor serving a residence in a hospital in New York City, is very puzzled by a patient brought to the emergency room one night. Naked, disoriented, and bearing a hospital bracelet and a fresh surgical scar, the mystery man is suffering from a baffling variety of symptoms, and though he dies not long after he's admitted, Luthan can't get the patient out of his mind. When he asks to see the records on the patient a few days later, he's told they no longer exist, and the more he digs, the more he's convinced that someone knows something they're not telling. Against the advice of his friend Jodie Trammel (Sarah Jessica Parker), a nurse and colleague, and the instructions of his superiors, Luthan keeps digging into this and other strange cases that have come through the hospital lately. Luthan's sleuthing eventually brings him to the door of Dr. Lawrence Myrick (Gene Hackman), a well-known surgeon who is doing research in experimental surgery that could allow patients with severe spinal injuries to walk again. While Myrick's work is done with the most noble of intentions, there turns out to be a sinister undercurrent to his research techniques. Actress Elizabeth Hurley, Grant's offscreen significant other, was co-producer for this picture, the first from their joint production company. ~ Mark Deming, All Movie Guide

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Starring:
Hugh GrantGene Hackman, (more)
1994  
R  
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Caroline and Lloyd (Judy Davis and Kevin Spacey) are a married couple constantly at each other's throats, masters at crafting acid-tongued barbs at the other's expense. Indeed, they are so obsessed with belittling each other that they never stop -- not even at gunpoint. Such is the premise of the acerbic comedy The Ref, which shows what happens when this quarrelsome duo is taken hostage. The gunman is Gus (Denis Leary), a thief on the run from the police, who kidnaps the couple as an insurance policy, planning to use their home as a hideout. But their incessant bickering proves more than Gus bargained for, forcing him -- for the sake of his own sanity -- into the unenviable role of peacemaker. To make things even worse for Gus, he discovers that he has taken the couple hostage the night of their big Christmas party, and the guests are already on the way. Not wanting to leave Lloyd and Caroline unattended, Gus opts to attend the party, pretending to be the couple's marriage counselor. This naturally leads to a series of comic confusions, as the hostage crisis and marital tensions head towards their inevitable conclusion. ~ Judd Blaise, All Movie Guide

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Starring:
Denis LearyJudy Davis, (more)
1994  
 
A 12-year-old Harlem youth is killed in a hit-and-run. The driver, an elderly Jewish man named Joshua Berger (Michael Constantine), is not indicted. This is all it takes for outspoken (and blatantly bigoted) black activist Reverend Ott (Tony Todd) to foment racial tensions that explode in violence. The scenes involving Assistant D.A. Stone (Michael Moriarty) and black defense lawyer Shambala Green (Lorraine Toussaint) are among the most powerful ever seen on Law & Order; small wonder that "Sanctuary" was cited by TV Guide as one of television's best individual series episodes. As a bonus, actor J. K. Simmons, who later became a series semiregular in the role of police psychologist Dr. Emil Skoda, is here seen in an entirely different characterization. ~ Hal Erickson, All Movie Guide

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1990  
 
"In the criminal justice system, the people are represented by two separate, yet equally important, groups: the police, who investigate crime, and the district attorneys who prosecute the offenders. These are their stories." With this pithy but all-inclusive prologue, thus began each hour-long episode of Law & Order, American network television's longest-running police drama.

This was not the first such program to equally divide its time between the arrest and the trial; indeed, there had been a series precisely titled Arrest and Trial back in 1963. But Law & Order was easily the most popular and successful of the batch, and as the series eased gracefully past its 11th, 12th, and 13th season, it was very likely that its creator and executive producer Dick Wolf would fulfill his dream of matching and even surpassing the longevity of Gunsmoke, which lasted 20 years, setting a record as American network television's most durable dramatic series. Although Law & Order boasted a large and fluid ensemble cast, there were no real "stars" per se, save for the city of New York (a point made by scores of TV historians, notably Tim Brooks and Earle Marsh). Virtually every episode starts out with the discovery of a dead body or evidence of a violent crime. A pair of NYPD detectives arrive on the scene, begin gathering evidence and eyewitnesses at the behest of their superiors, and -- generally after a handful of frustrating dead ends and false leads -- manage to collar the principal suspect. The story then shifts to the offices of the DA, where a team of brilliant prosecuting attorneys do their best to build a case against the accused, dodging the obstructive tactics of defense lawyers all along the way. Even when the case gets to court, the story is far from over, with several twists and turns -- and usually a shocking and unexpected denouement -- awaiting both the prosecutors and the viewer.

The series made its NBC network debut Thursday, September 13, 1990, moving to its originally scheduled Tuesday-night slot October 23. The fact that Law & Order was frequently pre-empted by network specials indicated that NBC wasn't all that sure of the series' success. By the end of the first season, however, the ratings, if not spectacular, were good enough to warrant a renewal -- while backstage intrigues assured that the series would undergo the first of its many abrupt cast changes. ~ Hal Erickson, All Movie Guide

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